Beautiful Possibilities. Art by Michelle Tuck, from Fated: A Pocket Love Oracle.
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an incomplete list of death note things i thought were just jokes until i found out they were canon:
the potato chip scene. how is that real.
apples
the whole “this is something only kira would do, on the other hand, if i don’t do it, he’ll definitely think i’m kira, but . . .” and “kira would never do that, unless he is kira, in which case he would do the opposite of what i know he would do, so that actually increases his likelihood . . .” dynamic that light and L have is not an exaggeration. they really do overthink everything to that degree
the thing that looks like a monster is more mentally stable than the normal human boy
light isn’t attracted to misa
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the acoc candy couture vol 2 zine is literally the most stunning thing i've ever seen (CHECK IT OUT AND ALL THE OTHER ZINES FROM THE D20 ZINE JAM) and i drew the rocks sisters like i was fucking possessed or smth
i did a bunch of research to make smth sort of historically accurate for my primsy design last year. this year i wanted to just go off and go for pure vibes only. also i actually saved my process!
i knew roughly 2 things i wanted for this piece: outrageous medieval-esque fashions (historical accuracy not required) and also twists for their licorice hair. i put together a pureref, found a pose reference, and played with several different color palettes really terribly until i found one i liked! the details made me wanna die but the end result was sooooo worth it
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wilson saying “I need to do this. for you.” is fucking insane actually. in the same episode where house is deciding whether or not he should commit suicide as a result of wilson’s dying. They are each other’s lines between life and death. humans have a biological instinct to preserve their survival at all costs; house has an addiction that governs his life. but they were willing to forgo all of it for one another, because they couldn’t fathom it being any other way. IM SICK
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Remember when Toei reanimated Luffy and Zoro’s meeting for a flashback right before the peak of Zoro vs King, and in it they made the stylistic choice to gradually make the world brighter and brighter as Zoro makes his vow, in one long and beautiful shot framed to show the way Luffy’s perfectly reflected in Zoro’s eyes, to show that it’s him changing Zoro’s entire world and becoming the center of it. Remember that.
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SO TOLD THE VAULT KID COULDNT BE BOTHERED TO ACTIVATE THE PURIFIER........ THEY ACTUALLY DID IT THE ABSOLUTE MADMAN HAHAHAHAHAHA
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i think one of the most infuriating things about using the Force would be the fact that in order to reach out, you have to instead open yourself up and let it in. you must make yourself passive, in order to be active, you know? to see what is really out there, you have to allow yourself to look, which means pausing and offering up your attention non-judgmentally in order to take in the world before you act upon that information. you have to get yourself out of the way, because when your thoughts and anxieties are in the way, you cannot see past them. they are a shield blocking you from seeing the moment, and a filter that leads to motivated reasoning, seeing what you want to see instead of what is really there.
so in a high stress environment, when there is much on the line (fear) or innocents are being harmed (anger), the ability to actually take a second and put aside those feelings in order to understand the situation better and actually be able to fix things is no mean feat. you have to be able to simultaneously detach so that you can focus and act in the best interest of everyone with full awareness of the risks and benefits, while remaining deeply engaged and compassionate for everyone involved. it's not easy, it's not about ego and glory and pleasure, it's about loving the world enough to be an agent of peace no matter the cost. that kind of altruistic discipline would take a lifetime of study, and i think is so deeply admirable as a concept.
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"It creates a distinct visual motif not found in other romances that captures the connection between the two characters while feeling distinctly not of this world."
"We wanted this to feel like Gale and their partner were really merging into one, new, perfectly harmonious being."
[source]
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