Day 19: Favourite Subplot

Okay, there are a lot of magnificent subplots which are all carefully planned out to add onto the overall story of the show, and also put in place to develop the personalities and stories of the individual supporting characters, like Jim's Siete Gallos, or Izzy and Lucius' rivalry, but I think my favourite (and quite possibly the stupidest) is

THE PYRAMID SCHEME!!

It's SO funny, and I just love how Our Flag Means Death manages to give the origins of modern-day concepts like scamming and cryptocurrency in such a fun way, highlighting both underlying issues and naïvety. And I mean, it gives Frenchie's character a bit of backstory and depth, leading one to wonder what his story is and where he learnt "the lay of the land."

(To join this challenge, check out this post)

even if it’s a false god/we’d still worship this love → you’re faithless love’s the only hoax i believe in

i know heaven’s a thing/i go there when you touch me → my kingdom come undone

Ya boi got their first tattoo.

————

@herdis_tattoo on Instagram

I "love" that (some) people's biggest issue with the current promo campaign for Phantom Liberty is the lack of male V. Makes me laugh. We had him at the beginning! We all salivated to his ruggedly handsome looks! Now it's time to see that playing a female character can be just as cool.

Day 354: September 9th, 2022

🧸💕🧸💕🧸💕🧸💕🧸💕🧸💕🧸💕🧸💕

When Misaki finds out the other Usami’s about to be married off …

But then his dreams are shattered …

And he’s left like a deer in headlights 🦌🤣😂😫😳

🧸💕🧸💕🧸💕🧸💕🧸💕🧸💕🧸💕🧸💕

Wishing Everyone a Very Happy Junjou Romantica Weekend!!

asking and receiving (bonus below readmore)

[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.

The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.

Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"

More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"

In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."

A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]

[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]

more kitties that live in my sketchbook

this is kit, please commission some art from them on social bunny 🙏

Unexpected but fair.

How long were we disconnected?

...i tried my best 😂😂🙈🙈

additional thing for @shepscapades hc character design week 2 prompt, quotes from first 10 minutes of the etho vs b-team trial, some pixel patches are from phoenix wright and ema skye + pixel patterns from apollo justice and lotta hart (what this means is a mystery to everyone but it makes sense to me "xD)

im really proud of the beef one btw

without text bubble

i ended up murdering what frog with my own two hands 😔

this happened on the same day as the great bulbear massacre too.... we don't talk about the great bulbear massacre

(at this point i honestly just wanted the bastard snitchbug to stop staring at my awful dandori. why was it here !!! staring at me !!! go away !!!)

Hi guys, this is sort of my official "please, for the love of god, listen to Skyjacks with me” post because I’m losing my mind and all the content I can find is from the latest stuff right now, and I don’t want to spoil myself. I want to be able to talk about this with people!!!! I will make a watch (listen) party discord if there is enough interest. Just give it a chance; you won’t regret it. Also, some information may be wrong or outdated. I’m on episode 11 out of over 200.

Skyjacks is a ttrpg podcast about sky pirates in a world where there was a catastrophe about 200 years ago that left the sea unsafe to sail and maybe even damaged the entire world to the point where civilization is scattered and in small groups. There is very casual queer rep, and it’s casual to the point where it really just fits into the world perfectly.

A brief summary of the premise of the first episode will hopefully get you hooked. I’m really bad at summaries, but I promise it’s a billion times better than how I talked about it here:

Captain Orimar Vale is dead, and a mutiny will be on Gable, Jonnit, Travis, and Dref’s hands if they are unable to keep up the ruse of him being alive. To do this, necromancy (deeply forbidden magic) is performed by the Dref, the ship's doctor, to turn him into a semi-functional zombie. Captain Orimar is famous for his abilities as a captain; to replicate this will take great skill.

As they run out of supplies, they make a desperate decision: port on the land of one of Orimar’s scorned lovers or deal with the growing uneasiness of the rest of the crew. They haven’t seen their captain healthy in months, and whispers about his health are starting. However, greater danger will await them when they take to the skies again, lurking just beyond the clouds…

And more propaganda as to why I think you guys will like it:

There are unique and interesting gameplay mechanics they use to tell a really cool story, and if you like Hermitcraft or any other sorta storytelling-based SMP, I promise you’ll like it. Like. If you liked Boatem from Hermitcraft 8, you’ll love the characters in Skyjacks. The players are exceptionally good at playing their characters, their humour is unmatched by anything similar I’ve had the pleasure of seeing, and the story is prioritized, which I think is an amazing choice.

Best part? It’s still ongoing after, like, 5 years. Some people have left, but a good chunk of the OG cast has stayed. Not that leaving is bad, because holy crap, 5 years is a long time, and stories have to end at some point! It’s a good way of getting into something and knowing there is still a shit ton of content to be explored.

The music is good. The story is good. The characters and humour are amazing. The lore of the world is sprinkled throughout, and as you learn more about the world, the more excited you get. It’s incredible so far, and if you decide to listen to it, I will actually love you forever and ever. My boyfriend is on episode 190, and he finds it so funny every time I go. Oh my god, this is so cool.

Link to the podcast, but in a playlist (up to 180). So it’s in order and easy to find, since it’s a part of something else from the oneshot network:

happy father's day i'm thinking about this outis line again

I always thought it was a bit out of pocket considering this isn't too long after the events of Canto III, even with how Outis was being harsher this Canto.

But I then I remembered that Outis' son is the same age as Sinclair.

Her son, who thinks that she died in the Smoke War (the in universe equivalent to the Trojan War as depicted in the Iliad and the Odyssey) because she hasn't been home in years. Her son who cannot cry out to her. And her son, who is currently in much the same position as Sinclair regarding his self-perception and ability to fight, as Telemachus refers to himself as "a weakling knowing nothing of valor" (Book 2 of the Odyssey, line number and exact wording depend on translation).

I think this line reflects more on Outis and her anxieties about her family thinking that she's dead, as well as a reference to Telemachus experiencing his own journey to manhood, much like Sinclair.

I think there's also things to be said for the parallels between Sinclair and Telemachus, even just the ones imagined by Outis. Hell's Chicken had her showing a very paternal worry over his diet (raise your hand if your dad has ever said you'll be short forever if you don't eat right). Overall, even though Sinclair and Telemachus only share the bones of a coming of age narrative, Outis is seeing connections there because she misses her family.

As with this one. Again, she's showing her hand more than she means to. Though she's talking to Dongrang, I think she's also talking to herself. Trying to reassure herself that home will always be waiting. Dongrang, however, decides not to return, but to pursue glory no matter who he hurts in the process. The Odyssey also contrasts the pursuit of glory with the desire to return home. Odysseus has to choose humility in order to return.

Outis has been keeping up a careful persona around us, but it's slipping. Her desire to return home is seeping through even as she tries to assert herself by clinging to the glory from a war that's long since ended.

trying to enjoy my silly little time traveling sci-fi show while clara and the doctor say the most devastating things to and about each other every other episode like my god

If the Doctor is still the Doctor, he will have my back.

Clara, I'm not your boyfriend. // I never thought you were. // I never said it was your mistake.

Please, just...Just see me.

Do you think I care for you so little that betraying me would make a difference?

Clara, I'm terribly sorry, but I'm exactly what you deserve.

There was one other man. But it would've never worked out. He was impossible.

When do I not see you?

Die with whoever comes after me, you do not leave me.

I don't care about your rules, or your bloody survivor's guilt. If you love me in any way, you'll come back.

Immortality isn't living forever, that's not what it feels like. Immortality is everybody else dying. She might meet someone she can't bear to lose. That happens, I believe.

I let Clara Oswald get inside my head, trust me, she doesn't leave.

Longest month of my life. // It could only have been five minutes. // I'll be the judge of time.

I will die, and no one else here or anywhere will suffer. // What about me?

Everything you're about to say, I already know. don't do it now, we've already had enough bad timing.

Don't run. Stay with me.

I was lost a long time ago, she was saving you.

If you think because she is dead I'm weak, then you understand very little. If you were any part of killing her and you're not afraid, then you understand nothing at all.

The day you lose someone isn't the worst...it's all the days they stay dead.

I'd know you anywhere.

What were you bargaining for? // What do you think? You.

If she says so.

I had a duty of care.

People like me and you, we should say things to one another.

Look how far I went, for fear of losing you.

You said "memories become stories when we forget them." Maybe some of them become songs.

hand in unlovable hand

🥰 Audrey Grace, from teen to adult! 🌱🌻

Thinking about Iris' very open disdain for spirit channeling and how it seemingly contradicts many other elements of her character.

Let me explain—Iris prior to the end of BttT is a woman who only knows facades, covering up the truth, and only presenting herself exactly as she wants others to see her. We see this over and over again throughout the course of the story: she hides her real identity while dating Phoenix, she does damage control for Dahlia and Godot to help them avoid blame for their crimes, and she is extremely selective about which information she chooses to disclose to specific people depending on whatever role she finds herself playing in that moment (daughter, girlfriend, accomplice, etc). Her demeanor as a whole is also rather meek and unassuming, and she's shown to be exceptionally kind; she expresses favorable opinions on most everyone she meets, even those continuously treated poorly by other characters (like Larry) or those that have objectively done reprehensible things (like Dahlia).

All of this stands in stark contrast to her saying in no uncertain terms that she hates spirit channeling:

This stands out to me because it is one of very few things that Iris is completely forthright honest about in the early portion of this case. After spending all day avoiding Phoenix and now carefully dodging his questions towards her in hopes of preventing the truth of her deception from coming out (all of this while actively avoiding her responsibilities at the Inner Temple because of Larry's "blackmail" letter which also threatened to expose her "secret"), why is this the one bit of truth she chooses to divulge here? Or rather: why is this the one thing she seemingly cannot lie about?

Obviously the answer lies in Iris' past and the permanent damage that was done to her and her family due to the politics of the Fey clan, with the Kurain Channeling Technique at the root, and the DL-6 incident as the event that brought everything to ruin. Iris bore witness to her mother Morgan losing the title of Master of Kurain due to her inferior powers and the despair that caused her, then three years later saw her aunt Misty who, despite purportedly being so much better than her mother, made a mistake while channeling that led to an innocent man's conviction, disgracing the Fey name and causing her to flee the village in shame. With this in mind, it makes sense that Iris would feel so strongly about spiritual powers doing more harm than good; after all, she has firsthand experience of the damage that can be done to the women that have it.

But what of the women that don't have it—namely, Iris herself? What happens to a spirit medium, born of the Fey bloodline, daughter of the then-master of her channeling school, when she's shown to not have any spiritual powers? I'm of the opinion that Iris' hatred is not only a product of what she's seen happen to her mother and aunt, but also very closely tied to what is, essentially, her earliest failure in life—after all, what good is a medium who can't channel? Fey women are raised to believe that their worth is linked to how well they can perform the service of their clan, which is the same reason why Maya beats herself up for failing to channel Mia in Turnabout Goodbyes and Pearl does the same with Dahlia later in this case. In a sense, Iris' hatred of spirit channeling is an externalization of her own self-hatred—unlike Dahlia, who mainly copes by lashing out and seeking revenge on those who wrong her, Iris is far too gentle and loving to lay blame on any one person. But all that repressed guilt and anger still has to go somewhere—and it manifests through this one small crack in her otherwise flawless facade. The one thing she cannot bring herself to find beauty in no matter how much she tries. The one thing that should have given her purpose but didn't—leaving her no choice but to mold herself beyond recognition over and over into roles that aren't truly her own, but at the very least give her meaning where she was denied it before.

And knowing her? She probably hates that flaw more than anything.