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#At the very least- i'll post the exposure tags
amethysts-prompts · 1 year
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Prompt #232
“You’re stewing.”
“I’m not stewing.”
“You’re still in pajamas, Villain. It’s 9pm.”
“Exactly. It’s 9pm. I can very well be in my pajamas at 9pm.”
“You’ve been in those pajamas since 9pm three days ago.”
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moodlesmain · 11 months
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Hi. Look at this.
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I just spent two days straight making a digital conspiracy board trying to piece together my favourite genre that isn't really a genre and more just a very particular niche which doesn't really have a name.
If you want to look I reccomend downloading and zooming in on the image to read everything LMAO, I want to try and convert it to a page on my neocities at some point so its easier to view but for now you guys just get a big ol' jpeg. You're welcome :)
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poetrysmackdown · 4 months
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some informal thoughts
hello! hope the holiday season has been kind to all of you. and i hope all my jewish followers had a lovely hanukkah! anyways, since i said a few months ago that i’d pick poetry smackdown back up sometime around this time of year, i thought i should make a post. the gist of it is that i’m still quite busy, i have a break that’s about three weeks shorter than I was planning on, and i don’t currently have the mental bandwidth required to read, contemplate, and sort through poem submissions in a way that does justice to them, even if i were to recruit some friends to help out. since running a tournament format requires at least five weeks of continued engagement once it’s underway, and since i’m not at capacity to offer that right now due to the change in my schedule, i’m gonna have to bow out for now. sad bc i was looking forward to it!
my hope is that i’ll have some more time over the summer to hunker down with it, in which case you’ll be hearing from me. it’ll frankly depend on the kind of job i land in for the summer, but i find that my unemployed spirit can typically keep me doing stupid shit regardless of workload...to a point. i don’t want to make any promises because i don’t want to get anyone’s hopes up just to let them down again LOL. i do admit the amount of exposure the first tournament got has made me feel like more of a perfectionist this time around, doubly because i don’t feel that i’m very suited to being a public online presence (even a relatively quite small one)—i’m bad enough at responding to emails for my own real life responsibilities, let alone tumblr asks for the silly responsibilities i invent for myself lol. that’s not to say i no longer want to do it, or i don’t enjoy it, or even that i don’t feel capable of making a really interesting bracket—just that if i am working to put something new together, and if people are taking the time to submit poems they care about, then i don’t want to half-ass it.
my second admission is something like this. I made the original bracket as a celebration of poetry and our relationships to it. yes it was silly and competitive, and the poems were very tumblr, but still, celebration was the intention—I wanted to have conversations about poetry. I stand by the bracket format as a fun and valuable way to foster conversations about poetry, but truthfully, the poems i’m wanting to have conversations about right now—the poems that we should be talking about right now—are ones that i'm not comfortable putting in a bracket. I reblogged The Baffler’s Poems from Palestine collection on here earlier, and Najwan Darwish’s “Who Remembers The Armenians?”, which I still often find repeating through my head when I'm traveling from one place to another, walking home or riding the bus. I came across this beautiful thread recently where people have been translating Dr. Refaat Alareer’s “If I Must Die” into their own languages (this just makes my translator's heart sing!!!!!!). @havingapoemwithyou has been posting some great poems from and for Palestine as well—check out their tag here.
There's always more to add, and I'll be posting more on here as I come across it, but that's what I feel anyone should be focusing on right now when it comes to poetry. i think poetry can be an escape but it should never be a distraction. does that make sense? i wouldn't be against doing a one-off poll here or there, but it feels weird to be making a tournament for poetry right now, or anytime soon. i feel like what free time i have right now is still best utilized helping my friends with organizing in the real world. and god, a bit off-topic but while I'm talking, fuck poetry foundation—I have so much respect for all the poets keeping up the boycott, because while i think it's a simple decision, it's not always an easy one (Aurielle Lucier discussed that here).
anyways, if you read all of this, thank you for your time!! I could go on and on, but really this was just meant to be a message telling y'all that there won't be another tournament for a while lol. even so i'll be trying to use this small silly platform as best i can until palestine is free because that's the absolute least i can do.
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tagged by @soft-girl-musings ❤️ ty, this was super fun! tagging whoever wants to do this (please tag me in your posts!!!!)
1. Type your name followed by core into pinterest and paste the first pic. 2. Refresh your pinterest homepage and paste the first person. 3. Refresh your pinterest homepage and paste a random aesthetic picture. 4. Write a little story :)
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(Please be gentle, I have not actually seen Dune, tho I did read a little of the novel, and am basing this characterization on my very limited exposure to Leto lol)
Dune Modern AU (I guess??) - Leto Atreides x F!Reader | (1,840 words) | Not proofread
AN: i...might've gone a bit overboard with this lmaooo. i blame oscar. 🫣
Warnings: murder, allusions to SA, probably a tad stockholm syndrome-y (lol), vague smut, some angst.
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You struggle against the crewman's tight hold on your wrists, knowing that even if you were to break free, you'd have no where to escape to. Your ship had been attacked and boarded that morning by pirates, after which you, along with a handful of others, had been left to die on your pillaged ship.
When a ship flying the flag of Caladan had happened upon you, you'd been relieved, over the moon, even. That is, until they'd boarded and killed everyone left alive save for you. You should've known something was off as soon as they stepped onto the deck, their uniforms filthy and unkempt. But you'd been so desperate, had wanted to believe so badly that you were being rescued.
You don't know where he's taking you now, but given the lecherous look he'd given you just before grabbing you, you can take a guess.
Hopefully he'll at least have the decency to kill you once he's finished.
You growl as the man pushes open the door at the end of the hall, dragging you swiftly behind him. He throws you into a chair and looms over you, caging you in with a hand on either armrest.
"Feisty, aren't we?" he says, his dark eyes cold and cruel. "I like the feisty ones."
You stare him down with a glare, determined to not let this man take the only thing you have left: your dignity. He smirks at you and leans in, but it halted by the sound of the door opening.
"I'll take it from here, Yueh."
You watch as the man's lip curls slightly, annoyed at being interrupted. Nevertheless, he stands, schooling his face into an indifferent mask and turning toward the newcomer.
"Of course, Captain."
The crewman leaves, closing the door behind him with a loud "thwack," leaving you alone with this new man, apparently the captain.
You study him, noting that his uniform is in far better condition than that of his subordinates. Even his knee-high boots have been polished to a shine. You drag your eyes up his torso, then his chest, your eyes snagging on the insignia pinned over his left breast pocket. It looks familiar, but you can't seem to immediately place it. You allow your eyes to continue their journey, sliding up his neck, over his graying beard and stately nose, until you meet his eyes.
They're a warm, deep brown with a gentleness in them you are not accustomed to seeing in men (especially those in authority). He smiles at you apologetically, knowing he is at least partially responsible for the terror you've endured.
"Are you alright?" he asks, his voice soft and gentle, just like his eyes.
Inexplicably, the facade you've erected to make yourself seem unaffected by all of this crumbles at his question. No, you are absolutely not alright. In less than a week you've been attacked by pirates, had all of your possessions either taken or destroyed, and have watched almost every person you care for die. Tears well in your eyes and you're helpless to stop them from falling.
Embarrassed, you hide your face in your hands, silently sobbing into your palms. You flinch when you feel a hand on your shoulder. Was he...comforting you? You look up, his eyes radiating sadness and, dare you say, compassion?
He hugs you then, gently pulling you against his chest and wrapping an arm around your shoulders. He murmurs soothing words, promises to keep you safe, tells you you'll never have to live in fear again so long as he is with you. .
And you believe him, God help you.
He asks you to call him Leto despite clearly holding some kind of title. It feels odd to be so informal, but you do as he asks. He does not appear to have much trust in his crewmen, namely the group who'd boarded your ship. As a result of this, he is reluctant to let you out of his sight, so you spend most of your time with him. He does most of the talking, telling you of his beloved homeland Caladan, of his son Paul...of his late wife, Jessica. When you are ready, you do the same, telling him about where you grew up, of your parents, of your desire to see the world.
It's not until a few weeks later that you realize you're falling in love with him.
You do your best to hide it but he seems to sense the shift in you. The night before you are expected to return to Caladan, he finally asks what's troubling you. As when you'd met him that first day, his eyes are what get to you, the gentle kindness and patience in them like a balm to your soul.
"I...I think I'm in love with you," you admit, sure he doesn't feel the same.
But he surprises you yet again.
"I love you too, my darling," he rasps, leaning in to press his lips against yours.
He makes love to you until the sun rises, his movements gentle yet still passionate. His fingers tangle with yours when he pins you to the bed, making you come over and over, you body shaking with pleasure as he smothers your moans with his kiss.
He asks you to marry him in the afterglow, his head nestled between your breasts as you comb your fingers through his soft hair. You tell him you will and he looks up at you with a smile, sitting up so he can steal another kiss from your lips.
There is a commotion on deck as soon as the ship docks and it takes Leto a moment to realize it's not the usual flurry of activity that usually comes with a return to land. Sensing something nefarious, he tells you to escape through the window in his quarters. You don't want to leave him, flat out refuse to, in fact, but he convinces you yet again with his gentle, earnest eyes.
"I need to know you're safe," he says, taking your hands in his. "I'll find you, I promise."
You wait for him at an inn a few blocks from the docks but he never shows. You don't sleep, you can't, too worried about Leto and what might've happened to him. At the first sign of dawn, you leave the inn, returning to the docks in search of your Leto.
His ship is gone, the slip where it had been empty, and your heart sinks. Had it all been a trick? A game? A way to pass the time while at sea? Had he even really loved you or had he just told you that so you'd warm his bed?
You consider asking the harbormaster if they know what happened but...what would be the point? You know all you need to know: Leto is gone, has left you here alone, despite his promises to protect you, to love you, to marry you.
You do your best not to break down, to not give in to the crushing weight of your broken heart. Using the last of your coin, you decide to stay another night at the inn Leto had told you about, and in the morning, you convince them to hire you as a housekeeper in exchange for a bed and a meager salary. You work there for months, saving every penny you can for passage back to your homeland.
The night before you're set to leave, he finds you.
Leto.
"What are you doing here?" you ask, crossing your arms defensively over your chest.
He's disheveled, almost haggard, and much skinnier than you recall. You wonder briefly if he's been ill but quickly decide it doesn't matter--he left you, fooled you into thinking he loved you.
"I'm so sorry it took me so long," he rasps, his voice strained, as if he'd been screaming for hours.
You scoff, doing your best to avoid looking him directly in the eyes. That's how he always got you, manipulated you.
"It's too late, Leto. I'm leaving in the morning," you tell him, turning away to fiddle with your already-packed bag.
"Will you at least let me explain?" he pleads, shuffling closer.
You sigh, shaking your head. You tell yourself no, that you don't owe him anything, that he doesn't deserve a chance to explain himself...but you can't help but be curious.
Without looking at him, you nod, bracing your palms on the dresser before you.
He thanks you, taking a moment to collect his thoughts before he dives right in. He's been in jail, he claims, was locked up as soon as he stepped foot on land. Evidently, there was a mutiny and some of his crewmen, led by Yueh, had framed him by planting an illegal drug called Spice on board the ship. As soon as it had docked, the mutineers had sent an anonymous tip to the authorities and, as the Captain, Leto was arrested and thrown in jail. Unable to prove his innocence, he'd had no choice but to serve his time.
The story sounds plausible, and you're almost inclined to believe him but....you just can't. Your heart wasn't just broken by him, it was shattered. Irreparably, you think. Even if what he claims happened is true, you can't see how you could ever trust him again. Not after everything you've been through. You tell him as much, back still turned to him. After a beat of silence, you hear him shift closer, feel his warmth against your back, your eyes falling shut as he presses a gentle kiss against the base of your neck. You swallow a whimper, inhaling shakily when he runs his knuckle down the back of your arm.
"Please look at me, my darling," he pleads, voice thick with emotion. "Just one more time."
Hesitantly, you turn and your heart breaks a little more at the pain and desperation in his eyes. He smiles, taking your hand in his and gently squeezing it. Your eyes well with tears, one escaping and sliding down your cheek, and your curse yourself for your weakness. Using his free hand, he swipes the tear away, his touch lingering on your face.
You're not sure who moves first, but suddenly his lips are on yours, and a fire ignites in your chest. More tears slide down your face as you kiss him back, your arms winding around his neck as he hoists you up to sit on the dresser. The action knocks your bag to the floor with a dull thud, but you can't bring yourself to care as Leto licks into your mouth, his tongue hot as it slides against yours.
When he finally thrusts inside you, it feels like coming home. Suddenly you feel safe again, you feel at peace.
In the end, he travels with you back to your homeland. Slowly, the trust that was broken is rebuilt and before you realize what's happening, you allow the love you have for one another to heal your shattered hearts.
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sunieepo · 1 month
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been thinking of quitting tumblr or at least... idk... using it really differently
i feel like scrolling the dashboard i'm just inundated with so many bad takes / sexism / racism / horrendous world news / doomerism / things i've asked ppl to tag but aren't (not upset about it because i get that i'm asking a lot). and i get that it's supposed to be funny/absurd seeing people online say bad takes but it just makes me feel pretty down sometimes. in general i think exposure to random people's takes on the internet is just very damaging to my mental health. same with the constant stream of awful news
i'm currently finally seeing a therapist to try to help me with some of my more serious mental health issues and i think i'm overall just much more sensitive now than i was in the past. especially with the sexism stuff man. and i get why people wanna post about and complain about bad takes they see online regarding this but... god, i'm just exhausted. i'm tired. i don't have any more rage or ridicule left in me. i'm just incredibly sad at the state of the world rn and i have no more energy left to feel anything but sad about it.
scrolling specific character/fandom tags is still pretty safe so i'll still have that, but... yeah, for similar reasons to why i left twitter, i'm kind of feeling evacuating my main tumblr dash if nothing else.
that or i could get really aggressive about muting/unfollowing people for posting untagged bad take shit, but i'm already only following about 200 users and my dash would literally just be a ghost town if i did this lmao.
shrugs. idk. tl;dr i'm a baby and my headspace is the worst it's been in years and i just don't have it in me anymore to tolerate being exposed to bad takes, even if i'm supposed to find them ridiculous.
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herrscherofmagic · 10 months
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IMO, the current story arc in HI3rd might just be my favorite one so far. i've got a lot of thoughts to share on it, so I present to you this post! But first, a preamble :)
This is a really long post, I think I used the right tags for this? idk
I'm basically just copying over a post that I made for Reddit, so idk if this is way too long for tumblr or what. I've got a habit of writing pointlessly-long things on Reddit and idk if the Tumblr folks appreciate this or not x-x
but without further ado! my thoughts on the whole "city of salt and sand" story we've got going on right now.
P.S., this is mostly spoiler-free; I don't make any specific references to events in the story, except for Susannah's feelings but even that is really vague so it shouldn't reveal any plot twists or anything like that.
I remember how confusing and awkward it was when I first started playing HI3rd.
I didn't have a clue who any of these characters were, some parts of the story seemed weird, or convoluted, or had no explanation. Over time I caught up through reading the manga and catching up with the story; I looked through past events to figure out the story of the Captainverse; and I've been thinking plenty about the story of HI3rd and the other Hoyo games, trying to piece together different ideas and themes.
With all that in mind, I feel like this story arc has been probably one of the strongest pieces of storytelling in all of HI3rd, and maybe even across all the Hoyo games (that I've played, at least).
I'll make the obligatory disclaimer that yes, sometimes the technobabble gets a bit confusing. Thankfully I can understand a fair bit of it because of some exposure I've had to math and science, but I can't pretend to be at Schrodinger's level.
But I think this chapter did a great job at presenting some of these ideas in a way that felt natural to the progression of the story, while also making it understandable. We might get a statement that makes 0 sense, but you can usually figure out what's going on through context clues, as well as the analogies that some characters have been making.
I think the cast chosen for this arc has also been a huge help. This is probably the single most diverse cast we've had, in terms of personality, behavior, and mindset. Whether it's Kira repressing her "dislike" of Misteln, or the banter between Senti and Seele, there's been a lot of fun moments where these characters aren't all thinking on the same wavelength. Instead they need to find ways to understand each other. It really feels like there's an effort being made by these people to understand the situation they're in, and every step forward or misstep backwards feels meaningful. It's that variety in beliefs and personality that really spices things up and makes it feel so much more lively to me!
Building on that, I've also really enjoyed some of the themes being presented here.
Especially Susannah... oh boy do I have a lot to say here!
I think Susannah's development has been phenomenal (though it's absolutely criminal that a lot of it is limited-time events... THREE events now). In fact, while this isn't quite as serious of a situation, I'd go so far as to say that it's vaguely comparable to Kiana's experience in Arc City.
Yes, the severity is different.
But the thing that made me love Honkai was how we saw Kiana grow very slowly. It was an imperfect journey and it took tremendous effort on her part, but she was able to keep moving forward. Sometimes it felt like Kiana made progress (such as her training with Fu Hua), but this progress masked deeper problems that she couldn't run from (her sacrificial nature). This led to that emotional back-and-forth, where Kiana had real victories and real defeats over time. It wasn't just "The power of friendship!" saving the day in one fell swoop, but instead it felt like a much more realistic take on how difficult it can be to recover from trauma.
Susannah doesn't have to deal with the freakin' Herrscher of the Void inside of her, but her own mind puts up a big fight nonetheless. The more I see Susannah move forward and stumble back time and again, the more I feel a stronger connection with her as a character. For crying out loud, just in the last week or two I've lost count of how many times I've felt like I've been making great strides in my art one day while being a complete emotional train-wreck the next day.
Seeing Susannah breaking down but picking herself back up and moving forward nonetheless... That is why I put so much of my energy towards the idea of storytelling. It's why I play games and obsess over stories and analyze characters and dissect settings and come up with theories and headcanons and fanon and more. Being able to see these characters go through these struggles and seeing how that can relate to my own experience in life is something that has genuinely made me a better person over the years, and might have even saved my life in a way. I want nothing more than to be able to tell stories just like this someday, so that perhaps others might be able to learn and grow from my own stories that I conjure up.
While Susannah is the one I personally relate to the most, I've still been able to appreciate the rest of the cast, too. It's enjoyable to see the way they interact with each other, but I also feel invested in every single person here. There's even a particular someone I've especially grown to love here, but there's leaks and spoilers a-plenty out here in the internet right now so I don't really want to push that subject.
For the sake of keeping this spoiler-free I've been avoiding specifics, but honestly there's just too much for me to talk about even if I wanted to dive right into it. From the setting and stage design, to the character interactions, the development of the plot, the conflicts and resolutions we've had so far, it all just feels so satisfying to me.
I guarantee that there are some objective flaws somewhere in this story arc, and I wouldn't be surprised if others were to start pointing out those flaws. But I'm still enjoying the story, so even if I can't say "This is an objectively great story", I can still say "This is a story I love", and that's good enough for me~ ^_^
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waheelawhisperer · 2 years
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I've found the best RWBY fans to interact with are the ones who like the show but still acknowledge its flaws.
Like, so much of the FNDM seems to have this "All or Nothing" mentality where you either unconditionally love and praise everything Rooster Teeth does or base your entire personality around hating everything Rooster Teeth has so much as breathed on, and honestly both extremes are horribly unhealthy.
I mostly agree with this, though I feel like it's worth pointing out that a lot of the "unconditional love" fans are really just fed up with the years' worth of negativity on the part of people who make hating the show their entire identity. I think it stems from the YouTubers, to be honest. For a lot of them, producing content is an actual job. While I don't personally care for that content and have no interest in watching any RWBY YouTuber, I can't dunk on any of them too hard because they actually get paid to do this and I'm well aware that there's a certain price for which my personal integrity is for sale: if it meant I would never have to sacrifice my physical and mental health working 40-60 hours a week ever again, if it meant I'd have time for myself and the people I care about, if it meant I could devote myself to the things I love or use my hypothetical wealth to make the world around me better... yeah, I'd absolutely base my brand around hating a show and appealing to shitheads, as long as I'm not expected to start shoving people down the alt-right pipeline. I like to think there's somewhere I'd draw the line, that there are things I wouldn't do for money, but the thought of not being fucking miserable and in physical pain at almost all times is really tempting.
Anyway, the point is that for at least some of these people, hating on RWBY is an actual job, as stupid as it sounds. It puts food on the table, which means they have a vested interest in building their brand, which means promoting their content and getting it exposure, which in turn means that avoiding negativity can take actual effort and isn't always as simple as just blocking people you don't like if you want to participate in fandom spaces that aren't total echo chambers. I don't know how blocking works on reddit because I mostly use my reddit account to look at pictures of breasts, but what I do know is that even going to the main RWBY subreddit to do something like read the reaction thread to a new Ice Queendom episode runs a not-insignificant risk of at least passively exposing me to the newest stupid take to escape quarantine in r/rwbycritics. As a result, there's a subset of the audience that feeds itself by whipping up negativity, by targeting emotional responses, that can be pretty hard to escape. I don't blame people who just don't want to deal with it anymore for responding defensively, though I'll concede that it can make having nuanced discussion... difficult.
This is not to say that everyone who is critical of RWBY is exactly the same. What most people think of when they talk about the critical side of the community contains people with anything from the relatively uncontroversial belief that the Battle of Haven was poorly choreographed or that some of the early voice acting wasn't very good to people with spicy hot takes like "Team RWBY are the real villains" and "Blake abused Adam and ruined his life". I guess I'm technically a critic, given that I post about things I like about RWBY, things I dislike, things I think worked well and things I think didn't, and then try to support and explain my views, but I don't really like thinking of myself that way because I don't want to be lumped in with the more extreme elements of either RWDE or rwbycritics. It's why I use the "analysis" tag instead of "rwde" (well, that and I think using "rwde" inherently sets a more hostile tone than I'm going for in a lot of cases).
I do think it's funny that RWDE and rwbycritics frequently come at the show from completely opposite directions (think "I'm worried that Rooster Teeth is using Bumbleby to string queer viewers along with the promise of representation without ever delivering on it" vs. "Rooster Teeth defiled Monty's memory* by making his action show political (read: gay)" and think the possibility for friendly fire between the two is hilarious. My solution is simple:
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So yeah, the critics ("critics") definitely annoy me more than the people who are just relentlessly positive (though this may be because I've never personally experienced the harassment that each group supposedly directs at the other) given that most of the people who like the show at least engage with the text in good faith, while certain critics... do not. There are definitely a couple RWDE blogs that I think are reasonable, and even r/rwbycritics will inadvertently generate something resembling a coherent thought every once in a while, but I don't particularly care to engage with that community beyond browsing it once in a while out of curiosity because the good isn't worth wading through the garbage. RWDE is better in the sense that content is associated with specific blogs rather than threads posted to a subreddit, meaning that if someone posts nothing but stupid takes you don't want to interact with, you can just block them.
As for Rooster Teeth the company, I'm not an expert on its history by any means, but I know they've had issues with crunch in the past, I'm aware of the drama after Monty's death, and I know their brand was built on dudebro humor, so like... I'm sure there's been plenty to criticize in the past and is still plenty to criticize now, but I don't really care about Rooster Teeth beyond the fact that it produces RWBY and don't watch any of the studio's non-RWBY-related content. There's really not much I can give anyone here. Other people are a lot more invested in the company one way or another than I am.
*I really hate the "Monty's vision" argument. Nothing proves a point like dragging a dead man's name into your argument so you can pretend you knew what he wanted better than the people who actually knew and worked with him. Just utterly classless.
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saetoru · 2 years
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ok since the entire dash is on about reblogging n stuff i think i'll leave my two cents bc we all know i can never not give my two cents sdjshdgf
anyway i think reblogging has two main purposes—at least to me—and that is either sharing something you enjoyed to the rest of your followers to help spread it, or to leave feedback / comments to express that you enjoyed it.
if you are a blog with a following, as in a blog such as my own, where thousands of people follow you and are likely to see your posts on dash, you should feel inclined to drop a reblog of content you enjoy or content of a mutual that you see to boost it. that doesn't necessarily mean you have to reblog everything you see on dash, but writers tend to have much larger followings in comparison to readers, so if you are a writer who for the most part does not reblog other writing, you are a LARGE part of the problem. and "i don't read as often as i write" is not an excuse bc i don't read that often either, and i do usually prefer ao3 over tumblr if i do read, but i try to reblog what i stumble across on dash to offer a work some more exposure. and while we're on the topic, i think "fic rec blogs" essentially kill the purpose of reblogs because your followers are on your MAIN BLOG not your fic rec side blog. lets all be honest no one ever really follows rec blogs and you are essentially sharing your work to nobody. tbh tagging ur reblogs will organize them just as fine as having them on a separate blog, so kindly consider sharing works to your main blog with ur following and not one that is close to empty.
if you're a reader with a blog with little to no following, i think tbh leaving a comment can be just as good as reblogging. i know there are a lot of readers on here who basically have no followers and don't see the point in sharing a work onto an empty blog, or if they do have followers its friends who they don't want to see the things they read, so i get it, sometimes you'd rather not reblog. but leaving a comment on a post instead of reblogging onto your blog is also a great option—and tbh, i think that serves the same purpose if you don't have people to rly share the posts to. the main point is that if you enjoy a work, leaving a comment here or there—whether thru a reblog or on the post itself—can go a long way for a writer, more than you think !! liking and moving on does little to indicate you've enjoyed something since a lot of ppl just like posts to save something for later, but if you take the time to leave comments on the post or thru the tags, you can really help a writer find the motivation to produce more content. please also kindly kill all mentality that being a writing blog has to tie a blog to being only writing—that is very unfair to a writer's personal interests and passions and ultimately reduces them as someone you only think of as a means of entertainment rather than an individual who shares work out of passion for their hobby.
the moral of the story is reblogging is important, especially if you have a decent following, but at the very least leaving a comment can be nice. being offered a form of feedback is the reason why writers share their writing, not why they write.
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sol1loqu1st · 6 months
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under a readmore because. yeah. cw for discussion of like. everything happening on the news rn
i don't know how to talk about any of this without it sounding like i am making. like. Literal G*nocide (censored to avoid tags not because i think it's a Bad Word) about Me And My Mental Illness so i guess prefacing with. like. this is not any sort of #Take, i'm just processing some complicated personal feelings that i don't know how to talk about with my therapist. at the core of it all i'm scared and not sure how to help and i feel like there's so much confusion that if i ask for real, tangible things i can do, there's a not-insignificant chance i might end up helping to make things worse.
anyways like. i've probably got moral ocd and at the very least have a lot of the symptoms, and i also have cptsd from like. a million different things but partially from constant, unrelenting exposure to horrific news (specifically, in a way where the narrative tends to be both "if you aren't spending a majority of your time and effort thinking about and trying to solve this, you are complicit" AND "this is hopeless, there's nothing the average person can do, no amount of donations and calling your reps and front line activism is ever going to help") since i was a young teen, again, who probably has moral ocd, and just. idk. everything happening right now is immensely triggering on so many levels.
i don't know what's *actually* happening because it feels like there are a hundred different narratives but i know there's a horrific genocide happening and i'm terrified that by not reblogging or talking about it much i'm not doing even the bare minimum of my part. but so many of the posts i would actually reblog (specifically, posts with actual information or ways to help -- as a personal rule, i won't reblog posts that are just fear or anger or venting (not because i think that's Bad(tm) but because it just makes me feel hopeless and suicidal)) seem to go out of their way to like. pin the blame on average citizens, or even jewish people, instead of the israeli (or hell, the united states) government, and i know that like. nuance gets lost when you're scared and angry and grieving and as an outsider it would be ridiculous to tone-police but with the rise in rampant antisemitism in the last few years, at least in the US, happening alongside all of this i am so so scared for my jewish friends and i'm scared for what it means for me when i eventually start my conversion process (or if it means that i'll never start, for my own safety) and i've already been struggling with activism burnout since like 2020 and i'm just. i feel sick watching genocide happen across the world and not knowing how to help and being scared that even if i attempt to help it's going to make a different problem worse. and i feel disgusted and horrified at myself for being so paralyzed by fear and confusion and my own much less significant trauma that i'm essentially no better than someone who intentionally sticks their head in the sand and doesn't care at all. which, see above, makes me worry that i'm complicit.
i'm open to replies to this post, including ones that challenge the way i feel and especially if anyone has any suggestions on constructive ways i can help (or groups i can donate to who are doing constructive things -- i've heard someone say even donations aren't helpful right now, i don't know if that's true or not) but i'm begging for compassion because like. believe me, whatever thing you're going to say about my position of relative privilege or like. White Guilt(tm) or anything like that, my brain has already guilt tripped me about it. i'm not necessarily asking for advice on how to turn this into actually constructive activism because i know that ultimately it's kinda on me, but i'm open to hearing advice anyone has
sorry for this being kinda incoherent, i didn't want to talk about it at all since i know it is like. the way i personally feel about this is not relevant or important. but it's consuming a lot of my thoughts and energy and i'm trying to find a way to find some sort of balance where i can still function without just sticking my fingers in my ears and pretending it's not happening
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I did a whooooole bunch of writing today! This chapter is getting ever so slightly out of hand, but oh well 🙈
(This is back to, as @jazzfic called it, the prompt that keeps on giving 😋 If you're also interested in sending in a prompt, btw, here is the orinigal post about that. Go nuts! I'd say the chances that I'll actually manage to get something on paper have increased by A Lot since I originally reblogged it, so the original tags are now a little too pessimistic... Anyway. I'm always happy about Picard-character prompts :D)
Context: Emil has been fretting over Rios, who had been unconscious in sickbay after some misadventure. Rios has woken up, but he seems a little worse for wear...
After a moment, Rios asked: “What happened in that… nebula?” He sounded uncertain, like he had already forgotten what the EMH had told him moments earlier.
Emil grabbed a neural scanner from a nearby instrument stand and started running it around Rios’s skull. “Our shields failed, courtesy of all the phaser fire we took, and then the ship was flooded with gas and radiation.” He stopped his work and gave the captain a long look. “You don’t remember any of this?”
Rios blinked up at him, then shook his head and immediately grunted in pain.
Emil recalibrated his scanner and waited for a moment until the captain stopped rubbing his eyes, then he asked, keeping his voice as neutral as possible: “What is the last thing you do remember?”
There was a long silence. Emil’s instrument registered heavy activity in the memory centres of Rios’s brain, but it wasn't sophisticated enough to give him any idea what the outcome might be.
Finally, the captain took a deep breath and said: “I… I don’t really…” He looked up at Emil and his expression was utterly helpless and lost. “I don’t know.”
Emil lowered his scanner. “Do you know where you are?”
Rios blinked, then he shook his head and immediately winced again.
“Will you please stop doing that? Your brain is clearly scrambled enough as is.”
“Sorry,” Rios said sheepishly and ducked his head.
Emil hesitated. Normally, a remark like that would have earned him a derisive retort or at least some Spanish invective. Instead, the captain was looking at his hands, fingers playing nervously with the hem of his pyjama shirt. He seemed almost abashed to have be told off by the EMH. Something was seriously wrong, beyond the effects of prolonged unconsciousness and exposure to poisonous gasses.
Emil had done some research on the impact of this nebula’s radiation, but reports were scarce. Some of them mentioned an association between prolonged exposure and various neurological effects, but he had dismissed them at the time. Their own stay in the nebula had been too brief to expect any of these effects to manifest themselves. But then again, the other ships had probably been travelling with intact shields…
The EMH straightened a little and twirled his scanner through his fingers in growing concern. Perhaps some basic diagnostic questions would give him a better idea of where they were at.
“Can you tell me your name?”
Deep lines formed on the captain’s forehead as he concentrated. THen, finally, he offered a very hesitant: “Chris?” He pronounced it differently than he normally would, the Spanish trill replaced by a drawl that could have rivalled Steward’s, but Emil still felt his behavioural algorithms relax a little from the building tension.
“Very good,” he said. “Last name?”
Encouraged, Rios sat up a little straighter and focused some more. Finally, he closed his eyes, took a deep breath, and said in a rush, like he was reciting something committed to memory through countless repetitions: “Cristóbal Rios, Lieutenant Junior grade, Starfleet ID SC-850-705.”
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Happy Birthday!! 🎉🎉 - First of all I want to say how happy I am having found your blog relatively recently 😊 I really enjoy your style and look forward to your work every day. Be it in a post, or in the tags. I also want to thank you for being so supportive of mine! So, thanks! 💙 I hope you'll have a wonderful birthday.
1) truth: when I read your words about MCU it immediately had me thinking about its signal function in a broader social context, so what are your insights on that?
2) dare: I woke up one night and wrote this half sleeping, haven't used it yet, so this is a prompt: "Rhythm. Everything in existence logic pattern path of least resistance repetitive. Human = chaos. Repetition is boredom. The rhythm the pulse is distorted. Life! Life is chaos. The rest geometry."
3) we'll skip three 😋
4) I'd love a prompt!
5) and a flower, of course!
But because it's your birthday, I have a flower for you as well 😊 - enjoy your day!! 🎉
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Hello and thank you for such a nice message - I thought about ways and words to convey how happy I am to have you enjoy my posts because I sure do enjoy yours, but got nowhere beyond a simple thank you. Rest assured I'll definitely keep on supporting your work as there is something enchanting in the way you write that got me transfixed - maybe it is the perspective from which you see things, maybe it is the way you use words to compose what reads like a piece of music, maybe it's everything at once or nothing at all - I can't quite name one specific aspect that makes it so alluring and beautiful, alloting your poems into my personal "resplendence" category along with nice landscape views, stained glass, flowers and 19th century piano compositions. I find myself gravitating to your words over and over again, and I sure am grateful for the serendipity that allowed me to find your blog. So, thank YOU!💙
And now that I had my fan-girl moment (please don't be scared, it's just me riding out the thrill of someone whose work I admire saying they enjoy my work too 😁), let's get onto the asks. I'm going to leave it under "read more."
(note: I think I'm going to scream, no wait, I'm already screaming - I wrote an approx. 5000 characters essay about MCU and tumblr glitched, leaving me with absolutely nothing. Yeah, I know, it was stupid of me not to save the draft after I finished or write it in an actual text editor, alas, here we are. Lessons learned. So just you know why I am answering so late. And why it is brief.)
1 - Ah, the MCU. First of all, the idea of kalokagathos is, unlike God, very much alive in the western society of today. As much as people enjoy heroic stories, they want to see beautiful people in tight costumes even more (when did we as a civilisation decide it is better to cover the body in neoprene rather than observe it nude? It would make more sense to wear a mask and some kind of briefs but nothing else given the unshakeable uniformity of the hero body shape.) The need for perfection is so great we are allowing Marvel heroes to be void of anything resembling a real human personality. This is nicely illustrated in Endgame, where Thor's depression is something we are supposed to laugh at. He is no longer perfect, and we are allowed to laugh at him displaying emotions and putting on some weight, and I hate this with a burning passion. Instead of giving the audience the story of Thor overcoming what more than fifty per cent of all people worldwide suffer from with help of friends and making positive changes, he is a laughing stock. And then there is the problem with heroes coming to existence through a quick process, usually some kind of exposure to radioactivity or a different substance that "mutates their DNA" (which in itself is laughable, but let's leave that aside for today.) There is no instance of people working hard to become strong, they simply get bitten by a rabid spider and get their code changed to wake up as a beefcake in the morning. I think this is a very common symptom of our western lifestyles where fast is not fast enough anymore.
Second of all, the films are void of any profound message because everything else is oversaturated with deep messages. The target group (which is huge judging by the money Disney makes off Marvel) wants to leave their dystopian lives outside the theatre, and watch morally flat characters fight other morally flat characters. We want to engage in an escapist fever dream full of stunning visual effects simply because it is better than anything we could do for those two hours.
Another reason for so many people to love it might be their feeling of having no power over their lives whatsoever. The idea of a hero coming and saving them, however improbable and illogical it is, might bring a certain level of comfort. Films such as MCU ones know this very well and are used as a tool to steer the masses where the government wants them. That is why heroes need to fight aliens to protect the earth - Hollywood past 9/11 is nothing but a tool for pro-war propaganda, and when we look at the parallel of good heroes fighting bad aliens, we don't have to look anymore.
Now, I also want to mention comedic interjections in MCU movies. Watching a film is not unlike travelling by submarine. Where captains like Bergmann immediately drop into the depths of the Marinara trench and stay there for as long as possible, Marvel regularly resurfaces to keep people alert and ready for another part. The comedic break not only serves as a way to divide the story into more digestible chunks, but it is also an attempt to make heroes more human-like and overtakes the comedy market. I have already mentioned that 9/11 has steered Hollywood into propaganda and as such, the comedy genre took a blow. But then, in 2008, Marvel came and gave people something they can laugh about, and voila, people wanted to see more of the silly jokes.
To conclude, the popularity of the MCU stems from the disillusion a large number of people are going through in relation to the dystopian nightmare they live in. All they seek is a visually appealing epic with likeable characters that would allow them not to think about the real world for a moment.
2 - I'm going to post the prompt as a separate post :)
3 - oh thank you :D it wasn't the best idea to list this so I'm happy you left it out
4 - and I am more than happy to provide: being a sanded down shard of glass is not the end of my journey, it is merely a beginning. Where others see nothing but void I walk with a prism in my eye and birdsong in my heart.
5 - thank you so much for the flower, it's so beautiful!!! I love that it looks like a little star - and maybe it really is a star that fell from the night sky for you to find it. By the way, is that your hand in the background holding it upwards? That's so very sweet of you - you managed to position it right in the middle of the picture, so it looks very aesthetically pleasing - thank you so much 💛
I thought about what flower to give you, and picked out three:
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this rose because you seem to like yellow flowers. Also, their scent is amazing and maybe the sweet fragrance would be nice and soothing to fall asleep to.
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Another flower would be this beautiful peony - and as a fellow bee enthusiast, I thought you would like to see these two ladies grinding hard to get that pollen.
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and the last flower I wanted to give you was these chives flowers, simply because they are a lovely shade of lilac and look like fluffy pop candy, but my cat had a different idea and didn't quite approve of me taking pictures in his garden :) so here's the little fiend instead.
thank you again for the birthday wishes - they made me very happy 🤗 and before posting, here are the encouraging words I promised: your sense of humour is amazing! I haven't stopped laughing about Nostramarkus ever since you posted about him - and what I wanted to emphasize is, even if it doesn't feel like it, you are making difference, even if it is only as simple as brightening up someone's day. So keep pushing forward, it's worth it!
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disquiet-doll · 2 months
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@acanthareangirl i don't wanna have a whole conversation in that post's tags BUT
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so the way i see it - and i have no actual stats to back this up, but i've heard it from a couple people who've tried different things and it also just makes sense to me - is like
if you set something to PWYW with a minimum of "free", a lot of people will just see that as like, "ok, this is free then" and take it or pay like, 1 or 2 bucks as a tip
but a subset of other people will go "well I don't want to pay too little so I'll come back later" and then just not do that
so you're not getting much money but you're also not getting nearly as much exposure as you could
(on this i think i've seen multiple stories of like, "yeah i set something to PWYW and i've made like, $10 across a year or two")
while with something like patreon like, it's people who already like your work deciding to throw you a few bucks (so they'll probably pay more then someone unsure getting something PWYW), and also you can paywall stuff so like, there's an actual product being paid for lol
so imo the best options (if you want money, which i will never blame anyone for) are:
free + "hey i have a donation box", so you get maximum exposure and more people (if still not many) are likely to go "yeah that was nice" and donate and/or buy later paid works
just charge a normal price for it lol. you'll get fewer downloads or w/e but you'll make way more money per download than PWYW
while PWYW is kind of the worst of both worlds
(though to be 100% clear this is very much about PWYW with a low minimum and not like, "i sold a game for $5 but itch lets people pay extra", which i think was what that post was moreso about. in that case i imagine it's still very few people paying more, but at least at minimum you get $5 lol)
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kodzukoi · 2 years
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farewell 2021, greetings 2022 :)
if ur seeing this, it's bc i decided to write something for the new year... (well i'll schedule it to post at 11:59 or 12, idk yet lol but if i forget to save it then that's another thing HAHAHA anyways) hm, i'd love to do personal messages but i hate leaving people out (lol bc ik i would definitely get hurt if i got left out-) so i'll just do general messages instead:
to my moots:
hello, i can't believe u guys follow me BACK, not just follow me but follow me back- what i've done to interest u guys, i'll never know... it was crazy to be honest: some of y'all i found through the haikyuu tag, others through other moots - some are people i've looked up to in the 6 or so months i've actually been active on tumblr and others are some of the best people i've ever met in my 17 years of life (stupid fireworks going off already :/ it is 20:10 or 8:10pm as i write this lol). but i'd like to take the time and thank each and every single one of u who've stuck with me (surprisingly bc i don't really think i have that much to offer - anything worth staying over that is) and i hope i get to see u all succeed and do everything u want in life. u all deserve it and i'm cheering for u all - there's more i wanted to say but i forgot... hopefully i'll remember soon lol
to my anons:
i'm really thankful for and proud of u for having the courage to come talk to me in my inbox. truly. before i've gained some exposure on this blog, i spent my time just talking to people through their inboxes on anon because i was too scared to actually talk without using anon (um idk why, i think i was really scared of getting hate bc hate was really big in june if i remember correctly... or in the hq community at least?) but yeah! if ur not a hate anon, i promise i won't bite so feel free to come talk to me anytime <3
and last but not least, to my followers (so literally everyone):
i'm so very thankful for u all for making this second half of the year so great. every like, comment, reblog, follow - it all meant the world to me and i loved posting content because it meant that i got to read your tags/comments and it made me so so happy. (why am i talking like i'm gonna die- i promise i'm not trying to die or anything lakjsdf-) i actually just ate dinner so i apologize if literally nothing has made sense bc my train of thought was broken (i also need to go shower...) but yes, i love you all so much. if ur on good terms with friends and family and other loved ones, tell them how much u love them and are thankful that they've made it to 2022 with u, if not then i'm telling u that i'm very thankful that u've made it to 2022 with me. i'm also very grateful that each and every one of u exists in this world and i hope all the good things happen to u guys <3
with love,
koi
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coinofstone · 4 years
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2x11 The Witch's Quickening
Hey Arthur, remember last time you were on a manhunt in Camelot and it led you to Morgana's chambers, and she talked you out of searching them and later admitted that she'd been hiding a fugitive in there? Have you learned NOTHING
And Merlin too, he doesn't like, double back and confront Morgana or suggest Arthur do that?
Why is Arthur yelling at Merlin so much in this? Who wrote this episode.
::Coin watch the show instead of playing on her phone challenge::
Morgana being manipulated by a nine year old
Why is Arthur insulting the food as if Merlin cooked it himself? Every other meal he brings up is from the palace kitchens but on this occasion Merlin cooked himself? Ok.
Even the fkin dragon is OOC in this ep
Morgana is so much more intelligent than this.
Gaius needs to bring this to Uther in the throne room like a member of the public? He couldn't get a private audience with the king? Ok.
I really don't remember this episode being so terrible, maybe I'm in a bad mood.
You know, not for nothing, but from Mordred's perspective Merlin is being an absolute dick, not only siding with the oppressor but actively working to sabotage their plans and hurt their people. As we, the audience, are privy to the reasons behind this, WE don't necessarily questions Merlin's actions, WE know he's after the crystal because he's trying to prevent Mordred and Morgana from teaming up and bringing harm to Arthur - that's all good and well but like... Merlin could never bring himself to kill Mordred because he's just a boy, but yet he's allowed the boy to go off and become somewhat radicalized (I say 'somewhat' because honestly, it's not all that radical to plot to overthrow the king that has been waging a genocidal war against your people for twenty fucking years) without ever trying to bring him into the fold. If Merlin had explained his and Arthur's destinies to the boy, made an argument for waiting out Uther's reign in the hope that Arthur's reign will bring peace and magic back to Camelot, but which may not happen if he sees his father killed by sorcerers, and explained his reasons for hiding who he is from Morgana, regardless of Mordred's ultimate destiny to be Arthur's doom, Merlin would've at least had a shot at cultivating an alliance or at very least an understanding between them. Instead, all Mordred sees is this supremely powerful sorcerer who isn't even a druid, serving the very people that would bring an end to their entire race if they could. Although, it seems as tho Mordred has forgotten who exactly snuck him out of the castle and back to the druid camp in three first place. Makes you wonder if Morgana never explained to him that she was believed to have been kidnapped when they found her with the druids last time, and that she went along with that lie for her own safety.
Tl;dr: communication is important kids!
Do I even need to point out how much sense Morgana's little tiff with Uther did not make? Or her sudden distrust of Gwen? If anything she should think Gwen would be an ally considering a) her father was killed by Uther, as an innocent victim of Uther's war on magic, b) Gwen was party to Morgana's previous involvement in aiding and abetting a druid fugitive, c) Gwen L-I-T-E-R-A-L-L-Y sacrificed herself to save Morgana from Hengist's men, the is zero reason to question Guinevere's loyalty to Morgana, and d) Gwen has never said a WORD against sorcery or hinted at any kind of prejudice against druids or anyone with magic.
I looked up the writing credit for this, it's Jake Michie who is also credited with some fantastic episodes like Lancelot, Beauty and the beast, and the Lamia to name a few. It was directed by Alice Troughton who has also done some good eps, including other eps written by Jake Michie, so like I really don't understand what went wrong here.
Oh God there's a commentary track on this episode. I don't wannnnnaaaaaa but maybe I'll learn something, like why it turned out the way it did.
Commentary by Julian Murphy, Alice Troughton, and Katie. I do not have high hopes.
Katie right off the bat explaining shit that's important to note, God I love her on these tracks. Apparently, this was one of the last things to be shot (Merlin films everything out of order and films several episodes concurrently, depending on filming location.) and it was being shot while three other episodes were being wrapped up - so they had FOUR episodes filming concurrently and a lot of THIS episode was directed by Julian Murphy, and Jeremy shot some of it as well. This COULD explain a lot of the inconsistency, but I question how much since Julian seems to be involved in filming lots of scenes in lots of episodes. But I guess it's possible that just that on top of the rush to finish and the pressure of so many spinning plates in the air right at the end. They've just said that for this episode they had the least amount of days to shoot it out of all the episodes they've done, which is partly why they had so much going at once. It's as good a reason as any to explain it being so off, but I don't really see that explaining the wildly off characterization.
Katie going on the whole thing about Alvarr-as-revolutionary and Alice picks up on Morgana's sort of desire to be in that position and they're having a quite meaningful discussion then Julian:I think she just thinks he's hot 🤦‍♀️🤦‍♀️🤦‍♀️🤦‍♀️🤦‍♀️🤦‍♀️🤦‍♀️🤦‍♀️🤦‍♀️🤦‍♀️
Katie says the script changed a lot even as it was filming, and that things were being changed as it was filmed so I'm kind of thinking for whatever reason this entire thing was a mess and that's why it came across looking so disjointed to me.
At least Julian realize the soup scene was terrible.
Idk why they're ganging up on Katie over the chemistry between her and Alvarr. She says she wasn't playing it that way and that she wasn't feeling it and they're just like "yea uh huh sure."
They're talking about having two units filming like a few feet away from each other in the forest, while there is another two units going in France.
Julian says they had added Alvarr's girlfriend in because they wanted to dramatize his charisma and calculation... but it's not manipulation - ?????????? Someone get the man a dictionary. 'We added a random blonde in four him to kiss so that the audience knows he's got a girl already, who sees him working his charm on Morgana and comments on it 'you played her well', but Alvarr isn't actually manipulative' ??????????
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They've just pointed out two entire significant beats within a sequence that was constructed on set and off script. Arthur's confrontation with Alvarr in the forest and Merlin's slow motion tracking the crystal to show its got a powerful draw. The more they describe the specifics of filming the more it sounds like an utter disaster which kind of makes me feel bad for being so harsh on the episode.
I keep having to rewind to focus on what they're saying and I feel like I've been watching this episode for about 4 hours.
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Awkward bit of prop-exposure there. Trying to work out what LK could even stand for.
Idk everyone's really happy with this scene between Morgana and Uther and I'm still sitting here thinking the dialogue was utterly ridiculous.
They talked about changing that final scene, where Uther clearly knows/suspects it was Morgana who helped Alvarr escape, so that it doesn't prematurely push the story too far ahead. They cut a look Morgana gives Merlin which, rightfully so, because it would've been too much too soon. The ending to this episode still feels wholly unsatisfying to me. I understand the little tag with the dragon yelling for Merlin to release him, I don't mean that, but the ending to the main story where Alvarr just escapes and Uther not only accepts that but also accepts that Morgana must've helped him. Overall Uther's been entirely sort of neutered throughout this episode, which I understand that partially has to do with it being Morgana, but like, in previous episodes when she's been so defiant against him, he's had her by the throat and locked her in a dungeon overnight. So I just doubt understand him being so subdued here, especially since he directly threatened her when he found pr Mordred escaped, and now another druid's escaped and he essentially knows she was involved given how she spoke to him, yet he doesn't do anything? Just wildly inconsistent behavior.
Anyway apologies for overanalyzing this episode, I realize I tore it apart pretty thoroughly during the commentary and the post became quite long. I wish there was a way to add a cut on mobile but there isn't. I'll have the S2 finale post up in a few hours - I might hold off on posting until I've watched the extras, I didn't do that for S1 but then I felt the extras didn't quite warrant a whole post on their own, so I might just tack on any thoughts I have to the 2x12 post. We'll see.
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this is me personally but I feel like this may apply to other people as well but when I find a fic I like, I'll normally either follow the person or like/ reblog their master list. then I stick to going off of the master list to find the fics I like. I do not normally interact with each individual fic though i never thought about how it affected the writers so if this isn't the best way to go about it please let us know.
Hey darling, 
Thank you so much for sharing this with me, because I have never heard of this method before. I do understand obviously if you share the masterlist you can have it all in one place and I respect that because this way others see all the fics too, it’s just not the best option. If you are more comfortable with it, of course it’s completely your decision, but let me quickly reply why it might not be the best for both the readers and the writers. ^^
Before I start, I would like to state that we do appreciate all kinds of reactions; likes, comments, reblogs, asks, dms. <3
The reason we encourage people to reblog and leave a comment on individual fics is;
Firstly when you reblog a masterlist, it never gets updated. So if for example I put new fics on my masterlist, that will not appear on your reblog, because Tumblr’s coding isn’t working that way. It’s not like facebook for example, where if you share something and the original post is being changed, than all the shares change too. On tumblr, unfortunately this is not an option. If something is reblogged, whatever we change on the original post, it will not appear on your reblog. 
The second reason is tags only get you so far. Reblogs helps us get exposed. Doesn’t matter if one has 10 followers or a thousand followers, there always might be people who find a fic interesting and they come and read the rest of our fics through you. People mostly rely on those who they already follow, rather than actually getting to the tag list. And even if one searches for tags, there’s only a small chance that fics won’t be buried. So we always ask for reblogs for this particular reason. 
The third part is very simple. We would like our readers to let us know what they think therefore leaving a comment, simple emojis or a whole paragraph for that matter make us really happy. We write because we love it and we write because we want others to enjoy it. Unfortunately if we don’t get feedback it can be very discouraging. While we do say that we write for us, we also write for the readers and if we don’t get interaction, we think people don’t like what we do, we actually think that what we do is wrong. Hence a mutual of mine had a similar post today asking if she has been doing anything wrong.
And last but not least, reblogging with a comment. Now this can be a gif, this can be an emoji, this can be a simple “Aww that was cute”, “You broke my heart.”, a paragraph or whatever you thought. The reason we find this the best option is because 1) this way the fic gets exposed, 2) you gave us some form a feedback 3) if people see what you wrote as a comment, such as if you liked it, if it was sweet, if it was heartbreaking, it’s almost like an advertisement. They will be able to draw a conclusion if they would like to read it.
Now I would like to state again that we do appreciate all kinds of reactions; likes, comments, reblogs, asks, dms. However the most efficient way for all of us, writers and readers, is the last option. That’s why you can see that many writers are sharing each other’s fics. Exposure and feedback at the same time. Writers might get more feedbacks, while the readers get exposed to more content. I hope this helps, sweetheart :)
I’m really sorry for running away with my answer, I will just shut up now xD
Thank you for messaging me. It really was interesting to read, and lengthy to answer, Thank you again, love :D
Interaction time
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clownkiwi · 5 years
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OK, I guess I'll have to make a post about this since I'll probably never stop getting asks about this
So, I have been reblogging this boost post I made a couple months ago. (i have made other versions of this post in the past but yall seen the most recent one)
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The main intention of this post was to get my best friend/queerplatonic partner some attention because they were pretty new (they only started this april nd only got up to 1k followers by the end of june) and I wanted to help them make sales for their content, since Tumblr has been pretty shitty towards sex workers over the past year (ya know, the nip ban). Ya know, boost posts usually help!!! (nd i do love the love you've been giving this post, ty all sm!!!!)
And I have gotten criticism and hate over this.
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I got another ask like this and either I deleted it or answered it and I forgot, IDK which one. When I also asked someone to reblog one of my past versions of this post, I have gotten told this. I guess there are still PTA moms on here that think what I'm doing is wrong (dw, ik who they are).
But let me just make this clear; I am absolutely against showing minors porn. Do you think I'd actively show my followers, a majortiy of them being minors, porn??? Not only do I have my own NSFW sideblog, but I actively try to make my main SFW as possibly as it can be; yea, sure, I'll make NSFW jokes here and there and I might draw suggestive stuff or reblog suggestive stuff here and there, but I'll only tag things as NSFW when possible. It's also very obvious I'm against pedophilia of all kind (MAPs, NOMAPs, clowns, pickles, w/e the fuck u call urselves now, i HATE u nd i dont want u to engage in this argument or even interact with me), so making this boost post??? Was hard, without getting weird eyes at least, and I expected that.
I've made several versions of this post; first, it was just with selfies and their prices menu. Then, I tried to get a little more saucy and used hot pictures (only to get more attention really, but I don't think that worked). Then, the one that I've been reblogging is the current version that Lou themselves approved of (er, i used pics lou themselves approved of; at one point i used pics from their personal account, but that posts deleted now, nd ive been seeing this one in circulation more).
You get what I mean though. Lou and I are both against minors interacting with them, and I even made it perfectly clear that the most I want minors to do if they saw that post was just to reblog it for exposure.
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That's it. I didn't say to "look at their Twitter, interact with them". I've made it perfectly clear I don't want minors interacting with them. That's it, end of discussion.
That's not to say its bad to explore your sexuality as a high schooler (and I don't mean through sexual identities, like, I mean stuff for kinks and what not. I've been a high schooler before, I know how high schoolers joke w/ each other and talk about porn and what not), but I just don't want 14-17 year olds talking to them or even interacting with them. It's not that hard.
There isn't even anything NSFW on that post. All that's just there are their selfies and their prices list. There's nothing saucy or hot about that, all I'm asking is that you just reblog this post so adults can see this post and provide better help (like following their Twitter, or tipping them/buying their content). There is nothing wrong with this post, everyone just talking to me about this are way too over protective over minors who I'm just hoping are making the right decisions when theh see his post.
I don't want minors interacting with Lou, all I want them to do is to just reblog this post and nothing else. I hope I made this perfectly clear and fair. I don't want to get any more asks or complaints about this.
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