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#2022 looks like a good year for dreamworks
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🎅❣️❣️...Alright~! =OwO= One of my most favourite and magical times of the year, is here once again! 8D ✨🎄 I know it's been another rough year for a lot of us, and with dA and all, but I am still willing to spread some delightful festive cheer as always, especially with my special annual Christmas piece~! ✏️💝 UvU This year, I wished to draw a purely wholesome family moment - featuring me, Cooper and our precious lil' Toby~💚💗💜 =^.^= Since it was Christmas/Trolliday Eve or the 'Night Before Trolliday' in Trolls Kingdom, Toby asked if he could sleep in the same bed with his Mommy and Daddy, since he wished to wait for 'Santa Troll' with us, bless him~💗 ;u; And me and Cooper were more than happy to let him since Toby asked so nicely and politely (such a good boi he is, we are so proud~! 😍) And look at that! OvO Seems Santa Troll has been and left us each a very special present whilst we were all sleeping soundly together~✨🎁🎁🎁✨ Awww, Toby will sooo happy the next morning~! X3 💓 This year's heartwarming piece was heavily inspired by Silly Symphony's own childhood classic 'The Night Before Christmas', which I still have fond memories of to this day, along with many other Disney Christmas classics~💘 I am ever so pleased of how this cherished family moment between me, Cooper and Toby turned out~! 🌈💖😍💖🌈 I always amaze myself with how much I feel I improve with each annual Christmas masterpiece, and this year's has to be one of my grandest ones yet - just how I imagined it too~💝 🌟o🌟   Hope you all like too, peeps!👍✨ And Cooper, Toby and I would like to wish you all a very Merry Christmas & Happy (Troll) Holidays~💝🎄🎁❄️💚 *mega-cuddles* So do enjoy all you can, my lovelies~💞 ✌ As always, stay safe, stay strong and from me, to all of you...~ 🎅🎄❄️Merry Christmas 2022 & A Happy New Year~!❄️🎄🎅 =^o^=
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*~Reblogs are also deeply appreciated as well, so please do reblog as well as like! Thank-you kindly!~*
Cooper (c) Trolls/Trolls World Tour/TrollsTopia/DreamWorks Animation Trollsona Jussy/Justina Butterfly & Toby (c) @jade-green-butterfly​ (Me~!)
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'Tis now February...
Disney stills plans, per their latest release schedule update, to release a Walt Disney Animation Studios movie on Thanksgiving week later this year...
I also happen to know that at least one person has started animating on this movie, as of this past month or so...
So, I think... Yeah... We probably still are getting a WDAS movie in November of this year... Even though it's February, and they still haven't told us - officially - what this movie even is. Usually, we know these things in at least a year in advance. The extreme end of this is DreamWorks' hasty rollout of their RUBY GILLMAN, TEENAGE KRAKEN. Where they said *nothing* about the movie's existence until 3 1/2 months before release. The movie itself, the poster, and the trailer. All in one go. Unfortunately, it wasn't a 10 CLOVERFIELD LANE situation, the movie lost a lot of money for DreamWorks and is one of their lowest-earning movies period.
I don't think WDAS will cut it *that* close, but I suspect we should hear something pretty soon? The company as a whole doesn't have a mainline movie out until THE FIRST OMEN in April, so they have time to at least tell us what's up? They're running a little late on at least announcing that this movie *exists*. I mean, the lot of us know it does because that's how these things work, but the public doesn't. We only know that a cluster of movies that are being directed by Suzi Yoonessi, Josie Trinidad, and Marc Smith have been in the works for years. So in a way, the next one has been announced? But not really? Typically, we get some kind of confirmation on a movie that fills the slot... About a year in advance. For example, WISH was announced in September 2022, and the movie was released this past November.
Regardless of how poorly STRANGE WORLD and WISH performed, the latter critically... I was initially under the impression that WDAS was going to have one of those "what should we be doing?" episodes whenever a string of movies fail at the box office, *or* if morale is low. A new movie wasn't announced, so I figured... Yeah, they might skip this year and re-evaluate their movie slate?
After all, Mark Henn recently called it quits and remarked that he - once one of the remaining 2D animators at the studio - wasn't doing anything "meaningful" in his final years there as a full-time animator. He's sticking around, somewhat, for a short film that producer Clark Spencer is a champion of... But that's about it. So many other people have departed either during current CCO Jennifer Lee's leadership, or during John Lasseter's leadership... Couple that with the last two movies not doing great, and that's not really a good look for this 100-year-old studio. And usually studios stop and evaluate when stuff happens. Sometimes it just means making different movies, other times it's more drastic and it unfairly affects the staff... But usually, something happens.
Luckily, a ZOOTOPIA sequel and a few more FROZEN flicks are there as a safety net, and I wouldn't put it past them to announce more sequels (ENCANTO seems likelier, and MOANA as well, given how well that movie regularly does on streaming Top 10s year by year)... but originals will always be important at these studios. Even the studios that are criticized for making too many sequels (like Illumination) still need a new franchise to launch.
But... Yeah, it seems like everyone's staying the course? There have been swirling talks throughout fan circles, as per usual, with what will happen. "Does Jennifer Lee get fired?" "Do they delay the 2024 movie into 2025 and retool it?" "Is there a change in direction in what kind of movies they make?"
It doesn't seem to be? I get the sense that, whether this untitled fantasy movie is in good shape or not, it's coming. They're just gonna make it and meet the release date, apparently.
I mean, look at STRANGE WORLD. Director Don Hall pitched the film in early 2017 and development started thereafter, but in around mid-2019, he got yanked off of the movie to take over RAYA AND THE LAST DRAGON. Which they finished around late 2020/early 2021, and it came out in March of that year... Meaning that once Don was done with RAYA, he had about a year and a half to return to STRANGE WORLD and get it ready for a 2022 theatrical release. Which he did. And for some observers, myself included, the movie was maybe a few drafts away from being better. The finished film feels very undercooked in its character work and worldbuilding, but that's just me speculating.
After all, remember how Pixar turned TOY STORY 2 completely around with less than a year to go? Turned out fantastic, despite the stress and the rushing. FROZEN was literally rewritten top to bottom within its release year! And people loved that movie, it made a billion and became a worldwide phenomenon! Sometimes the end product miraculously works on audiences, sometimes it doesn't. Maybe it doesn't matter, because to some 6-year-old out there, STRANGE WORLD rocked their world. It probably would've been one of my favorite movies at age 8, that's for sure. And it'll be a favorite of theirs once they're in college or something, it'll be a case of "This SLAPPED! Why did it flop 20 years ago???"
So, it looks like the movie is happening. I have heard from the trenches that the 2024 slot went to a fantasy tale set in the Middle East, presumably from director Suzi Yoonessi, who is of Iranian descent. Jennifer Lee stated in late 2019 that Yoonessi was directing a feature film for the studio, so if this is hers... They had five years to get this story together. Good sign, right? Should make that release date just fine, then!
The execution of it is what matters in the end, and looking at WISH's poor scores and blah legs domestically, it appears that this is WDAS' problem. WISH took about five years to come together, so there was plenty of time. What went wrong? This currently-untitled 2024 movie could've had all the time in the world to come together as a strong piece of storytelling and appeal to audiences, *but* if you execute it in a way that turns moviegoers away? You've got a problem. And when I read from some of the filmmakers/staffers that the studio brass regularly test screens early versions of these movies for toddlers, and then they cut lots of potentially good stuff that could've really worked because little Jimmy got scared? Couple that with so many talents leaving the place over the last few years? I kinda think that's the problem.
While FROZEN II, which suffered a lot of cuts and dumbing down because of test screenings, went and made over $1.4b worldwide... WISH lost a lot of money, yet it's still looking to become the studio's highest-earning movie since FROZEN II. Some four years ago... Possibly set to outgross the much-more beloved ENCANTO (which probably also suffered from needless focus group nonsense), a Delta/Omicron-era release which currently sits at $256m worldwide.
The studio is undoubtedly in a weird spot right now from my outsider perspective, and they appear to be meeting this one-a-year quota still. Curiously, some of Pixar's staff is to be laid off this year, staff that were involved with Disney+ projects like DUG DAYS and WIN OR LOSE. Disney Animation recently opened a Vancouver unit meant for Disney+ shows, like the upcoming MOANA series. IWAJU, which is a month away, was outsourced to Canadian house Cinesite. "WDAS Vancouver" still operating for now, despite the company reducing their focus on making stuff for Disney+. It would suck to see them close down just a few years after being set up, much like what happened to Pixar Canada over a decade ago.
So yeah... We'll learn soon, I believe, what's going on here. Speculation is always rampant when it comes to animation, and just the movies in general. You know, I came across a website that hasn't been updated since the mid-2000s. A site run by some dedicated animation fan, who collected pretty much all the major news articles on movies that were new at the time of the blog's operation: Stuff from FINDING NEMO to MADAGASCAR to BROTHER BEAR to ROBOTS... I spent quite some time reading through all of it, as I was becoming internet-aware at the time. And by looking at what was cited and sourced, this is all nothing new. There was so much speculation with all of those now-classic movies, and a lot of it was UTTER BULLSHIT. Like how FINDING NEMO was really gearing up to be Pixar's first flop, and it ended up being - for a period - the highest-grossing animated movie ever and an Oscar winner.
And I'm sure whatever is being cooked up about Untitled WDAS 2024 and many other productions today is also UTTER BULLSHIT. Hearing from the trenches is one thing, but there's lots of made up stuff, and there's probably some of it floating around now.
Anyways, all I know is, WDAS does this focus group thing with their movies, and people are leaving... But other than that, it appears that the new movie is still coming out this year. But things always change, so we shall see...
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fleouriarts · 1 month
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who are your biggest artistic influences my furry friend? we had art classes together for years but i still feel like i don’t know 😭
😭😭😭 honestly thats probably cus a lot of my artistic influences are specifically internet artists that ive been following for several years and not things i couldve brought up in art class. you know that lame ass mr smith wouldve hated me if i said 'yeah i draw like this cus of some bts fanart girlie on twitter'. thankfully i have the Archivist's Temperament and save like literally everything thats had an effect on my style... so below is a journey thru my artistic influences (and various insp folders on my computer) as far as i can remember
of course the most basal Dorian Influence is disney movies. you are my brother in arms in the lion king fandom so you know this. whenever i am feeling extremely artistically bankrupt i try to revitalize myself by rewatching the lion king, atlantis, and treasure planet. and also the prince of egypt but thats dreamworks LOL
in 2016 i found the first "online" artists i distinctly remember wanting to imitate, which were sara kipin and celia lowenthal because i was obsessed with how they used color to block out their illustrations. ive also been following dimetrodone(/dimetrodrawn/deinocheirus) on here since 2016 and love all the shapes and colors in her work
in 2017 i started doing more detailed shading because i saw bts fanart by the artist tyu_naxx on twitter and loved how they did it (below is like THE piece that made me change my whole shit up)
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around then is also when i started trending towards using limited palettes and that was mostly inspired by various national parks promo artworks that would only have like 5 colors in them. wish i remembered who made these but heres ancient scans of some postcards i got at sequoia national park that changed me
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in early 2019 i started wanting my style to be more cartoony so i would constantly peruse the backlogs of kiwi, officialspec, skunkes and mimiadraws to get whatever inspiration i could from them
in late 2019 i completely pivoted for some reason and started doing lineless rendered semirealistic stuff instead. i think that was mostly cus i hated doing lineart. one of my biggest inspirations in that era was atissi
in 2020 i remember i went crazy stupid on using glow effects and chromatic aberration on stuff and i genuinely think all of it can be traced to this ONE piece of bts fanart by lordizxy on twitter like i was fully obsessed (putting it below also in case it gets deleted somehow)
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mid 2021 was when i got tired of semirealism and thought it was too amorphous and restricting so i went back to cartoony shit. i was still looking at the artists i listed for early 2019 but i also added artists like iplidl, catmunches, and chunkysoup22 to the mix
2022 was an inspirationless nightmare i have no clue what i was doing for that entire year. the artblock was BAD. i mostly just looked at art from all the artists i mentioned before while artistically wandering in circles. a lot of this was me trying and failing to figure out whether i wanted to do more dynamic yet less rendered art or... the opposite of that
thankfully in 2023 i finally FIGURED THAT SHIT OUT. i would say the current dorian art era started with this silly drawing of graydon and riley hivemind as a dogboy and a catboy ⬇️
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you can kinda see the influences of all the cartoonists i listed above but a lot of the way i draw now is just. me trying to not make myself hate doing art. ive always hated redoing a line 30000000 times for clean lineart so now its sketchy. rendering my art was making my drawings feel super stiff so now thats all messy too. etc etc
i think Right Now the artists i go to for inspiration the most are still kiwi and skunkes, but i also found the artist robottoast recently who makes RIDICULOUSLY good furry art, its so full of life and personality and i definitely need to commission them someday. the most recent singular piece thats changed my whole shit up is this scott pilgrim fanart by benadieshekiel (also below) because i really liked how the clothes were fully rendered while the skin and hair are less detailed with clear lineart. so sometimes i do that too
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ok i think that is as full of a chronicle of Dorian Influences that i can give you rn. i was not lying when i said i wanted to yap. hope you enjoy <3
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agentnico · 4 months
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My Most Anticipated Movies of 2024
Here we are - Christmas behind us and right at the precipice of the end of the year with 2024 ready to rock and rumble. So naturally as per usual this time of year I do all my film-related Top 10 lists, with the first up My Most Anticipated Movies of 2024. An interesting aspect of 2024 is that it is in fact bare bones when it comes to superhero flicks with both Marvel and DC taking a little break as they reorganise that respective cinematic universes, with the only major flicks of that genre being Deadpool 3 and the Joker sequel. As such, I’m really hoping we will get some stand out releases from the indie and more niche market, so looking forward to those surprises down the line, as for now here are the movies on my radar who I see having potential at being the stand outs in 2024…
10) KUNG FU PANDA 4 - Jack Black’s Po the Dragon Warrior is back for another round of hijinks. DreamWorks animation sequels recently have been nothing short of superb, with the genuinely laugh-out-loud hilarious Croods 2 and then the fantastic Puss in Boots: The Last Wish that had no right to be THAT good! Like honestly, how the hell was Puss in Boots 2 so awesome!? From the striking and ambitious animation style, to the soundtrack and one hell of a title track with “Fearless Hero”, to the narrative itself tackling surprisingly mature themes and honest depictions of panic attacks - Puss in Boots: The Last Wish is a masterpiece! There, I said it. As such really high hopes now for DreamWorks’ other projects, with Kung Fu Panda always a reliable series, yet I must say the trailer was a tad underwhelming hence why it’s so low on the list. Still though, the previous 3 have been solid so no reason for this one not to. Let’s give this panda some love!
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9) THE MINISTRY OF UNGENTLEMANLY WARFARE - Director Guy Ritchie has been on a real hot-streak lately, delivering quality after quality. 2019’s The Gentlemen is one of the coolest gangster flicks in recent memory, 2015’s The Man from U.N.C.L.E was an entertaining action espionage caper with some great humorous banter, and this year’s The Covenant was one of the more underrated surprises, delivering a tense and realistic pulse pounding war thriller that was so out of character for Ritchie, yet honestly delivered such an edge of your seat experience. Then there’s that Aladdin remake with a blue Will Smith. Look, everyone’s gotta pay the bills, but nonetheless Guy Ritchie really is hitting the mark non-stop, so really looking forward to this World War II based action spy film produced by Jerry Bruckheimer. Love the title alone. Also Henry Cavill’s in the lead and that guy’s simply cool.
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8) ARGYLLE - So much so that this is the second film on the list featuring Henry Cavill in the lead. What a cast - John Cena, Sam Rockwell, Dua Lipa, Bryce Dallas Howard, Samuel L. Jackson, Sofia Boutella and Bryan Cranston. Talk about an ensemble! This comes to us from Matthew Vaughn who made those Kingsman movies, and one could argue that this looks and feels like a Kingsman movie. Wouldn’t even be surprised if at the film’s end there will be a twist connecting it to that franchise Cloverfield-style. Looks like a good time though, as long as they brush up on their special effects, as that CGI cat is Garfield-level bad!
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7) BOB MARLEY: ONE LOVE - When a music biopic is done right then it is SO right! Taron Egerton rocked as Elton John in Rocketman, and Baz Luhrmann visual frenetic style paired really well with the crazy life of Presley in 2022’s Elvis. And who can of course forget the incredible tale of Dewey Cox, as he walked hard through his drug-filled Bob Dylan-stealing life where absolutely nothing bad happened to him. I’m of course kidding, but if you’ve never seen Walk Hard: The Dewey Cox Story then you’re missing out on of the funniest music biopic satires ever. That movie is hilarious and the Beatles scene alone is worth the price of admission. Anyway, in regards to One Love, the trailers for this Bob Marley biopic have actually been really intriguing. Kingsley Ben-Adir seems to be impersonating the famous reggae singer really well and the movie itself seems to offer a powerful depiction of Marley’s journey behind his revolutionary music. At the very least I’m going to enjoy listening to “Buffalo Soldier” on the big screen, and that’s gotta count for something.
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6) FURIOSA: A MAD MAX SAGA - One of the stand-outs of George Miller’s absolute batshit insane wasteland hit Mad Max: Fury Road was Charlize Theron’s headstrong Furiosa. Well Theron is not returning and instead Anya Taylor-Joy takes on the role as a younger version of the character. I am always hesitant with prequel stories as I always wonder what’s the point of them, however Miller’s Fury Road was visually incredible with some outstanding action sequences, and additionally the trailer for Furiosa features an unhinged Chris Hemsworth, and for those of you who’ve seen Bad Times at the El Royale you’ll know the guy can play insane really well.
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5) DRIVE AWAY DOLLS - The Coen Brothers are behind some of the most thrilling crime capers in film history, yet recently they temporarily parted ways to focus on their own projects. Joel went on to direct a truly spectacular Shakespeare adaptation of Tragedy of Macbeth that gave Roman Polanski’s original a run for its money, and now Ethan Coen has got his first solo directorial outing with Drive Away Dolls. It’s a queer roadtrip buddy comedy about two friends whose spontaneous trip to Tallahassee is undermined by a gang of amateur criminals. Should be a fun time at the movies with hopefully some of the Coens’ signature wit, and the supporting cast featuring Pedro Pascal and Matt Damon simply sounds delightful.
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4) MICKEY 17 - Bong Joon-Ho’s highly anticipated science fiction film starring Robert Pattinson. Not much is known about this however Joon-Ho is fresh of winning an Oscar for Best Picture for his incredible Parasite, and Pattinson has really proven in the last decade that he’s a very talented actor, and that the quicker we forget about his Twilight times the better. Look, it’s a movie that is made by a very talented group of people, so I’m really rooting for this one to be a hit.
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3) DEADPOOL 3 - One of the few superhero flicks of 2024, and the only one I really care about, as, well, it’s fricking Deadpool! The first two were awesome, and we have Ryan Reynolds back in this one, this time with the highly anticipated return of Wolverine himself - Hugh Jackman. Again, there are reasons to be worried, as the MCU’s Multiverse saga has been very underwhelming and this film is posed to be at the centre of this cinematic plot line. Additionally, due to the writer’s strike earlier in 2023 Ryan Reynolds was not allowed to improvise on set, and I feel like Deadpool thrives of the ad-libbing and actors being allowed to act in the moment, so take that away and what do we have? Fingers crossed the team know what they are doing and I’m still really looking forward to it, yet Deadpool 3 has a lot to prove come it’s summer release day.
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2) MAXXXINE - The final entry is Ty West’s horror trilogy X. Following the only survivor of the bloody incidents of X, Maxine continues her journey towards fame to be an actress in 1980s Los Angeles. Both X and Pearl really reinvigorated the horror genre as they both took inspiration from the old yet managed to blend in something new, as such making this third installment one of my most anticipated this year. In fact, I don’t enjoy horror films that much, so when one gets me so invested it really proves a point that it is something truly special.
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1)THE LORD OF THE RINGS: WAR OF THE ROHIRRIM - Peter Jackson’s The Lord of the Rings trilogy are my favourite set of films ever. So of course anything to do with Lord of the Rings gets my blood pumping. Amazon Prime’s recent Rings of Power show was an absolute slap to the dick, and was such a disservice to the fans, however War of the Rohirrim sounds more promising. The prequel will be an anime adaptation of Tolkien's world and will take inspiration from the look and feel of Peter Jackson's original trilogy, with Miranda Otto returning to narrate, and as you may recall Otto played Eowyn, the daughter of Theoden, in the original trilogy. The film is directed by anime industry heavyweight Kenji Kamiyama, known for his work on Ghost in the Shell: Stand Alone Complex and Blade Runner: Black Lotus, promising excitement for both Tolkien and anime fans with his impressive track record. It sounds like The War of the Rohirrim will be worth the wait at least because at Annecy Film Festival in June 2023, an exclusive first look was screened and the first reactions are very positive. And look, it is a new Lord of the Rings movie that will be playing in cinemas! I am very afraid but also very excited!
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I posted 3,791 times in 2022
That's 3,413 more posts than 2021!
206 posts created (5%)
3,585 posts reblogged (95%)
Blogs I reblogged the most:
@sweetoothgirl
@sunnysstuffs
@the-invisible-kaiju
@luonnonvalinnat
@tbgmoviecoverage
I tagged 3,665 of my posts in 2022
Only 3% of my posts had no tags
#not my art - 1,995 posts
#the bad guys - 1,209 posts
#dreamworks the bad guys - 1,140 posts
#dreamworks - 1,120 posts
#the bad guys dreamworks - 1,069 posts
#mr wolf - 953 posts
#mr snake - 554 posts
#sing movie - 516 posts
#sing 2 movie - 453 posts
#sing 2016 - 426 posts
Longest Tag: 100 characters
#and how behind puss there is a chaotic scene in pastels contrasting with the blues where the wolf is
My Top Posts in 2022:
#5
Chapter 10's Art By DisneyFriend
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DisneyFriend said - The moment from chapter 10🦊💞🐺
You asked me once if I could draw a favorite moment from your story from one of the chapters and we can both agree this one is definitely one the best, if not the cutest moment ever. I might draw some probably later, but let's enjoy this one for now everyone🥰
😍🥰😍
Then I say - THIS IS SO AMAZING AND AWESOME!!!!!
I can't believe this is the best moment from Chapter 10 ever! I was all teared up because of it. I'm enjoying this with all of my heart, thank you so much for drawing this for me.
Please check out my story in Archive of Our Own as RainbowMoonstone21 and find The Bad Guys and the Black Diamond of the Legendary Wolf.
55 notes - Posted July 9, 2022
#4
Preview for the Bad Guys
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Look what I've found this morning and my heart sank when I saw something so moved by Mr Wolf ^^
🐺💖
56 notes - Posted March 9, 2022
#3
A New Bad Guys Story
After watching the Bad Guys today in Liverpool, I suddenly had a new idea for the story...
Title: The Bad Guys 2: The Black Diamond of the Legendary Wolf
Rating: General Audiences
Archive Warnings: Graphic Depictions of Violence
Categories: F/M
Fandoms: The Bad Guys (2022)
Relationships: Mr Wolf/Diane Foxington, Mr Wolf & Mr Snake
Characters: Mr Wolf, Diane Foxington, Mr Snake, Mr Shark, Mr Piranha, Miss Tarantula (I may going to add more with oc)
Additional Tags: Adventure, action, crime, violence, magic, romance, friendship, family, nightmares, post-traumatic stress disorder – PTSD, drama, forgiveness, bravely/courage
Language: English
Summary: Three months after one year in prison, Mr Wolf and his friends are trying to be best behaviour for the citizen who are no longer afraid of them anymore while they couldn’t help but enjoy few adventures they adore. But then one night, Mr Wolf had a nightmare of his past that involved with a black wolf that caused him to seek answers. Together with Diane Foxington (known as the Crimson Paw), the gang must unravel the truth of Wolf’s past and why he had great connection of the black diamond that everyone thought it once had dark magic thousands years ago.
This is kinda inspired by Disney Turning Red and Who’s Afraid with the Big Bad Wolf in Raunzel’s Tangled Adventure. I don't know... But if everyone is interested in, please join the club and tell me what you think of it because I might need a helping hand.
Oh! And don't worry, I'm not leaving Sing fandom because I'm still working on chapter 19.
56 notes - Posted April 2, 2022
#2
Buster Moon: I've been looking out a window of my theater for years, dreaming about what I might feel like when those lights rise in the sky. What if it's not everything I dreamed it would be?
Jimmy Crystal: It will be?
Buster Moon: And if it is? What do I do then?
Jimmy Crystal: Well, that's a good part, I guess...You get to go find a new dream.
(Tangled meme for Crystal Moon)
@the-invisible-kaiju & @xxstar-bluesxx
86 notes - Posted January 13, 2022
My #1 post of 2022
Good Tonight from the Bad Guys
Look what I've found ^^
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Tonight, we will dance to the music of awesome!!!^^
91 notes - Posted March 18, 2022
Get your Tumblr 2022 Year in Review →
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Michael in the Mainstream - Puss in Boots: The Last Wish
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I think it was pretty easy to write off the Shrek franchise in the 2010s. Shrek Forever After was considered pretty underwhelming (even if it has undergone a reevaluation in recent years) and Puss in Boots didn’t really make any waves, and so the franchise languished,  becoming an endless fountain of memes while Dreamworks moved on to producing great stories that ended up eclipsing the Shrek films in the public eye. By the 2020s, it really seemed like Shrek was dead, relegated to two great movies, one good one, a so-so spinoff, and a horrible fever dream with Justin Timberlake.
And then, right the hell out of nowhere, Puss in Boots made his big cinematic return, and not only that, he came back with one of the actual greatest animated films I’ve ever seen, filled with deep themes, strong characters, and great jokes. And it’s not like any of these things are foreign to the Shrek franchise, but in 2022?
The Last Wish is a true return to form for the franchise, and a good sign of the direction that Dreamworks is moving in. The Bad Guys had slick, stylish animation that was a bit atypical for the studio and seemingly a sort of response to Spider-Verse, a “You can do that sick, stylish animation? So can we!” This movie shows that that direction was no fluke; this movie has gorgeous, stylish, fluid animation that revamps the character designs for the modern age and just looks the best the Shrek franchise ever has. The animation also leads to some of the best Dreamworks action scenes this side of Kung Fu Panda, with Puss fighting the giant in the intro and every single duel he has with the Wolf being some of the hypest shit you will ever see.
The side characters and antagonists are also better than ever. Kitty Softpaws returns, and she gets some development for her relationship with Puss, and joining the feline duo is a goofy little dog who is relentlessly cheerful and optimistic, and while this character so easily could have been the most grating thing on earth, he remains one of the sweetest and funniest characters in the film. Hell, he’s honestly the emotional glue of the film, helping give Puss the pushes he needs to develop as a character! Goldilocks and the three bears have here been reimagined as a crime family, with Goldilocks being the adopted daughter of the bears, and they are a funny and loving unconventional family of anti-villains who it’s easy to root for due to being incredibly sympathetic. Florence Pugh really cements herself as being a fun scene-stealing actor in found family films, though this film is definitely leagues better than Black Widow.
Then we have the two best additions to the cast: Big Jack Horner and the Wolf. Big Jack, played by John Mulaney, is one of the single darkest villains in the Shrek franchise, with his callous and wanton disregard for life and his relentless cruelty… But he’s also one of the funniest characters, with his murderous actions being played up for black comedy and his card-carrying sociopathy is just so laughable that he becomes a perfect love to hate villain. The Wolf, on the other hand, is the darkest villain in the franchise. He is a terrifying force of nature, relentlessly pursuing Puss and giving him the fights of his life. He’s the only villain in the franchise who is played completely seriously, with not a hint of humor to him, and there’s a very good reason to that tied with the true nature of his character, which is a great twist I don’t want to spoil.
And all of this would be great on its own, but all of this is wrapped up with darker and heavier themes than you’d likely expect. Puss spends the film trying very hard to outrun his own mortality and use his wish to regain the eight lives he callously threw away due to his monumental ego and disregard for his gift. I remember seeing a lot of early reviews calling this the Logan of the Shrek franchise, and honestly? That’s not too far off. This movie is a hell of a lot more optimistic, but it deals with some really heavy themes and Puss really has to reflect on who he is and what really has value in his life throughout the story, something Goldi also needs to learn and something Jack happily rejects in his lust for power.
This is just an absolutely fantastic and triumphant return for the flagship franchise of Dreamworks, and easily one of the best movies in said franchise. This is up there with Shrek 2 I’d say, if not better (though it’s probably not as good as the “Holding Out for a Hero” sequence, but nothing is anyway). The voice cast is killer, the characters have strong arcs even if some of them are relatively simple, screen time feels very evenly divided between the core players, the animation is amazing, the action is incredible… I never thought I’d say this ever again, but I am seriously looking forward to the future of the Shrek series.
I guess it really is true what they say: It ain’t ogre til it’s ogre.
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dans-den · 1 year
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My Top 5 Best Movies of 2022
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Hey how's going everyone? It's Dan here and were approaching the end of 2022 so were ending with my Top 5 best movies of 2022!
I know I was suppose to do it yesterday but I got busy yesterday so I'm doing it now. I'll repeat this one more time, this is all subjective and my opinion, we can agree to disagree, okay? good, lets begin!
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Number 5 goes to the Bad Guys from Dreamworks (7.5/10)
This movie is based on the children's book and the book itself is quite popular, even at my job we have one of the books for the kids. When I saw the movie trailer, I was an instant fan of the animation style. It's going for that 2D done like 3D style similar to the SpiderVerse movies and that's what makes it unique. I had given my thoughts about it in the review back in April so if ya wanna see that go check it out. The plot itself is the classic never judge a book by its cover as well as everyone can redeem themselves, nothing groundbreaking but I did enjoy the way it was executed in the film. The characters are what really made this movie memorable. My favorite character has to be Mr. Wolf since he's just charismatic and a likeable guy even when he's committing crime you just can't help but love the guy. The character interactions and dynamics are what sell this movie in my eyes. It's on Netflix right now so I'd say give it a watch, I also heard it has more projects in the work so I think it is safe to say that this movie helped bring Dreamworks back in a big way this year (with Puss in Boots: Last Wish following that momentum too).
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Number 4 goes to Doctor Strange in the Multiverse of Madness from Marvel/Disney (8/10)
Wow! a Marvel/Disney movie I'm not disappointed in! I had given a review for this movie back in May so if ya wanna check it out, go ahead. To summarize that review, I love the VFX, just like the first film the VFX are what carry this movie and each one is like a trip. Now keep in mind this is part of the MCU so there are a lot of films and even some shows to watch so that you can fully understand the plot and the characters motivations for what they do. I gave what films and shows to watch during my review so use that as a base line on where to start for story. Even if ya don't watch any of the movies or shows, the plot itself is still rather decent and the characters are still who they are (besides Scarlet Witch) so it'll still be fun time and plenty of magic going on. I still think Spiderman: No Way Home is a better multiverse movie, but this is a good contender with plenty going for it. Though some VFX look a bit lazy at times, it's forgivable compared to what we get a majority of the time. I also wanna point out that Sam Raimi (the director of the Tobey Spiderman movies) directed this film and gave it some of his personal touches even adding Bruce Campbell in for a cameo so I appreciate that too.
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Number 3 goes to The Batman from DC/Warner Bros. (8/10)
This movie is when I knew we were eating good this year when it came to movies. This film much like Morbius was in Limbo due to the Pandemic, Luckily it made it's way to theaters and it was a real banger! This was the first review I did back in march and if ya wanna see it go ahead and check it out. This is definitely one of the better Batman performances I've seen and definitely the better representation of Gotham City. Robert Pattinson gave a phenomenal performance as the Dark Knight and even though I feel his performance as Bruce Wayne could have been better, this is still in the early stages of Batmans crime fighting career so Bruce hasn't quite found that balance and secret identity aspect just yet. He is still figuring out what he needs to be for Gotham City and I do hope that they continue to build on this in the future, I would like to see the character growth and development of Bruce Wayne/Batman. Paul Dano as the Riddler was something I was pleasantly surprised with, this darker take on the Riddler was refreshing to see since traditionally the Riddler is one of the more comical villains in Batman's Rogue Gallery. I felt immersed into the City of Gotham and in the story of Bruce Wayne's family, they did well expanding on his history. The action was gritty and more martial art based (which I love) as well as showing off Batman's detective skills trying to solve the riddles. This film truly kicked off the year and I'd say this is definitely the best superhero film of the year, beating out any movies from Marvel and itself.
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Number 2 goes to Sonic the Hedgehog 2 from Sega/Paramount (9/10)
I've said this once, and I will say it again, 2022 has been the Sonic Renaissance and were living it up, baby! This is the sequel to the Sonic the Hedgehog movie that came out in 2020 and while the first film was pretty decent and it was more of a testing waters phase, it still did a great job and was one of the main reasons people started to lose that "Video Games can't be adapted to good movies" stigma. Now the sequel builds upon that success, I had given my review for this movie back in April but all the points I made still hold up and I'll support that with further evidence now. After the positive reception of the first film, Jeff Fowler and his crew went into the next phase and decided to build upon and dive into the lore of Sonic the Hedgehog. I also appreciate them having the humans take a backseat this time around and having the story more centered around Sonic, Tails, Knuckles, and Dr. Robotnik (aka Eggman). We got to see settings such as Angel Island and Gerald Robotnik's secret lab where Shadow is in suspended animation (post credit shows Shadow for the upcoming third film). We even saw the Master emerald which was made up of the seven chaos emeralds used in this movie and gave us the special appearance of Super Sonic! As I said earlier, this is the year of Sonic, with a successful sequel, a great game in Sonic Frontiers, a great show in Sonic Prime and the upcoming third movie, Sonic is going fast in the right direction. Hopefully, he continues to rise this momentum into 2023 and beyond, I'm a big sonic fan so it's great to see him doing well after a long time.
Before I get into the number one spot, I'm going to give a few honorable mentions
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First mention goes to Top Gun: Maverick from Skydance/Paramount (7.5/10)
This was a sequel to the nearly 40 year old movie Top Gun, however unlike other random sequels, this one is actually far superior than the original. The original is definitely a cheesy 80's movie, but the sequel manages to build upon and create a real story here making Maverick a mentor with something left to give to the next generation. It's a fun movie to watch and it has plenty of charm to it. All the actors did a phenomenal job and I was pleasantly surprised that this movie was as good as it was.
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Next mention is the Elvis Movie from BazMark/Warner Bros. (7/5/10)
This movie is yet another Biopic of a famous Celebrity/Musician, but what really shoots it up there as one of the better Biopics is the performance of Austin Butler and Tom Hanks. Austin truly did Elvis justice with his performance. His mannerisms, the speech, his moves, I can tell Austin gave it his all and I think we can all appreciate that. Tom Hanks as the Colonel was a true villain and foil to the story. I enjoyed the narration from him which added to the tone of this cautionary tale. I gave a review back in July so if you wanna see more head over there. But this is definitely one of the better biopics.
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Last mention I wanna give is the movie Turning Red from Pixar/Disney Plus (7/10)
This is a true coming of age story I can get behind. I gave my review for this back in March so if you wanna see my full thoughts on it, go check it out. This film is unique for so many reasons and I can say I enjoy this film, I watched it twice and I enjoy the animation style and how it takes inspiration from anime as well. The characters are a fun to watch and the mature themes here are done well and respectively. I wish more Disney films were like this but you know them. Luckily Pixar is doing their best to bring us unique stories and great animation trying something new each time. I may not be the targeted audience for this film, but even I can recognize the passion that went into it and I feel it's a film for young teens and even adults to enjoy.
Now for the moment you've all been waiting for, the Number one movie of 2022 goes to....
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Number one goes to WEIRD: The Al Yankovic Story from Funny or Die/Roku (10/10)
I'm sure no one saw this one coming, you're likely scratching your head and asking "first off..Weird Al has a movie on Roku?! Second...Why is this the best film of the year?!". Well stop asking so many questions and I'll tell ya! This film is technically a biopic just like Elvis or other biopics from other celebrities...but its a parody of that entire biopic genre. As we all know, these biopics tend to exaggerate the truth for the sake of the film being dramatic and entertaining, some things in the film are not quite what actually happened in the real life of that celebrity but rather exaggerated. Weird Al cranks that exaggeration and dramatic antics to the MAX! Unlike those other films, this is not meant to be taken at all serious and you can tell. The first half was already kind of exaggerated but was still telling the truth of how Al got his start in music (to a degree). But once we get to the second half of the film....it just goes hog wild and turns the film into full blown insanity and it is without a doubt hilarious! I got some Bohemian Rhapsody vibes from this movie with how Al starts out good but then gets into hard drinking, gets into a toxic relationship with Madonna, confronts Pablo Escobar to save Madonna only for her to take over the drug cartel....You can see why I said this is not meant to be taken seriously. It's all just a huge parody of celebrity biopics and its meant to be a joke and I love it! Weird Al was heavily involved with making this since he's still alive so I'm sure he would want to have a say in how it should be done and he's the one responsible for getting the boy who lived to portray him. Daniel Radcliffe did a phenomenal job as Weird Al being hilarious, dramatic and both at the same time and Weird Al himself actually has a role in the movie as not himself...but parodying an executive at a record label. This movie is just a fun watch, I was laughing the entire hour and a half. Each of these movies on my top 5 have something special, the Bad Guys are the best animated film, Doctor Strange is best Visuals in a film, Batman the best superhero film, Sonic is the best video game adaptation film, but Weird: the Al Yankovic story is not only the best Parody film, but the Best film of 2022!
Thanks for staying till the end, Hope everyone has a Happy New Year, and I can't wait for the content to come out in 2023!
See ya!
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nightfury-2001 · 1 year
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I posted 967 times in 2022
152 posts created (16%)
815 posts reblogged (84%)
Blogs I reblogged the most:
@lumii-is-the-name
@eventidecryptid
@mudzdale
@chameshida
@baisleyarts
I tagged 967 of my posts in 2022
#reblog - 804 posts
#art - 623 posts
#httyd - 620 posts
#httyd fanart - 490 posts
#night fury - 339 posts
#toothless - 261 posts
#hiccup - 142 posts
#httyd oc - 137 posts
#night light - 94 posts
#light fury - 90 posts
Longest Tag: 138 characters
#this completely goes against the themes of the franchise (at least if ur actually like. killing them) but it could certainly be a fun game
My Top Posts in 2022:
#5
youtube
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They're introducing a species from Rescue Riders into the main universe/canon and they somehow look so much worse than they did in Rescue Riders 😭😭😭😭😭
like theyre SO fucking ugly who did this dreamworks why did you choose THIS species to bring over out of all the rescue riders dragons i dont understand
62 notes - Posted April 30, 2022
#4
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Wanted to make a new chunky baby fury oc and got a bit carried away - I imagine he's one of Toothless and Chunkful's babbies in my au LOL
84 notes - Posted January 8, 2022
#3
Hello friend! I am looking for what I'm positive is some older Nico Marlet concept art of a Night Fury hatchling... Google is bringing me nothing but I'm fairly sure you've posted about them before. Do you happen to know what I'm talking about? 😅
Soooo sorry for the super late response but if you're still looking, here it is! I managed to find this screencap compilation made by someone which features it on the bottom left. I tried to find a full high quality version of just the page with the Night Fury hatchling art but man it's hard to find good Riders of Berk screencaps:
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Cropped/close up (pretty bad quality, sorry!):
See the full post
86 notes - Posted November 16, 2022
#2
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why is one of the writers for tnr saying weird shit like this like this didn't answer that person's question what are you going on about
88 notes - Posted September 24, 2022
My #1 post of 2022
Wait, the Boneknapper isn’t canon anymore? Since when?
Yep, a couple years ago Richard Hamilton straight up said it wasn't "officially canon" on Twitter.
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See the full post
93 notes - Posted October 2, 2022
Get your Tumblr 2022 Year in Review →
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the-cat-chat · 9 months
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July 15, 2023
Puss in Boots: The Last Wish (2022)
Puss in Boots discovers that his passion for adventure has taken its toll when he learns that he has burnt through eight of his nine lives. Puss sets out on an epic journey to find the mythical Last Wish and restore his nine lives.
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JayBell: I confess, I haven’t watched any of the other Puss in Boots movies. I’m a fake fan. But I heard so many good things about this movie, and I admit, I’m a sucker for like unique or just cool animation styles.
My favorite character of this movie by far is Perrito. He’s just so cute and sad and tragic. He’s a perfect counterpart to Puss in Boots and Kitty who can be so negative. I think the characters in the story are solid. Although John Mulaney as the villain really traumatized me. Whoever created his character design is a monster.
The wolf villain was cool. I like the way whistling and the heartbeat raised the tension of all of the encounters between Puss in Boots and the wolf. Although I do wish they gave him a bit more of a motivator. Like he is after Puss because he is too nonchalant with the lives that he was given? Or because he was given so many lives in general? It’s just strange that after all this time (8 lives) he decides he has had enough of Puss’s shit.
Lots of humor (love the Puss/Pickles bit), some action, great character arcs, unique animation style, lots of heart--what more could you ask for in a kids movie?
Rating: 6.5/10 cats 🐈
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Anzie: I was really excited for this movie bc usually all the Dreamworks/shrek stuff has good humorous nonsense throughout. That being said I figured the 13th Puss in Boots movie would be a good time. And I liked it, but it was ummmm, kinda, absolutely unhinged. But, yeahhh, it was good.
I was sooo excited for John Mulaney to be voicing a character, only to totally dislike his character Jack Horner- but I just think hearing his voice behind an animation is too weird for me. Annnyways I hattttted Goldilocks and the the bears- like pllllsss murder me. Ohhh speaking of murder the whole Death thing with Puss and the Wolf- I get it he’s a cat- nine lives yada yada, but ummm it’s a bit stalkerish of the Wolf the whooole time to then just being completely anticlimactic at the end and kinda giving in???? And the the real scumbag of the movie still is Jack Horner??? IDK!?! ooo and Perito. He’s soooo cute and he’s sooo funny with his little bleeps and his big eyes. The sock story is just a bit too dark. This was supposed to be made for kids right?? Bc I’m on the verge of a crisis with Death chasing Puss in Boots and him having panic attacks and now this little dog is too innocent to know he got ditched in a real bad way?? I can’t. It’s too much. But whatever. What do I know. The end there’s a good message that you’ve got all you need and don’t need a magic shooting star to make your wishes come true blahblah blah. (I think it would be nice tho)
I really enjoyed the change in animation style when there was a fight scene or like a fast motion scene and so it kinda looked like a painting or comic-ish. (But the singing in the first scene takes it down a point-sooorrry.)
*Omigggawd I just wanted to know which # puss in boots this is and it’s the “6th” installment of a shrek franchise but only the 2nd puss in boots movie!! 😱😱😱😱😱😱😱😱😱😱😱😱😱That doesn’t feel right but whatever. I’m gonna ignore the fact that the first and only movie was 11 years ago before I feel like throwing up.
Rating: 6/10 Gatos 🐈
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kylekozmikdeluxo · 3 years
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RIP Blue Sky Studios...
Established in February 1987... Iconic commercials, early innovation in CGI, packed to the brim with top talent, a rare East Coast-based house, and one of the first studios in a post-Don Bluth age to really challenge Disney and Pixar in the feature animation field...
Gone.
Once a subsidiary of 20th Century Fox, The Walt Disney Company had them since early 2019 after the acquisition of their parent company. It looked as if Disney was going to keep them around, despite already having two powerhouse animation studios making family features for them. I wondered back in the day if Disney could rebrand Blue Sky as a sort-of outre little studio that did more experimental, quirky fare as opposed to the more digestible works of Disney Animation and Pixar.
Even before the COVID-19 pandemic hit, signs were rather troubling. Despite a management change, you had the rather ho-hum marketing for SPIES IN DISGUISE. To me, Disney sort-of let that one disappear between FROZEN II and STAR WARS: THE RISE OF SKYWALKER. I found SPIES IN DISGUISE to be a fun little movie, with a timely pacifist message and memorable gags. Sadly, it did not make its money back. Even more troubling was the constant delaying of NIMONA, an adaptation of Noelle Stevenson’s webcomic of the same name from FEAST and PEARL director Patrick Osborne. From the rumblings I’ve heard, it looked to be an innovative CG film and a next-level family film in general. Like a next SPIDER-VERSE. It was to be released January 14, 2022. 70% of the film was completed by this point... It is no longer a reality, Blue Sky is done...
450+ animators and staffers out of a job during an awful worldwide crisis...
Why couldn’t The Walt Disney Company just sell off Blue Sky Studios to a distributor looking for more animation to stock up on? If they didn’t need more than two animation studios (see the shuttering of their own Disneytoon Studios in early 2018), why shutter them and wait so long to do so? I know that absorbing competition and killing it is nothing new, but this is **expletive** for a multitude of reasons. Multiple talent out of a job, more movies and work squashed, a nearly-completed film likely dead. (It would be great if it was instead on the market, so that someone could snatch it up and complete it, but we shall see...)
Blue Sky Studios were no slouches. ICE AGE established them, big time. In fact, I’d say they helped show the industry that the features world wasn’t just Disney’s game anymore. Disney had seen rivals in feature animation in the past, notably Don Bluth and Ralph Bakshi, but they continued through the decades while Bluth and Bakshi’s feature opportunities waned. Blue Sky, alongside DreamWorks and a fledgling Sony Pictures Animation, changed that, and they were here to stay. And it’s quite sad that Disney had to acquire this notable studio and shut them down, they would’ve thrived elsewhere because of the success of their previous work and the amount of talent they have/had over the years.
They have a pretty distinct body of work, too. ROBOTS, HORTON HEARS A WHO!, RIO, EPIC, THE PEANUTS MOVIE, FERDINAND, SPIES IN DISGUISE. Some of them, I’d argue, were quite innovative. ICE AGE stabbed at cartoony, Looney Tunes-esque humor and visual design. The work in that movie rung more Warner Bros. than it did Disney or something more naturalistic in design. Their later work embraced that kind of outlook as well, but you started seeing other studios doing this as well: DreamWorks with MADAGASCAR, Sony Animation with OPEN SEASON and CLOUDY WITH A CHANCE OF MEATBALLS, and so on. The antithesis to the ever-more-realistic Pixar styles. Then Blue Sky just straight up redefined the computer animated feature with THE PEANUTS MOVIE, which not only kept the comic strip aesthetic of Charles Schulz’s iconic characters and world, but adapted them to a computer animated world while doing something new in the process. PEANUTS MOVIE, along with similar pictures like THE BOOK OF LIFE and CAPTAIN UNDERPANTS, are indeed stepping stones to SPIDER-MAN: INTO THE SPIDER-VERSE and what lies beyond that feature. In short, Blue Sky played a big part in computer animation showing that it didn’t just have to look like Pixar movies, or most other computer animated works that were out at the time of ICE AGE’s early 2002 release.
Who knows where that could’ve all gone. NIMONA looked to be something new and exciting, something to really push things forward and widen the computer animation canvas. A musical called FOSTER also sounded like it had potential. When TWDC acquired 20th Century Fox (now 20th Century Studios), Fox Animation in general had several animated films in development, hoping to branch out beyond their one studio... All of that seemingly died after the Disney acquisition, with only Blue Sky and a couple of Fox primetime TV-showed based movies (i.e. THE BOB’S BURGERS MOVIE, another - and inevitable - SIMPSONS picture) left. Now Blue Sky is gone. More animation, gutted. And for what? Disney didn’t have to do this...
It’s even more egregious when you consider where Disney was in 1991... As opposed to now, 2021...
Think of this... Under the controversial Michael Eisner, The Walt Disney Company was willing to sink a massive amount of money into a project that had already been cancelled. Said project was given to blockbuster king Steven Spielberg, hit director Robert Zemeckis, and animation mastermind Richard Williams. This was not even a few years after Disney was a quiet establishment being circled by corporate raiders that could’ve ended them for good... And what came of it. WHO FRAMED ROGER RABBIT. An innovative animation-live action hybrid movie for a more adult audience. One of the biggest films of 1988, a bonafide blockbuster that Disney hadn’t seen in years, and more than lit the fuse of animation’s 2nd Golden Age.
Then, in 1990, a former animator of theirs turned big-time director realizes that a short story he wrote while at the company was still owned by them. That man was Tim Burton, and he expressed interest in revisiting that poem. A studio was set up, with similarly outre director and former Disney animator Henry Selick taking the helm. The result was an innovative stop-motion film that leaned more towards horror and German expressionism than something like BEAUTY AND THE BEAST did. The result was THE NIGHTMARE BEFORE CHRISTMAS in 1993. A respectable hit then, an iconic classic today. Without NIGHTMARE, would have ever gotten future stop-motion efforts like CHICKEN RUN and everything Laika has made?
Finally, in 1991, Disney makes a three-picture deal with a small computer graphics studio based out of Marin County. One of their main guys was a former Disney animator as well, similarly outed for being too ambitious. Their plan? Make the world’s first all computer-animated movie. That studio was Pixar, their first movie was TOY STORY. Need I say more?
The Disney of today would’ve never in these three instances. Blue Sky could’ve been their chance to really make some kind of a splash in a post-SPIDER-VERSE world. Various shorts made at Disney Animation (including Osborne’s own FEAST) suggested this, and some Pixar shorts as well... But nothing really came of this. In terms of features being put out by Disney Animation and Pixar, only parts of MOANA, INSIDE OUT, and SOUL put this kind of thing in a long-form format. Blue Sky, who operated on smaller budgets, could’ve been their arm for more experimental feature animation. I say this because while Disney doesn’t need to hog up animation, Blue Sky was owned by them, and I felt the best way to go about this was to re-establish them as a more experimental studio. Make the most of it, you know? But no, they had to shut it all down.
When a studio shuts down, I feel a chunk of the animation world is just broken right off... While some of the artists are apparently being welcomed into various Disney houses, it sucks to see a studio with its own identity and output gone. Of course, my hope is that everyone employed there will have somewhere to go by April (when the studio shuts down completely) and that maybe, just maybe a new studio could be formed up from the remains. (Think Don Bluth setting up shop upon his departure from Disney in 1979.) Somebody has to get their happy ending, right? I know it’s moot asking for such a thing in this hellscape business of massive octopus conglomerates engulfing everything into their eight tentacles, but...
I wish everyone involved well, and that they’ll prosper afterwards. I certainly hope the 3/4 completed NIMONA doesn’t remain unfinished. (Netflix? Someone?) I hope to see some good come out of this...
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evanwhosjusthere · 4 years
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Wishful Thinking: The Nintendo Cinematic Universe Part 1
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The Nintendo Cinematic Universe. This an idea/joke/meme that has been thrown around ever since Nintendo in 2016 announced their plan to make movies based off their IP’s again. They have recently joined forces with Illumination Entertainment to create the upcoming Mario movie. Since then I've been thinking about how Nintendo could truly capitalize on this idea. With video game adaptations slightly getting better and better each year (with stuff like Castlevania, Detective Pikachu, Sonic Boom TV Show, etc.), I think this idea while somewhat far fetched could still be somewhat possible. Let’s talk about my crazy idea for a Nintendo Cinematic Universe.
The Main Idea:
Take a look at this diagram:
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Very similar to the MCU we will split up the films into phases. The theme of Phase 1 is “Recognizable”. If Nintendo is gonna jump start this universe, they need to bring out the big guns. Their most recognizable IP’s.
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Super Mario Bros.
The first confirmed movie, the Super Mario Bros. Movie has become shrouded in mystery in terms of what the plot could be. Could it follow the tried and true of the mainline games? Or could it break expectations and take inspiration from the spin-offs like the RPG’s? With a tentative release date of 2022 we will have to wait. There are currently rumors that the story could be based of the Super Mario Adventures comics. With Shigeru Miyamoto and Chris Meledandri producing, the film could be a potential hit. But again certain parts of this movie’s creative side are still unknown.
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The Legend of Zelda
I’m pretty certain after the Mario movie is successful, a Zelda movie is around the corner. Though a Zelda movie done by the Illumination team would be well.... odd. Since Illumination isn’t currently known for fantasy storylines or anything with a serious tone, really. But Universal Pictures also owns Dreamworks. Which I think could do good for the Zelda IP. In turns of the target demo for a Zelda movie I think it could appeal towards pre-teens to teenagers compared to the Mario movie which would appeal to all ages but more specifically kids. The plot? Well the tried and true Zelda formula. Though I would like it if Zelda could have more of a prominent role like she does in Spirit Tracks and Breath Of The Wild.
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Super Mario Bros. 2
Let’s say if the Zelda movie isn’t as successful as both Nintendo and Universal hoped. Well, another Mario movie! You have to follow up the first installment of the NCU. The plot? Uhhhh.... go NUTS! If I were to write this movie it focus on Mario, Peach, Luigi, and Toad going on some sort of adventure. Basically up the ante from the previous film. And when I say Super Mario Bros. 2, I mean the sequel to the first movie not the video game.
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Metroid
This is the big one. People have been clamoring for a Metroid movie for decades at this point. There was one in development in the early to mid-2000s but nothing came of it. When you get down to it, Metroid’s themes and setting are ripe for a film adaptation. The plot could tackle Samus’s origin and her journey to become the galaxy’s most feared bounty hunter. Or the story could take place when Samus is already well established in her career, but we get flashbacks to her past. A Metroid film could go in many directions. And with Nintendo confirming in 2016 that these adaptations are primarily going to be animated, it wouldn’t be shackled to the potential limitations of live-action. A Metroid film in terms of demographic would primarily be aimed at a teenager to adult audience. Quite risky for an animated film of this type. Will an animated Metroid film make a profit? 
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Donkey Kong Country
Ok, this would be interesting to see. Rounding out phase 1 of the NCU would be the leader of the bunch and the first member of the DK crew, Donkey Kong. Now DK as a character would be interesting to see carry a leading role in a movie. Let alone have a speaking part. But I think the misadventures of the DK crew would be fun enough to see as a standalone film. Think Puss and Boots or Hobbs and Shaw. DK and the gang going up against the Kremlins and King K. Rool would be a rip-snorting time. Plus, who wouldn’t want to hear the songs of the DKC trilogy performed by an live orchestra?
Honorable Mention/Phanpy in the room
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Where’s Pokemon?
This is an interesting question. Since currently Game Freak is in bed with Legendary Pictures to produce live-action Pokemon movies in the future after the success of Detective Pikachu. I highly doubt Game Freak would let two kinds western Pokemon movies run at the same time. What i’m saying is would Game Freak allow Illumination or Dreamworks to work on CG Pokemon movies when Legendary is making their own live-action movies? I honestly wouldn’t know. But hey, Sony and Marvel are completely okay with there being two types of Spider-Man universes going on at the same time. Who’s to say Game Freak/Nintendo wouldn’t do the same?
In Conclusion:
The primary goal of the first phase of the NCU is to make Nintendo a well known name in the film space very similar to what Marvel did with it’s phase 1. If phase 1 is a success, what lies in store for phase 2? Stay tuned to find out!
*This is all fun speculation and theory. A majority of what I have written here hasn’t been confirmed to happen or is going to happen. This is just fun wishful thinking.
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Where Is The Next DreamWorks Movie?
Looking at all the official American slates for Universal Pictures, it would appear that DreamWorks Animation is released only one picture this calendar year, and that would happened to be a seemingly-untitled TROLLS sequel. The third overall, of course.
What is not known is that DreamWorks actually has a picture coming out this year, before TROLLS 3 debuts in the autumn. An original picture, at that. Apparently, the plan behind closed doors is to release one original movie and one sequel every calendar year. So far, we do know that DreamWorks intends to release KUNG FU PANDA 4 in the late winter of 2024, but nothing else is on their schedule besides that film and TROLLS 3. Not even a placeholder, you know, the sort of "Untitled DreamWorks"... The other animation studio that operates under Universal, the ever reliable hit-makers Illumination Entertainment, have MIGRATION set in stone for 12/22/2023 and DESPICABLE ME 4 inked for 7/3/2024. Nothing beyond that, though they do have various pictures in development. There's also, curiously, an untitled animated feature release from Universal set for 2/8/2024... Is this a DreamWorks movie? Likely not, if KUNG FU PANDA 4 is opening in March of that year. Two that close to each other? I don't think that's happening. Illumination? Maybe. A February release would be new for them... It could also be... Since Universal now owns the rights to this particular movie franchise... The next LEGO movie... After all, THE LEGO MOVIE and THE LEGO BATMAN MOVIE opened in February to much success, THE LEGO MOVIE 2: THE SECOND PART - sadly - not so much. Maybe KUNG FU PANDA 4 takes that February slot and abandons March, with the 2nd DWA title that year opening in the fall.
Anyways, I'll get on with it... There's stuff out there that confirms this... DreamWorks' next movie is a picture about sea monsters, it's titled MEET THE GILLMANS. It's on a Universal slate from Switzerland that pegs it at 6/30/2023, it's also been mentioned in various European marketing and promo stuff. There's concept art and images floating around the webs, too. The movie exists, yet it doesn't... Now, it's one thing to start a marketing campaign a mere four to five months before release. After all, Universal/DreamWorks did just that with THE BAD GUYS this past year and that film - budgeted at roughly $80m - did rather fine for itself. *But*, we knew the film *existed* as far back as 2018, when DreamWorks optioned the book series for a feature adaptation... There has been no formal announcement whatsoever with MEET THE GILLMANS. Only through tiny out-of-the-way scoop sites that I've never heard of and the title appearing on staffers' LinkedIn profiles and resumes. One of the hosts of the podcast Fine Tooning, without naming the movie, says it's coming out prior to TROLLS 3... Which, by the way, is actually called TROLLS BAND TOGETHER. Universal has yet to disclose that to the American public. The Swiss slate seems to indicate that TROLLS BAND TOGETHER, currently scheduled to release 11/17/2023, will open in mid-October instead. Which seems smart, because the current date puts it five days before Disney Animation's celebratory centennial musical fantasy WISH, which is sure to be the inverse of STRANGE WORLD and will make a good amount of money.
Curiously, 6/30/2023 puts MEET THE GILLMANS very close to... Pixar's ELEMENTAL, Sony's ACROSS THE SPIDER-VERSE, and Disney's live-action/VFX-heavy LITTLE MERMAID remake... Until addition to a ton of blockbuster tentpoles.
A little while back, the original plan was to have an original picture open 3/24/2023. This was back when PUSS IN BOOTS: THE LAST WISH carried a 9/23/2022 release date, and THE SUPER MARIO BROS. MOVIE was set for Christmas 2022. MARIO was pushed to 4/7/2023 to coincide with the opening of Super Nintendo World in Universal Studios Hollywood. So that put PUSS in the Christmastime frame, and also made MIGRATION - ahem - migrate to Christmas 2023. GILLMANS has, rather covertly, taken MIGRATION's original intended summer slot. Or so it seems...
But why not mid-March for MARIO? Or better yet, March 10th? You know, MAR10? It's not like March is really stuffed... Like, does a SHAZAM! sequel that's kinda meaningless now in the grand scheme of things and a DUNGEONS & DRAGONS movie pose any kind of threat to the freakin' Super Mario Bros.? I think what could've worked well was having MARIO make March its domain, while MEET THE GILLMANS could open in late April - much like how THE BAD GUYS did - and get the jump on the family competition from LITTLE MERMAID, ACROSS THE SPIDER-VERSE, and ELEMENTAL.
I don't believe in family films and animated films "cannibalizing" each other at the box office, but options are *slim* when it comes to affordability. If the average American family hit the flicks four times a calendar year back in 2014, think of how many times they can manage now, especially in the post-outbreak times we're living in. Ya know? MEET THE GILLMANS presumably cost around the same amount of money the previous string of DWA titles did (PUSS cost $90m, BAD GUYS about $80m, BOSS BABY around $82m), so not too too much is riding on it. If anything, I'm more worried about the Pixar film making back its presumably astronomical budget than this movie, but it'd suck to see another DreamWorks movie tank. Maybe there's no need to worry and they know how they're going to ride this all out...
That being said, it would be nice to know about the movie in question since it's less than half a year away at this point.
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mccain29nance · 2 years
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The Should See Films Of 2022: 19 Improbable Films That Cannot Be Launched Soon Sufficient
Need to watch the perfect movies coming out in 2022? This article lists 19 films you'll want to see. Try these recommendations and get excited for what's coming!
Early Predictions on probably the most Anticipated hdss of 2022
It's virtually 2022 and the world remains to be ready for the next blockbuster film. But don't be concerned, we have you ever covered. In this article, we are going to share with you 19 films that we predict might be huge hits in the next yr. A few of these movies have been in growth for years, and we will not wait to see them hit the big screen. So learn on, and put together to be blown away by some of essentially the most anticipated films of 2022! 1. "A Star Is Born" This remake of the 1937 basic will star Lady Gaga and Bradley Cooper. This movie is sure to be a crowd pleaser, and we will not wait to see it hit theaters. 2. "Black Panther" The Marvel universe is again, and this time it is larger than ever. Chadwick Boseman will reprise his function as Black Panther on this highly anticipated film. We can't wait to see what he brings to the desk this time round. 3. "The Meg" This action-packed movie stars Jason Statham as a navy Seal who has to stop a large shark from destroying the coast of California. We are positive that this film might be controversial but in the end
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It is that point of yr once more the place Hollywood studios start releasing their upcoming films. There are so many great movies that cannot be released quickly enough, and we have selected 19 of them for you to take a look at! Among the motion pictures on this listing include "A Star Is Born", "Black Panther", "The Meg", and "Ant-Man and The Wasp". Every of these movies is certain to be a blockbuster hit, and we can't wait to see all of them! If you are on the lookout for some great entertainment, be sure to check out these should see movies of 2022!
Warner Brothers
The Warner brothers, who're Hollywood powerhouses, have introduced their new film launch schedule for the 12 months 2022. Of their announcement, they said that they will be releasing a complete of thirteen films in the following twelve months. The primary movie of the yr is “A Star Is Born”, which will likely be launched on October 5th. The opposite twelve movies are as follows: “The Irishman” on December fifteenth “Walking Dead” Season eight on December 22nd “The Meg” on January 12th “Black Panther” on February 16th “Chappaquiddick” on March thirtieth “Toy Story 4″ on June 18th “Jumanji: Welcome to the Jungle” on July 2nd “Shazam!” on July 14th “Crazy Rich Asians» on August seventeenth » “A Wrinkle in Time» on November third
New Regency
Searching for an incredible film to observe this weekend? Why not take a look at some of our prime picks for movies to look at on-line free in 2022! Whether or not you are in search of a household-friendly film or one thing with a bit extra edge, we have bought you lined. Listed here are our prime picks: 1. "Spider-Man: Into the Spider-Verse" - A new take on one in every of the preferred superhero franchises of all time, "Spider-Man: Into the Spider-Verse" is sure to be a crowd favourite. With an all-star cast including Shameik Moore (Rick Grimes from "The Strolling Dead"), Hailee Steinfeld (from "The edge of Seventeen"), Mahershala Ali (from "Inexperienced E book"), and Brian Tyree Henry (from "Atlanta"), this film is certain to keep you entertained from beginning to finish. 2. "Black Panther" - After years of being buried behind other Marvel movies, "Black Panther" finally gets its due this year. With an thrilling story stuffed with motion and journey, this movie is perfect for anybody searching for a very good time at the cinema. Plus, who would not love watching Michael B. Jordan do his thing as one
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KUNG FU PANDA 4 director Mike Mitchell says, "This is definitely not the end of Po’s story. Please look forward to more."
Hey, do you remember... Back in December 2010, when the second movie was still on its way out, then-DreamWorks CEO (and founder) Jeffrey Katzenberg said there would a total of *six* films in this series? Looks like they're gonna slowly fulfill that statement, eh? I was under the impression that DreamWorks kinda moved on from KUNG FU PANDA as a film series after the third one came out, which was right before being acquired by Comcast later that year. Not that KUNG FU PANDA 3 underwhelmed or anything, $500m+ is nothing to scoff at, especially arriving nearly five years after the last movie. Re-routing after the merger probably put other, then-newer stuff at the forefront (like TROLLS and BOSS BABY), which was probably shook up by COVID-19. I remember a time when SHREK 5 was supposed to release in 2019, for example. They went through a few leadership changes between 2016 and 2019, too, so there's that. So it looks like they'll be making two trilogies after all? Plus, with a fifth movie... You gotta really involve the Furious **Five**! If they're barely in KUNG FU PANDA 4, then this could be their grand return.
The new movie also looks to take in $50m+ on its opening weekend, which places it above KUNG FU PANDA 2, which opened with $47m for its three-day back in 2011. KUNG FU PANDA 3 opened with $41m in 2016. The original still stands tall with a $60m opening weekend take, back in the summer of 2008. No 3D, no IMAX, lower ticket prices, etc. The sequels still did pretty good afterwards, but the original and its freshness really made a difference didn't it? KUNG FU PANDA 2 actually outgrossed the original worldwide, but it didn't come close domestically... I wonder if an 8-year wait between the last movie and this one really helps Numero Quattro... Let alone the first movie turning 14 in June... Where the hell is the time going?
On a side-note, the first movie - and the first movie only - was re-released theatrically a few weeks back. At my theater, we did about 2-3 screenings of it a day about a week ago. And it was always pretty packed! KUNG FU PANDA is a classic and remains a pretty big deal, and that makes me happy. It's a favorite of mine, as is the second movie.
DreamWorks hasn't had an opening that big since HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD all the way back in March 2019. The last movie of theirs to hit theaters before COVID hit was ABOMINABLE, which did fair business at best. Once theaters really started opening back up, and after Omicron hit... So, early 2022, we'll start there... they haven't had a true blockbuster in years, outside of the extremely leggy PUSS IN BOOTS: THE LAST WISH, which made $480m+ worldwide. Luckily, THE BAD GUYS and TROLLS BAND TOGETHER didn't cost too much, so they were profitable. KUNG FU PANDA 4, I feel, will make $500m worldwide or somewhere near there. It'll be up there with THE LAST WISH and THE HIDDEN WORLD. Good for them!
Also, THE WILD ROBOT's first trailer was freakin' awesome. I'm super-game for that movie. I mean I already was, but seeing visuals, seeing it in motion... It looks like something special. I'm ready!
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