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hellomystraightlacedfriend · 1 month

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The Osborns' 'Weird' Relationship: An Analysis

◇ Spectacular Spider-Man #146 - Gerry Conway/Sal Buscema ◇

Okay, so I know it was awhile ago that I said I might write an analysis of some of the emotional dysfunctional aspects of 616 Norman and Harry Osborn’s relationship, but I really struggled with the format and how I was going to present this.

One thing that I ended up having to do was throw out any speculation on the writers' intent. With comics, you have so many different writers - especially with a long ongoing, popular series like Spider-Man - that I decided to focus a lot more on the patterns I was picking up when I was reading.

But before I go any further:

CW: discussions of child abuse, mental illness, and suicidal ideation

Disclaimer: In this analysis, I am trying to provide an explanation for why Norman might behave the way he does. However, this explanation of Norman’s abuse is not meant to be a justification of his behaviour.

Also, before we start, you are absolutely allowed to disagree with this analysis! Every reader sees/interprets things a little differently, but I've seen other people pick up on the Osborns' relationship being well, strange, so I decided to examine that a little closer.

There were certain things I kept noticing in Norman and Harry's relationship that I found abnormal (you know, apart from Norman's extensive verbal abuse). Things like: Harry's really intense and misplaced loyalty to his father (that interfers with his other relationships.) The way in which Harry feels responsible for his father. The way Harry doesn’t have a strong identity outside of his father, and how his father doesn't allow (or think Harry needs) any emotional privacy. Also, just some of the ways Norman talks to his son don’t make it feel like a normal parent-child relationship.

In particular in this analysis, I did want to talk about emotional incest and enmeshment, which I am going to define now.

The psychological definition of emotional (or covert) incest is when a parent relies on their child for emotional support that they should be getting from another adult. They treat their child like a friend or partner, instead of well, a child.

And

An enmeshed family is one where there is a lack of boundaries, and often, the child isn't allowed to have an individual identity.

I think we see a lot of the after affects of this kind of emotional abuse in Harry as an adult, and while we don't see a whole lot of Harry and Norman's relationship dynamic when Harry is growing up, I do want to start from there, using what flash backs and other information we have.

Actually to give some background on why this kind of abuse occurred, I will go back a bit further than that and talk briefly about Norman’s childhood and his relationship with Harry’s mother.

Norman definitely didn't have a great childhood. His father was a bitter and abusive alcoholic who blamed all of his problems on other people, including his son. And while Norman's mother wasn't abusive towards him, she did fail to protect him. This betrayal from an early age from both his parents would have been a huge contributer to Norman's extensive trust issues (and his drive to be in control so he's not hurt again.)

Norman didn't get the emotional support and attention he needed while growing up, so that's really what he was seeking as a young adult, and he found it in Emily Lyman aka Harry's mother.

Now while I don’t think that Norman and Emily's relationship was perfect like he presents it to be, I do think from his point-of-view this was a great time in his life. He was finally out from under his father's thumb. This beautiful woman believed in him. They had their whole lives ahead of them. The possibilities were endless, and then - she died.

Or faked her death and left him because he was so controlling.

Either way, she was gone, and he still a young man was left to go on as a single father.

Interestingly, Norman both blames Harry for Emily's death and compares him to her. Much later in his life, when talking to Harry's grave, Norman says that he tried to be fair to Harry 'even though you were so much like your mother in so many ways.' In this scene, Norman is angry at Harry for dying and thus 'abandoning' him to be alone. And I think that's what Norman felt when Emily died too, this deep sense of abandonment.

◇ Spider-Man: Revenge of the Green Goblin #1 - Roger Stern/Ron Frenz | Peter Parker: Spider-Man #44 - Paul Jenkins/Humberto Ramos ◇

(Later, it's revealed that Harry is not dead. Or maybe he is. I am NOT getting into the whole post-OMD-Harry-is-a-clone mess. For the sake of this analysis, they are the same person. They would have the same memories anyway.)

Now I am going to be piecing some things together and doing a bit of speculating. One thing that always stuck with me is that Harry keeps saying that his and Norman's relationship used to be different, that they used to be 'pals,' and then something changed. While I know a lot of people dismiss this, become Harry is delusional about his father at other points, I do think when Norman became the Green Goblin, there was a shift in their relationship dynamic, and Norman stopped opening up as much to his son.

I still absolutely think Norman was a neglectful and preoccupied father, but I also think that Norman was an emotionally needy person, and once Emily died, Norman (who was most likely extremely depressed and lacking a support system) tried to have Harry meet some of those needs. I say tried to, because Harry was just a little kid, a baby, and he wouldn’t be capable of doing that.

I think a lot about a panel from Spectacular Spider-Man #178 where Harry is talking to his own son Normie Osborn. Normie is a very young child/toddler. While Harry is talking to Normie, and Normie is watching TV, Harry starts hallucinating that his father is in the room. (Both Harry and his father have had psychotic episodes.)

Norman tells Harry that Normie should be listening to Harry, and when Harry says that Normie is just 'a little guy' and 'doesn't really understand all this,' the Norman Sr. hallucination becomes angry and says that Harry was just the same. That Harry was lost in his own head when he was young, and couldn’t hear when Norman talked to him.

◇ Spectacular Spider-Man #178 - J.M. DeMatteis/Sal Buscema ◇

It's interesting the way Norman and Harry differ here. Harry wants his son Normie to be able to enjoy these early years and have this chance to be carefree. Whereas Norman doesn't seem to really understand the concept of childhood and childhood innocence.

I also find it interesting (because I'm obsessed with word choice) that both Norman and Harry use 'pals' to describe their relationship.

◇ Amazing Spider-Man #39 & #40 - Stan Lee/John Romita Sr. ◇

And just in general, Norman and Harry's relationship doesn't seem to fall into the typical parent-child relationship - where the parent takes care of the child and meets the child's emotional needs. Instead, it's more complicated and codependent.

Norman and Harry both view Norman as Harry’s provider and protector. Norman is abusive towards Harry, but he does show deep concern about Harry's safety and worries about what would happen if he (Norman) suddenly died - because he's afraid Harry wouldn't be able to fend for himself.

On the other hand, Norman really doesn't give Harry any tools to become independent or encourage a separate identity, and I think part of that is because subconsciously - as much as he keeps saying he wants Harry to be strong - Norman actually wants Harry to be dependent on him.

Like on one level Norman does want Harry to be strong and be able to think for himself, so that he can take over the company and continue the Osborn legacy (and he is angry at Harry and verbally punishes him for not living up to this). But on a more personal - and like I said before subconscious - level, I do think that Norman wants Harry to have to rely on him. Because Norman doesn't want Harry to be able to leave him. Because he doesn't want to be alone.

And that's the thing, I do think that Norman is also dependent on Harry.

Harry is the nurturer to his father's protector and provider. He cares for and worries about his father a lot, and as much as Norman does not like to be seen as weak, there are quite a few moments where we do see Norman be vulnerable around his son.

Why this happened is probably largely circumstantial. Norman is a very paranoid man, who constantly fears betrayal from those around him. Even with the other adults in Norman's life who he is 'close' to - like J Jonah Jameson and George Stacy, he is not open. He does not trust them. He thinks that people are conspiring against him. However, he doesn't see his young son as a threat, as someone who could turn against him and hurt him. And he pulls Harry into this emotional isolation with him by telling his son not to trust anyone but his family (anyone but Norman.)

◇Amazing Spider-Man #62 - Stan Lee/John Romita Sr. || Amazing Spider-Man #47 - Stan Lee/John Romita Sr. || Amazing Spider-Man #67 - Stan Lee/John Romita Sr. || Spectacular Spider-Man #200 - J.M. DeMatteis/Sal Buscema◇

That puts Harry in a very difficult position, because he has deal with these adult concerns at such a young age, and he also can't fully open up to anyone else. This strain, along with Norman's exacting standards and scathing criticism, puts a lot of pressure of Harry.

However, Harry is used to being his father's confidant, and he becomes extremely anxious if his father shuts him out - or worse if he doesn't know where his father is. In a way, as much as Harry says that his father is strong and great, I think (at some level) Harry must also see his father as (emotionally) fragile.

This is especially noticeable in Amazing Spider-Man #121, where Harry is supposed to be resting because he has just overdosed, but he can't because he's so worried about how his father will react to possible financial ruin. He goes to him, tells his father that he doesn't need to worry about him, that he can take care of himself, that he's just worried about his father. He then proceeds to collapse in Norman's arms because he is not well.

◇ Amazing Spider-Man #40 - Stan Lee/John Romita || Amazing Spider-Man #61 - Stan Lee/John Romita Sr., Don Heck || Amazing Spider-Man #63 - Stan Lee/Don Heck, John Romita || Amazing Spider-Man #121 - Gerry Conway/Gil Kane ◇

This collapse leads Norman to want to rid Peter Parker/Spider-Man from his life (by killing Peter), because he falsely blames Peter for Harry's drug overdose and also the collapse of Osborn Indistries.

Now Peter’s involvement in the Osborns' personal lives is interesting. Peter is the first person that Harry really opens up to outside of his father - when Harry breaks down and complains that his father had been very distant in the last few years. When Peter responds with the emotional support Harry had never gotten from Norman, Harry draws Peter further into his life by asking him to be his roommate. Harry’s demeanour toward Peter also becomes similar to his attitude towards his father, submissive and eager to please. (He even calls Peter 'sir' at one point when he's trying to get his attention - an address he uses towards his father.)

Peter, however, is so caught up in being Spider-Man that, like Norman, Peter often neglects his relationship with Harry. This leads Harry to be rather passive-aggressive. At one point, Harry offers to make Peter breakfast, but when he hears Peter locking his stuff up, he becomes insulted that Peter would think he would steal from him and storms off to see Norman instead.

This becomes an ongoing element, Harry being torn between Norman and Peter, and seeking love/support from both of them, but seemingly unable to get it.

Now I want to make it quite clear that Norman and Peter are not equally responsible here. Peter is Harry’s age and has troubles of his own. Norman should be acting as Harry’s father, but he really isn't, not emotionally anyway. He is meeting his son's material needs (to an excess), but he is emotionally neglecting his son while also emotionally burdening him with his own troubles. Plus Norman is constantly verbally berating Harry for failing to live up to his impossible expectations - leaving Harry feeling worthless and extremely depressed.

Harry takes drugs to cope with these negative feelings - first abusing prescription medication and then moving on to street drugs. There is even already a note of passive suicidal ideation here, as when Peter asks him how many pills he's taking, Harry's response is 'What’s the difference? Who counts?' (Amazing Spider-Man #97 - Stan Lee/Gil Kane.)

Now I refuse to believe that Harry doesn't understand that there's a possibility of overdose here: he's a chemistry (and business) major with a father who sells drugs for a living. He knows that it is a possibility. So, while he's not actively seeking to end his life, he also doesn't really seem to care if he lives or dies - as long as he can escape from his pain.

Harry does eventually overdose - and it's an overdose that leads Norman to go after Peter & also Peter’s girlfriend (and Harry's friend) Gwen. Norman blames all of Harry’s friends for his condition, but especially Peter. And Norman blames himself for failing to protect his son from them. He threatens to kill Gwen if Peter doesn't end his own life, and when Peter doesn't comply, Norman goes ahead with his threat - throwing Gwen Stacy off the George Washington Bridge. (Amazing Spider-Man #121 - Gerry Conway/Gil Kane.)

Peter (as Spider-Man) goes after Norman in revenge, and Norman ends up dying (albeit by his own glider and not Peter’s hand.) Harry eventually figures out that Peter is Spider-Man, and this leads him to think that his and Peter’s friendship wasn't real, that it was entirely a ruse on Peter’s part. That Peter was just getting close to Harry to close in on his father.

Harry ends up forgetting about Peter Parker’s secret identity after his first attack on Peter though, and so for years the threat of Harry's revenge remains dormant. However, even from 'beyond the grave' (Norman, um, kind of faked his death, but Harry didn’t know that) Norman still had a hold on Harry’s psyche.

One early warning sign of the return of Green Goblin might have been that Harry names his child both after his father and himself (Norman Harold Osborn), keeping their names (and identies) close together. Harry also tells young Normie how special a man his grandfather Norman Osborn was. Then Harry begins to hear his father's voice telling him to revenge his death, to kill Spider-Man/Peter Parker.

Harry goes back and forth on how he sees his father. At times, he is able to see his father as who he really was/is, a dangerous criminal who ruined his own life. However, at other points, he calls Norman 'wonderful' and 'the greatest man this world has ever known.' He claims that his father's spirit is in him fuelling all his efforts, and blames Peter for both Norman's and Gwen's deaths.

Of course, it would be hard for anyone to admit that their father killed one of their closest friends, however, I think with Harry it goes even beyond that. Because Harry doesn't have a solid identity outside of his father, he is unable to fully see himself and his father as two separate people. So, in his head, Harry can't admit that his father killed Gwen, because then he would also have to think that he killed Gwen - something I don't think that Harry can wrap his head around doing. It's easier then to blame someone else - Peter/Spider-Man.

When Harry does finally admit that Norman killed Gwen, he still absolutely thinks (pretty understandibly) that it was Peter who ended Norman's life. Because of this, Harry decides that both he and Peter would be better off dead - and that their deaths would protect their loved ones from further harm.

It is only an outpouring of unconditional love from Peter (something Harry had never really felt before) that sways Harry from ending Peter’s life. He carries Peter out of the building where he had set up a timed bomb, but then seemingly dies himself (from side effects of the serum he'd taken to make himself stronger.)

🪻🌷🪻🌷🪻🌷🪻🌷🪻🌷🪻🌷🪻🌷🪻🌷🪻

Break!

🪻🌷🪻🌷🪻🌷🪻🌷🪻🌷🪻🌷🪻🌷🪻🌷🪻

Okay, this is here because this is getting long, but I don’t want to make it a two-parter, but also sometimes people need to take a break and breathe, you know?

I will also be concentrating more on post One More Day Harry in this section, though referring back to earlier comics as well. I will also be talking more about sex and romantic relationships, and how Harry's focus on his father (and Norman seeing himself as the most important person in Harry’s life) complicates things.

The Dan Slott and Joe Kelly runs leading up to and during Dark Reign were the first Spider-Man comics I read, and these were the issues where I first got to see the Osborns' relationship on page. What really struck me then about the relationship was how Norman talks to Harry more like a separated spouse than his grown child: 'I need you,' 'the world could be ours,' 'come home,' 'your place is here, by my side.'

During this period, Harry is pulling away from his father and trying to be independent, and Norman does not like this at all. He mocks Harry’s business ventures, then bombs Harry’s place of business - almost killing Harry’s then girlfriend Lily Hollister in the process. When Harry goes to confront him, Norman says that girlfriends are replaceable and tries to win Harry back. This, however, does not work, and shortly following this, Harry goes no contact.

Norman will not accept this boundary, however, or any boundary really. He admitted earlier to recording and listening to all of Harry’s therapy sessions, and when Harry won't answer his calls or letters, Norman has people spy on his son and report to him on everything Harry is doing. He then gets himself invited to a wedding that Harry is attending.

This is when he tells Harry that he needs him, something that does visibly affect Harry. Peter steps in between Harry and Norman, and tells Norman 'and that's what therapy's for.'

This scene is interesting because Norman does not like admitting that he needs other people, but also because Peter doesn't consider this (entirely) as a ploy on Norman’s part. He does think that Norman is being honest about 'needing' Harry. He just thinks that the way Norman seeks support from his son is unhealthy.

There is also an 'us'-ness in the Norman-Harry relationship, that is more typical of couples. This along with how Harry is thrust into this nurturing role with Norman, makes him (at times) seem more like his father’s spouse than his son.

And when Harry and Norman do end up cutting ties, Harry even says: 'I was never your son.'

◇ Amazing Spider-Man #573 - Dan Slott /John Romita Jr. || Amazing Spider-Man #595 - Joe Kelly/Phil Jimenez || Amazing Spider-Man #598 || Writer: Joe Kelly/Artists: Paulo Siqueira & Marco Checchetto || Amazing Spider-Man #599 - Joe Kelly/Stephen Segovia, Marco Checchetto, Paulo Siqueira ◇

This relationship with his father - before the eventual break up - does also lead to problems in Harry’s romantic relationships.

Because Norman basically sees himself as the centre of the universe and because he is very possessive of the people around him, Harry grew up internalising this idea that he belongs to his father and that he should prioritise Norman above everything else.

And because of this, Harry does tend to elevate and choose his father over his other relationships. Like how when he was seeing Mary Jane Watson, that relationship ended because Harry wouldn’t unlock the door for her - choosing to be alone with his dead father's costume over being with her. His marriage with Liz also deteriorates as Harry obsesses over avenging his father's death and continuing the Osborn legacy.

Of note, in these moments Harry isn't exactly thinking clearly - there are definitely signs of psychic breaks, with Harry having delusions and hallucinations. Still, a huge part of Harry's psyche is consumed by his father - to the detriment of other aspects of his life.

Even after Harry sees Norman as a bad person (acknowledging that his father was Gwen's killer and knowing for sure that Norman has committed countless other heinous crime), Norman still has a hold over his son. Harry still holds out hope for winning his father's love and approval - and completely dismisses his then girlfriend Lily Hollister's encouragement and support. Instead focusing entirely on his father's criticisms.

◇Amazing Spider-Man #595 - Joe Kelly/Phil Jimenez || Amazing Spider-Man Family #4 - J.M. DeMatteis/Val Semeiks || Amazing Spider-Man #390 - J.M. DeMatteis/Mark Bagley◇

◇Amazing Spider-Man #126 - Gerry Conway/Ross Andru || Spectacular Spider-Man #189 - J.M. DeMatteis/Sal Buscema || Amazing Spider-Man #569 - Dan Slott /John Romita Jr.◇

Another thing involving Lily Hollister - a rather controversial decision - was to have her be in sexual relationships with both Harry and Norman Osborn (with the timing being so close together that the paternity of her child was called into question.)

I actually don't think it's so surprising that Norman would go after someone his son was seeing. He is very self-centred and delusion enough to think that he could somehow get away with it.

Also, back in Amazing Spider-Man #96, there was this whole thing about Harry bringing along Norman to watch the girl he was then seeing - Mary Jane Watson - dance. It kind of comes across like Harry is trying to impress his father with how hot his 'girlfriend' is, and Norman is quite publicly enchanted by her.

There is something similar in the Raimi adaption where Harry Osborn wants Mary Jane Watson to dress in black (like Harry’s mother/Norman’s wife used to do) because he wants Norman to be impressed by her/find her attractive. Which people have pointed out is kind of weird/creepy.

Also kind of weird is just how much empathy Harry has towards Lily Hollister after she ditches him for his dad. Like yes, I think it's a coercive relationship, and Norman is much more to blame, but I still think most people would be a little more angry in this situation. And what Harry does say to Lily at the start of her and Norman's relationship is very interesting to me:

'He's an amazing man, Lily...I know, and he takes very special care of his "nice things"...until he doesn't.

I hope you see him for what he is before that happens...

Because when Norman Osborn is through with you, no one gets to have you.'

One) because it's really quite strange to call the father you suspect is sleeping with your ex-girlfriend 'an amazing man'

Two) because the way Harry is saying this makes it seems like it applies to both her and him. The 'I know' in particular stands out, because what he seems to be saying is 'I know exactly what you are feeling/going through right now.'

Which given that she is in 'romantic' relationship with his father certainly raises questions.

◇Amazing Spider-Man: Extra! #3 - Joe Kelly/Dale Eaglesham || Amazing Spider-Man #96 - Stan Lee/Gil Kane◇

In any case, I could probably write more, but this post is already more than long enough. I just find the dynamic between Norman & Harry Osborn fascinating because I don’t think it's one we see as often in fiction, and I love reading about dysfunctional families/relationships.

I also find post-OMD Harry really interesting, because I think it's even rarer to see a person, who was in a relationship like this, have to move on, fully cut ties, and figure out how to build a life for themselves without this person (who they had such codendency with.)

#harry osborn #norman osborn #analysis #spider man #peter parker #gwen stacy #liz allan #lily hollister #marvel comics #marvel 616 #my post

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ghostflowerhotpotch · 10 months

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So post Beyond the Spider-Verse. Miles and Gwen have things patched up, you know those two are EXHAUSTED and Peter B. is gonna turn around from whatever celebration they're having (they BETTER end this movie with a cookout if Miles' parents learn he's Spider-Man) and you've got Gwen curled into Miles passed out while Miles is snoring. Gwen's got her hood pulled up to keep the lights out of her eyes and Miles' jacket is spread across them.

I like this idea, mind if I write a bit about it with some variants?

Headcanon: Gwen when she is sleepy defaults to following people who she is close to; Miles may be closer to the top of the list that he may realize.

AO3 link

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In a liminal space, we still find ourselves reaching for each other

As much as Miles wanted to kiss his parents goodnight and hit the bed, Peter's proposition to stop by his house to recharge seemed like the best idea.

He still needed to tell his parents that he was Spiderman, and maybe would be better to do it when he is less beaten down and with some sleep. Miles isn't sure when was the last time he slept; dimension hoping made time very confusing.

As they stepped into the house in Queen's (Miles assumed it was the living room but he couldn't be too sure,) Mary Jane stepped in from another room. It was kind of weird knowing who she is without even being presented first.

"Hi, I'm-" He started, a bit slower than he would like to. Too many hits in the head for one day.

"Miles" She completed seamlessly, smiling brightly at him as she put her hands on his shoulders "I had heard so much about you," And out of nowhere, she hugged him "Thank you for bringing him back to me," she told her in a really low voice, one he wasn't sure if it was meant just for him or not.

As tired and beaten down as he felt, he couldn't help but smile fondly as he awkwardly hugged her back. It was a good reminder too, that some of the greatest things he did weren't for being Spider-man, just by being Miles.

"C'mon honey, let the kid breathe," Peter says as he walks up to them.

"And you-" Mary Janes puts a finger on his chest, she doesn't look especially pleased but not too angry "I imagined it was serious when you went back to leave Mayday with me, but what happened? All of you look like you were thrown into a blender."

"Is a loooong story," Peter said, putting his hands up as he is trying to placate her anger, "Speaking of which, I promised them they could crash here until they recharge, hope that's okay-"

"Hmph," Mary Jane crosses her arms, looking at her husband unimpressed "I prefer a little bit more of a warning when you invite people, but I guess this was an emergency. Help me out to get some stuff for our guest."

"On it ma'am," He said with a mocking salute, to which she rolled her eyes before going to what seemed to be the kitchen. Despite how tired Peter B should be, he smiled brightly at them and said "Relax guys, my house is your house."

"Don't need to tell me twice mate," Hobie said as he looked around for a place where to drop dead, which seemed to be everyone's idea. They were all beaten down.

Miles, despite being ready to sleep for an eternity, followed Peter B and Mary Jane because even half dead his upbringing was stronger than any tiredness could be, and he could hear his mom in the back of his head saying "Be polite, bring a gift, and ask if you can help with anything they may need when you are visiting someone!"

Sadly he couldn't bring anything after trying to defy fate and time itself, but at least he could still be nice.

Aparently the couple didn't realize he was following them, because when Mary Jane turned around with cups in her hands she said "Oh Miles! Do you need anything?"

The place was homey, almost in an old-timey way. Pictures everywhere, a floral wallpaper that reminded him of white old ladies, but the warmth he feel around wasn't exactly for the warm lighting.

The kitchen seemed to have the same vibe, kind of similar to the one the Aunt May of his universe had.

"Um, I was going to ask if you guys needed any help?"

"Oh you are sweetheart," She said cheerily, before softly shaking her head "But you don't need to do anything, you are our guest and you had done more for us than you can ever imagine; please go to rest."

"You hear the lady, sit this one out, we will handle it," Peter said as he patted his back, before looking behind Miles and saying "Hey Gwen, you want anything?"

Miles turned around once he saw Peter looking behind him. Gwen stood at the entrance to the kitchen, she has been so quiet Miles also didn’t hear her come.

At the sound of her name, Gwen straightened her back and blinked a bit, as if she has been falling asleep on her feet, yet somehow she has decided to follow them here for some reason.

As she looked on to the front, she seemed to have the faintest blush, before she groaned and scrubbed her eyes “No, I- sorry, I guess I need some sleep.”

“Oh you can say that for all of us,” Peter laughed gleefully, before leaning his head to the side for Miles “You guys go to the living room, we will see if we can whip something quick to eat and see what we can do about emergency sleep arrangements.”

As they went to the other room, Miles realized that everybody has somehow found an answer to that last issue.

The living room had two loveseats and one armchair, and everyone more or less had found a place. On the loveseat that closest to the entrance, Noir was sleeping with Peni and Ham in his arms, Peni’s robot was turned off in a corner, and on the arm closest to Peni’s and Noir’s head was a hologram that read “Say ‘Spider-byte’ to bring user’s attention. P.S: Don’t wake me up unless the dimensions are collapsing.”

Pavitr has decided to go on the armchair, and you would believe he has been sleeping there for a long time because his head was hanging on the side, one of his legs was on the arm of the couch and the other lying against where your back is supposed to go. If it wasn’t because he was breathing fine, Miles would have thought he lost conscience and someone drop his body from the ceiling.

Speaking of the ceiling, even with one more loveseat available, Hobie had opted to make a hammock out of webbing as close to the ceiling as possible, on a corner of the room. From his position, Miles thought Hobie was using his mask on; maybe he needed more darkness to sleep than he needed to breathe properly.

At least it meant his decision was easy.

Dragging his feet on the ground, he let himself fall onto the side of the loveseat, he would have rejoiced in glee at how soft the couch felt against his beaten body if he himself wasn’t so tired.

Yet he didn’t have time to even sigh before he felt someone else not only fall right beside him but had her head leaning towards him. Miles felt himself go still as he felt the warmth of Gwen right beside him.

Despite the loveseat being big enough to have space for both of them.

How rigid his body was must have alerted Gwen because her eyes fluttered open, and seemed to look a bit confused towards him before she almost jumped on her spot and moved away enough that their bodies weren’t touched anymore.

“Shoot,” She muttered to herself before she hit her forehead “Sorry, when I am sleepy I just- sorry.”

Perhaps is because he was tired and his mind was making stuff up, but somehow things were starting to click in his head. The sleepiness in Gwen seemed to make her follow someone, and for reasons beyond his understanding, Miles has been the person she has decided to attach herself to, even if subconsciously.

“That’s different” Gwen had said to him before in the Williamsburg Tower, saying it as if somehow what they had was different from what she had with anybody else. That conversation felt like a lifetime ago, and yet his heartbeat raced all the same.

There were still a lot of things to talk about, of the lies and the secrets that she has keep, and how he has been feeling about all of this. Even now he wasn’t sure what to say.

“Is fine, we are all tired,” He said casually, before raising the arm that was closest to her side, “Come here, we can catch some zzz together.”

And regardless of all of it, he felt himself wanting to reach out to her too, missing her warmth even if he only got to have it for a second.

In a way, that’s what had ended up happening to him, wasn’t it? She came for what should have been just a blink in his lifetime, and he still was unable to let her go.

Her eyes opened slightly, as if she was surprised he had actually said that; probably thinking all the same things that were still between them and neither of them had the brain to talk about. He saw the hesitation in her eyes, as if she herself wasn’t sure if it was okay to accept.

Maybe it was a bit of wishful thinking on his part to think that way, as he said “Is okay, you can lean on me Gwen.”

Miles has really meant that in a literal way, even if deep down, he knew he meant it all the way. As upset as he was, he couldn’t bring himself to be mad at her, not when they were like this.

That seemed to be all the encouragement that she needed, because she quickly went back to his side, in fact so quick he was a bit shocked.

“Thanks,” she whispered to him, bringing her knees up to her chest as she rested her head on his shoulder, one of her arms hugged Miles’ waist as her other hand was left between her knees.

As it was the most natural thing in the world, his arms went around her, holding onto her as he rested his head on top of hers, “No problem.”

Despite the pain, the couch and still being in his suit, it was the best sleep he had in months.

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This was supposed to be a drabble, oops?

I Will upload this to ao3, may as well. I like it more than I expected for something that I made on a whim.

Sorry for not having any analysis yet, I am kind of sick and I feel my brain is fried 80% of the time, HaShem knows how I managed work like this.

Hope you guys like it!

#ghostflower #gwiles #miles morales #gwen stacy #atsv #across the spiderverse #fanfics #peter b parker #mary jane parker #mary jane earth 616

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