Yeah, no jokes here.
Episode 52 Part 13
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Ep 41, Ep 42, Ep 43, Ep 44 Ep 45, Ep 46, Ep 47, Ep 48, Intermission, Ep 49, Ep 50, Ep 51
Bonus:
The only joke is you two.
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Apollo Brown, .38
"Thirty Eight sounds like Detroit transitioning from Heroin to Crack in the late 70s and early 80s."
Apollo Brown's Thirty Eight is a contemporary throwback, inhabiting the realm of reverent reinvention and innovation. It deftly bridges the gap between '70s Blaxploitation soundtracks (e.g. Curtis Mayfield or Marvin Gaye) and the hip-hop records that sampled from them...
Crackle and sample hiss run like electric current throughout, charging the record with a retro feel and resonant warmth. Yet these qualities are only secondary to Brown's impeccable ear for instrumentation. Thirty Eight is full of funk, soul, jazz, blues, hip-hop, and everything in between. The bluesy guitar twang of slow-burner "Black Suits" and the lush, orchestral strings of "The Warning" are just two examples of the depth and diversity Brown brings to the table..
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Text: decoupling pregnancy from femininity means accurate and more inclusive language and treatment, but it also allows cis women to refuse motherhood without refusing womanhood, which is great for feminism and terrifying for misogyny.
--THIIIIIIIIIIIIIIIIIIIIIIIS. As a sterile cis woman who doesn’t want to have children anyway I feel this is every ounce of my being. “Define woman” types tend to do so in a way that excludes me too, so I got to stand with my trans sisters.
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Just a day in Shadow Company ;D
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Bonnie’s .38 revolver which was a gift from Clyde. The engraving says “to Bonnie I owe you one. Clyde 2-28-32”.
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"I thought this was an exterior wall..."
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Feeling a little conflicted about this piece but i'll post it anyway lol
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