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#albert de morcerf
krokonoko · 4 months
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what if grown up Albert takes after his parents both in height and handsomeness. as a treat.
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animefeminist · 4 months
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Achieving Whiteness Through Social Mobility in Gankutsuou
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SPOILERS: Detailed discussion of the entire Gankutsuou series.
There have been many adaptations of The Count of Monte Cristo by Alexandre Dumas.  Some have tried to simplify the story to make it easier to fit into a constrained time limit, while others were so faithful to the plot that the spirit is entirely lost. Gankutsuou, by contrast, is arguably the best adaptation of The Count of Monte Cristo while also being its own original story.
It’s evident that the creative team behind this series had a lot of love for the source material that they were able to capture the nuances of what made the book a compelling drama to read.  Unlike the previous adaptations of the book, which overwhelmingly cast white actors for all the roles, the anime makes a point of depicting the main characters as people of color, specifically brown characters.
This racial aspect of the main characters is actually a more accurate portrayal of what they look like in the book—Alexandre Dumas goes into detail describing the race, ethnicities, and social status of his main characters. He also goes a step further to complicate this tale of vengeance by depicting the notion that, for these marginalized characters to be able to move up the social ladder, they effectively had to erase any historical ties they had with their respective communities in order to become part of high society.
Read it at Anime Feminist!
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oroontheheels · 4 months
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sorry i had to
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glasscandywitch · 3 months
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“Rather than creating a simple thrilling revenge tragedy of “It’s been done to me so I’m doing it back!” I was aiming, in this day and age, to create this kind of work. If a person should be faced with hatred from another, what kind of a relationship will be born from the way they act towards them? How should people face one another? It is these things that I felt I should focus on. In the 23rd act, it is not simply a matter of Albert saving the Count with the purity of his heart. Towards a person who will not face him and who his words will not reach, what kind of action will Albert take? And, conversely, towards a person who is attached to him and he must definitely kill in order to accomplish his revenge, can the Count’s will persist? I wanted to see that serious/true/hardcore collision. What that means is that up until the end, Albert is Albert and Edmond is Edmond. The two of them might spend their whole lives running on parallel lines, but in spite of that, can they continue to interact with each other? Can they continue thinking [of each other]? That’s probably the theme. If that’s where the words “Wait and hope” are to be found, then don’t Franz’s words “Feelings of love and feelings of hate both stem from caring about a person” serve as the light of that faint hope? That’s what I think.”
From a Mahiro Maeda Interview (x)
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waterlilyvioletfog · 2 months
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Twice now (I’m at Valentine’s poisoning) twice now someone Dantes loves has shown up at his house and been like 🥺😭☹️😩😫 noooo Count pleeeeaaaassseee you can’t do your revenge on the children of the guy who wronged you. Because I love them!!!! 🥺😩😭🙏🥺 and the Count just goes 😠😤🤬😑 ugh I hate you. FINE 🙄 just this once I’ll be nice! I’ll save their life ughhhhh smh you plan out this big fucking revenge and it goes badly. why? because of stupid emotionsssss I hate it hereeee 🙄🫤 here’s $2 million dollars 💰
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whalehouse1 · 5 months
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So I picked back up Monte Cristo since I have reading time again, and may I just say Albert being Mercedes’s son is the biggest time screwup ever. Mercedes is 1-3 years younger than Dantès depending if he is 18,19 or20. By his own mention, he’s 20, but then later he’s 19, so who knows. But then we get to him being imprisoned for 14 years which is by far the most “concrete and it is this quantity” in the book. But then we meet Albert (love this lovesick puppy kid, but that’s neither here nor there”. He’s the result of incest between Mercedes and Fernand (who says he’s French, despite being Mercedes, cousin and growing up in the Catalan village and has been given ten more years than he had at the beginning.). Albert then says they have been married for twenty years, but that’s before the novel takes place and since crap goes south at Mercedes and Edmonds’s pre wedding feast, there’s no way that they were married that long. And then Albert I saw ppl saying he’s 20, but then a son out of wedlock? For shame back then. But then if you apply any sort of logic to it, if Mercedes waited to marry the douche 18 months after Dantès was imprisoned (also explicitly stated), and we’ll say that despite all of the issues with pregnancies back then, Mercedes got pregnant ASAP with him, he should only be around 13. So this 13 year old is touring Italy with his friend, trying to bang Italian girls without any escort or parental supervision, and almost gets shanked to death. This timeline makes as much sense as a freaking comic book.
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jikenbosan · 3 months
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roseillith · 1 year
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i’ve been going thru it over on twitter. hakushaku is alive and happy because i said so
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Everytime I read The Count of Monte Cristo I can't help but think that I really would not want to go to the opera or anything similar with Albert.
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rowan-e-ravenwood · 8 months
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have you got any tcomc playlists? 👁️👁️
OH, ABSOLUTELY I DO
i posted them a while back but i can't be bothered to find the post, so if i do i'll delete it to keep from clogging up the tags...
as i've said before, it's been a hot minute since i've really participated in the fandom (i'd like to remedy that), so some of my views on the characters have changed a bit since i made these? so not all of the song choices are perfect imo anymore... but i am constantly tweaking these playlists so it's whatever.
oh also also, a couple of these are major WIPs, lol. ANYWAY.
putting them under a read-more cut so that nobody hates me for the length of the post, lmao
here's Edmond's:
here's Fernand:
here's Villefort:
here's Danglars (one of the ones i'm less happy with lol):
here's Caderousse (my favourite character heheh):
here's Mercédès:
here's Albert (idk this one's a WIP):
here's Benedetto (another of my favourites!!):
and finally, Valentine! (my beautiful darling sweetheart):
i also have playlists for a couple ships i like, so if you're interested in those, feel free to ask, but they're not quite as good lol
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hoangfngocjnhi · 7 months
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Beauchamp: *literally doing nothing* Albert: You defame my father's honor lets fight to death.
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nullphysics · 1 year
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krokonoko · 2 years
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reading through material on Gankutsuou sometimes feels like there is an unspoken pact that the entirety of media coverage agreed on to never. EVER. mention the queerness.
I’m not even talking about Peppo, an actual trans girl in an anime in the year of the lord 2004. or Franz and the fact that he is in 100% homosexual love with Albert and how that informs a huge part of the emotional backbone of the show.
I’m talking about the fact that Gankutsuou is actually a queer love story. 
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and yet?
all the reviews I’ve seen so far do the exact same “yadda yadda Count of Monte Cristo Sci Fi AU in SPAAAACE, also what the FUCK is up with the patterns” sing and dance, with no mention of the fact that you basically have to strap in for a 24 episode slow burn friends-to-enemies-to-lovers fanfic of Alexandre Dumas’ literary classic.
then again, the material the anime itself provides does the exact same thing. the character relationship chart that comes with the DVD labels the line between Franz and Albert “Good Friends”.
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which isn’t. wrong? per se? but Idk man it feels like that way one of the most important layers of meaning of this story just gets lost.
and part of me is glad, because not everything that has gay romance in it should be labelled BL. not that there’s anything wrong with BL. but not every anime that has a straight romance in it is labelled “romance”. things sometimes just happen to be queer, without revolving around the fact that they are. Gankutsuou was a revelation for me as a teenager. cause it showed me that epic stories about revenge and forgiveness and love can just happen to also be queer.
BUT. the fact that the queerness just gets sidestepped, no, I wanna say swept under the rug left and right... also doesn’t sit well with me?
it’s almost as if everyone’s either ashamed to acknowledge it, or. you know. impersonating that nice lady up there. and in 2004, that was no surprise! but now, almost 20 years later? I hoped Gankutsuou would be celebrated as the absolute fucking triumph of gay love story that it is.
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glasscandywitch · 5 months
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gankutsuou + death and the maiden - egon schiele
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danihelman-art · 5 months
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“Regardless of what happens next, you mustn’t look away Monsieur Albert.”
don't tag as ship please and thank you
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