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alieniptv360 · 1 year

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Internet Protocol Television, or IPTV, is a way of delivering television shows that uses the internet rather than satellite or cable networks. It means that instead of being tethered to a TV set, you ma watch TV programs online using a computer, a laptop, or a mobile device.

While some IPTV box subscription in canada provide free options, the vast majority charge a platform fee. IPTV premium versions are typically less expensive than traditional cable subscriptions.

OTT services such as Netflix and online video-sharing websites such as YouTube are distinct from the IPTV delivery approach, yet they have many commonalities. Customers of IPTV, for example, may access live broadcasts as well as video-on-demand (VOD) programs.

Pricing Plans:

Alieniptv360 subscription in Canada has five distinct pricing plans: one connection, two connections, three connections, four connections, and five connections with useful features.

To learn more about the pricing plans, visit https://alieniptv360.com/

Benefits of Alieniptv360

One of the most significant advantages is the viewer's ability to watch their favourite shows from any location and at any time. This turns out to be less expensive than the cable bundles you may be familiar with. The cost is typically better, and there are a variety of titles from which a subscriber can choose. Previously, users had to choose cable bundles that included shows they were interested in. You may pay for what interests you and ignore everything else. With IPTV Channel Subscription in Cananda, you may take your business to the next level.

It is gradually replacing television services that supply channels via satellite signals and cable formats, as it may simply use local networks to transmit channels and many shows. It is quite popular since it represents live television and allows users to request programs and films from a list and view them whenever they want. Finding a paid IPTV Channel Subscription in Canada is required, followed by the installation of a set-top box connected to one's network, and then one can easily watch their favourite shows or movies without interruption. Take your company to the next level with IPTV Box Subscription in Canada from https://alieniptv360.com/.

What Should You Look for in a Canadian IPTV Year Subscription?

Here are some important considerations to consider while selecting an IPTV channel subscription in Canada:

· It is vital to choose a service that provides a wide range of channels and VOD.

· Make certain that your iptv channel subscription in Canada includes HD, 4K, and 8K channels.

· Your IPTV supplier should also include a variety of features such as DVR, apps, and an EPG.

· Security elements such as a virtual private network (VPN) and content encryption should be included. A 99.99% uptime is also required.

· Your IPTV service provider supports a wide range of devices, including Firestick, Apple TV, Android, Smart TV, Windows, and others.

· Finally, you should always obtain a value-added IPTV subscription.

Conclusion:

These IPTV box subscription in canada providers are well-known for delivering end-to-end security, military-grade infrastructure, multiple monetization tactics, and a devastating variety of tools that function as eagle eyes for users.

Finally, if you want the best overall IPTV service, Alieniptv360 is one of the top possibilities.

#IPTV box subscription in canada #alieniptv360

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apolloiptv241 · 1 year

Text

Internet Protocol Television, or IPTV, is a delivery method for television programs that uses the internet as opposed to satellite or cable networks. It implies that you may watch TV episodes online utilizing computer, a laptop, or a mobile device as opposed to being hooked to a TV set.

While some IPTV subscription providers free choices, the majority charge a platform fee. The paid versions provided by IPTV are frequently less expensive than conventional cable subscriptions.

OTT services like Netflix and online video-sharing websites like YouTube are different from the IPTV delivery strategy, yet they also have many similarities. Customers of IPTV, for instance, may see live broadcasts and video-on-demand (VOD) programming.

IPTV year subscription in Canada are the most convenient option to view live television. A typical IPTV service offers a large number of channels at a reasonable price. They provide 99.99% server uptime, superb visual quality in 4K, 8K, and HD resolutions, and a steady connection that does not buffer or freeze.

Type of IPTV Providers:

There are two types of IPTV subscription providers: legitimate IPTV providers and unauthorized IPTV providers.

Trustworthy app retailers like Google Play, Amazon, and Apple provide verified services. Giants like Amazon or Google create security measures that guarantee total security when they approve programs for usage in their app marketplaces.

On the other hand, reliable app shops do not list unverified IPTV providers. These live TV providers provide channels that lack broadcast licenses. You might occasionally need to download an additional app in order to use these platforms.

https://myiptv360.com/ Iptv subscription provided both verified & unverified services.

Why Choose Us?

· HD Sports

· Compatibility

· Re-seller Plan

· Great Support

· Server Stability

· Video on Demand

What Should You Look for When Choosing an IPTV year subscription in Canada?

Here are some crucial factors to consider while choosing IPTV year subscription in Canada:

· It is critical to select a provider that offers a diverse selection of channels and VOD.

· Make sure when you choose iptv year subscription in Canada has HD, 4K, and 8K channels.

· Your IPTV service provider should also give a number of services such as DVR, apps, and an EPG.

· It should include security features such as a virtual private network (VPN) and content encryption. Uptime of 99.99% is also critical.

· Your IPTV provider is compatible with a variety of devices, including Firestick, Apple TV, Android, Smart TV, Windows, and others.

· Finally, you should always get an I-ius value.

How Does IPTV Works?

Traditional television broadcasts programs by converting them into radio waves and beaming them through the air to a rooftop antenna on your home. The antenna turns the waves back into electrical impulses, which your television decodes to produce sound and picture.

Conclusion:

These IPTV subscription providers are well-known for providing end-to-end security, military-grade infrastructure, numerous monetization strategies, and a lethal array of tools that act as eagle eyes for consumers.

Finally, if you want the greatest overall IPTV service, myiptv360 is one of the best options.

Location: Canada

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veworclicks · 2 years

Text

Arduino usb host shield library

#ARDUINO USB HOST SHIELD LIBRARY SERIAL#

#ARDUINO USB HOST SHIELD LIBRARY DRIVERS#

#ARDUINO USB HOST SHIELD LIBRARY PORTABLE#

#ARDUINO USB HOST SHIELD LIBRARY ANDROID#

#ARDUINO USB HOST SHIELD LIBRARY CODE#

Connecting docking station or other devices with TV and display epic picture up to 4K high definition. The package comes with one meter long HDMI wire with durable material. Same amount of ports for USB controllers and HDMI ports for TV.

#ARDUINO USB HOST SHIELD LIBRARY PORTABLE#

Replacement For Official Nintendo Switch Dock: This dock is only 48g(1.7 oz), which is much more portable and lightweight than official switch dock, ideal replacement for taking out anywhere.

Our switch docking station have professional technical support, after repeated testing, with the highest quality assurance! Built in smart original chip, having Short-circuit Protection, Over Power Protection, Recovery Protection and Overheating Protection.

Ventilation Holes Design & Smart Chip System: Oversized venting on both sides of the switch stand, so don't worry about ventilation holes will be blocked and affect equipment cooling.

We promise 100% satisfactory after-sales service,45 days unconditional refund, Up to 12 months warranty (repalcement) ,so that your purchase has no worries.

#ARDUINO USB HOST SHIELD LIBRARY ANDROID#

Built-in high sensitive smart touchpad with 360-degree flip design.Ideal for devices such as PC Laptop Raspberry Pi 2-3 MacOS Xbox 360 Xbox One PS3 PS4 Google Android TV Box HTPC IPTV and so on.For our i8+ 2.4G Wireless keyboard can work with Amazon Fire TV.Special Notice: if you want to use this keyboard with Amazon Fire TV 4K and Amazon Fire Stick you need to prepare a Micro USB host OTG cable.

Its operational range is up to 25 meters. And, it can be used as a remote replacement.

Wireless Remote Control: The keyboard can be connected to devices that have a standard USB interface using a mini receiver.

At the same time, it also looks like a really keyboard for PC or Notebook. There are 2 round polorus on the right and left side of the keyboard.

Game Handle Design: The mini wireless keyboard android is designed like a handle for game player.

Touchpad which supports multi-finger functions, A single finger click as left mouse function two-finger click as the right mouse function double finger drag as the rolling screen.

3 in 1 MultiFunction: 2.4GHz Mini Wireless QWERTY keyboard ＆TouchPad combo＆ LED backlit with USB interface adapter.

Lauszus on Teensy 3.0 now supported by the USB Host library.

Potts on Reading rotary encoder on Arduino PS Remote Controller Bluetooth stack by Cubexed

PTP and camera libraries repository on github.

Introduction to interfacing to cellphones.

Richard Ibbotson’s modified USB and PS3 library with extra NAK handling to be used with his PS3 and Nintendo game controller routines.

Legacy USB Host library, stable revision.

Hardware documentation – schematics, Eagle CAD files, PCB Gerbers.

#ARDUINO USB HOST SHIELD LIBRARY DRIVERS#

Mass Storage Class – USB flash drives, memory card readers, external hard drives/CD-ROMs, smartphones, etc.įuture plans include development drivers for communication devices, such as WiFi and cell phones, and support for other USB Host controllers.Xbox360 controller over wired USB as well as via a wirelss receiver.PTP with Canon EOS and Powershot extensions, as well as Nikon DSLR cameras.

#ARDUINO USB HOST SHIELD LIBRARY SERIAL#

USB to serial converters, including CDC ACM, Prolific PL2303 and FTDI FT232.The following device classes are currently supported: Current revision of the library (r2.0) supports MAX3421E host controllers, general USB functionality, enumeration of up to 44 devices with USB hub support, and MAX3421 GPIO pins access. The shield exists in configurations compatible with 5V and 3.3V Arduino boards.

#ARDUINO USB HOST SHIELD LIBRARY CODE#

The initial goal of the project was to develop Arduino code supporting USB Host controller in order to communicate with USB peripherals, such as keyboards, joysticks and cameras. This is a summary page for USB Host Shield project that I started in the spring of 2009. Primary target platform is Arduino, however, it can also be used with any other micro equipped with SPI interface. The board supports USB 2.0 full/low speed operation. USB Host Shield is an inexpensive ( $25 for the full-sized board and $20 for the Mini variant ) development board designed to be used in embedded applications which require USB Host functionality.

#Arduino usb host shield library

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bts-weverse-trans · 3 years

Photo

210104 Weverse Magazine ‘Be’ Comeback Interview - Suga

SUGA “I'm grateful that there are still unvisited areas in the world of music” BTS BE comeback interview 2021.01.04

SUGA has this way of talking passionately with a deadpan look on his face. Full of passion about his life and music.

How is your shoulder? SUGA: Good. I think it’ll get even better once I take off this brace. Apparently, it takes several months for a full recovery, but I'm trying to get better as fast as possible.

How does it feel like to have resolved a problem that has distressed you for long? SUGA: First of all, I'm glad. The pain is one thing, but when my shoulders got worse, I couldn't even raise my arms. But when I heard that this might recur when getting the surgery at a young age, I waited for the right time and had decided to get it done early next year regardless of the COVID-19 situation. I had planned to get the surgery after the year-end stages, but I got it done this year (2020) because my doctors advised me to start preparing early for next year’s promotions and activities.

Is that what made you join the promotion as much as possible? You shot lots of video footage in advance and you even appeared in the Mnet “2020 MAMA” through VR. SUGA: Fake SUGA (Laughs). There’s this 3D studio where we shot it. I shot, scanned, and acted there, but couldn't see the actual result at the studio. I thought a sense of displacement was unavoidable, and that was exactly the case. (Laughs) I acted normal because it would have been aired anyway even if I hadn’t had the surgery, but it seems a lot because it’s aired after the surgery.

You must feel restricted not being able to go on stage. SUGA: The thing is, it's only been a month after I got surgery, but my absence on stage is so apparent. But my doctors keep telling me that I shouldn't be impatient and in fact, many athletes get a resurgery when they return to the field without proper rehabilitation. So I'm working on trying to care less. For the first two weeks after surgery, I felt so frustrated that I tried out new things. I even watched movies I didn't watch.

Could you elaborate on that? SUGA: A lot of candidates on ‘Sing Again’ are very talented but hadn't had the opportunity, and on ‘Folk Us’, I noticed that many took their own guitars on stage. I started playing the guitar lately and I'm having this urge to broaden my scope of music. And since my interest in the music industry in the U.S. grew, I'm getting prepared, studying English and all.

What fueled your interest? SUGA: In some ways it’s the most commercially developed market. You could lose the industry attention in a flash if it's not feasible. So in this system, you would try everything and that would be an efficient way. I want to do music for a long time, and to this end, I always want to learn more about the global music industry because I want to do music that’s loved not only in Korea, but also in the U.S., Japan and Europe.

Speaking of which, it seems BE was influenced from music of the past rather than today's trends. SUGA: I especially like impromptu music. I love the songs that were made in one take instead of being recorded several times. In this era of crossover genres, the desire to do better in music is growing inside me.

As the genres become more blended, the melody you use must be more important. Does starting to play the guitar affect your composing in any way? SUGA: I always liked using guitar sounds. And I have always liked the Eagles. If you play the guitar, it’s way easier to write songs because you can carry it along wherever you go, pluck on the strings to create melody lines. Keyboards are difficult to carry around. (Laughs) I usually work on my laptop but I had this thought that I definitely needed an instrument. It accelerates my work and improves my understanding of chords.

It makes me think you could intuitively make melodies. SUGA: It’s easier to write a song because you can intuitively make a progression and try many different things. During my work on ‘Eight’, IU had recorded and sent me a song from her phone. At the time I couldn’t play the guitar, so we tried to make sure we’re working on the same page when keeping track of each other's progress. That made me feel the need to learn an instrument.

When I listen to your singing, it feels like you’re hitting the beats rather than singing along the notes. So I thought perhaps you're singing as if you're rapping. SUGA: When you're rapping, you just think of the rhythm, so it’s like simply putting on a melody to a rhythm. To define which comes first, I think melody adds to it while writing the rap.

In ‘Life Goes On’, the lyrics ‘Thankfully between you and me, nothing’s changed’ are somewhere in between. It's not rap but it’d be mundane to say it's a mere melody. SUGA: There are obviously songs where the rap needs to be highlighted. For example, in ‘Dis-ease’ or ‘Ugh!’, you have to be good at rap. But in songs that should be easy to listen to, impressive raps are not always the way to go. Sometimes, you want smooth transitions without obstacles.

In that sense, the rap flow of ‘Blue & Grey’ was impressive. Rather than a dramatic effect that emphasizes each part, you extended the rap just as much as the slowing beat. SUGA: To be honest, this beat is difficult to rap to. The beginning of the song only has a guitar line, which made it even more difficult. I participated when we wrote lyrics for ‘Blue & Grey’ and I've always wanted to work on a song like this. It was because verse 1 talks about the theme of the song.

Many creators are unsure even after they’ve produced good work. How do you get the conviction to release your work? SUGA: Many musicians are unsure whether they should release their music or not. It was the same for me, but the thing is, you’ll never release anything if you nitpick everything. For example, if we release 10 songs, we have a chance to unveil them in concerts or fan events. And sometimes, as we listen to the song, we think, ‘Why does this part that had bothered me no longer bother me?’ Some things might feel awkward at some point, but in time, it no longer feels awkward. Even I forget about it. So it's more efficient to fine tune, looking at the big picture, rather than thinking too much about the details. On top of that, during promotions, I don’t have the time to pick tracks that others have sent for 10 hours. It would be a success for all of us if each of us play and write a melody in their own time and collaborate with others on the details. So the way of songwriting has evolved in many aspects.

What motivated such evolution? SUGA: I think it evolved naturally. I've changed in personality this year (2020), as well as in terms of my interpretation and attitude toward life to the extent that I almost thought I've been rehearsing. How would it feel like if there were no stage to go to or anyone looking out for me? This thought made me realize the value of these things.

In ‘Dis-ease’, you sing ‘I don’t know if it’s the world that's sick’. Was it this lifestyle that changed your thoughts about your work? SUGA: Yes. When I was young, I had embraced the belief that ‘It must be my fault’, but as I got older, I realized that this is not always true. Most of what I had thought was my fault was in fact, not my fault. On the other hand, there are things that I did well and times I had been lucky.

‘I NEED U’ came out during a time when you were still thinking, “It must be me”. After the members put on a stage with ‘I NEED U’ in KBS' ‘Song Festival’, you wrote on Weverse, “It’s the same as five years ago.” How would you compare with back then? (This interview was held on December 19, 2020.) SUGA: We've matured quite a bit. And our stage performances have become more natural. I still like ‘I NEED U’. Just listening to the beat makes me sentimental, and above all, the song came out nicely. So as I was watching this and that when I stumbled across old videos. Watching them made me think that we haven’t changed much.

I'm amazed personally. I’ve had the chance to meet the members before your debut, but from your way of talking with members or others, it seems you haven't changed. SUGA: I think it's because we don’t give it a big deal about success. For example, it's incredible to be ranked first on the Billboards, but there’s also this sense of, “Okay, and?”

Even the Grammys? (Laughs) SUGA: When we got nominated for the Grammy Awards, we thought, ‘Is this real?’ (Laughs) Of course we were delighted, but it didn’t make us think, ‘We're singers nominated for the Grammy.’ If you're nominated, you're nominated, and if you get the award, you get the award. You don't get shaken by that. I know it's a great award and would be so grateful if we receive it, but we know that nothing is possible without the tremendous support of our fans. What’s more important is that the fans are more flattered than us when we receive a great award. So everyone's rejoicing, but it’s like, ‘Let's do what we have to do.’ We've been training ourselves to keep finding our places, so no one remains overexcited.

In ‘Fly To My Room’, there are lyrics that say, ‘This room is too small to contain my dream’, and ‘Sometimes this room becomes an emotional trash can, but it embraces me.’ I had this feeling that the room had been such a place and that you were accepting that you have changed. Then the essence must have remained the same. SUGA: It wasn’t easy to accept that we eventually change. But I think it's a good thing that we changed. What we did back then was possible only at that time, and we could change because of the things we had accomplished.

Then, what new things are you dreaming about? SUGA: I'm eager to continue doing music. Since all performances were canceled due to COVID-19, I had a chance to talk to so many musicians in Korea. I talked with legendary singers as well as people who are my contemporaries. Talking with them once again made me realize that I love music so much. Because music is my profession, I can’t imagine myself not doing it. I'm grateful that there are still unvisited areas in the world of music.

That must explain your interest in a broader spectrum of music from instruments to composing and musical genres. Because you want to be doing this for a long time. SUGA: My goal is to continue doing music in any shape or form. In that sense, I have this great respect toward Cho Yong-pil. He takes the best sound there is and reinterprets it into his own. I think that’s something I want to emulate and keep changing and evolving so that I can continue doing music for decades to come.

The lyrics ‘Thankfully between you and me nothing’s changed’ must sound more meaningful for the fans because they will be listening to your music for a long time. SUGA: A month and a half in the current times must seem like a lifetime for the fans when we're far apart. I feel the same. But I think that's proof that we worked hard for the past seven years and that the fans have been passionately reaching out to us. I'm striving to get to them as fast as I can, and I'm eager to go on stage. I'm going through this because I want to be better on stage in a better condition, so don't be sad, and please hang in there a little longer.

Trans © Weverse

#bangtan #yoongi #weverse #weverse magazine #Be Album #comeback interview #210104 #2021

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sugadaily · 3 years

Link

SUGA has this way of talking passionately with a deadpan look on his face. Full of passion about his life and music. How is your shoulder? SUGA: Good. I think it’ll get even better once I take off this brace. Apparently, it takes several months for a full recovery, but I'm trying to get better as fast as possible. How does it feel like to have resolved a problem that has distressed you for long? SUGA: First of all, I'm glad. The pain is one thing, but when my shoulders got worse, I couldn't even raise my arms. But when I heard that this might recur when getting the surgery at a young age, I waited for the right time and had decided to get it done early next year regardless of the COVID-19 situation. I had planned to get the surgery after the year-end stages, but I got it done this year (2020) because my doctors advised me to start preparing early for next year’s promotions and activities. How does it feel like watching the other members doing promotions? SUGA: I can't say it feels great. I could see the emptiness because we've been together as a group of seven for so long. Not necessarily because I'm not there but because something that should be there is missing? Is that what made you join the promotion as much as possible? You shot lots of video footage in advance and you even appeared in the Mnet “2020 MAMA” through VR. SUGA: Fake SUGA (Laughs). There’s this 3D studio where we shot it. I shot, scanned, and acted there, but couldn't see the actual result at the studio. I thought a sense of displacement was unavoidable, and that was exactly the case. (Laughs) I acted normal because it would have been aired anyway even if I hadn’t had the surgery, but it seems a lot because it’s aired after the surgery. You must feel restricted not being able to go on stage. SUGA: The thing is, it's only been a month after I got surgery, but my absence on stage is so apparent. But my doctors keep telling me that I shouldn't be impatient and in fact, many athletes get a resurgery when they return to the field without proper rehabilitation. So I'm working on trying to care less. For the first two weeks after surgery, I felt so frustrated that I tried out new things. I even watched movies I didn't watch.

What movies did you watch? SUGA: I watched ‘Samjin Company English Class’ as it happened to be on IPTV, and now I have ‘Tenet’ on my list. ‘Parasite’ was the last movie I saw at a cinema. As the social distancing measures became stricter, I haven’t been going outside, except going to the hospital. I even eat at home. I'm also watching a lot of TV nowadays. Watching music shows like ‘Sing Again’, ‘Folk Us’, and ‘Show Me The Money 9’ made me think of what I should do in the upcoming days. Could you elaborate on that? SUGA: A lot of candidates on ‘Sing Again’ are very talented but hadn't had the opportunity, and on ‘Folk Us’, I noticed that many took their own guitars on stage. I started playing the guitar lately and I'm having this urge to broaden my scope of music. And since my interest in the music industry in the U.S. grew, I'm getting prepared, studying English and all. What fueled your interest? SUGA: In some ways it’s the most commercially developed market. You could lose the industry attention in a flash if it's not feasible. So in this system, you would try everything and that would be an efficient way. I want to do music for a long time, and to this end, I always want to learn more about the global music industry because I want to do music that’s loved not only in Korea, but also in the U.S., Japan and Europe. Speaking of which, it seems BE was influenced from music of the past rather than today's trends. SUGA: I especially like impromptu music. I love the songs that were made in one take instead of being recorded several times. In this era of crossover genres, the desire to do better in music is growing inside me. As the genres become more blended, the melody you use must be more important. Does starting to play the guitar affect your composing in any way? SUGA: I always liked using guitar sounds. And I have always liked the Eagles. If you play the guitar, it’s way easier to write songs because you can carry it along wherever you go, pluck on the strings to create melody lines. Keyboards are difficult to carry around. (Laughs) I usually work on my laptop but I had this thought that I definitely needed an instrument. It accelerates my work and improves my understanding of chords. It makes me think you could intuitively make melodies. SUGA: It’s easier to write a song because you can intuitively make a progression and try many different things. During my work on ‘Eight’, IU had recorded and sent me a song from her phone. At the time I couldn’t play the guitar, so we tried to make sure we’re working on the same page when keeping track of each other's progress. That made me feel the need to learn an instrument.

This is actually before you started playing the guitar, but I found ‘Telepathy’ in BE very interesting. The varying melodic progressions between hooks for each member made me wonder if you wrote the melody intuitively for each part. SUGA: I tried a melody for the first time this year (2020), and as I started knowing the fun of music, it opened a lot of new doors for me. So it was kind of easy working on it. I just played a beat and wrote from the beginning until the end. Done. I wrote it in just 30 minutes. The song almost wrote itself. The trends of pop and hip-hop these days cross boundaries between vocals and rap. I like this trend. When I listen to your singing, it feels like you’re hitting the beats rather than singing along the notes. So I thought perhaps you're singing as if you're rapping. SUGA: When you're rapping, you just think of the rhythm, so it’s like simply putting on a melody to a rhythm. To define which comes first, I think melody adds to it while writing the rap. In ‘Life Goes On’, the lyrics ‘Thankfully between you and me, nothing’s changed’ are somewhere in between. It's not rap but it’d be mundane to say it's a mere melody. SUGA: There are obviously songs where the rap needs to be highlighted. For example, in ‘Dis-ease’ or ‘Ugh!’, you have to be good at rap. But in songs that should be easy to listen to, impressive raps are not always the way to go. Sometimes, you want smooth transitions without obstacles. In that sense, the rap flow of ‘Blue & Grey’ was impressive. Rather than a dramatic effect that emphasizes each part, you extended the rap just as much as the slowing beat. SUGA: To be honest, this beat is difficult to rap to. The beginning of the song only has a guitar line, which made it even more difficult. I participated when we wrote lyrics for ‘Blue & Grey’ and I've always wanted to work on a song like this. It was because verse 1 talks about the theme of the song.

It seems you achieved almost everything that you wanted in BE. SUGA: I think it took less than a week to make my part in the album. After having written one or two melodies for ‘Life Goes On’, I wrote a version complete with rap, and liked it that I even worked on a separate arrangement and lyrics. Rather than pondering over the ways that might work, I choose to simply play the music and write. Many creators are unsure even after they’ve produced good work. How do you get the conviction to release your work? SUGA: Many musicians are unsure whether they should release their music or not. It was the same for me, but the thing is, you’ll never release anything if you nitpick everything. For example, if we release 10 songs, we have a chance to unveil them in concerts or fan events. And sometimes, as we listen to the song, we think, ‘Why does this part that had bothered me no longer bother me?’ Some things might feel awkward at some point, but in time, it no longer feels awkward. Even I forget about it. So it's more efficient to fine tune, looking at the big picture, rather than thinking too much about the details. On top of that, during promotions, I don’t have the time to pick tracks that others have sent for 10 hours. It would be a success for all of us if each of us play and write a melody in their own time and collaborate with others on the details. So the way of songwriting has evolved in many aspects. What motivated such evolution? SUGA: I think it evolved naturally. I've changed in personality this year (2020), as well as in terms of my interpretation and attitude toward life to the extent that I almost thought I've been rehearsing. How would it feel like if there were no stage to go to or anyone looking out for me? This thought made me realize the value of these things. In ‘Dis-ease’, you sing ‘I don’t know if it’s the world that's sick’. Was it this lifestyle that changed your thoughts about your work? SUGA: Yes. When I was young, I had embraced the belief that ‘It must be my fault’, but as I got older, I realized that this is not always true. Most of what I had thought was my fault was in fact, not my fault. On the other hand, there are things that I did well and times I had been lucky. ‘I NEED U’ came out during a time when you were still thinking, “It must be me”. After the members put on a stage with ‘I NEED U’ in KBS' ‘Song Festival’, you wrote on Weverse, “It’s the same as five years ago.” How would you compare with back then? (This interview was held on December 19, 2020.) SUGA: We've matured quite a bit. And our stage performances have become more natural. I still like ‘I NEED U’. Just listening to the beat makes me sentimental, and above all, the song came out nicely. So as I was watching this and that when I stumbled across old videos. Watching them made me think that we haven’t changed much.

In what aspect haven't you changed much? SUGA: Before the social distancing measures got stricter, I talked with the photographer for BE, whom I had met four years ago. The photographer was surprised that we hadn’t changed much after all the success, even though he had assumed we’d be very different. I'm amazed personally. I’ve had the chance to meet the members before your debut, but from your way of talking with members or others, it seems you haven't changed. SUGA: I think it's because we don’t give it a big deal about success. For example, it's incredible to be ranked first on the Billboards, but there’s also this sense of, “Okay, and?” Even the Grammys? (Laughs) SUGA: When we got nominated for the Grammy Awards, we thought, ‘Is this real?’ (Laughs) Of course we were delighted, but it didn’t make us think, ‘We're singers nominated for the Grammy.’ If you're nominated, you're nominated, and if you get the award, you get the award. You don't get shaken by that. I know it's a great award and would be so grateful if we receive it, but we know that nothing is possible without the tremendous support of our fans. What’s more important is that the fans are more flattered than us when we receive a great award. So everyone's rejoicing, but it’s like, ‘Let's do what we have to do.’ We've been training ourselves to keep finding our places, so no one remains overexcited. In ‘Fly To My Room’, there are lyrics that say, ‘This room is too small to contain my dream’, and ‘Sometimes this room becomes an emotional trash can, but it embraces me.’ I had this feeling that the room had been such a place and that you were accepting that you have changed. Then the essence must have remained the same. SUGA: It wasn’t easy to accept that we eventually change. But I think it's a good thing that we changed. What we did back then was possible only at that time, and we could change because of the things we had accomplished. Then, what new things are you dreaming about? SUGA: I'm eager to continue doing music. Since all performances were canceled due to COVID-19, I had a chance to talk to so many musicians in Korea. I talked with legendary singers as well as people who are my contemporaries. Talking with them once again made me realize that I love music so much. Because music is my profession, I can’t imagine myself not doing it. I'm grateful that there are still unvisited areas in the world of music.

What kind of music do you think you’ll be engaged in in the future? SUGA: I was greatly motivated when I saw the concert of Na Hoon-a last Chuseok . I wondered how many musicians would actually be able perform and write music for so long like he has. At that moment, it occurred to be that ‘I want to be like him’. He has passion and desire, and most of all, he is a superstar. A few years ago, I took my parents to a Na Hoon-a concert, and when they watched the performance last Chuseok, they said it was way less impressive to see him perform through the TV. (Laughs) That must explain your interest in a broader spectrum of music from instruments to composing and musical genres. Because you want to be doing this for a long time. SUGA: My goal is to continue doing music in any shape or form. In that sense, I have this great respect toward Cho Yong-pil. He takes the best sound there is and reinterprets it into his own. I think that’s something I want to emulate and keep changing and evolving so that I can continue doing music for decades to come. The lyrics ‘Thankfully between you and me nothing’s changed’ must sound more meaningful for the fans because they will be listening to your music for a long time. SUGA: A month and a half in the current times must seem like a lifetime for the fans when we're far apart. I feel the same. But I think that's proof that we worked hard for the past seven years and that the fans have been passionately reaching out to us. I'm striving to get to them as fast as I can, and I'm eager to go on stage. I'm going through this because I want to be better on stage in a better condition, so don't be sad, and please hang in there a little longer.

#yoongi #suga #bangtan #bts #interview #210104

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fyeah-bangtan7 · 3 years

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SUGA “I'm grateful that there are still unvisited areas in the world of music”

SUGA has this way of talking passionately with a deadpan look on his face. Full of passion about his life and music.

How does it feel like watching the other members doing promotions? SUGA: I can't say it feels great. I could see the emptiness because we've been together as a group of seven for so long. Not necessarily because I'm not there but because something that should be there is missing? Is that what made you join the promotion as much as possible? You shot lots of video footage in advance and you even appeared in the Mnet “2020 MAMA” through VR. SUGA: Fake SUGA (Laughs). There’s this 3D studio where we shot it. I shot, scanned, and acted there, but couldn't see the actual result at the studio. I thought a sense of displacement was unavoidable, and that was exactly the case. (Laughs) I acted normal because it would have been aired anyway even if I hadn’t had the surgery, but it seems a lot because it’s aired after the surgery.

#bangtan #suga #m:weverse magazine #o:interview #210104

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armylovelyjm · 3 years

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“Agradezco que todavía queden áreas sin visitar en el mundo de la música”

SUGA tiene esta forma de hablar apasionadamente con una mirada inexpresiva en su rostro. Lleno de pasión por su vida y su música.

¿Como esta tu hombro?

SUGA: Bien. Creo que mejorará aún más una vez que me quite este aparato ortopédico. Aparentemente, se necesitan varios meses para una recuperación completa, pero estoy tratando de mejorar lo más rápido posible.

¿Cómo se siente haber resuelto un problema que lo ha angustiado durante mucho tiempo?

SUGA: Primero que nada, me alegro. El dolor es una cosa, pero cuando mis hombros empeoraron, ni siquiera podía levantar los brazos. Pero cuando escuché que esto podría repetirse cuando me sometieran a la cirugía a una edad temprana, esperé el momento adecuado y decidí hacerlo a principios del próximo año, independientemente de la situación del COVID-19. Había planeado someterme a la cirugía después de las etapas de fin de año, pero lo hice este año (2020) porque mis médicos me aconsejaron que comenzara a prepararme temprano para las promociones y actividades del próximo año.

¿Cómo se siente ver a los otros miembros hacer promociones?

SUGA: No puedo decir que se sienta genial. Pude ver el vacío porque hemos estado juntos como un grupo de siete durante tanto tiempo. ¿No necesariamente porque no estoy allí, sino porque falta algo que debería estar allí?

¿Es eso lo que te hizo unirte a la promoción tanto como fue posible? Grabaste muchas secuencias de video por adelantado e incluso apareciste en el Mnet “2020 MAMA” a través de la realidad virtual.

SUGA: SUGA falso (risas). Hay un estudio 3D donde lo filmamos. Disparé, escaneé y actué allí, pero no pude ver el resultado real en el estudio. Pensé que una sensación de desplazamiento era inevitable, y ese era exactamente el caso. (Risas) Actué normal porque se habría emitido de todos modos incluso si no me hubiera sometido a la cirugía, pero parece mucho porque se emitió después de la cirugía.

Debes sentirte restringido al no poder subir al escenario.

SUGA: El caso es que solo ha pasado un mes desde que me operaron, pero mi ausencia en el escenario es muy evidente. Pero mis médicos me siguen diciendo que no debería impacientarme y, de hecho, muchos atletas se vuelven a operar cuando regresan al campo sin la rehabilitación adecuada. Así que estoy trabajando para intentar que me importe menos. Durante las dos primeras semanas después de la cirugía, me sentí tan frustrado que probé cosas nuevas. Incluso vi películas que no vi.

¿Qué películas viste?

SUGA: Vi ''Samjin Company English Class'' tal como estaba en IPTV, y ahora tengo ''Tenet'' en mi lista. ''Parasite'' fue la última película que vi en un cine. A medida que las medidas de distanciamiento social se hicieron más estrictas, no he salido a la calle, excepto al hospital. Incluso como en casa. También veo mucha televisión hoy en día. Ver programas de música como "Sing Again", "Folk Us" y "Show Me The Money 9" me hizo pensar en lo que debería hacer en los próximos días.

¿Podría dar más detalles sobre eso?

SUGA: Muchos candidatos en ''Sing Again'' son muy talentosos pero no habían tenido la oportunidad, y en ''Folk Us'', noté que muchos llevaron sus propias guitarras al escenario. Empecé a tocar la guitarra últimamente y tengo esta necesidad de ampliar mi alcance musical. Y desde que creció mi interés por la industria de la música en Estados Unidos, me estoy preparando, estudiando inglés y todo.

¿Qué despertó tu interés?

SUGA: De alguna manera, es el mercado más desarrollado comercialmente. Podría perder la atención de la industria en un instante si no es factible. Entonces, en este sistema, intentarías todo y esa sería una forma eficiente. Quiero hacer música durante mucho tiempo, y con este fin, siempre quiero aprender más sobre la industria musical global porque quiero hacer música que sea amada no solo en Corea, sino también en los EE. UU., Japón y Europa.

Hablando de eso, parece que BE fue influenciado por la música del pasado más que por las tendencias actuales.

SUGA: Me gusta especialmente la música improvisada. Me encantan las canciones que se hicieron en una sola toma en lugar de grabarlas varias veces. En esta era de géneros cruzados, el deseo de hacerlo mejor en la música está creciendo dentro de mí.

A medida que los géneros se mezclan más, la melodía que utilice debe ser más importante. ¿Empezar a tocar la guitarra afecta tu composición de alguna manera?

SUGA: Siempre me gustó usar sonidos de guitarra. Y siempre me han gustado los Eagles. Si toca la guitarra, es mucho más fácil escribir canciones porque puede llevarla a donde quiera que vaya, puntear las cuerdas para crear líneas melódicas. Los teclados son difíciles de transportar. (Risas) Normalmente trabajo en mi computadora portátil, pero pensé que definitivamente necesitaba un instrumento. Acelera mi trabajo y mejora mi comprensión de los acordes.

Me hace pensar que podrías hacer melodías intuitivamente.

SUGA: Es más fácil escribir una canción porque intuitivamente puedes hacer una progresión y probar muchas cosas diferentes. Durante mi trabajo en ''Eight'', IU grabó y me envió una canción desde su teléfono. En ese momento no podía tocar la guitarra, así que tratamos de asegurarnos de que estamos trabajando en la misma página cuando hacemos un seguimiento del progreso de los demás. Eso me hizo sentir la necesidad de aprender a tocar un instrumento.

Esto es en realidad antes de que empezaras a tocar la guitarra, pero encontré ''Telepathy'' en BE muy interesante. Las distintas progresiones melódicas entre los ganchos de cada miembro me hicieron preguntarme si escribiste la melodía de forma intuitiva para cada parte.

SUGA: Intenté escribir una melodía por primera vez este año (2020), y cuando comencé a conocer la diversión de la música, me abrió muchas puertas nuevas. Así que fue bastante fácil trabajar en ello. Solo toqué un ritmo y escribí desde el principio hasta el final. Hecho. Lo escribí en solo 30 minutos. La canción casi se escribió sola. Las tendencias del pop y el hip-hop en estos días cruzan los límites entre la voz y el rap. Me gusta esta tendencia.

Cuando escucho tu canto, se siente como si estuvieras tocando el ritmo en lugar de cantar las notas. Así que pensé que quizás estés cantando como si estuvieras rapeando.

SUGA: Cuando estás rapeando, solo piensas en el ritmo, así que es como simplemente poner una melodía a un ritmo. Para definir qué viene primero, creo que la melodía se suma al escribir el rap.

En ''Life Goes On'', la letra ''Afortunadamente entre tú y yo, nada ha cambiado'' está en algún punto intermedio. No es rap, pero sería mundano decir que es una mera melodía.

SUGA: Obviamente, hay canciones en las que hay que destacar el rap. Por ejemplo, en ''Dis-easy'' o ''Ugh!'', Tienes que ser bueno para el rap. Pero en las canciones que deberían ser fáciles de escuchar, los raps impresionantes no siempre son el camino a seguir. A veces, desea transiciones suaves sin obstáculos.

En ese sentido, el flujo de rap de ''Blue & Grey'' fue impresionante. En lugar de un efecto dramático que enfatiza cada parte, extendió el rap tanto como el ritmo de desaceleración.

SUGA: Para ser honesto, este ritmo es difícil de rapear. El comienzo de la canción solo tiene una línea de guitarra, lo que lo hizo aún más difícil. Participé cuando escribimos la letra de ''Blue & Grey'' y siempre quise trabajar en una canción como esta. Fue porque el verso 1 habla sobre el tema de la canción.

Parece que lograste casi todo lo que querías en BE .

SUGA: Creo que me tomó menos de una semana hacer mi parte en el álbum. Después de haber escrito una o dos melodías para ''Life Goes On'', escribí una versión completa con rap, y me gustó que incluso trabajé en un arreglo y letra separados. En lugar de reflexionar sobre las formas en que podrían funcionar, elijo simplemente tocar la música y escribir.

Muchos creadores no están seguros incluso después de haber realizado un buen trabajo. ¿Cómo se obtiene la condena para publicar su obra?

SUGA: Muchos músicos no están seguros de si deberían lanzar su música o no. A mí me sucedió lo mismo, pero la cuestión es que nunca lanzarás nada si te preocupas por todo. Por ejemplo, si lanzamos 10 canciones, tenemos la oportunidad de presentarlas en conciertos o eventos de fans. Y a veces, mientras escuchamos la canción, pensamos: ''¿Por qué esta parte que me había molestado ya no me molesta?'' Algunas cosas pueden sentirse incómodas en algún momento, pero con el tiempo, ya no se sienten incómodas. Incluso yo lo olvido. Por lo tanto, es más eficiente realizar un ajuste fino, mirando el panorama general, en lugar de pensar demasiado en los detalles. Además de eso, durante las promociones, no tengo tiempo para elegir pistas que otros hayan enviado durante 10 horas. Sería un éxito para todos si cada uno de nosotros tocara y escribiera una melodía en su propio tiempo y colaborara con otros en los detalles.

¿Qué motivó tal evolución?

SUGA: Creo que evolucionó de forma natural. He cambiado de personalidad este año (2020), así como en cuanto a mi interpretación y actitud ante la vida hasta el punto que casi pensé que estaba ensayando. ¿Cómo se sentiría si no hubiera un escenario al que ir o si alguien me cuidara? Este pensamiento me hizo darme cuenta del valor de estas cosas.

En "Dis-ease", cantas ''No sé si es el mundo el que está enfermo''. ¿Fue este estilo de vida lo que cambió sus pensamientos sobre su trabajo?

SUGA:Si. Cuando era joven, había abrazado la creencia de que ''debe ser mi culpa'', pero a medida que crecía, me di cuenta de que esto no siempre es cierto. La mayor parte de lo que había pensado que era mi culpa era de hecho, no mi culpa. Por otro lado, hay cosas que hice bien y momentos en los que tuve suerte.

''I NEED U'' salió durante un tiempo en el que todavía pensabas, "debo ser yo". Después de que los miembros subieron al escenario con ''I NEED U'' en el ''Song Festival'' de KBS, escribiste en Weverse: "Es lo mismo que hace cinco años". ¿Cómo te compararías con entonces?

SUGA: Hemos madurado bastante. Y nuestras representaciones teatrales se han vuelto más naturales. Todavía me gusta ''I NEED U''. Solo escuchar el ritmo me pone sentimental y, sobre todo, la canción salió muy bien. Mientras miraba esto y aquello, me topé con videos antiguos. Verlos me hizo pensar que no hemos cambiado mucho.

¿En qué aspecto no has cambiado mucho?

SUGA: Antes de que las medidas de distanciamiento social se volvieran más estrictas, hablé con el fotógrafo de BE , a quien había conocido hace cuatro años. El fotógrafo se sorprendió de que no hubiéramos cambiado mucho después de todo el éxito, a pesar de que había asumido que seríamos muy diferentes.

Personalmente estoy asombrado. Tuve la oportunidad de conocer a los miembros antes de tu debut, pero por tu forma de hablar con los miembros u otros, parece que no has cambiado.

SUGA: Creo que es porque no le damos mucha importancia al éxito. Por ejemplo, es increíble estar en el primer lugar en las vallas publicitarias, pero también existe esta sensación de "¿Está bien y?"

¿Incluso los Grammy? (Risas)

SUGA: Cuando nos nominaron para los premios Grammy, pensamos: ''¿Es esto real?'' (Risas) Por supuesto que estábamos encantados, pero eso no nos hizo pensar: ''Somos cantantes nominados al Grammy''. Si estás nominado, estás nominado y si obtienes el premio, obtienes el premio. Eso no lo conmueve. Sé que es un gran premio y estaría muy agradecido si lo recibiéramos, pero sabemos que nada es posible sin el tremendo apoyo de nuestros fans. Lo que es más importante es que los fans se sienten más halagados que nosotros cuando recibimos un gran premio. Así que todo el mundo se regocija, pero es como, ''Hagamos lo que tenemos que hacer''. Nos hemos estado entrenando para seguir encontrando nuestros lugares, para que nadie quede sobreexcitado.

En ''Fly To My Room'', hay letras que dicen: ''Esta habitación es demasiado pequeña para contener mi sueño'' y ''A veces esta habitación se convierte en un bote de basura emocional, pero me abraza''. Tenía la sensación de que la habitación había sido un lugar así y que aceptabas que habías cambiado. Entonces la esencia debe haber permanecido igual.

SUGA: No fue fácil aceptar que eventualmente cambiaremos. Pero creo que es bueno que hayamos cambiado. Lo que hicimos en ese entonces era posible solo en ese momento, y podíamos cambiar debido a las cosas que habíamos logrado.

Entonces, ¿con qué cosas nuevas sueñas?

SUGA: Estoy ansioso por seguir haciendo música. Dado que todas las presentaciones fueron canceladas debido a COVID-19, tuve la oportunidad de hablar con tantos músicos en Corea. Hablé con cantantes legendarios y con personas que son mis contemporáneas. Hablar con ellos una vez más me hizo darme cuenta de que amo tanto la música. Como la música es mi profesión, no puedo imaginarme sin hacerlo. Estoy agradecido de que todavía queden áreas sin visitar en el mundo de la música.

A qué tipo de música crees que te involucrarás en el futuro?

SUGA: Estaba muy motivado cuando vi el concierto de Na Hoon, un último Chuseok. Me preguntaba cuántos músicos serían capaces de tocar y escribir música durante tanto tiempo como él. En ese momento, se le ocurrió que ''quiero ser como él''. Tiene pasión y deseo y, sobre todo, es una superestrella. Hace unos años, llevé a mis padres a un concierto de Na Hoon-a, y cuando vieron la actuación en el último Chuseok, dijeron que era mucho menos impresionante verlo actuar a través de la televisión. (Risas)

Eso debe explicar su interés en un espectro más amplio de música, desde los instrumentos hasta la composición y los géneros musicales. Porque quieres estar haciendo esto durante mucho tiempo.

SUGA: Mi objetivo es seguir haciendo música en cualquier forma. En ese sentido, tengo un gran respeto hacia Cho Yong-pil. Toma el mejor sonido que existe y lo reinterpreta en el suyo. Creo que eso es algo que quiero emular y seguir cambiando y evolucionando para poder seguir haciendo música en las próximas décadas.

La letra ''Afortunadamente entre tú y yo, nada ha cambiado'' debe sonar más significativa para los fans porque estarán escuchando tu música durante mucho tiempo.

SUGA: Un mes y medio en los tiempos actuales debe parecer una vida para los fanáticos cuando estamos muy separados. Siento lo mismo. Pero creo que esa es una prueba de que trabajamos duro durante los últimos siete años y que los fanáticos se han acercado con pasión a nosotros. Me esfuerzo por llegar a ellos lo más rápido que puedo y estoy ansioso por subir al escenario. Estoy pasando por esto porque quiero estar mejor en el escenario en mejores condiciones, así que no estés triste, y por favor aguanta un poco más.

Fin del artículo 📝

Fuente: Weverse magazine~

Traducción por: Twitter: @/ARMYLovelyJM 💭

#bts #bts jimin #bts jhope #bts jungkook #bts suga #bts namjoon #bts jin #bts taehyung

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