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#But fanon Lupin is someone i have started hating so much
apk02 · 1 year
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All fic writers writing Sirius and James needing help from Lupin for passing exams and making the charmed mirrors and every other achievement S & J did should just tag their fics as OOC and be done with it.
Sirius and James were incredibly intelligent and accomplished individuals and this shit of wrong tagging and ooc characters is getting really annoying now.
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jimblejamblewritings · 3 months
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I am not a Snape defender
I'm sorry but I really don't understand the "Snape defense, james & sirius are the worst" in relation to each other...
Snape wasn't a randomly innocent victim of Potter and Black's bullying. Being in with the future Death Eater squad isn't exactly innocent. Also, it's stated that James and Severus were always at each other's throats. That's not the marauders were big bullies and Snape was an innocent victim.
Side note: people saying that James was a dick to everyone. That's fanon. We only know he hates Snape. And he hates Snape specifically because he's into Dark Arts.
And we are seeing all of this through Snape's vision. Our own opinions and memories of ourselves can be skewed. Severus only joining the baby Death Eaters after he calls Lily a mudblood and she pushes him away isn't believable. He was friends with the baby Death Eaters at school before they became Death Eaters... I'm sorry but I don't believe in our real world that a person can be friends with racists but because they have one minority friend I should assume they aren't racist. So I can't believe that in this world either.
Need I start with he had no problems using what is effectively a slur in their world. Or is the whole mudblood thing just a one time outburst at Lily? Ain't no damn way a slur just rolls of the tongue in frustration unless it's something someone says on a daily basis.
He goes to apologize and she's like well you call every other muggleborn that so why not me...
(side note: lily wtf? why would you be friends with him when you know that? I'm not staying friends with someone that would regularly call black people the n word. anyway...)
That means he's been using that slur against muggleborns and harassing them. So he doesn't just become a bully after the marauders tormented him in school. He's been one.
Snape and his friends also try to do something apparently evil to Mary MacDonald. That's someone who wasn't James or close to him like the Marauders. She didn't do anything and they tried to/ wanted to hurt her anyway. That's a bully.
Like I'm sorry but this man was a Death Eater and only turned to the good side to beg for Lily's life because he was obsessed with her. He didn't give a shit if Voldemort killed James or Harry who was like a six month old. He only wanted Lily to live and when Voldemort didn't spare her that's when he went to the good side.
And when people bring up "James sexually harassed Snape by using Levicorpus that exposed his underwear" ... my guy, Snape invented that spell. So are we to assume he never used it? Cause I don't. So you better bring that energy for Snape as well if this is the road we're going down. And he doesn't take off Severus' underwear.
The text mentions that after taking off his trousers you can see grey underpants. When it says pants, it still means trousers not the common use of pants the way most British people say it. Most because certain parts of the UK don't, fun fact. And again, Snape came up with the spell. It's oh so convenient that we only see James use the spell against him but not Snape using it against other people to what we can assume is the same extent as James.
Also the whole werewolf thing... I'm sorry but if you suspect someone is a werewolf and confront their friends about it, the people you don't like and who don't like you, why the hell would you go on the night of the full moon. Sirius telling him how to get past the Willow honestly doesn't change much. Lily tells Snape she already knows his theory after he points out that Lupin disappears every month at the full moon. The dude knew or stongly suspected that Remus was a werewolf. And still decided to see if his theory was correct, putting himself in the line of fire of a full grown werewolf.
Like I'm not necessarily absolving Sirius because he should have known that the boy who hates them would be arrogant enough to still go after them even if he thinks Remus is a werewolf. But still, that means Snape was arrogant or stupid enough to do that despite his suspicions before confronting Sirius, which he did on the night of the full moon so at this point Snape knows he has all the facts. But even if we only blame Sirius...
Snape still calls people mudbloods, bullies children that aren't Harry (not that that's okay) at his grown ass age, and didn't think Voldemort was wrong until he killed the obsession of his life. Like that enough I'm good on him.
And everyone else has a skewed story but Snape? No. That's not how that would work. We also only see a few incidents and nothing about what happens in between or even what leads up to them. It's just as skewed as anyone else's memories we see in the book. Like remember when Tom Riddle's diary only showed Harry certain moments to make it look like it was Aragog and Hagrid knew.
And to anyone that recognizes Snape being friends with the baby Death Eaters but saying that we don't know if he was a bully.... It's giving, "I can excuse racism but animal cruelty is where I draw the line."
Some other things I've seen, I'll discuss in little bullet points:
An 11 year old James saying who wants to be in Slytherin or Hufflepuff and Snape overhearing isn't James being a bully. It's an 11 year old not wanting to be seen as lame cause everyone calls those houses lame (or evil in Slytherins case).
Saying that James and Sirius are rich doesn't suddenly make them bullies. There's not a power imbalance that they use against him. They don't make fun of him being poor. They hex him with spells he came up with. I don't think they would only bully Snape for being poor, nobody else, and then ignore the Death Eater part. They were hating him for the Dark Arts, not cause he had no money. We don't know about Remus or Peter's financial status but considering they are never mentioned as rich then at best they're probably middle class to poor. I don't think they'd be around for that type of bullying.
Y'all siding with the wizard racist, obsessive man who is a dick to kids at 30, I can't be convinced about Snape. Sorry. I also don't get the Snape deserves a redemption arc storyline but not Draco. However that's a different story. Like JK writing him bullying children and then saying but it's not that big a deal is skewed. She also had Harry name his kid after Dumbledore and the entire fandom agrees that the man doesn't deserve it.
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alastorseye · 3 years
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About Remadora
When I say I really hate the HP fandom, I'm talking about the "fans" that hate everything about the saga, but still having Harry Potter accounts. They change the original story, claim that fanonical facts are canon, and launch hatred and death threats at those who simply like HARRY POTTER JUST THE WAY IT IS. Yes, I'm mostly talking about Marauders fans, which I joined after reading the books because I thought it would be interesting and funny. I suddenly realized how toxic and hateful that fandom was, it's like a cult dedicated to deifying Remus, Sirius, James and Regulus, and it seems that hating Snape, Dumbledore, and Remadora is a requirement to be a part of it.
At the beginning I used to consider Wolfstar as something funny, a bromance, it never bothered me, I mean... every fandom has fanon ships and I respect that, but the way they always hate Remadora and their shippers is something that MUST stop.
"You see!" said a strained voice. Tonks was glaring at Lupin. "She still wants to marry him, even though he's been bitten! She doesn't care!"
"It's different," said Lupin, barely moving his lips and looking suddenly tense. "Bill will not be a full werewolf. The cases are completely -"
"But I don't care either, I don't care!" said Tonks, seizing the front ofLupin's robes and shaking them. "I've told you a million times. . . ." And the meaning of Tonks's Patronus and her mouse-colored hair, and the reason she had come running to find Dumbledore when she had heard a rumor someone had been attacked by Greyback, all suddenly became clear to Harry; it had not been Sirius that Tonks had fallen in love with after all."
"And I've told you a million times," said Lupin, refusing to meet her eyes,staring at the floor, "that I am too old for you, too poor . . . too dangerous. . ."
When I read this part of the HBP I realized that Remadora was my favorite Harry Potter ship. Of course I wasn't aware of the death threats I'd receive later. I've read some "reasons" why some fans hate Remadora.
"Tonks forced him!"
We all know how insecure Remus was. I don't have to explain what's written in Wizarding World (Pottermore). This is the Remus bio:
Well, we can read that Remus was really attracted to Dora.
"Remus, so often melancholy and lonely, was first amused, then impressed, then seriously smitten by the young witch. He had never fallen in love before. If it had happened in peacetime, Remus would have simply taken himself off to a new place and a new job, so that he did not have to endure the pain of watching Tonks fall in love with a handsome, young wizard in the Auror office, which was what he expected to happen. However, this was war; they were both needed in the Order of the Phoenix, and nobody knew what the next day would bring. Remus felt justified in remaining exactly where he was, keeping his feelings to himself but secretly rejoicing every time somebody paired him with Tonks on some overnight mission".
This is so sad and cute, and that's undeniable. I cried when I read it. If someone still thinking that Dora forced Remus to marry her after reading this paragraph... I mean... they're probably talking about another book series.
"The age gap!"
I'm so satisfied to know that some Remadora shippers have explained this. When it's about a kid and an adult... OF COURSE IS HORRENDOUS! Because children are not physically and mentally prepared to have romantic relationships. Wizards are legally adults at 17, REMUS MET TONKS WHEN SHE WAS 21!
I mean, many old people abuses of young people innocence, or something. But we all know that Remus wasn't one of those! He really loved Tonks, and that's canon. I don't know what's doing in the fandom people who denies canon facts.
Remus and Tonks were two physically, mentally, and legally adults loving each other.
"Remus didn't love her!"
He was an introvert, Tonks was an extrovert, she made his life better. And of course, I loved the way he introduced himself when he was trying to prove he wasn't a Death Eater:
"I am Remus John Lupin, werewolf, sometimes known as Moony, one of the four creators of the Marauder's Map, married to Nymphadora, usually known as Tonks, and I taught you how to produce a Patronus, Harry, which takes the form of a stag." (Remus Lupin, DH)
Maybe I'm not the only one who perceive he was proud to be Nymphadora Tonks husband.
"I.. I made a grave mistake in marrying Tonks. I did it against my better judgment and have regretted it very much every since". (Remus Lupin, DH)
This phrase makes more sense after reading Remus bio. He used to think that he was "too poor, too dangerous" for her. He thought he wasn't enough for her. He never imagined that she would love him back. He was a werewolf, and of course he knew he was dangerous, you only need to be emphatic to realize he tried to get away from Tonks because he loved her, he didn't want to hurt his beloved woman!
If you don't believe me, read this again. It's in the chapter 11 of Deathly Hallows:
"Don't you understand what I've done to my wife and my unborn child? I should never have married her, I've made her an outcast!"
So, if Remus was trying to escape it's because he loved them, he thought he spoiled their lives. And of course, no one likes to feel that their influence is bad for someone they love!
"Their relationship came from nowhere! They don't have a development"
Well, the saga's name is HARRY POTTER, not The Love Life of Remus Lupin. The story is about the tragic life of this kid and everything he went through to save the world of a cruel and dark villain. I know many readers are young people in love, and they only want to ship everything, but that's not the main topic here, maybe mother's love would be the topic. Of course Ron and Hermione had a development because they were HARRY'S BEST FRIENDS, and they were always with him, from Philosopher's Stone to Cursed Child. Remus and Tonks are minor characters, and it's funny the fact that this usually comes from Wolfstar shippers, so... is Wolfstar more developed than Remadora?! I mean... they can ship whatever they want, Snape and the Sorting Hat, Dobby and Voldemort, anything, but that does not give them the right to disrespect such a cute, tragic and beautiful canon ship as Remadora.
"They are queercoded! Their relationship is homophobic!"
It's surprising to hear this. It's like... people gets angry just because the author doesn't make queer their favourite characters? I will explain why I don't think Remus and Tonks are "queercoded":
Whether through their dress, their behavior, their language, or other subtle forms of implication, queer characters were written or designed to communicate their unstated queerness to those who were searching for representation.
And this is the definition on the website Pride.com:
"Using LGBTQIA tropes and stereotypes to allude to a character's sexuality without explicitly confirming it in the text."
We all know that Disney used queercoding on characters like Ursula, Scar, Jaffar. And why do we know that? Because DISNEY WANTED TO PORTRAY THEM LIKE THAT, get it? Disney, THE CREATORS MADE THESE CHARACTERS INTENTIONALLY QUEER. How? BASED ON STEREOTYPES.
And going back to Remadora, I was really happy to see by first time a bada*ass woman, with short hair who wasn't portrayed as a lesbian just because the way she looks. This character didn't follow the: "Straight women have long hair and are girly", and "short dyied hair is for lesbians". I'm very very very surprised the fandom follows these stereotypes.
About Remus: I don't know how the phrase "being a werewolf is a metaphor about people with HIV AIDS" means "he's gay". Fenrir Greyback bit him when he was a kid. Many people interpret this as "r4pe". Okay, even thinking that it is the meaning of the "bite", I still cannot understand how being "r4ped" and "infected" makes him queer. Is this (again) a stereotype about people with AIDS and gay?
"JK Rowling created Remadora because she didn't like people shipping Wolfstar!"
It is true that fans love shipping everything, they queerbait and queercode everything. That's great, that's not the problem. The problem is when people starts bashing fans who ship canon straight couples. A very good example is the polemic on Falcon and Bucky relationship, some fans wanted them to be a gay couple, Anthony Mackie said that two men can only be friends, and there is no need to always give them a romantic connotation. People cancelled him, they called him homophobic. Yes, just because a person with authority (on the story they're following") didn't like the fact of queercoding their favourite characters. It's the same about Remadora.
Grindeldore is a very interesting and underrated couple by the way. You can love or hate JK Rowling, but the truth is that Harry Potter story is hers, and even if Remadora was "because she didn't like Wolfstar", she is the author, it was her mind where these characters first appeared, as a big Harry Potter fan I respect and like the original story, that's not a sin. An author has the right to make some changes if some characters were misunderstood by the readers.
(Yes, I wrote this a bit angrily since I've seen too much hate towards Remadora shippers)
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nowplayingblog · 3 years
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Why the charictarization of Remus Lupin matter so much to me?
A character study of Remus Lupin
Disclaimer: I think every interpretation of every character is valid and should not be torn down (further discussed in this post). The following is a discussion of how I interpret a character, and things that I (me, specifically) don't like to see when I read fic, or even in fanart in many cases, and why.
(Just a friendly reminder that if you don't like someone's interpretation of a character, you can click off the fic, or block their account. It's OK to create a happy space for yourself.)
I'll begin with the reason I decided to make this post.
I've noticed a lot in my many years of being a marauders fan that there is a generally accepted interpretation of Remus, and the way certain people in the Fandom feel about it is that this is the only acceptable interpretation.
Based on my own observations, "Fanon Remus" is:
Negative/pessimistic.
Rough around the edges.
More confident in himself.
Borderline mean to anyone who he isn't friends with.
Usually smokes (cigarettes, weed, or both) and drinks.
Perpetually sad and tragic.
Tends to come off as disinterested in everything.
Fully accepting of being a werewolf and feels there is no separation between himself and his werewolf form.
(To be fair, this list is based on how I view this interpretation of Remus so it's likely bias.)
This interpretation of Remus has seen an increase in popularity with the re-emergence of the popular fanfic All the Young Dudes by MsKingBean89.
Here's the thing - I don't take issue with this version of Remus existing, it's definitely not to my taste (and we'll get into that more later) but it's a valid interpretation of his character.
Where I take issue with this is attitudes surrounding it, and people in the Fandom trying to make me feels as though this is the canon/only interpretation of Remus there can be.
I've been on multiple platforms where fellow Wolfstar/Marauders fans have stated that they hate seeing Remus depicted as:
Shy/timid.
Not as confident in himself and his abilities.
Thankful for his friends for the simple act of being his friends.
Overall softer (both in appearance and personality).
Being kind to most people he meets.
Being physically smaller than the other boys.
Referring to his werewolf state as something that is separate from him.
These people have argued that their interpretation is back by Canon, and writing Remus any other way is out of character - but the truth is that we know very little about Canon Remus (or any of the other Marauders or characters from that era.)
However both interpretations (or rather these two generalized interpretations, as I believe everyone sees every character a little differently) address aspects of what we know about him:
He's a werewolf and he has a complicated relationship with that aspect of himself. You can either interpret it as an internal conflict where he doesn't want people to be hurt by the part of himself that he can't control, or as an external conflict where he sees himself as a threat all the time, because there isn't a definitive line where "Remus" ends and "The Wolf" starts.
When we meet him in Prisoner of Azkaban, he is a warm and inviting, if a bit unorthodox, teacher. We also later learn he was a part of a group of friends who were notorious for playing pranks. Some interpret his unorthodox teaching style and his occasional sassy-ness (seen in flashbacks and in the present plot of the books) as an indication that he was always on board with the pranks - sometimes the mastermind behind some of them - and also that he was a bit rude or mean to anyone who he wasn't friends with. Others interpret his warm and caring personality to be at the core of who he is, and that his friends taught him to be a little mischievous, sarcastic and sassy.
As I've stated several times now, both are valid interpretations. One is no more rooted in Canon than the other. (I tend not to rely on Canon too much regardless, but that another topic for another post.)
But I think the real core of my problem with "Fanon Remus" comes back to a topic that I spend a LOT of time thinking about. So much time, in fact, that I have original stories and fanworks in the works that address this very issue:
The importance placed on the "dominant" or Type A personality.
(For clarity - Type A personality means someone who is achiement-oriented, ambitious, constantly working towards success, while the Type B personality is the more passive, flexible, easy going personality. )
We tend to see dominant, Type A personalities glorified in our society. We like go-getters, leaders. We glorify CEOs, activists, people who lead change.
We see the more submissive, Type B personalities as weak, passive, lacking the strength needed to succeed in this world.
But being passive, submissive, Type B, doesn't make someone weak. You can passively support causes you believe in. All leaders need followers.
I am more of that Type B, submissive, follower personality, and I identify and look up to characters and people who are like me, and are still strong.
I like to see - and want to see - characters who are more passive, less sure of themselves, but they are still strong and do what's right.
Which is why, while valid, I just can't interpret "Fanon Remus" as MY Remus. I can't relate to "Fanon Remus" and that interpretation of him doesn't serve the purpose I need in the kinds of stories I like to write.
And I'm sure a lot of people feel the same way, about a lot of characters.
They way I see Remus, is like this:
He is shy, he's one of those introverts that gets found by his extrovert friends and has no idea how to make friends outside of that.
He is focused on academics - in the Hogwarts world I see this as a way to prove to himself that he deserves to be here. To James and Sirius, their studies (magic or otherwise, depending on the AU) come naturally to them, but Remus works hard for his grades. (In this way he is a Type A personality, but he's not that dominant personality type.)
He loves his friends and unknowingly starts to mimic and adopt some of their traits the longer they are friends, which is how he becomes more sarcastic and mischievous.
He is kind, to the point of being overly apologetic.
He's one of those students that during parent-teacher conferences the teachers say he's "so quiet" and "a joy to have in class".
He's pessimistic in a "if I don't get my hopes up I won't be disappointed" kind of way. He wants to be optimistic but can't really visualize the things he wants as something that could be true. He feels like his wants are silly wishes. However, he's not pessimistic in the way that "nothing good will ever happen to me."
He's open to things turning out a little differently than he had planned.
He's supportive and wise. He gives good advice to his friends.
He has bad self-esteem issues, often falling into negative thoughts along the lines of "nobody actually likes me" "nobody can stand to be around me" "everyone wishes I wasn't here"
Loves doing big, thrilling activities, but needs his time to have quiet, introspective, and calming activities.
A true introvert, while he loves spending time with people, his social energy drains when he's around others, and recharges when he is alone.
So the moral of this post is meant to be - every character in every fandom is going to have lots of different interpretations, and is going to be even more different from person to person. We all see things differently. They may look wildly different from your interpretation, or even from Canon, but that doesn't make them less valid, and they don't deserve to be told that they're wrong.
There is now correct way to see a character - there are only ways that you disagree with.
Expect to see more character studies and interpretations in the future
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relishredshoes · 3 years
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Interview given to The Severus Snape and Hermione Granger Shipping Fan Group.  (sharing here Admin approved)
https://www.facebook.com/groups/199718373383293/
Hello Oracle Obscured and welcome to Behind the Quill, thank-you for letting us get to know you a little better.
Many readers will know you already and if they don’t I encourage them to look your works up including Teaching Miss Granger and How I learned to love teachers’ meetings
Okay, let’s jump right in.
What's the story behind your pen name?
Hmmm ... that’s kind of a weird answer for me. I wanted to choose a name that didn’t immediately indicate whether I was male or female. I’d noticed a certain freedom afforded to authors of indistinguishable gender. With no societal construct about the “nature” of the creator, the story stood on its own, without prejudice or conditioned expectations.
I brainstormed about six or seven names and then picked the one that appealed to me most. I’ve always felt drawn to the idea of oracles (those who see beyond). And I definitely felt obscured in that department. (Hell, at the time, my whole life felt obscured.)
Which Harry Potter character do you identify with the most?
I don’t know if I do. I guess if I had to pick, I’d say Hermione, as I have a tendency to be an obsessive perfectionist when it comes to work/studying. I like to be organized and plan things out. And I can be quite demanding and harsh with myself when I feel like I’m not measuring up to my own insane ideals.
But I took that openpsychometrics.org statistical quiz a while back, where you answer like a bazillion comparison questions (I did the longer version), and my highest HP match was Remus Lupin (83%). Yeah, I can see that.
Luna is my favorite character, but I don’t know if I identify with her more than anyone else.
Do you have a favourite genre to read? (not in fic, just in general)
It used to be horror/suspense, but ... I don’t know ... I’m just not as into it anymore. Maybe it’s because the real world is horrifying enough without adding fictional monsters to the mix.
Now I mostly read classics.
Do you have a favourite "classic" novel?
To Kill a Mockingbird.
At what age did you start writing?
Just writing stories in general? Maybe second grade. It wasn’t a passion or anything, just something I was pretty good at. I only really did it at school, though, not so much at home. I read A LOT growing up, so I naturally imagined that I might be an author one day. I tried to write a book when I was about 13 or 14, but less than one chapter in, I decided it was too hard. (I was NOT a Hermione growing up. Planning and perseverance were not my style.)
I took a massive break from thinking after high school (the smorgasbord of medications I was on didn’t like me using my brain too much, and my plans for college went out the window when my depression become unmanageable). I didn’t really start writing again until I was about twenty-seven. That was when I found fanfiction. I consider that when I really started writing.
How did you get into writing fanfiction?
I found fanfiction while looking for erotica. Needless to say I discovered the motherlode, and I was hooked. Over the years, I’d written bits and pieces of my own sexy scenarios (which is what you do when you grow up without the internet and you have to depend on your imagination for all your kink requirements), but I’d never really thought about taking someone else’s “story world” and using it as my setting. For a little over a year I read/devoured all the HP fanfiction I could, and then I realized I could take all the fantasies in my head and play them out with my favorite characters.
The first story I wrote was a funny/smutty Ginny/Draco thing, and it was HORRIBLE. The story and the sex were fine, but the writing was a nightmare. I submitted it to The Restricted Section, which was the only site I knew at the time, and they vetted their stories, so I had to get approved. They wrote me back saying it needed work and I should get a beta. So I went on the forum and found one (which was rather brave of me now that I think back). The person who helped me must’ve had the patience of a saint, because he/she(?) never said a damn thing about all the mistakes and shitty-ness. Suggestions and corrections were made, and I changed some of the pronouns to names so it wouldn’t sound so repetitive. The next time I submitted it, they accepted, and I got a decent response for a first-time writer (like three or four nice reviews). No one seemed to hate it, and the reviewers said the sex was hot, so I tried again, hoping to do better.
That’s when I wrote the first chapter of Teaching Miss Granger. It started out as just a oneshot. And it got a much better response. I wanted to write more, but I became extremely depressed and lethargic, and I didn’t really do anything for the next six or seven years. (I mean nothing. Unless you consider watching every episode of Law & Order CI and SVU ten times over to be an accomplishment.)
I came back to it years later, intending to add a few chapters to TMG where they have sex, but ... it just sort of evolved into the monster that it is. I worked on it pretty much every day for about a year. I’d never stuck with ANYTHING that long in my entire life.
What's the best theme you've ever come across in a fic? Is it a theme represented in your own works?
I would say love or “the power of love” is probably my favorite theme. But that includes synonyms for love as well. (Like wholeness, which is the theme of Quartet.)
What fandoms are you involved in other than Harry Potter?
None. I like other fandoms, but I don’t write for them, and I don’t usually read their fanfiction.
If you could make one change to canon, what would it be? Do you have a favourite piece of fanon?
I’ve never really thought about changing cannon. I mean, I change it to suit my fictional purposes (like Snape lives etc.), but I wouldn’t want to change canon for real. The deaths in HP serve a purpose, and while I find many of those deaths heartbreaking, that’s kind of the point. Hatred is bleak and destructive, and good people don’t survive wars simply because they’re good; bad things happen to good people all the time. As for changing something about the individual characters, I can’t get behind that either. The reasons people do things are multifaceted and complex and they’re colored by a lifetime of experiences I will never know or understand, so I don’t feel I can really judge. I can’t say I understand all the choices I’ve made in my own life, and there’ve been plenty of times where I had no choice at all. I can’t hold others to more rigorous standards than I myself can meet. We all have our shortcomings. (And that’s cool. Without them, there would be no growth or diversity.)
Do I have a favorite piece of fanon? Hmmm ... probably Head Boy and Head girl rooming together or having private rooms.
Oh! And uniforms.
Do you listen to music when you write or do you prefer quiet?
I used to listen to really quiet classical music while wearing headphones. Every little sound in the house distracts me, and I have to block it out. But lately I’ve just been running this old box fan that drowns out the noise.
What are your favourite fanfictions of all time?
Crap, I don’t know if I can choose. (Plus I feel like I’ve forgotten a lot of what I’ve read.)
My friend Desert Sea is my fav Hermione/Severus writer. Out of her stories, the ones I like best are In Their Hands and At the Headmaster’s Discretion.
After a brief search of my accounts, I’ll go with:
Do Not Go Gentle by senlinyu
Another Dream by dragoon811
The Last Twenty-Four Hours of Severus Snape by CryingCinderella
Pretty much everything by Aurette
Pet Project by Caeria
Post Tenebras, Lux by Loten
All the SS/HG stuff from snapeslittleblackbuttons
There’s a Teddy Radiator story that I like a lot, but I can’t remember the name of it. (Or what it’s about.) (Yes, very helpful, I know.)
And in a category all it’s own is Farmer Granger and the Most Glorious Cock by MyWitch. (Seriously, I read this like once a month and it makes me laugh every time.)
I read a lot of Drarry too. Drarry stories I love:
Everything by bixgrl1, but especially Balance Imperfect and In Evidence of Magical Theory
Everything by lq_traintracks (even the non-Drarry stuff). The writing is amazing.
I love all the advent stories by Saras_girl.
I like all the Drarry stories I’ve read by Faithwood.
I really like RZZMG’s writing. (No particular story or pairing.)
And I just rediscovered a story I found in 2007 (the first m/m fic I ever read). It’s a Snarry, which I know isn’t everyone’s cup of tea, but it was excellent. Snape: the Home Fries Nazi by pir8fancier
Are you a plotter or a pantser? How does that affect your writing process?
I enjoy a bit of both. My oneshots are all pantsed. TMG was totally pantsed. But Getting Personal and Quartet were both plotted and planned. For GP I did sort of a chapter by chapter synopsis before starting my rough draft, and for Q I went into even more detail—EVERYTHING was planned out ahead of time. The only thing that changed during the first draft was I ended up combining some of the chapters.
How does plotting affect my writing process compared to pantsing? It streamlines it. In a oneshot there’s not much to streamline; the basic story (or general idea) is all you really need. There’s not enough story to get muddled. But when I’m writing something longer, with multiple chapters, I find it’s better to know where the story is going. How deeply I go into that planning can vary. Sometimes there’s just a basic outline of the major plot points and then I fly by the seat of my pants from there. Sometimes I write out a very rough synopsis (sort of like a short and loose first draft) and then start writing as if it’s my second draft. Things inevitably get changed once I really start writing, so the planning isn’t set in stone by any means, but when I plan, the story goes in the general direction I intend without veering too far off course and there aren’t any plot holes. After I wrote TMG (with no planning) I saw that there was A LOT I could have cut or combined without affecting anything important. I learned a little more with each story I wrote, and when I got to Q, there was a lot of complicated ideas that I wanted to incorporate, and there were so many characters (and character arcs) going on that I had to plan extensively to make sure everything fit together. If I hadn’t worked it out ahead of time, it would’ve been like throwing a heap of puzzle pieces on the table but not being given a reference picture to know what it was I was working toward.
What is your writing genre of choice?
I have no idea. Plotty sex? Erotic dramady? Some of it is just straight up PWP, but I usually like to have something meaningful in there too.
Which of your stories are you most proud of? Why?
Usually the answer is whatever I’ve most recently written, as it’s the most likely to represent my current “best.” In terms of writing, I’ll go with A Brush with Magic, but Quartet is probably my best storytelling. A lot went into that (symbolism, planning, obsessive re-writes) and it holds a good deal of personal meaning to me. So, I guess I’ll go with Q due to the time and effort involved.
Did it unfold as you imagined it or did you find the unexpected cropped up as you wrote? What did you learn from writing it?
The unexpected always crops up (even with all my planning), and it’s the unexpected that makes the magic.
While I had many insights into my own nature while writing Quartet, in the end I think it taught me to trust/listen to myself more.
Later, however, it brought me a very different message. While writing it, I felt a lot of tension and anxiety; I wanted to “do it right” and present my story in the best light. But after some time away, I realized I’d been so worried because I felt as if that story represented me, as if it defined me. And the pressure of being judged worthy or unworthy had been eating me alive.
But I don’t feel that way anymore. Now it’s like I wrote all my stories in another lifetime. While they all might be a snapshot of a fraction of my mind, nothing I create ever says a damn thing about who or what I truly am. Since letting go of that, I’ve found a sense of freedom around writing. I still like to express things as clearly and beautifully as I can, but it’s more a celebration of words than a search for acceptance.
How personal is the story to you, and do you think that made it harder or easier to write?
Quartet was extremely personal to me when I wrote it, and in a lot of ways I think that made it easier to write. When I have to go strictly by imagination, I feel as if I’m missing some depth of understanding (like I’m getting the surface-level stuff, but missing the nuance). When I write from experience, it has an entirely different quality. Richer. More intimate. It’s work to write what I don’t know, but it’s easy to write the truth.
Posting, however, is an entirely different story. Other people don’t always want the truth, and if you feel like your story is an extension of you, it can hurt to have any part of it rejected.
What books or authors have influenced you? How do you think that shows in your writing?
I think everything I’ve ever read or seen has influenced me. In terms of writing, I guess I’d say I’m inspired by beauty in all its forms. When I first started reading fanfiction, I just searched for the kinks I liked; it was all about the sex (with bonus points for having a decent plot). Then one day I read an extremely well-written PWP (I don’t remember what), and the way the author described the sex was so unlike anything I had ever read, it totally blew my mind. It was art. Exquisite art. And before that, I didn’t know sex could be art. That author didn’t just recount the characters’ actions, they painted a word masterpiece—they turned porn into poetry. THAT was what I wanted in my life. And I didn’t know it until that moment.
Books/authors that stick with me:
The Harry Potter series (obviously).
Shel Silverstein (Love the poetry, but The Giving Tree is one of my favorite books of all time.)
Dr. Seuss (Always.)
Judy Blume (I still have my copy of Are You There God it’s Me Margaret from when I was, like, 10. Tiger Eyes is my favorite of hers.)
R.L. Stine (I got hooked prior to the creation of the Goosebumps series, but I had EVERY Fear Street Book he wrote when I was in middle school.)
Weekend by Christopher Pike (This was the first YA thriller I ever read. *Sigh* memories. I still have my original copy, and I still read it every once in a while. The characters and plot are great.)
Stephen King (Carrie is my fav.)
Anne Rice (I’ve read all the vampire and witch books, but The Witching Hour is the only one I’ve read multiple times. Blackwood Farm is my next favorite.)
To Kill a Mockingbird
Charles Dickens (David Copperfield is my fav.)
Jane Austen (I can’t pick between Pride & Prejudice and Sense & Sensibility.)
Thomas Harris (Brilliant writing, and Hannibal might be one of the most intriguing anti-heros ever.)
Stieg Larsson (Another brilliant writer with a brilliant character.)
The Giver by Lois Lowry (I haven’t read the rest of the trilogy. And I haven’t seen the movie. I refuse to besmirch my childhood love with Hollywood’s interpretation.)
Bridge to Terabithia (This book devastated me as a child.)
Gillian Flynn (Sharp Objects is my fav.)
Liane Moriarty (I like all of her books, especially Big Little Lies. The way she plays with the timeline is masterful.)
Frank Herbert’s Dune. (I grew up on this. It’s my dad’s all-time favorite book. And, yes, we’re looking forward to the new movie.)
Margaret Atwood (The Handmaid’s Tale is horrifyingly wonderful. And Atwood herself is fascinating. Watch her Masterclass if you get the chance.)
Steinbeck’s East of Eden (This might be my second favorite book.)
The Lucifer Effect by Phillip Zimbardo (This isn’t fiction, but it was the first book that really affected the way I see the world.)
Eisler’s The Chalice and the Blade (Also not fiction. If you’re interested in the divine feminine and a more egalitarian society, this is the book for you.)
Loving What Is by Byron Katie (The only self-help book that’s ever actually helped me.)
Daphne Du Maurier (I love Rebecca, but she also has a story called “The Blue Lenses” that isn’t really intended to be scary, but it freaked me the fuck out.)
The Secret History by Donna Tartt (Gorgeous writing, and the plot left me seriously disturbed.)
One Flew Over the Cuckoo’s Nest by Ken Kesey (Gah! I love this. The writing and the story and the characters and EVERYTHING!)
Fahrenheit 451 by Ray Bradbury (I Bradbury’s writing style, but the plot of F451 is pure horror for any book hoarder lover.)
The Lord of the Flies by William Golding (This might be my third favorite book ever. No, wait, I might like it better than East of Eden. I can’t choose!)
The Diary of Anne Frank (How in the hell could anyone read this and not be affected by it?)
Do people in your everyday life know you write fanfiction?
No. This is my own private world, and I like it that way.
How true for you is the notion of "writing for yourself"?
Very. I write what I want to read. There are certain adjustments I make when I write for other people as opposed to what I do when writing strictly for myself, but nothing major. I refuse to write things I have no interest in, and I don’t write to make people happy. I write to please myself. (But it’s nice when what pleases me pleases others. It’s wonderful to share that connection.)
How important is it for you to interact with your audience? How do you engage with them? Just at the point of publishing? Through social media?
I like hearing from my readers. I don’t have a lot of time to interact, but I like talking to my audience and listening to their insights. I try to reply to all the comments I get on AO3 (it’s just too hard on FFN). And when I have free time (which isn’t often) I check my FB groups to see what’s going on. To me, the interaction kind of completes the creative cycle; it helps me set the story free and allow it to be. It really belongs to the reader once I’ve published, and it’s nice to see the ripples creativity creates.
What is the best advice you've received about writing?
Unless it’s absolutely necessary, stop using the word “was.” Completely changed my writing.
What do you do when you hit writer's block?
It doesn’t really happen that much, as I usually know where I’m going with my story, but there can be glitches between scenes or times when I can’t find the words for something (like ending a chapter). When that happens, I usually just leave it and come back later—I can’t force it if it won’t come.
If I really need to get it done for some reason, I read what I have over and over, adding a little bit more each time, trying out words that “sound right” and building what I need bit by bit. What I come up with isn’t always right or what I want, but at least I have something to work with. Sometimes seeing what’s wrong makes what you want more obvious.
Has anything in real life trickled down into your writing?
Yeah, just about everything Sex, depression, anxiety, personal growth, likes/dislikes, insights, interests, philosophy, all my little neuroses. Every once in a while I’ll even include some dialogue from real life.
Do you have any stories in the works? Can you give us a teaser?
I’m juggling about five long stories right now (plus a couple oneshots). And I haven’t worked on any of them in ages. I don’t know what’s going on with me; I’m just not in the mood. I don’t want to say what they are, as I might never finish them. (Two are Drarry and three are Sevmione. One is a compilation of oneshots. Four of them are completely planned out and just need to be written. The unplanned Drarry was always just meant to be for myself and I doubt I’ll ever release it.)
Any words of encouragement to other writers?
Yes. Enjoy the whole writing/creative process as much as possible. Try not to beat yourself up, and don’t try to force yourself to be better. You will naturally get better the more you write. Change is inevitable; allow it to happen. Read books about writing, and read good writers. Notice what brings you the most pleasure when you read and tap into that same pleasure when you write. Play with words and ideas just for fun. Watch and see what appears. There is no perfect.
If you’re writing about sex (because I get asked about that a lot), write what turns YOU on. Don’t try to be sexy. Don’t try to write what you think other people want to hear. Don’t worry about what other people think (at least in the first draft). If they don’t like it they can go read something else. But if YOU like it, it will shine through in your writing, and that will have a bigger impact on your reader than any activity you describe. Also, the physicality is only a fraction of the sexual experience. Don’t turn your sex scenes into a play-by-play. You’re not really writing about what the characters are doing so much as how what they’re doing affects them. It’s a personal experience, and the more personal you make it (the more honest and vulnerable you are as a writer) the more satisfying the story will be for your reader. Wise words! Thank-you so much for speaking with us today Oracle Obscured.
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canimal · 5 years
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In terms of Hermione’s characterization in fanon, what do you dislike? Like is there a way people characterize her that you would disagree with?
Ooh, Heavens, yes, I have some opinions on this. Lol! Please excuse me for what may be a long-winded, oddly passionate rant. There is A LOT about fanon Hermione that I cannot stand. First, perhaps the most irksome and obnoxious thing to come out of fanon for me personally is “Hermione, Brightest Witch of Her Age” (or “Brightest Witch of THE Age” depending on who is writing). Okay, y’all, let’s discuss this. In PoA (and I’m talking books here because I’ve maybe seen the movie twice and I don’t really like it - but that’s a topic for another rant), Remus Lupin says to Hermione (and I’m paraphrasing because I don’t have my book with me) “You really are the brightest witch of your age.” Basically, her teacher told her “Of all the 13 year old witches I know, you’re the smartest.” NOT “You’re the brightest and most gifted and most incredible and most powerful Witch of this era in history in the entire world.” Still an awesome compliment, but hardly a title bestowed on her from the Queen. I’ve seen so many people run with that line like there’s some sort of Official Title or Office for the “Brightest Witch of Her Age”. It was a compliment from her teacher! She’s been written before in soooo many stories where she proudly lays claim to that title like she was knighted or something. No. Stop. Please. She’s clever and likes to learn, but no. Don’t call her that like it’s a real title. And certainly don’t make her refer to herself as such. It’s obnoxious. Do you know what I would do if I met someone who said “Hi, I’m George Smith, the Smartest Man in This Century”?? I’d want to punch him in the face. Also, I’m very bothered by Hermione’s canon imperfections being ignored in fanon. If you’ve ever read any of my stories, especially recent stories, you’ll notice that I’ve had to put up disclaimers reminding readers that I don’t write Perfect!Hermione because I find perfection to be unrealistic and boring. In the books, she was neurotic, anxious, stubborn, unwilling to listen to anyone who had a different opinion, very emotional, and honestly, pretty freaking mean on a few occasions. It seems like if you dare to write a story where Hermione isn’t Super powerful, All-Knowing, All-Seeing, able to fix every problem with a snap of her fingers, and a host of other annoying Mary Sue personality traits, you’ll get complaints from readers that she’s Out-of-Character. 🙄 Umm, no, the girl who cried a minimum of 71 times over the course of seven books (and those just the instances Unobservant Harry witnessed) and whose biggest fear was failing all of her exams isn’t the most confident of people. She rushes to books when she doesn’t know the answer because not knowing something makes her feel powerless. She feels that way a lot. There are some very popular stories in this fandom that just make me cringe because they’ve taken the imperfections that made her someone many of us could relate to and made her some sort of Goddess of Power and Perfection. No, stop. Please. Wandless magic .... ugh. Please allow me to roll my eyes so hard it hurts. If wandless Magic was “so easy”, why would people even need wands? If anyone could theoretically do it, why was Voldemort so worried about making his wand work against Harry? Or why was the Elder Wand such a desired object? Why did Dean make the comment that he needed to find a wand to fight and Seamus look at him like he was nuts for not having a wand? They’re important. If wandless magic could be easily done, we would see more of it. (Don’t get me started on the movies. 🤬) In one of the early chapters of my story Echoes of Silence, I had several readers want to know why Hermione didn’t just use wandless magic to save herself and the 60+ other people on the Ministry-controlled heavily warded island? Because apparently SuperGoddessPowerfulBrightestWitchofAllTime!Hermione could just snap them off the island. Forget the fact that she’d not been able to use magic for five years while she was starving in Azkaban. Nope. She should’ve been able to do it. (This also goes hand-in-hand with my above complaint.)I seriously could go on and on about what parts of Fanon Hermione I can’t stand. There’s a lot. I love messy, complicated characters and when she’s sanitized or made to be some Supreme Being that she’s not, I hate her. She’s not the character I most identify with (that would be Mr Ronald Weasley so if you want another rant on what I hate has been done to Ron in fanon, I can do it. Just not sure you’d really want me to. Lol!) but many people DO identify with Hermione because of her flaws. Taking those away from her makes her unrecognizable. If you’ve never read the canon books, People of Tumblr, please do. They’re wonderful and much better than the movies. And even if there are stories out there that I like just as much, if not more, it’s still important to know the source material.
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gingertodgers · 5 years
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6 & 7 from the salt asks and 8 & 18 for the sweet asks?
hello lovely one ♥ ♥ ♥ ♥ ♥
salt
6. Has fandom ever made you enjoy a pairing you previously hated?
Drarry? If fanon hadn’t already given Draco such a brill redemption arc I don’t think I ever would have got behind the pairing.
7. Is there anything you used to like but can’t stand now?
Remus/Tonks. I utterly adored that pairing in the books. Like heart eyes all the way. I thought they were amazing and loved the dynamic of Remus worrying about being too old for Tonks (because hey, trying to be responsible and thoughtful is a pretty big part of loving someone) and the way she could joke with him and was so protective of him. sigh.
Then I got a bit older and realised that fancying Remus and liking Tonks basically felt exactly the same… But it couldn’t be the same because he was a man and therefore feeling that way about him meant I liked him and Tonks was a woman and feeling that way about her meant I just wanted her to be my friend and… oh. Oh, I see.
So that was the point I was at when I joined fandom and started reading Wolfstar fics and meta posts about how they were bullied into being together and now I’m Not A Fan. Although Remus Lupin is still bi as fuck and I will fight the internet on that point. He’s just maybe not bi for Tonks and maybe she deserved a different story and you know, not to die.
sweet
8. Who’s your favorite character in fandom? Why?
Maybe Neville? Seeing how much everyone else loves him was such a great part of Chubby Neville Fest and I’m so excited about @growing-neville. Also writing him with Pansy was a fun moment because I basically begged the drarry discord for headcanons and they really delivered! The fact that even when we are writing him as a bit of a fuck boi Neville is still the fanon prince fills me with joy and appreciation for him.
18. Shout out to your betas, your cheer readers, your frequent commenters that give the best feedback!
I’ve been very lucky with betas, all of them are superstars and some of the best of best are @nerdherderette @drarrymylove @frnklymrshnkly and the incomparable @tdcatsblog ♥ ♥ ♥
I have so many cheer readers that I can’t start naming them because otherwise I’ll never stop and they will be vaguely creeped out that a comment from them 2+ years ago still makes me tearfully happy ♥ I do think that the drarry fandom in general is very blessed to have commenatrixes like td, frnkly, @candybarrnerd @nifflers-n-nargles @aibidil and @violetclarity
Speaking of which, roll call for alpha readers who are 100% responsible for me finishing specific fics: violet beasted my 8th year wlw speed-dating fic, your lovely self and @synonym-for-life rescued Team Slytherdor for me, frnkly saved my last millie/padma fic and oh gawd so many more!
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messrsmemoirs · 6 years
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Sometimes I wonder if I chose the right career path by choosing to be a teacher then I remember my fave character Remus Lupin is a teacher too & he is a good teacher so he inspires me to be a good teacher too. to inspire students, try and boost their confidence, be encouraging and kind. I actually think he’s probably my fave character as I have things in common like birthdays are close, used to love pranks, loves chocolate, similar insecurities, reserved, kind. Why is he your fave?
Alright this is long and personal and emotional so I’m adding a readmore and also a suggested content warning for child abuse and bullying and emotional blathering nobody wants to see.
For a number of reasons, many of which have changed or grown as I’ve gotten older. When I met Remus, I think I was about... nine? I was actually a little late getting into the Harry Potter fandom. I don’t even remember the year exactly, because I had no way of knowing how much the story would influence my life at the time. I think my first HP book was actually the Chamber of Secrets, and then I was surprised to find that there was one before?? And I had to read that one, too?? But I’m glad I did, because obviously two decades later I’m kicking here on a social media website for teens like a real adult.
Anyway, yes, when I met Remus I was about nine or ten, and... honestly, I think kid me was interested in his character for two reasons: first, because he was just a really kind person who was also patient and thoughtful. And second, because he was a werewolf. I’m not really going to lie, I’ve loved werewolves since I was a kid. So for kid me, that was like, “whoa, dude, that’s wicked rad,” and I definitely labeled that as the coolest thing since sliced bread. Dude was nice AND he’s a werewolf? A+.
I would label that as a brief introductory period, though, because I can remember in detail when Remus really started becoming this figure in my day-to-day. It was when I was 10-11, actually, and my parents had lost the fight with the bank to take over the mortgage of my late grandmother’s home. Having no place to go, we moved into a converted barn apartment in the dead of winter, very far away from the kids I had actually known. Now, I never had friends. Not really. I always sat by myself at lunch and on the playground, and leaving the few kids I could actually play with at recess was just a little blow unto mine heart. And when I went to this new school, I was all by myself. The kids spit on me and call me names, and I remember that there was this phase when I couldn’t look another person in the eye. We were so far away from everything that I spent the summer break alone (my parents were working and my sister was always spending the nights away from home on purpose), locked in the house-barn while it swayed in the wind like the old building it was. My parents were pretty emotionally abusive, and this was also around the time that my mother would start telling us about how she didn’t love us, tell us girls that we were fat for developing our breasts like we had a choice about puberty, or not make enough food for one of us because she was mad at us, things like that. Locking the refrigerator, blah, blah. The one teacher I had all year long (before the switch to middle school it was just one) actually went out of the way to keep me out of class field trips by not emailing my parents about changes to the schedule, etc. I remember I used to ride the school bus an hour each way, and I would like... beg God or whoever to just make it so that I wouldn’t feel emotions, and be like Spock. No emotions, so I could just be a robot and do what everyone expected of me. So... you know, this was a really rough region of time for kid me.
I think what really spoke to me about this silly book character was that he was just... really kind. And thoughtful, and he listened when people spoke about their problems. He took people seriously. He cared about people. And I think, looking back, that he was just the kind of personality, the kind of adult figure that I really needed in my life at the time. I didn’t ever have anyone to look up to growing up except for this fictional werewolf who, as the books came out one by one, was revealed to me as this person who was kind despite the things that happened to him. I was drawn in by how he kept getting back up in the face of adversity, when the entire world despised what he was without ever caring for who he was. How he suffered and suffered and was still so kind, how he still felt love, how he hated himself so much and yet he was doing so much good. ... And, you know, the werewolf thing was still cool, too, so there’s that.
When I was a teenager, I was the worst fan. I was very into Wolfstar, very into chocoholic Remus--and not that those things are bad, of course, but that was an earlier time, when we used Photobucket and something called Myspace, and I wore those black pants with chains on them because I was Different, not one of Those Other Girls. And please, I’m really not criticizing you if you do any of these things. More power to you, quite honestly. It’s just that I was kind of this kid who thought she was straight who had never had anyone ask me out ever, was very depressed all the time, and had anime soundtrack cds and wore a key to the house around my neck. I was very Not Cool. And my limited interaction with people and the world around me had me making these very limited headcanons that were all based on the fanon at the time, which were (surprise) wolfstar and chocoholic Remus. Yes, they’ve been around for literally forever. I hadn’t really matured in my understanding of the person Remus was, not really. But what I did admire were those same traits, and what I ended up doing was trying to push myself to be the person I thought he would respect. To be someone calm under duress, kind, and quick-witted.
And of course I was not those things, because I was a teenager going through a quiet emo phase that turned out to be the beginnings of mental illness. And I punished myself so hard for not being the person I thought I needed to be. I don’t do that so much anymore, but I still allow Remus to be my compass in life while being aware of his flaws (where I thought he had none when I was a teen) and more importantly, aware of my own. Nowadays, Remus is still the kind of person I hope to become like, but it’s so that I can be that person for someone else, maybe. So that maybe someday they won’t need a book to be their only friend, or maybe they can have a person in their lives who takes them seriously and treats them with kindness.
Adult me values Remus for who he isn’t as much as who he is. I value the deeply human nature of his flaws, and the raw emotional power his story really has. I value his inner strength and use it as a buoy for myself when I can’t help what’s going on in my head. I value that he breaks, and breaks, and breaks, and that he gets back up knowing that he will break again but doing in anyway. I value that he is afraid of people, afraid of the future, afraid of himself, because so am I. And he’s still such a kind and patient soul. He’s so angry and he has every right to be, but he’s still kind. He’s so hurt, and he lives his life in constant pain in one form or another. And he just... I don’t know. Remus has this awful life. Terrible things, unfair things, have happened to him, and he had all the potential and justification to become someone angry at the world and hateful of everything in it, but he didn’t. I want to do that, too, but I haven’t yet. I still have a lot to learn from him, and I’m really excited to see where things go in the future.
And I thought about being a teacher for a long time, actually, because of Remus. But I find that I’m not actually a good verbal communicator. Nor do I really feel comfortable with children... And I just don’t have the confidence. So I would actually love to hear about your journey into teaching and what it’s like in your experience with a little Remus in your head wishing you to do well. I did do a few things on my own because of him, though. I speak an intermediate amount of Welsh because of Remus, actually. ... Which isn’t the same as educating the next generation, but I get the jokes about carrots and morons now.
... So bear with me, as this was an entirely emotional ramble and not really coherent, but I do hope I was able to answer your question.
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