what tags would i look under for any simp draco fics? 🫶🏼🧎🏻♀️
No tag, but here are some:
A Simple Reparo by Dizzle00 - E, one-shot - He stepped closer to her, tilting her chin up, and she saw anger there as he spoke in a tight voice. “Granger. You. Were everything to me. You were my family.” Hermione caught the grief and pain in his eyes, and it hit her, hard. She knew he was being sincere, but she didn’t know what to do with that information. Besides, it wasn’t the time to think about it. She had a wedding to attend. Best Woman duties to see to. It was going to be the best day of her best friend’s life, even if it fucking killed her.
Seven Minutes in Heaven by allofthelights11, AutumnWeen - M, 2 chapters - Draco's house arrest was finally over with the conclusion of his N.E.W.T.s, but the challenge he would face next was even more daunting: Hermione Granger wanted him. She had no idea he was a virgin. or The time Draco fainted at a house party.
Sapphire and Silver by dolcescar91 - E, one-shot - Draco buys Hermione birthday gifts, and she gets mad at him. Shenanigans ensue.
Ridgeback by honeysuckledreamer - E, one-shot - After a long week of working along side Dragon Keeper Granger at the Norwegian Dragon Sanctuary, Malfoy smokes and drinks a little to relax and finds himself in deep reflection over the mistakes he made in his youth, and eventually at Granger's door.
XXX by ofsirenx - E, 5 chapters - There wasn’t hunger in his expression, not right now anyway. It was a predator stalking, lying low in wait, gathering information about the subjects before him. / Or: Draco and Hermione are tasked with locating and capturing a rogue vampire terrorising muggle and wizardkind alike. What transpires in pursuit is as undesirable as the Undesirable himself.
A Fruit in Season by Ohmorefina - E, 13 chapters - “Love is a fruit in season at all times, and within reach of every hand.” -- Mother Teresa Draco cannot seem to get a certain image of Hermione Granger out of his head, which has made working with her a challenge. With his new obsession affecting his ability to focus, he decides to try to woo the troublesome witch and rid himself of his infatuation altogether. But, how is he supposed to court a witch who doesn't like flowers? Or... Draco tries to woo Hermione with Fruit -- and it's effective.
A Proper First Date by Wanderingfair - E, one-shot - When he entered the fire-lit room moments later, he nearly dropped the antique china and gâteau au chocolat. She was divested of her dress, standing in front of the bookshelf leafing her fingers through a tome he’d absconded with from the manor with her tastes in mind. He stood speechless, and she took the opportunity to close the book and return it to the shelf. “You said to make myself comfortable.” OR Draco Malfoy plans the perfect first date.
-Lisa
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will you write something vampire themed for spooky season?
The coffin was luxurious, as far as coffins went. The protagonist had half-expected just a plain wood box, scratchy and full of splinters. They supposed, if they had to die, they could at least do so in style.
It didn't really make them feel better.
And it didn't make the coffin fit two people any better either.
"Stop squirming," the secret love of their life snapped. "You're just going to get us more stuck."
"I don't think it's possible to get more stuck." Their voice was only a little, reasonably, hysterical. "We're buried alive in a bloody coffin!"
The secret love of their life looked awful beneath them. Pallid, even in the crowded gloom of their shared grave. They felt clammy and cold beneath the protagonist's limbs.
The protagonist swallowed. They tried to stop squirming. There were no comfortable positions.
The love of their life hissed between their teeth with irritation, and if the protagonist could see properly, they were sure that a terrifying and wrathful and gorgeous glare would be pointed in their direction.
"I'm sorry," the protagonist said. For the squirming, sure, but mostly for everything else. For somehow getting them into this mess. For being the last idiot that the love of their short life would ever see. For not knowing how to save either of them.
"You should stop talking and conserve your air."
"You should stop talking and conserve your air," the protagonist mumbled. They closed their eyes. They tried not to panic. The panic closed in on them on every side, just like the too close suffocating padded walls, and the steady weight of six or so feet of packed soil crushing them on all sides.
"Someone's going to rescue us," the love of their life said. "Your friends - someone - will figure out where we are."
"Coffin. My first guess too."
"They'll get us out." The growl in their friend's voice was almost inhuman. Quite impressive.
The protagonist bit down hard on their lip, and the rather unhelpful response of 'before or after we die from the lack of oxygen? Because, you know, I read that people can survive five hours locked in a coffin. Tops. If they're not hyperventilating. But who's hyperventilating! I'm not hyperventilating! Are you?'
Their friend drew a sharp breath. Then they squirmed, hypocritically, before managing to place cool hands on either side of the protagonist's whirling brain.
"Easy," they murmured, abruptly far more gentle. "You're okay. You're going to be okay. I'm not - I won't let anything bad happen to you."
The protagonist felt tears prick the corners of their eyes. Absurd.
One of their friend’s thumbs grazed over their lip, wiping away the bead of blood there.
"Match your breathing to mine," their friend murmured, voice a little hoarse and trying-to-keep-it-together. "Concentrate on me."
The protagonist did their best. Their friend breathed very slowly, admirably calm really, given the circumstances.
"I won't hurt you," their friend said. "I love you. I won't."
"It's not you I'm worried about. Wait - you love me?"
It was impossible to see the love of their life's face, and really, a coffin was the worst place for a confession. Because the protagonist would very much have liked to have seen their face. At least if they were hanging over a lava pit, the protagonist would have been able to see their face, and make a judgment on if they meant that platonically or romantically.
God. They hated their brain.
Their friend didn't say anything and the silence was surely almost as agonising as dying. Almost. They brushed a tear away from the protagonist's cheek, feather-light.
"More than anything," their friend said. "Now shut. up. Please. And please, please, stop moving."
The protagonist shut up. Somehow. They rested their head against their friend's chest, letting the knowledge of that confession fill them with warmth, or try to.
At least they were dying in a coffin with someone they loved. Who loved them back. Someone's whose heart was so...
The protagonist stopped. It was a trick. A mistake. Something. But it felt, beneath their ear, like their friend's heart wasn't beating. Actually, when the protagonist really thought about it, now that their breathing was more or less steady, even in the squashed space they couldn't hear their friend's breathing at all. They couldn't feel it against their cheek and...
They didn't think the love of their life had always been so cold.
"Why." The protagonist resisted the urge to shift again. "Why do you think you're going to hurt me? Worst you're going to do is elbow me in the face?"
Their friend was silent a second time.
"Right?" The protagonist pressed.
"Someone will find us. They'll get us out. It's not a problem. It won't be a problem."
"What...what won't be a problem?" But the protagonist, with a dreadful twist in their stomach, knew. It should have been obvious, maybe, in the last twenty four hours.
The stomach bug. The dark glasses. The cringing from the sunlight.
"I won't hurt you." A mantra. Not a reassurance; a mantra, a plea. "I love you. I won't hurt you. You're going to be fine."
Five hours, suddenly, seemed like a lifetime.
The coffin was luxurious, as far as coffins went. Excellent quality. Top notch.
Nothing else, after all, would keep in a newly turned and starving vampire locked up.
"Shit," the protagonist whispered.
And that about summed up their current predicament.
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Xander proposing at the end of season 5, and then not telling anyone for the summer and struggling in season 6 makes complete sense to me.
Forget that this is a 20/21 year old. This is a guy who has had a good year, in season 5. He’s gone from being listless and feeling left behind by his friends who have gone to college to having a good job. Not just a job, a career path. His skills have been *noticed*. He’s gotten a promotion, a pay bump, and the respect of his boss. He’s gotten out of his abusive parents’ basement. He is flying high and feeling good. And he proposes, because it’s not going to be the end of the world. He proposes to Anya because he doesn’t just have faith Buffy will save them all again - he knows it. Just like he knows the sun will rise tomorrow, he knows Buffy will save the world.
And then she does, but she dies doing it. One of the people Xander loves most, one of the only people I think he legitimately considers family, dies. Dies saving them. And they all just… stop. Willow, Xander, Giles, Dawn… they stop. They are existing but not living. And it’s grief and it’s guilt and it’s the promise that they’re going to get Buffy back that keeps them in stasis. And Xander doesn’t want to tell the gang he got engaged, not when it’s the gang minus Buffy, not when they plan to make the gang whole again soon. They get her back, and it’s not time now, either, because Buffy is back but she’s also not herself. She’s hurting and quiet and separate from them in a way that was never true before. They brought Buffy back, but the gang isn’t whole. Not yet. And then he feels compelled to tell them all that he’s engaged, when the Buffy who came back starts to feel like normalcy, when everyone is together and he sees this amazing woman he wants to spend the rest of his life with.
But then the rest of the year happens. He felt sure footed when he proposed; Xander knew who he was and where he was going. But since then, it’s been one blow after another. Buffy’s death, learning they ripped her from heaven, Tara and Willow breaking up, Willow struggling with magic… Everything is whispering to him the good times don’t last. He doesn’t get to keep the good things in his life. Not Buffy, not Willow. Not Anya. Xander came so far from being that abused kid hiding from his father in his basement, or camping out in the back yard on Christmas; but he starts feeling dragged back down in it. He is the screw up. He is the problem. He could be his father, might be like his father, is like his father. He could hurt the one person he wants to spend the rest of his life with - he is going to be the death of her. Anya starts planning their wedding, and every family member he has pushes this funhouse mirror closer and closer until it feels like it’s just a mirror. Like it’s reflecting his reality.
Xander wanted to be married to Anya, but he didn’t want Anya to be married to him. Not the him he feared he was or the man he worried about becoming. And I wish season 6 had done more with that, because the storyline runs deep through all of the preceding seasons and shines brightly in Hell’s Bells.
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☕
The live action Scooby-Doo movies?
I did not see this ask until RIGHT now (first time on desktop since crab day, second time since Nov 5 2020 [which was DOUBLY experience since I got my phone taken the same day]) so I'm going to assume this ask got eaten on mobile because tumblr, HOWEVER you poked a bear with this ask anon (as I'm sure you knew when asking) SO without further ado: my Scooby Doo live action opinions
So when you say 'live action Scooby-Doo movies' I'm assuming you're talking about the James Gunn films, starting with Scooby-Doo (2002) followed by Scooby-Doo 2: Monsters Unleashed, just due to like, generally popularity and also the fact that I have actually seen those films. However shoot another ask if you wanted me to include Curse of the Lake Monster in this (because I will if anyone cares and turn this into a live-action scooby dissertation, i'd just need to like. watch the movie first) But anyways where I'm going with this is that this post is about the Gunn movies aka the ones with SMG, Freddie Prinze Jr., Linda Cardellini, and ofc our #1 man, Matthew Lilliard.
Okay so my take on these movies is... complicated. I wouldn't say it's as complicated as my feelings towards SDMI, because I watched the live actions way less as a kid and generally care less about them, but still no matter how much shit I throw at these two movies there are parts that I generally like (even love) that stops me from totally condemning them wholesale. Like the fact that these movies are FUNNY! There's so many moments from this duology that are just beyond iconic "like, that's one of my favorite names!" the whole thing with Scooby in the dress at the airport, ET. CETERA (like I can go on!)
The Gunn movies are genuinely SO fun and I can 100% see and understand how they've stood so well in the public view as a representation of Scooby. HOWEVER, this is where you start to see my problems with them. For the general American, (because that is the audience I'm familiar with) ESPECIALLY millennials and younger, who happen to make up the majority of both people on this site AND people I talk about Scooby with in real life, these movies, and the elements they introduced as "quintessential scooby tropes" are the base of their understanding of the Scooby franchise, along with likely some miscellaneous WAY episodes and maybe SDMI.
Which is where I get pissed off. In the pushing of the narrative of "breaking away" from the Scooby norm, Gunn basically invents (aka totally makes up) an idea of what classic era Scooby was like, cementing an idea of classic Scooby into the public mind that is totally disingenuous and just straight up false. For example, in attempting to portray Daphne as having taken strides to be seen more seriously in solving mysteries and defending herself, it pushes the narrative that in the classic era she WASN'T taken seriously, and only existed as a damsel-in-distress prop of a character, which is just not true??? Like yes, Daphne is clumsy, that's a part of her character, and her friends (because, fun fact, the gang ARE friends) joke about it sometimes because that's what friends DO. Framing that in some kind of sexist "that's all she does" lens is just total bull, especially as gang members fall into secret passageways/get lost etc. in WAY ALL THE DAMN TIME because that's how the plot functions! Like are we calling Velma ditzy for losing her glasses every other episode? Of course not, and Fred falls into passageways all the time, not to MENTION Shaggy and Scooby and all they get up to. Also one last thing on the topic of Daphne, like this idea of her mystery solving skills not being respected by the gang is just so supremely bullshit it amazes me sometimes, especially when she was the LEADER (or leader adjacent) through pretty much all of her appearances in the 1980s [Not that James Gunn could look at '80s era Scooby without spitting on it, but I digress]
AND THIS IS JUST DAPHNE! Like the perceptions pushed towards Fred (and Velma, but mostly Fred) through these movies are just as bad! Like okay, with Fred---In these movies Fred is just an asshole. I hate Gunn Movies!Fred. I mean yeah he can be funny but it's almost always so mean! Almost nothing makes me madder than a mean Fred by the way. If he's putting other gang members down (even halfway, like with his whole "dorky chicks like you turn me on too" line, which... ew) then to me something has gone very, very, VERY, wrong in your basic understanding of Frederick Herman Jones as a character. Like he's the cheerleader! He puts himself in between his friends and danger! He loves nets, and traps, and Elvis impressions, and wrestling, and the trapeze, and cars, and most of all he LOVES sharing the things he loves with his friends! (Sometimes to a bit of an extreme. No one wants to hear about your net facts, Fred) And the live action movies just don't understand that at all. And I know there's maybe something to say I suppose in that some of those aspects of his characterization hadn't been "established yet" by the time "Scooby-Doo" came out in 2002. But it's there if you look. For Fred Jones, being the leader means being the caretaker, (he's the Mom friend what can I say) and any version where he's cruel and arrogant and just DOESN'T CARE about his friends in the way he's shown to in the Gunn movies is just so far from Fred to me it's not even funny. And what makes it even worse for me is that this (or at least something similar) is the idea of Fred that has really spread to the popular culture. Just the "leader", the jock that makes the rules, the one that [insert X adaptation here] finally gave a personality and made interesting (something that has been said more times than I can count for pretty much every gang member, save Shaggy and Scooby).
And I haven't even touched on Velma, and how they gave her a bit of a early 2000s smart superiority girl complex against Daphne, plus the whole makeover thing and etc. etc. The Gunn Movies are pretty much what would happen if you took someone who hadn't seen Scooby since they were 7 years old (and honestly had a pretty negative outlook against it then) and tried to "fix" it, only his memory was so bad he just made up problems (and threw in a good helping of early 2000s style sexism with it) convincing pretty much the entirety of the popular culture that said problems exist and that Gunn was absolutely brilliant for fixing them (and then bringing up said "problems" whenever anyone wants to talk about Scooby) and this entire rant has been without even fucking MENTIONING what is probably the reason you, anonymous tumblr user sent this ask in the first place, to I, Swishy "Scrappy Doo Redemption Arc" Broke-on-books (dot tumblr dot com), which is his HIGHLY SUCESSFUL and utterly sadistic character assassination of my number one man, Scrappy Doo.
And I am going to try my damnedest here not to get totally into my highly passionate opinions over what James Gunn did to Scrappy in the first of his Scooby movies and how thoroughly it has pissed me the fuck off because I have been writing this post for over an hour now and if we start to really get into my feelings on this topic it will certainly be a couple of hours more but like. That Fucking Bitch. I give James Gunn personally a solid eighty-five percent of the blame for making my life as a Scrappy Doo fan UTTERLY unbearable with this stupid fucking movie alone, and just his Scrappy crimes would honestly be enough for me to say that I hate this movie, not even considering the numerous Scooby crimes I've been talking about here for the past million paragraphs, but the part about this movie that makes me the MOST mad the most pissed off is that it's actually a good fucking movie. James Gunn wrote two hilarious and entertaining movies that have become beloved in the popular culture for their successes in that arena, while at the same time pissing all over the core themes and messages of the franchise of which it was based, that of friendship.
TLDR; The Live Action Scooby Doo movies (written by James Gunn) are highly entertaining and fun pieces of media to watch, and are widely loved by the general public and looked at with fondness and nostalgia because of that. However, as a hardcore Scooby Doo fan (writing that phrase sounds so ridiculous but oh well) the existence of these movies and their impact on the popular culture can be extremely frustrating (despite any personal nostalgia said fan may have) due to their spreading of a misinformed picture of what "typical Scooby Doo" looks like. This picture is especially frustrating due to the fabrication or exaggeration of problems present in classic Scooby (such as sexism in regards to the girls), as well as giving more ammunition to other problems in Scooby fandom (such as oversexualization, and sexualization in general, which no one wants to see in regards to their children's cartoons, like HONESTLY.) Discussions of sexism and sexualization in Scooby (both of which ARE present and are issues, although not at their worst in WAY) can often lead to an overlooking of the issues that are very present and clear in WAY and have continued since then with far too little resistance (I'm 100% talking about the racism here) HOWEVER that topic deserves at least a dozen posts of its own that I am no way informed or qualified enough to even begin to think about writing. The Gunn Movies are frustrating to many longtime Scooby fans because of these reasons, but for me, and fellow Scrappy Doo fans there is also the added aspect of the demonization of Scrappy Doo in the live action movies and the affects that has had on the popular culture as well, making it uniquely inhospitable to like or enjoy the character of Scrappy. End post.
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