jennifer tilly at her prime, she aged like fine wine.

1998 Munkustrap: and the traffic all STOPPED! and the underground trembled!!!! 😨

1998 Deut: goodness me you don't say, my boy!! :o that is very impressive!!!

meanwhile, the original deuteronomy poem, including the stanza which got dropped within a few years of the musical opening: deut is notorious for making all the traffic in the village detour around him

and of course

old deut is the original little shit and he is very proud of tugger.

but also.

he definitely delights in stories of mischief which disturbs human traffic flow.

Fear and Loathing in Las Vegas Mosquitohead Style Bootleg

Deep Impact (1998)

Film review #581

Director: Mimi Leder

SYNOPSIS: A reporter who is investigating the resignation of the Secretary of Defence stumbles on a much bigger story than she expected, and forces a public announcement from the President: A large comet is due to collide with the Earth and cause huge destruction. While a last-hope mission to the comet is being prepared, there are also plans to make sure humanity survives if the comet actually makes it to the planet...

THOUGHTS/ANALYSIS: Deep Impact is a 1988 sci-fi disaster film. It is perhaps most notable for being released in the same timeframe as Armageddon, a similar disaster film also about a comet heading for Earth. The two have slightly different angles and tone though as we shall see. The film opens up with journalist Jenny Lerner investigating the resignation of the Secretary of Defense. this leads to her discovering (inadvertently) that there is an Extinction Level Event threatening the planet, which forces the President to disclose to the world that a comet is on a collision course with Earth. It's a fairly typical disaster film after that, with the film focusing on a mission to try and destroy the comet, and also balancing that with the human stories of the characters caught up in it. This film, more so than Armageddon, focuses on the latter, with the different characters roles and responses to the impending catastrophe being the primary focus. The main issue with this, however, is that it focuses on human drama, and it chooses the most boring of said drama to show us. The main character is constantly awful: the way she treats her dad for no real reason is childish and nasty, and even when she does something good and heroic, the way she does it hardly redeems her. probably the most interesting thing about the film is the space mission that is sent to destroy the comet, which provides a decent amount of action, but their mission ends half way through, and then their whole story arc just becomes irrelevant until the finale. In fact, the film pretty much runs out of steam at the halfway point, and just gives up at the same time that the characters give up trying to stop the comet. The film mentions a lottery that will choose the people that will be allowed to survive the impact, but doesn't really explore the impact of this, and the usual riots and breakdown of society which usually occurs in these types of disaster films apparently just does not happen, or at least we never see on screen, which is odd to just gloss over, even if it's something we expect and have seen many times before.

Apart from the main character, the rest of the cast are similarly uninteresting. The weirdest ones are the teenage couple who constantly act like they're a middle aged couple. They get split up but then reunite later in a pointless diversion, and their whole characters just feel off. you could easily cut them out of the film and lose nothing. The crew aboard the "Messiah" spacecraft likewise don't have that much development or interesting things happens to them on a character development level. Another aspect of the film that I thought was odd is the focus on journalism and the media at a time of catastrophe. I get it in part, because the main character is a reporter, but nearly everything is done through the media and TV stations, and the film feels like it wants to "glorify" the role of the media and journalism in times of disaster and it being almost the centre of importance, which just feels a bit...wrong and dirty in some way. Maybe the film had to emphasise the significance of the media because it got the rights to use the MSNBC likeness for the backdrop, but either way, it made the film feel like it was focusing on the wrong things, and if the film wanted to focus on the "human" element of catastrophe, then doing it through the lens of the media just obfuscates that.

There are some moments in the film which are decent: the comet striking Earth and the destruction scenes are well done, and it gets some of the emotional scenes right, but these often have no impact on the characters themselves. The science is a bit more accurate than a film like Armageddon, but I'm not sure how much that would matter to the average film-watcher.

1001 Nights (1998) Art: Yoshitaka Amano

Yoshitaka Amano: 1001 Nights (1998)

Kiyoshi Kurosawa

- Eyes of the Spider

1998

BEETLEJUICE

1988, dir. Tim Burton

Christian Bale attends the premiere of Velvet Goldmine at the Village East Cinema in New York, New York (October 26, 1998)

Re: Christian Bale as Arthur Stuart in Velvet Goldmine (1998) dir. Todd Haynes

heavy...

RYAN PHILLIPPE 54 (1998) dir. Mark Christopher

Observation: Skimbleshanks, in the 1998 film, has an English accent throughout the musical except during his own song, when he suddenly becomes Scottish.

Doylist explanation: ALW wanted Skimbleshanks to have a Scottish accent for the film, so he got David Arniel to dub Geoffrey Garratt for Skimbleshanks' number, but left Geoffrey's voice for the rest of the musical.

Watsonian explanation: Skimbleshanks code-shifts! When he's at the Junkyard he usually uses his English accent, but he uses his Scottish accent when on the train, since it's the northern express and runs to and from Scotland—or when telling fun stories about train life to cheer up kittens. It's his Fun Train Dad voice!

Jammin’ with Johnny (clip 13)

Fear and Loathing in Las Vegas (Book) Promo Tee - 1971

Art: Ralph Steadman & Hunter S. Thompson

National Lampoon’s Men in White (1998)

Film review #537

Director: Scott P. Levy

SYNOPSIS: Two low-ranking garbage men are abducted by aliens that intend to launch a full-scale invasion of earth. They manage to escape, but are immediately recruited by the government to put a stop to the invasion. However, there are mysterious forces at work that do not want them to succeed...after all, who would put two garbage men in charge of saving the world?

THOUGHTS/ANALYSIS: National Lampoon’s Men in White is a 1998 sci-fi comedy film that is unsurprisingly a parody of the 1997 film Men in Black. The film centres around two garbage men, Roy DuBro and Ed Klingbottom, who are abducted by aliens led by Glaxxon, who intends to invade the Earth with his army. They manage to escape the alien’s clutches, but are almost immediately recruited by the government to stop the invasion by Dr. Strangemeister, who has secretly selected the lowest, most inept government officials to deal with the invasion and fail, since he is secretly working with them. The film is, as the title suggests, a parody of the man in Black film that was released a year earlier, but it is a very loose parody, poking fun at other science-fiction films including Independence Day. The plot is very simple, but it’s just a vehicle for all the gags and comedy, so it’s easy enough to follow. The one thing I’m not sure about is who this film is really aimed at: it has a P.G. rating, and there’s no real adult humour or language, but there’s a fair amount of references that younger viewers probably wouldn’t get. If you’re watching it as a Men in Black parody, there’s enough references throughout the film, and plenty of visual gags that, while nothing special, are still decent. There’s a fair amount of more subtle gags, such as the scenery changing through the President’s windows every scene, which is quite funny, and it reminds me of the Naked Gun films in that no one ever references them. The mix of visual gags, fourth-wall breaking, and slapstick humour is a lot of different techniques that makes threading the film as a whole together problematic; but again, as it’s a comedy-parody film, you can probably just enjoy it for the different gags. Having the National Lampoon’s title attached to it also suggests it would be targeted for an older audience as many of the films are, but I don’t think this is meant to be the case.

The film was produced by Saban International, who most notably do the Power Rangers series, and the aliens and effects definitely have that look and feel about them. Karim Prince, who plays Roy DuBro, also starred in one of the Power Rangers series. There’s a decent mix of CG that doesn’t look too bad for the time, and practical effects that work fairly well. Overall, the film is a mish-mash of different gags that doesn’t really tie together too well, but has a few good jokes (like the scene which makes fun of the Men in Black “neuralyser” that wipes memories). I think the cast is decent enough (apart from the lazy German stereotype of Dr. Strangemeister), but they’re not given too much to do other than delivering bad jokes. It’s not a gripping film, and there’s very little of substance, But I guess for a family film there’s different references and humours for different viewers so I suppose that’s good? I’m not sure anyone who hasn’t watched Men in Black or Independence Day or the like will really appreciate or enjoy it, and it’s references make it a dated film that diminish the humour of the film to modern viewers.