Souvenir parasol from the Chicago World's Fair, 1933-'34.

A Native American demonstrates archery at the Century of Progress International Exposition, the world's fair held in Chicago during the summers of 1933 and 1934. © Century of Progress Records

A Century of Progress International Exposition opening day ticket. Chicago - 1933.

"In depth of his bewitching I felt secure and warm – I was in flowing haze that is muslin's and mistful milk of skies, and it rocked gently all my cells, and I flew into him as fallen drop, and it was weaved and volant kind of mutabors."

There is no tone of gratefulness and of adore that could suffice and form the shades that I behold to beauty that's demure and delicate and dulcet so, the one that came from @tmxpvksl and glory of their talents and abodes<зз

People declaring the Pope should excommunicate Joe Biden for genocide has me like??? Bro...what do you think the Catholic Church was built on...

robots

on the first day of the parish boy’s progress, i wanted to share the victorian web with everyone joining in. it’s a really great resource, whether you’re new or new-ish to victorian lit and want a better understanding of the big picture for some of the issues charlie d. is tackling, or whether you’re familiar but want to *really* get in the weeds on the poor laws or london’s criminal underworld.

(also, fun fact, if you want to get nitpicky and pedantic, oliver twist is *technically* only a victorian novel once we hit chapter 9! the first eight chapters were published squarely in the reign of william iv, but *he* doesn't have an Era. so.)

The Web by Clarence White, 1899

General Electric Corp, 1955

hello will byers enthusiasts. do u guys think will as he is in canon rn would have a hard time saying the word gay out loud

been thinking of Loki as a vengeful ghost/demon that tries to kill Thor after dying on Jotunheim except instead of killing Thor straightup Thor's on a quest following a trail of weird clues and strange happenings across multiple realms sort of? so Loki is just leading him around not showing himself but very much heartbroken in the distance about how Thor just 'moved on'. Meanwhile on Thor's end it's very evident in how Thor handles quests once Loki is gone that he still follows all the advice and suggestions Loki made, and tries to consider what Loki would have done when he does things.

 On one level the book is about the life of a woman who is hardly more than a token in a great epic poem, on another it’s about how history and context shape how we are seen, and the brief moment there is to act between the inescapable past and the unknowable future. Perhaps to write Lavinia Le Guin had to live long enough to see her own early books read in a different context from the one where they were written, and to think about what that means.

-Jo Walton

Hard Sci-Fi is when you have megacorporations and aliens wanting to kill each other with railguns and our society has not changed centuries in the future, you can tell it's hard sci-fi because we have calculated both the power of railguns and that aliens would want to kill us so we need to have megacorporations to build railguns, it's just more (capitalist) realism.

Poster for A Century of Progress International Exposition (the Chicago World’s Fair) - 1933.

university.. university leave me alone

Daughter of the House of Dreams: A Fragment

Author's Note: This is the opening to a long-abandoned "Sleeping Beauty" retelling that I no longer plan to write, but I still like it as a piece of prose, and it sparked my enduring interest in second-person narration, so it feels relevant, and why should long-dead authors be the only ones who get to have their unfinished fragments published?

If you ever travel to Monetta City, be sure to visit Faraway Lane. Walk past the glittering new shops, and the shoppers in their bright silk dresses and top hats, and you'll find a cozy stone shop at the end of the street. This shop isn't grand and mighty like the other shops. It won't sniff and turn you away if your clothes aren't the latest fashion. It's a grandmotherly old shop that shakes its head at the prancing and preening of the younger shops, and invites you in instead. It holds no wares in its windows; it hardly has windows at all. But it has a warm and wide wooden door, with a shingle hanging above—Alessia Day, maker of dreams.

Don't ponder the sign's message too long—it means exactly what it says. Just slip inside, shut the door behind you, and look. Don't breathe too deeply, unless you want a week of crazy dreams, but allow yourself one gasp of astonishment. You won't be able to stop yourself. No living person has failed to feel awe toward the rows and rows of shelves, longer than streets and taller than palaces, filled to bursting with glass bottles in such bright colors that the dresses in the other shops' windows would weep in envy. Some bottles are the size of thumbnails. Most fit comfortably in the palm. Some are as large as breadboxes or steamer trunks or carriage horses, but the shelves manage to fit them all. And each bottle is filled to the brim with dreams.

If you don't understand, ask Alessia Day. You'll find her at a counter half a mile from the door, polishing bottles and humming a song you've heard but can't remember. She's an old woman now, and proud of it, but squint your eyes and start to daydream, and you'll see her as I remember her—a willow-wand girl with shining brown hair and eyes that sparkle with half-formed jokes.

Tell this girl how pretty she is (she'll laugh and call you crazy) and ask about her dreams. She'll tell you of her stock and sell you any dream you ask for—daydreams and pipe dreams, dreams of love, dreams of adventure, dreams of loved ones lost and loved ones found and people you've never met but wish you had. She'll show you dreams of lush and perfect islands, dreams where fishes fly through the air, and dreams where people swim the seas with fishes' tails. She'll pull down dreams that last a second but linger a lifetime, dreams that fill a month of stormy nights, dreams that fade on waking and dreams that drown out memories. If you let her, she'll talk of dreams until you drift off, and she'll bottle up your dream while you doze.

But if you're smart (I know you are) you'll step to the counter with a clear glass bottle, empty of everything but air, and ask for her story instead. She'd distill it in a dream for you, and be glad to do it—I once saw her whip it up in half a minute, and I'll bet she's even faster now. Buy the dream, but don't drink it right away. You won't be ready for it. Linger in the shop a while. Hear the story first from Alessia Day's lips, in that voice of hers that's sweeter than singing.

You won't believe half of it, but when you stagger from the shop and wander the empty, starlit streets, you'll ponder over passages until you stumble into bed at sunrise. And when you wake, the world will be different—you'll see tiny footprints on the windowsills, know things about the shadows on the walls, tip your hat to creatures in the corner of your eye, and realize there is another color no one else can see. You'll laugh and call it your imagination, but every second Tuesday, you'll start to wonder if the old woman was right, if the things she told you were true.

If you drink the dream she made, you'll know. I'll understand if you don't—some things are easier not to know. But if you do, and dream through her story, come to my house and ring the bell. My man will let you in—he'll know you by the wonder on your face. He'll bring you to my study, set you in my oldest, softest chair, and get us both settled with a steaming pot of tea. Then, once you've finished babbling, I'll close my eyes and tell you my part in the tale.