Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.

Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.

I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.

This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.

I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.

Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.

Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?

Simon.

Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.

Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.

Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.

Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.

Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.

blake and bestie

✨🖤 Family Portrait 🖤 @grimreapersbutt 🖤✨

And it was hard, but you were brave, you are splendid And we will never be alone in this world No matter what they say We're going to be okay We were safe inside And our new son cried

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Some Yak: The Giant King Sketches 🥰🥰

Debated posting this, but I need to upload more, so whatever.

I think I'm like the only person who will ever know who these guys are/will appreciate this, but these guys have been living rent-fucking-free in my brain since 2021 let me be free

This is the last thing I posted for this fandom btw <<< for all the girls and not-girls who didn't see that I guess. That's the same dude

FANDOM?? WHAT FANDOM ?? I'M THE ONE GUY HERE . I'M GONNA GO INSANE PLEAS E I BEG SOMEBODY ANYBODY PLEASE TELL ME THERE'S ONE PERSON IN THE VOID I CALL SO DESPERATELY TO PLEASE TELL ME IT WON'T JUST BE AN ECHO WHO ANSWERS BACK

who tf likes lookism here i just want someone to agree that gun and goo are nightmare and swapdream coded

back from managementsimming ! anyway the world once people stop using white text on black bagrounds on their websites

thinking about how if all of Loki and Natasha's conversation in Avengers 1 was projection instead of just most of it it implies so much about what was used against him by Thanos.

Yes, the idea of sending someone with a way out "as a balm" after trying torture to make him cooperate.

"I'd say I've expanded his mind" as if Loki asked what the scepter did, what it was doing.

"Is this love, Agent Romanoff?" when she wants to know if Clint will be intact after it's over, a refusal to answer when Thor may wonder the same of him and not like the answer.

"And what will you do if I vow to spare him?" we already know Thanos would use Thor's life against Loki. We already know Loki's bargain included sparing Midgard from Thanos, but not Asgard.

LOKI: Your world in the balance, and you bargain for one man? NATASHA: Regimes fall every day. I tend not to weep over that LOKI: What is it you want?

Could Loki have faced a choice for Asgard and chosen only Thor? A direct parallel, including however Loki does/doesn't identify as Asgardian, and his mindset in conquering. He's not got conviction and she mirrors that nonchalance here.

Loki asking "Can you? Can you wipe out that much red?" and listing her crimes is another line usually understood as projection. Loki has his list too, and doesn't think great of it. "Your ledger is dripping, it's gushing red, and you think saving a man no more virtuous than yourself will change anything? This is the basest sentimentality. This is a child at prayer. Pathetic!"

"You lie and kill in the service of liars and killers." is a pretty apt description of Asgard. But could it describe Sanctuary too? What did Loki have to do to prove his loyalty to Thanos before being judged worthy of the scepter, of a bargain at all, and to retrieve a whole infinity stone for him at the cost of one?

"You pretend to be separate, to have your own code, something that makes up for the horrors. But they are a part of you, and they will never go away!" This is generally understood as blanket guilt/regret but he says it so angrily it's often dismissed in favour of just snitching on HYDRA within SHIELD. Re: What did Loki have to DO while under Thanos?

LOKI: I won't touch Barton. Not until I make him kill you! Slowly. Intimately. In every way he knows you fear! And when he'll wake just long enough to see his good work, and when he screams, I'll split his skull! This is my bargain, you mewling quim!

Assuming Thor is the one Loki would bargain to save, is this a threat that has been made to Loki before? Is it what Loki knows would come of a successful bargain with Thanos? Being hurt by Thor is what he's feared before, but does it hold true even after the events of Thor 1? The idea of Thor being used against Loki being an intimate way to kill, while also acknowledging that Thor might not want to do it and might realize what he's done and hate it?

lysergide daydream is another will wood (attp) song that's soooo kazui-core imo

the song is literally about an idyllic fantasy of an impossible future. the song is solely about describing this amazing future until the last verse where the curtain comes crashing down and the singer faces the reality that this life will probably never happen like. oh my god I wonder where I've heard that before ????

When they use feral dogs/animals as symbolism for the intense, almost overwhelming and crazed love/infatuation one feels.

GOOD MORNING!! I SEE EVERYONE GOT THEIR WRAPPED!!! if anyone wants to tell me about theirs and show me id love to know what songs captured your heart and mind and also embarrass you to hell and back!

plagued w/Johnny thoughts .

numero duo! forehead kissies geraskier that is kinda wonky but it’s ok because it is Oh So Somft.

clarice sackville: [...] that's really him, isn't it? the ΔΡΥΆΔΕΣ. swamp thing: ... the wheels ... the wheels of leisure ... i cannot feel them on my manicured fairways ...

can't help but think about how in the story, the cumaean sybil deiphobe withers away with age until all that's left of her is her voice, which gets stored in a jar . . . if you ask me, that's looking like a pretty voice-sized jar that now has a pretty big vacancy sign on it . . .

( she also acts as a bridge between the worlds of life and death in the aeneid, showing the entrance to the underworld, and where oh where have we seen that hollywood sign from dead in america #1 elsewhere in hellblazer before ... the story featuring a demon opening gateways to hell on earth, perhaps?

the story featuring the aztec god of death with a history of being booted out by new powers moving in? who said "with no breath or heartbeat dinning in my ears, with the noisy tides of blood all dried, all stilled, I HEAR EVERYTHING. / the roots of death's tree extend in two directions. into the human heart - and into the abyss of past time"? who now knows constantine and "has always known him", and thus maybe even knows him across universes, perhaps? )

leaving the hospital in the morning & i finally get to go back to wales & i can’t wait i rly can’t - the belgians i’ve met have been wonderful [for the most part] but the rape has me panicking even seeing the roads and the buildings

why is there zero pacesetter/reader stuff on ao3 this is bulled shit

im always like wow im so good at looking amd acting normal nobody could ever tell I am schizophrenic and what not. I appear so grounded. wowee. and then I got called a neurotic prey animal irl. litersly coughs blood