(me trying to explain fate/go dantes to someone completely canonblind) so remember the chapter where edmond dantes turns into a powerful magical being who possesses people's shadows and fights people in their dreams

merlin. dantes. oberon. nightmare blunt rotation.

A Pin dedicated to two Musical lovers~ Based on the lovely fanfic by LilithLucina!

normalize Edmond Dantès being weird. like. we've had enough adaptations where he's cool and suave, it's time for us to embrace the side of him that's just a strange freak that makes everyone uncomfortable but is still part of the local nobility so they have to hang out with him.

Men will be like "it's my favorite book!" and show you 19th century Batman

warm up of. the new guy we all already know

No one does revenge like The Count of Monte Cristo. It's all physical violence and murder these days, what ever happened to completely psychologically destroying your former tormentors and ruining their lives?

Avenger class, King of the Cavern, Count of Monte Cristo for the Id Summoning Campaign 4 in Fate Grand Order.

Illustrator: Usagi Rōto.

Achieving Whiteness Through Social Mobility in Gankutsuou

SPOILERS: Detailed discussion of the entire Gankutsuou series.

There have been many adaptations of The Count of Monte Cristo by Alexandre Dumas.  Some have tried to simplify the story to make it easier to fit into a constrained time limit, while others were so faithful to the plot that the spirit is entirely lost. Gankutsuou, by contrast, is arguably the best adaptation of The Count of Monte Cristo while also being its own original story.

It’s evident that the creative team behind this series had a lot of love for the source material that they were able to capture the nuances of what made the book a compelling drama to read.  Unlike the previous adaptations of the book, which overwhelmingly cast white actors for all the roles, the anime makes a point of depicting the main characters as people of color, specifically brown characters.

This racial aspect of the main characters is actually a more accurate portrayal of what they look like in the book—Alexandre Dumas goes into detail describing the race, ethnicities, and social status of his main characters. He also goes a step further to complicate this tale of vengeance by depicting the notion that, for these marginalized characters to be able to move up the social ladder, they effectively had to erase any historical ties they had with their respective communities in order to become part of high society.

Read it at Anime Feminist!

Making a new batch of fgo charms, starting with best count ❤

EDIT: changed the reverse since we got those news lol

LISTEN I was gonna start reading dune and accidentally started the count of monte cristo so idk what to tell you

never play poker with a man with clairvoyance and another man with golden rule

Genuine Question for the Monte Cristo fans:

Why is Fernand always ALWAYS the bff of Edmond in every single adaptation? Like, in the books they pretty much meet literally before the almost-wedding of Edmond and Mercedes, and they don't even like eachother much. It's pretty much stated that even Edmond who is benevolent af is only putting up with Fernand because he is the cousin and best friend of his fiancee, and he wants to form a friendship based on their shared love of Mercedes. But like he is not completely blind and knows that Fernand gives him the stink eye. As for Fernand, he is super vary around Dantes and Mercedes has to essentially beg him to be nice to him.

And historians think they were best friends ?!?!

In fact, book Edmond is super kind but he is not THAT stupid. He knows that Danglars is highkey jealous of him, he knows Caderousse is planning to exploit him (as his landlord) after finding out he got a promotion, and he KNOWS that Fernand isn't his biggest fan. He is just amicable with them and polite but doesn't genuinely consider them friends or trust them at all. He only trusts his father, Mr. Morrel and Mercedes, that's it. And Villefort because he doesn't think that being honest with an officer of the law will result in him being fucked over. Which is completely reasonable, and most people would do the same.

So why is his naïveté exaggerated in every adaptation? And WHY do people ship him with Fernand so badly? I get the whole "My bro stole the love of my life " trope but come onnnn.... it's a cliche and not what Dumas intended at all when writing the book! (At least that's what I think, I can't exactly ask him...)

How much at fault your ocs and and your faves for their corruption on scale from Count of Monte Cristo to Jekyll and Hyde

A lot of tcomc adaptations I've seen have ended the story by having Edmond get his revenge and then happily reunite with Mercédés and leave the story like that, and here's why that does NOT fly with me.

The Count of Monte Cristo is NOT a love story about Edmond and Mercédés, though it starts that way. A lot of adaptations tend to do this, as in zero in on the romance (and leave Haydée out if the plot, wtf???) But the romance, although an accessory of the tragedy, is NOT central to the tragedy! Mondego, Danglars, Caderousse, and Villefort didn't JUST steal Edmond away from Mercédés, they also a) left his father to starve to death, b) took advantage of Mercédés' misery to marry her when she had no one left, c) abandoned Edmond to suffer in prison presumably for the rest of his life, and d) did all of that other insane shit that didn't affect Edmond personally.

But the point of the original ending is that there is too much time lost between Edmond and Mercédés, too much loneliness between them, and they have changed too much apart from each other for things to go back to how they were. Although Mercédés can see past the Counts callousness to find his old humanity, Edmond HAS changed, he's not the same bright-eyed young man who had so much in life to do. Mercédés isn't the same untroubled, poor woman Edmond fell for, and that's okay! They still love each other, though they have different paths in life and different responsibilities! It just seems, maybe cheap is the right word, to give Edmond the traditional "happy ending" by having him "get the girl back" in the end, as if that were the point of his efforts. They've earned their peace!