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#East Bear
hirocimacruiser · 2 months
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East Bear 4 door R34 GTS-R and S15 Silvia aero kits plus Sport / Race seat range.
MASTERPIECE
What is the “Masterpiece” series?
``Master piece'' When translated into Japanese, it means ``a masterpiece.'' The reason why we chose this name as a new brand for body kits is that the R34 and S15 body kits we have created this time are products that East Bear is more confident than ever in recommending to everyone as a new era of aero. Because we developed it and it turned out to be something wonderful. At the moment, there are only two cars, R34 and S15, but we will continue to develop other cars as well, so we will make every effort to offer them to people who drive cars other than the two mentioned above. We look forward to your continued support of the upcoming “Master piece” series.
MASTERPIECE R34GTS-R Overview
The functional beauty of the aerodynamics of the flagship model GT-R, which is equipped with the last straight-six of the second generation, is fed back to the GT. At the front, the bumper and lip spoiler are split type, and the bonnet is made of FRP and carbon to improve the turning performance of the front. The side step has a simple design but has a strong presence. The rear is our first full bumper type product. It has a diffuser with the same shape as the GT-R, and by creating a voluminous design without using a continuous line from the rear door, it also gives an impressive rear view. Expressing the new “GTS-R” form.
Masterpiece S15 overview
The design is more reminiscent of the sense of speed that the S15 has. The bumper is designed to give a sense of dynamism while minimizing the increase in volume, and the side steps are designed to further emphasize the character of the S15 and continue into the rear mat guard. And by using a mat guard, we created a feeling of lightness.
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happyroadkillart · 10 months
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what did he mean by this
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classic-asian-art · 8 months
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Bear In Snow, 1940 (colour woodblock print) by Takeuchi Seiho
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lionofchaeronea · 5 months
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Black Bear Cub, Mori Shūhō, 1799
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swordsmans · 2 months
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i just really, really love the idea of zoro having no real "survival skills" because he had a much more traditional (if atypical) childhood/youth than most of the crew. bandit heritage aside, he was raised in a tight-knit and relatively peaceful community with (at best) agricultural outskirts. he doesn't leave until he's much older, at which point he becomes a bounty hunter as a way to make money (to pay for food, shelter, etc. presumably in villages, towns, and cities). we know from the non-canon johnny and yosaku backstories that he "hunted" for bounties in cities/towns, at least partially.
meanwhile luffy has been running around the wilderness since he was like seven years old, securing his own food, building fire and shelter, and just generally toughening up/learning how to live in nature. we know he had a pretty extensive knowledge of bugs and how to catch them, so with that + his childhood i don't think it's a stretch to assume he also has an understanding of edible plants and non-monstrous wildlife (even if its not all applicable outside the East Blue). he's survived on his own in the wilderness for years at a time at least twice in canon.
i think it's fun to think of them having... some sort of "zoro is lost in more ways than one" kinda vibe early on in their journey, especially since they're constantly broke pre-timeskip and we know that at least by little garden the crew has started hunting and foraging to supplement their stores. you could absolutely rope the rest of the east blue grew into this, but zoro is still sort of the outlier with his background.
i dunno. maybe i just like the image of luffy trying to teach zoro how to hunt or fish and both of them just having the dumbest time with it. luffy would be really earnest but impatient--and zoro would be stubborn about admitting he doesn't know shit but would still listen and absorb anyway.
luffy having no clue how to start small and work up to new skills, so they end up going after massive wild boars or something as a first or second lesson and zoro just rolls with it because sure, yeah, thats normal. what the hell does he know? (and also hes fucking. zoro. so.)
or luffy teaching zoro to fish normally but also like a bear fishes (standing knee-deep in the water and catching fish with his bare hands) because it looks more fun that way and he cant. and zoro just fucking up soooo bad but getting really competitive anyway, even though luffy is just, like, sitting on a nearby rock yelling (frankly terrible) directions at him or something. zoro catches nothing and luffy tells him he looks stupid getting angry at the river so of course zoro is going to master fucking. bare-handed fishing because the man's got one braincell and its 99% stubborn pride.
he fucking sucks at starting a fire, wouldnt even consider building proper shelter, and in general would not make it 0.2 seconds outside a populated environment without his captain--a guy raised by the jungle and ace, who was basically a wild animal himself.
idk. survival-competent luffy is very near and dear to my heart.
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ride-a-dromedary · 3 months
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gnnosis · 10 months
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on brothers
[ jewish literacy, rabbi joseph telushkin / the bear 2x06 + 2x10 / east of eden, john steinbeck / succession 3x09 / “brothers,” kevin atwater / the west wing 6x16 / prison break 5x04 / greywaren, maggie stiefvater / boy (2010) / “he ain’t heavy, he’s my brother,” the hollies ]
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miredball · 4 months
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Some Mikey and Sydney Paper Parallels in Season One of The Bear—a few of notes:
Mikey’s death notice and Sydney’s resume both appear in the pilot episode of the series. Mikey’s appear first, informing us of a loss. The bible verse in context refers to a most faithful servant Daniel who is judged ‘innocent’ by God and freed from a lion’s den. The first line of the verse reads “My God hath sent his angel…”
A scene or two later Sydney appears in the kitchen with a resume in hand, effectively a proof of life.
Both Mikey and Sydney leave recipes for Carmy to find. Both of those frames are from the last episode of Season One. Do with that what you will.
The shot of Sydney walking in + the close-up of Carmy’s reaction so purposefully mirrors that flashback of Mikey in the kitchen looking back at Carmy. The latter evokes the idea that this may be Carmy’s last memory of his brother: in the kitchen, a flash of a smile, his back to him. The harsh bright yellow light seems like it might expand any minute and completely envelop this memory until it’s blank and forgotten; maybe this memory is close to fading and the bright light ahead of Mikey has come to take him. Carmy looks a little lost.
Meanwhile, when Sydney walks in the image is clearer—Carmy is clearer and more certain. It is his face that lights up and fills the frame. Set in a kitchen, and met with a similar flash of a smile, here Carmy is seeing a new kind of hope. Sydney returns and brings in the possibility of a future, a salvation from the ruins of his brother and the bones of his life’s work. Again: “My God hath sent his angel…”
As if a little bow to wrap it up, only with Sydney alongside him does Carmy make his and his brother’s dream come to life. The drawing escapes its frame, becomes three-dimensional, it gains a name. The dream becomes real because of Sydney.
P.S. Of course Sydney’s arc and meaning as a character does not revolve around the Berzattos. She has her own histories and pain as seen in these parallels, however thematically she serves as a kind of index to Mikey. Her being new to that kitchen reminds us of what is old, what has passed. Though Mikey kinda lives through her ambition, Sydney lives NOW. She is symbolic of a future. She is *the* future. And because of what she symbolizes, we want Carmy to propel himself forward and join her. Jury’s still out on that.
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mrkida-art · 1 year
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Beornings from the East
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arthistoryanimalia · 2 months
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#InternationalPolarBearDay:
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Vase In The Form Of Two #PolarBears Inside An Icy Cave 'Makuzu' ware, Miyagawa Kozan workshop,Yokohama, Japan, c.1900-10 porcelain with decoration in underglaze turquoise & brown, H 22.2 cm x D 15.9 cm Victoria and Albert Museum C.244-1910: https://collections.vam.ac.uk/item/O39341/vase-miyagawa-kozan/ "From the late 19th century, the Makuzu workshop produced porcelain for the Western market. The source of inspiration for this remarkable object was models of polar bears made by the Royal Copenhagen Manufactory. The icy effect was created using experimental glaze techniques."
PS: there is a similar, slightly larger piece in the Khalili Collections:
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kendallroyscoke · 2 months
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my irish people ✊🇮🇪
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zolu-manga · 3 months
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Chapter 7: Friends (8 September 1997)
The Cover features Luffy eating bread and painting a Jolly Roger on a bear (and the back of a bird) while Zoro rests on a tree next to him (being screamed at by another bird... Oda predicting twitter).
In this Chapter, Zoro has his first meal after 9 days, saying that not eating for so long was worse than he thought. He also looks pretty excited to go together with Luffy to the Grand Line.
Luffy states that, even if they go on separate ways, he and Koby will always be friends.
At the end of the Chapter, Luffy and Zoro leave Shells Town.
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bambinification · 2 months
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The fact that the cosmic being in Angel Hare is genuinely a good guy who loves the protagonist and not a surprise twist villain is So fucking empowering. I'm so fucking normal about this series
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the-monkey-ruler · 3 months
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New Gods: Nezha Reborn (2021) 新神榜:哪吒重生
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Director: Zhao Ji Screenwriter: Wang Wei Starring: Yang Tianxiang / Zhang He / Xuan Xiaoming / Li Shimeng / Zhu Ker / Ling Zhenhe / Liu Ruoban / Zhang Yaohan / Zhang Zhe / Gao Zengzhi / Guo Haoran Genre: Action / Animation / Fantasy Country/Region of Production: Mainland China Language: Mandarin Chinese Date: 2021-02-12 (Mainland China) Duration: 116 minutes Also known as: 新封神:哪吒重生 / New Gods: Nezha Rebirth IMDb: tt13269670 Type: Reimanging
Summary:
Three thousand years ago, the world was in turmoil, and humans and gods encountered a great catastrophe. Unexpectedly, a ray of Nezha's soul escaped from the net of heaven and earth and was reincarnated. In this life, humans and gods coexisted with Li Yunxiang, a passionate young man in Donghai City who loves motorcycles. However, the Dragon Clan did not let go of its grievances against Nezha. Li Yunxiang, who had the soul of Nezha, could not escape the fate of being driven out and killed by the Dragon Clan. The East China Sea is at stake. Can Li Yunxiang fight side by side with Nezha Yuanshen and become a hero against the dragon clan? Can the people of Donghai City be saved?
Source: https://movie.douban.com/subject/34779692/
Link: https://www.bilibili.tv/en/video/2047380689?bstar_from=bstar-web.search-result.0.0
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cmonbartender · 7 months
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East of the Sun and West of the Moon (1889) - Henry Justice Ford
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warcrimesimulator · 2 years
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A Kamchatka brown bear (Ursus arctos beringianus) hunting in Kurile lake, Kamchatka
Photo © Jean-Luc Riedo
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