Did they, though? She was having a hard enough time accepting that at the best of times but in that moment right then she couldn't accept it. Her stomach was in knots, painfully tight and she could feel it almost constricting against every other organ inside her while she moved through the abandoned streets. Almost celibate with how quiet they were, no sounds emanated from the houses around her. No parties, no joviality, people were quivering in their corners and waiting for the darkness to pass over their homes. The evil lurking in every crevice of the cesspit of a world. If they only knew where it had all come from, where it was still coming from.
Piercing pain churned through her body, and for a moment Bambi found herself stopping in her path. Clenching her teeth, a hand resting against her stomach to soothe the aches within. A few more streets and she would be homefree, just brief minutes spent outside in the thickness of the muggy night air and she was home safely. Home with the only person who understood her anymore. If only it wasn't for this damned ulcer which wouldn't stop plaguing her. A few moments, a few more steps.
She counted them one by one, watched the way her feet moved beneath her. They began to drag, her heels catching against the asphalt until the merciful cold metal of the door handle was beneath her grasp. A sharp inhale was taken which only sent more pain thrumming through her. Barely she'd closed the door behind her then she was sinking against it. A shaky hand lifted, pulling through her hair she hadn't realised was so soaked with sweat. One more raspy breath rattled from her lips before she could find the strength to call out for her into the quiet darkness. "Am-Amanda!"
So many of you have been following my health journey for sometime now…you’ve covered me with encouragement, support and prayer and celebrated my wins and victories with me. And I want to thank you so much!! It’s an honor to get to share my story and to hopefully be an encouragement as well…because we are […]
GIÙDISOTTOmercoledì 03 maggio 2023Roma, Off – piazza san Cosimato, 39● ore 19:30una coppia via dal Paradisopresentazione della fanzine e della mostraEDEN AND EDNA vol.1 – oltre il giardino(2023)della fumettista/illustratrice Bambi Kramerhttps://youtu.be/O8BQ6EGXoX8(intervista audio)● ore 20la resistenza all’inquinamento in Pugliaproiezione del documentarioINFERNO IN PARADISO(I/CH, 2021 – durata:…
It would be considered in questionable taste to demand a free dessert at the restaurant because one's aunt is dying of cancer. One commits the same solecism, however, in filming or presenting the affliction drama.
The talentless, misguided, or exploitative have long employed supradramatic devices in the construction of the drama, enlisting patriotism (see most any war movie) and right thinking (Guess Who's Coming to Dinner, et cetera), as these very human virtues, practiced in the wider world, are understood (subconsciously) by the viewer to trump an interest in mere entertainment.
"Do you appreciate this film, or do you hate the deaf/gays/blacks?" This is the (again, conscious or unconscious) mechanism of the issue drama.
Psyco (1960) Alfred Hitchcock
Il mago di Oz (1939) Victor Fleming
Il padrino (1972) Francis Ford Coppola
Quarto potere (1941) Orson Welles
Pulp Fiction (1994) Quentin Tarantino
I sette samurai (1954) Akira Kurosawa
2001: Odissea nello spazio (1968) Stanley Kubrick
La vita è meravigliosa (1946) Frank Capra
Eva contro Eva (1951) Joseph L. Mankiewicz
Salvate il soldato Ryan (1998) Steven Spielberg
Cantando sotto la pioggia (1952) Stanley Donen e Gene Kelly
Quei bravi ragazzi (1990) Martin Scorsese
La regola del gioco (1939) Jean Renoir
Fa' la cosa giusta (1989) Spike Lee
Aurora (1927) Friedrich Wilhelm Murnau
Casablanca (1942) Michael Curtiz
Nashville (1975) Robert Altman
Persona (1966) Ingmar Bergman
Il padrino - Parte II (1974) Francis Ford Coppola
Velluto Blu (1986) David Lynch
Via col vento (1939) Victor Fleming
Chinatown (1974) Roman Polanski
L'appartamento (1960) Billy Wilder
Tokyo Story (1953) Yasujirō Ozu
Susanna! (1938) Howard Hawks
I 400 colpi (1959) François Truffaut
Gangster Story (1967) Arthur Penn
Luci della città (1931) Charlie Chaplin
La fiamma del peccato (1944) Billy Wilder
L'impero colpisce ancora (1980) Irvin Kershner
Quinto potere (1976) Sidney Lumet
La donna che visse due volte (1958) Alfred Hitchcock
8 1/2 (1963) Federico Fellini
Ombre rosse (1939) John Ford
Il silenzio degli innocenti (1991) Jonathan Demme
Fronte del porto (1954) Elia Kazan
Io e Annie (1977) Woody Allen
Lawrence d'Arabia (1962) David Lean
A qualcuno piace caldo (1959) Billy Wilder
Fargo (1996) Joel e Ethan Coen
Il mucchio selvaggio (1969) Sam Peckinpah
Moonlight (2016) Barry Jenkins
Shoah (1985) Claude Lanzmann
L’avventura (1960) Michelangelo Antonioni
Titanic (1997) James Cameron
Notorious - L'amante perduta (1946) Alfred Hitchcock
Mean Streets (1973) Martin Scorsese
Lezioni di Piano (1993) Jane Campion
Non aprite quella porta (1974) Tobe Hooper
Fino all'ultimo respiro (1960) Jean-Luc Godard
Apocalypse Now (1979) Francis Ford Coppola
Come vinsi la guerra (1926) Buster Keaton
In the Mood for Love (2000) Wong Kar-wai
Interceptor - Il guerriero della strada (1981) George Miller
Il lamento sul sentiero (1955) Satyajit Ray
Rosemary's Baby (1968) Roman Polanski
I segreti di Brokeback Mountain (2005) Ang Lee
E.T. - L'extraterrestre (1982) Steven Spielberg
Senza tetto né legge (1985) Agnès Varda
Moulin Rouge! (2001) Buz Luhrmann
La passione di Giovanna D'Arco (1928) Carl Theodor Dreyer
La vita è un sogno (1993) Richard Linklater
Bambi (1942) David Hand
Carrie - Lo sguardo di Satana (1976) Brian De Palma
Un condannato a morte è fuggito (1956) Robert Bresson
Parigi brucia (1990) Jennie Livingston
Ladri di biciclette (1948) Vittorio De Sica
King Kong (1933) Merian C. Cooper e Ernest B. Schoedsack
Beau Travail (1999) Claire Denis
12 anni schiavo (2013) Steve McQueen
Il matrimonio del mio migliore amico (1997) P. J. Hogan
Le onde del destino (1996) Lars von Trier
Intolerance (1916) D.W. Griffith
Il mio vicino Totoro (1988) Hayao Miyazaki
Boogie Nights (1997) Paul Thomas Anderson
The Tree of Life (2011) Terrence Malick
Agente 007 - Missione Goldfinger (1964) Guy Hamilton
Jeanne Dielman (1975) Chantal Akerman
Sognando Broadway (1966) Christopher Guest
Pixote - La legge del più debole (1981) Héctor Babenco
Il cavaliere oscuro (2008) Christopher Nolan
Parasite (2019) Bong Joon-ho
Kramer contro Kramer (1979) Robert Benton
Il labirinto del fauno (2006) Guillermo del Toro
Assassini nati - Natural Born Killers (1994) Oliver Stone
Close Up (1990) Abbas Kiarostami
Tutti insieme appassionatamente (1965) Robert Wise
Malcolm X (1992) Spike Lee
Bella di giorno (1967) Luis Buñuel
The Shining (1980) Stanley Kubrick
Scene da un matrimonio (1974) Ingmar Bergman
Pink Flamingos (1972) John Waters
Frank Costello faccia d'angelo (1967) Jean-Pierre Melville
Le amiche della sposa (2011) Paul Feig
Toy Story (1995) John Lasseter
Tutti per uno (1964) Richard Lester
Alien (1979) Ridley Scott
Donne sull'orlo di una crisi di nervi (1988) Pedro Almodóvar
La parola ai giurati (1957) Sidney Lumet
Il laureato (1967) Mike Nichols
Dall’articolo "I 100 migliori film della Storia del Cinema secondo Variety: 1° Psyco, 5° Pulp Fiction, 33° 8 1/2, 45° Titanic" di Antonio Bracco
Stuck trying to change the world? This post says focus on yourself instead. Inner peace is the real win. Prioritize what brings you calm, ditch negativity, and set goals. Let go of the past and chase what matters. This “ruthless focus” is freedom to be you. Fight for your dreams and find fulfillment.
Who do you think Bambi will be more similar to within German NT/FC Bayern in terms of personality/character as he grows older? Can be crack or serious :")
ok sorry for answering late, but i was thinking about this question all afternoon lol😂
and i honestly couldn't think of anyone at first. thought about schweinsteiger for a minute, because he was so well loved for a long time... but he's been so bland lately that ruined that thought.
maybe jamal will be like chris kramer: a sweetheart, but also tendency to be a little shit (in the most loving way possible)
but i would love to hear your opinion on this anon or anyone else. so feel free to share your thoughts with me
A list of all films featured in 2019′s 31 Days of Oscar
This is the exhaustive list of all 388 short- and feature-length films featured during this year’s 31 Days of Oscar marathon (up from 296 last year). Best Picture winners and the one (and only) winner for Unique and Artistic Production are in bold. Asterisked (*) films are films I haven’t seen in their entirety as of the publishing of this post.
Sunrise: A Song of Two Humans (1927)
Two Arabian Knights (1927)*
The Crowd (1928)
Sadie Thompson (1928)*
Speedy (1928)
Street Angel (1928)
A Woman of Affairs (1928)
White Shadows in the South Seas (1928)*
The Broadway Melody (1929)
The Divine Lady (1929)*
Weary River (1929)*
All Quiet on the Western Front (1930)
The Big House (1930)
The Doorway to Hell (1930)*
Flight Commander (1930)*
The Criminal Code (1931)*
Little Caesar (1931)
The Public Enemy (1931)
Flowers and Trees (1932 short)
Grand Hotel (1932)
What Price Hollywood? (1932)*
42nd Street (1933)
Gold Diggers of 1933 (1933)
Morning Glory (1933)*
The Private Life of Henry VIII (1933)*
Cleopatra (1934)*
Imitation of Life (1934)
It Happened One Night (1934)
Manhattan Melodrama (1934)*
The Thin Man (1934)
Alice Adams (1935)*
Captain Blood (1935)
A Midsummer Night’s Dream (1935)*
Top Hat (1935)
Dodsworth (1936)
Fury (1936)*
The Great Ziegfeld (1936)
Libeled Lady (1936)
Mr. Deeds Goes to Town (1936)
Captains Courageous (1937)
Night Must Fall (1937)*
The Prisoner of Zenda (1937)
A Star Is Born (1937)
Way Out West (1937)*
The Adventures of Robin Hood (1938)
Boys Town (1938)
Merrily We Live (1938)*
Pygmalion (1938)
You Can’t Take It with You (1938)
Beau Geste (1939)
Dark Victory (1939)
Gone with the Wind (1939)
Goodbye, Mr. Chips (1939)
Gulliver’s Travels (1939)
Lady of the Tropics (1939)*
Mr. Smith Goes to Washington (1939)
Ninotchka (1939)
Only Angels Have Wings (1939)*
Stagecoach (1939)
The Wizard of Oz (1939)
Wuthering Heights (1939)*
Young Mr. Lincoln (1939)
The Great McGinty (1940)
The Mark of Zorro (1940)
Night Train to Munich (1940)*
Our Town (1940)
The Philadelphia Story (1940)
Rebecca (1940)
Strike Up the Band (1940)
The Thief of Bagdad (1940)
Waterloo Bridge (1940)
Dumbo (1941)
Here Comes Mr. Jordan (1941)
Suspicion (1941)
Bambi (1942)
Casablanca (1942)
Johnny Eager (1942)*
Kings Row (1942)*
The Magnificent Ambersons (1942)
Mrs. Miniver (1942)
Now, Voyager (1942)
Random Harvest (1942)
To Be or Not to Be (1942)
Yankee Doodle Dandy (1942)
The Desert Song (1943)*
The Human Comedy (1943)*
Lassie Come Home (1943)
The Ox-Bow Incident (1943)
The Song of Bernadette (1943)
Henry V (1944)*
Lifeboat (1944)
National Velvet (1944)
Anchors Aweigh (1945)
Blithe Spirit (1945)*
Brief Encounter (1945)
The Lost Weekend (1945)
They Were Expendable (1945)*
The Best Years of Our Lives (1946)
The Harvey Girls (1946)
It’s a Wonderful Life (1946)
The Stranger (1946)*
First Steps (1947)*
Forever Amber (1947)*
Life with Father (1947)*
The Perils of Pauline (1947)*
Bicycle Thieves (1948, Italy)
Hamlet (1948)
The Naked City (1948)
The Red Shoes (1948)
I Remember Mama (1948)
Romance on the High Seas (1948)*
Adam’s Rib (1949)*
Battleground (1949)
The Heiress (1949)
A Letter to Three Wives (1949)*
Mighty Joe Young (1949)*
On the Town (1949)
She Wore a Yellow Ribbon (1949)
The Stratton Story (1949)*
The Third Man (1949)
White Heat (1949)
All About Eve (1950)
Broken Arrow (1950)*
Destination Moon (1950)*
Mystery Street (1950)*
Rashômon (1950, Japan)
An American in Paris (1951)
Royal Wedding (1951)
Show Boat (1951)*
Strangers on a Train (1951)
High Noon (1952)
The Quiet Man (1952)
Umberto D. (1952, Italy)
The Band Wagon (1953)
The 5,000 Fingers of Dr. T (1953)*
From Here to Eternity (1953)
Julius Caesar (1953)*
Lili (1953)
Little Fugitive (1953)*
Little Johnny Jet (1953 short)*
Titanic (1953)*
Brigadoon (1954)
La Strada (1954, Italy)
On the Waterfront (1954)
Seven Brides for Seven Brothers (1954)
Seven Samurai (1954, Japan)
A Star Is Born (1954)
Blackboard Jungle (1955)
It’s Always Fair Weather (1955)
Marty (1955)
Speedy Gonzales (1955 short)
To Catch a Thief (1955)
Around the World in 80 Days (1956)
The Bespoke Overcoat (1956 short)*
Forbidden Planet (1956)
Lust for Life (1956)
Somebody Up There Likes Me (1956)*
The Bridge on the River Kwai (1957)
Funny Face (1957)
Gunfight at the O.K. Corral (1957)
12 Angry Men (1957)
The Defiant Ones (1958)
Gigi (1958)
Mon Oncle (1958, France)
The Young Lions (1958)*
Ben-Hur (1959)
South Pacific (1958)
The 400 Blows (1959, France)
North by Northwest (1959)
Inherit the Wind (1960)
Macario (1960, Mexico)*
The Time Machine (1960)
Breakfast at Tiffany’s (1961)
The Children’s Hour (1961)*
Judgment at Nuremberg (1961)
Through a Glass Darkly (1961, Sweden)*
West Side Story (1961)
Days of Wine and Roses (1962)
How the West Was Won (1962)
Lawrence of Arabia (1962)
The Longest Day (1962)
The Miracle Worker (1962)
To Kill a Mockingbird (1962)
What Ever Happened to Baby Jane? (1962)
Bye Bye Birdie (1963)
Charade (1963)
Cleopatra (1963)
The Leopard (1963, Italy)
Tom Jones (1963)*
Yesterday, Today and Tomorrow (1963, Italy)*
A Hard Day’s Night (1964)
Mary Poppins (1964)
My Fair Lady (1964)
The Pink Phink (1964 short)*
The Umbrellas of Cherbourg (1964, France)
Doctor Zhivago (1965)
A Patch of Blue (1965)*
The Sound of Music (1965)
The Battle of Algiers (1966, Algeria)
Fantastic Voyage (1966)
Grand Prix (1966)*
A Man for All Seasons (1966)
The Professionals (1966)
Bonnie and Clyde (1967)
The Dirty Dozen (1967)
Doctor Dolittle (1967)*
In the Heat of the Night (1967)
Two for the Road (1967)*
Bullitt (1968)*
Funny Girl (1968)
The Heart Is a Lonely Hunter (1968)*
The Lion in Winter (1968)*
Oliver! (1968)
It’s Tough to Be a Bird (1969 short)*
The Magic Machines (1969 short)*
Marooned (1969)*
Midnight Cowboy (1969)*
The Great White Hope (1970)*
I Girasoli (1970, Italy)*
Investigation of a Citizen Above Suspicion (1970, Italy)*
Patton (1970)
Tora! Tora! Tora! (1970)
Fiddler on the Roof (1971)
The French Connection (1971)
The Last Picture Show (1971)*
The Godfather (1972)
Sounder (1972)
Travels with My Aunt (1972)*
The Day of the Dolphin (1973)*
The Way We Were (1973)*
Blazing Saddles (1974)
Nashville (1975)
Harlan County U.S.A. (1976)
Network (1976)
The Slipper and the Rose (1976)
Taxi Driver (1976)
Close Encounters of the Third Kind (1977)
Smokey and the Bandit (1977)
California Suite (1978)*
Superman (1978)
The Black Hole (1979)
The Black Stallion (1979)
Kramer vs. Kramer (1979)
A Little Romance (1979)
Every Child (1979 short)
Star Trek: The Motion Picture (1979)
Atlantic City (1980)*
Kagemusha (1980, Japan)
Das Boot (1981, Germany)
Raiders of the Lost Ark (1981)
Annie (1982)
Tron (1982)
Victor/Victoria (1982)*
Blue Thunder (1983)*
Amadeus (1984)
Dune (1984)*
The Times of Harvey Milk (1984)
Agnes of God (1985)*
Back to the Future (1985)
Legend (1985)*
My Life as a Dog (1985, Sweden)
Silverado (1985)*
Hoosiers (1986)
Star Trek IV: The Voyage Home (1986)
Au revoir les enfants (1987, France)
The Last Emperor (1987)
The Princess Bride (1987)
The Untouchables (1987)*
Stand and Deliver (1988)
Willow (1988)*
Do the Right Thing (1989)
For All Mankind (1989)
Glory (1989)
Henry V (1989)
When Harry Met Sally… (1989)*
Dances with Wolves (1990)
Misery (1990)*
Beauty and the Beast (1991)
The Prince of Tides (1991)*
Star Trek VI: The Undiscovered Country (1991)
Terminator 2: Judgment Day (1991)
A River Runs Through It (1992)
Toys (1992)*
Unforgiven (1992)
The Age of Innocence (1993)*
Philadelphia (1993)*
The Remains of the Day (1993)
Schindler’s List (1993)
Legends of the Fall (1994)
Three Colors: Red (1994, France/Poland)
Mr. Holland’s Opus (1995)
Hamlet (1996)
Sleepers (1996)*
Star Trek: First Contact (1996)
Children of Heaven (1997, Iran)
Four Days in September (1997, Brazil)*
Titanic (1997)
Saving Private Ryan (1998)
The Sixth Sense (1999)*
South Park: Bigger, Longer & Uncut (1999)
Toy Story 2 (1999)
Erin Brokovich (2000)*
O Brother, Where Art Thou? (2000)*
Harry Potter and the Sorcerer’s Stone (2001)
The Lord of the Rings: The Fellowship of the Ring (2001)
Monsters Inc. (2001)
Y Tu Mamá También (2001, Mexico)*
Chicago (2002)
Big Fish (2003)*
I, Robot (2004)*
The Phantom of the Opera (2004)
Walk the Line (2005)*
The Danish Poet (2006)*
Little Miss Sunshine (2006)
Pan’s Labyrinth (2006, Mexico)
Persepolis (2007, France/Iran)
The Curious Case of Benjamin Button (2008)*
The Dark Knight (2008)
Frost/Nixon (2008)*
Man on Wire (2008)*
Milk (2008)*
The Reader (2008)*
Slumdog Millionaire (2008)
The Wrestler (2008)*
The Secret in Their Eyes (2009, Argentina)*
Biutiful (2010, Mexico)*
How to Train Your Dragon (2010)
The Artist (2011, France)
Hugo (2011)
A Separation (2011, Iran)
The Act of Killing (2012, Indonesia/Norway/Denmark)*
Frankenweenie (2012)*
Life of Pi (2012)
Lincoln (2012)
Skyfall (2012)
Ida (2013, Poland)
Inside Llewyn Davis (2013)
12 Years a Slave (2013)
American Sniper (2014)
Interstellar (2014)
Song of the Sea (2014)
Creed (2015)
Mad Max: Fury Road (2015)
The Revenant (2015)
Spotlight (2015)
We Can’t Live Without Cosmos (2015 short, Russia)
World of Tomorrow (2015 short)
Ennemis intérieurs (2016 short, France)
Fences (2016)
Moonlight (2016)
My Life as a Zucchini (2016, Switzerland)
Pearl (2016 short)
Baby Driver (2017)*
Dunkirk (2017)
Loving Vincent (2017)
The Shape of Water (2017)
At Eternity’s Gate (2018)*
The Ballad of Buster Scruggs (2018)
Cold War (2018, Poland)
Hale County This Morning, This Evening (2018)*
Mary Poppins Returns (2018)
Shoplifters (2018, Japan)
Spider-Man: Into the Spider-Verse (2018)
The eight nominees for Best Picture, including the winner, Green Book (2018)
The fifteen nominees for the short film categories (2018)
Last year around this very date, I decided to write a dozen of short articles about some of the greatest Queer artists, activists, icons of the last century. It was a spur of the moment kind-of-thing and it made me pretty happy to get to talk about these people on my small Instagram account.
I covered the life of Cleve Jones, the accomplishments of Larry Kramer, the work of Robert Mapplethorpe, the courage of Masha Gessen, the scandalous Guy Hocquenghem, the fabulousness of Bambi, the genius of David Hockney, the Stonewall riots and finally the bravery of Marsha P. Johnson and Sylvia Rivera.
This year, I’ve made the decision to write one article a day for the entire month of June. I truly, truly, truly want to celebrate what it’s like to be Queer, but also to understand the rights and wrongs of our world.
in about 30min-ish... TONIGHT from 5-7 via the Save Your Soul Facebook page and @sysbmore on Instagram, Rob Macy is DJing a live broadcast of the finest of Detroit soul, R&B & garage rockers for your listening / dancing / imbibing pleasure. It's all to benefit the release of @WE LIVE HERE: Detroit Eviction Defense & The Battle for Housing Justice. Written by our friend Jeffrey Wilson w art by Bambi Kramer, the graphic novel outlines the housing insecurities too many Americans face, and especially in the Detroit area. Your generous donations can be made via the link below. Looking forward to a fun Happy Hr! Keep on dancin!! (at Charles North) https://www.instagram.com/p/CAD6PMhjeAu/?igshid=kdhgvk8d9uuo
A popularização do cinema começou a ocorrer na década de 1920. Alguns anos mais tarde, surgiram os filmes com som, animações, efeitos visuais, e assim por diante. O site da revista norte-americana “Reader’s Digest” publicou uma lista com o filme mais popular de cada ano, desde 1930 até 2019. “A Branca de Neve e os Sete Anões”, de 1937; anunciou um fenômeno para os próximos anos, já que os filmes de animação foram protagonistas por várias vezes. Assim como “Batman”, de 1989, foi o precursor das franquias de super-heróis. Em toda a lista, o diretor que mais aparece é Steven Spielberg, com seis longas entre os mais assistidos. Confira, abaixo, o filme mais popular no ano em que você nasceu.
1930 — Aventuras de Tom Sawyer (John Cromwell)
1931 — Frankenstein (James Whale)
1932 — O Expresso de Xangai (Josef von Sternberg)
1933 — King Kong (Merian C. Cooper e Ernest B. Schoedsack)
1934 — Aconteceu Naquela Noite (Frank Capra)
1935 — O Grande Motim (Frank Lloyd)
1936 — Tempos Modernos (Charlie Chaplin)
1937 — Branca de Neve e os Sete Anões (David Hand e Wilfred Jackson)
1938 — As Aventuras de Robin Hood (Michael Curtiz e William Keighley)
1939 — E O Vento Levou (Victor Fleming)
1940 — Pinóquio (Hamilton Luske, Wilfred Jackson e outros)
1941 — Sargento York (Howard Hanks)
1942 — Bambi (David Hand, James Algar e outros)
1943 — Forja de Heróis (Michael Curtiz)
1944 — O Bom Pastor (Lei McCarey)
1945 — Mom and Dad (William Beaudine)
1946 — A Felicidade Não se Compra (Frank Capra)
1947 — Entre o Amor e o Pecado (Otto Preminger e John M. Stahl)
1948 — A Cova da Serpente (Anatole Litvak)
1949 — Sansão e Dalila (Cecil B. DeMille)
1950 — Cinderela (Clyde Geronimi, Hamilton Luske e outros)
1951 — Quo Vadis (Mervyn LeRoy)
1952 — O Maior Espetáculo da Terra (Cecil B. DeMille)
1953 — Peter Pan (Clyde Geronimi, Wilfred Jackson e outros)
1954 — Janela Indiscreta (Alfred Hitchcock)
1955 — A Dama e O Vagabundo (Clyde Geronimi, Hamilton Luske e outros)
1956 — Os Dez Mandamentos (Cecil B. DeMille)
1957 — A Ponte do Rio Kwai (David Lean)
1958 — No Sul do Pacífico (Joshua Logan)
1959 — Bem-Hur (William Wyler)
1960 — A Família Robinson (Ken Annakin)
1961 — A Guerra dos Dálmatas (Wolfgang Reitherman e Hamilton Luske)
1962 — O Mais Longo dos Dias (Ken Annakin, Andrew Marton e outros)
1963 — Cleópatra (Joseph L. Mankiewicz)
1964 — Mary Poppins (Robert Stevenson)
1965 — A Noviça Rebelde (Robert Wise)
1966 — A Bíblia (John Huston)
1967 — Mogli: O Menino Lobo (Wolfgang Reitherman)
1968 — Funny Girl, A Garota Genial (William Wyler e Herbert Ross)
1969 — Butch Cassidy (George Roy Hill)
1970 — Love Story: Uma História de Amor (Arthur Hiller)
1971 — Billy Jack (Tom Laughlin)
1972 — O Poderoso Chefão (Francis Ford Coppola)
1973 — O Exorcista (William Friedkin)
1974 — Banzé no Oeste (Mel Brooks)
1975 — Tubarão (Steven Spielberg)
1976 — Rocky, Um Lutador (John G. Avildsen)
1977 — Guerra Nas Estrelas (George Lucas)
1978 — Grease: Nos Tempos da Brilhantina (Randal Kleiser)
1979 — Kramer Vs. Kramer (Robert Benton)
1980 — Star Wars: O Império Contra-Ataca (Irvin Kershner)
1981 — Indiana Jones e os Caçadores da Arca Perdida (Steven Spielberg)
1982 — E.T.: O Extraterrestre (Steven Spielberg)
1983 — O Retorno do Jedi (Richard Marquand)
1984 — Os Caça-Fantasmas (Ivan Reitman)
1985 — De Volta Para o Futuro (Robert Zemeckis)
1986 — Top Gun: Ases Indomáveis (Tony Scott)
1987 — Três Solteirões e um Bebê (Leonard Nimoy)
1988 — Rain Man (Barry Levinson)
1989 — Batman (Tim Burton)
1990 — Esqueceram de Mim (Chris Columbus)
1991 — A Bela e a Fera (Gary Trousdale e Kirk Wise)
1992 — Aladdin (Ron Clements e John Musker)
1993 — Jurassic Park (Steven Spielberg)
1994 — O Rei Leão (Rob Minkoff e Roger Allers)
1995 — Toy Story: Um Mundo de Aventuras (John Lasseter)
1996 — Independence Day (Roland Emmerich)
1997 — Titanic (James Cameron)
1998 — O Resgate do Soldado Ryan (Steven Spielberg)
1999 — Star Wars: Episódio 1: A Ameaça Fantasma (George Lucas)
2000 — O Grinch (Ron Roward)
2001 — Harry Potter e A Pedra Filosofal (Chris Columbus)
2002 — Homem-Aranha (Sam Raimi)
2003 — Senhor dos Anéis: O Retorno do Rei (Peter Jackson)
2004 — Shrek 2 (Andrew Adamson, Conrad Vernon e outros)
2005 — Star Wars: Episódio 3: A Vingança dos Sith (George Lucas)
2006 — Piratas do Caribe: O Baú da Morte (Gore Verbinski)
2007 — Homem-Aranha 3 (Sam Raimi)
2008 — Batman, O Cavaleiro das Trevas (Christopher Nolan)
2009 — Avatar (James Cameron)
2010 — Toy Story 3 (Lee Unkrich)
2011 — Harry Potter e as Relíquias da Morte: Parte 2 (David Yates)
2012 — Os Vingadores (Joss Whedon)
2013 — Jogos Vorazes: Em Chamas (Francis Lawrence)
2014 — Sniper Americano (Clint Eastwood)
2015 — Star Wars 7: O Despertar da Força (J. J. Abrams)
2016 — Rogue One: Uma História Star Wars (Gareth Edwards)
2017 — A Bela e a Fera (Bill Condon)
2018 — Vingadores: Guerra Infinita (Anthony e Joe Russo)
2019 — Vingadores: Ultimato (Anthony e Joe Russo)
O filme mais popular do ano em que você nasceu publicado primeiro em https://www.revistabula.com
Hippo Campus, an indie rock band hailing from St. Paul, MN, recently had their tour photographer, Brittany O'Brian, document their cross-country tour of the US in promoting their newest album Bambi with our Lomo'Instant Wide. We sat down with the band in October before they played to a sold out crowd at Terminal 5 in NYC to discuss their latest release and music's relationship to art.
[Link to Hippo Campus’s Instant Film Tour Diary]
Hi! Can you all introduce yourselves and tell us something about the band?
Zach: Hi, I'm Zach! Our band name is Hippo Campus and we all met in high school.
Jake: I'm Jake and I'm the fun one.
Nathan: My name is Nathan and I like to party.
DeCarlo: I'm DeCarlo and I'm new here.
Whistler: I'm Whistler and I also like to party.
Nathan: There's only one of us who can party. I already party.
Your sophomore album Bambi was released at the end of last month. It seems darker than your first album Landmark. What led to this musical evolution and were you nervous about how your fans would react to your new sound?
Jake: Depression.
Zach: 2018 was hard. 2017 was hard. 2016 was fun. But we spent a lot of 2017 touring, and since Landmark, we've learned a lot about our process and a lot about ourselves and each other. When it came time to writing more music, we had explored different ways of creating. We used to all be in a room with guitars and we stepped away from that and started producing the songs first, constructing them. That led to the evolution, but in more real terms, I was facing anxiety and we were going through a lot of personal changes in our relationships. Those themes made there way into the album which made it a little bit darker than Landmark.
Whistler: I would like to think to a certain extent we were kind of nervous. You're always nervous to release new stuff because you never know. You get in the mindset of "This is it! Make or break!" With it being such a different album, it was kind of a stretch for us to go the way we did. It was definitely a nerve-wracking thing. But I would like to say that we all trusted ourselves and believed that it would be received in a good way.
Technically speaking, what was it like making this record?
Jake: We started each idea with an instrument and a vocal, which we hadn't done in the past. With this record, we would write the songs and then when we'd go to record them, strip them back to the vocal and whichever instrument was the most crucial. We tried to make sure that the chords and lyrics were the most important part of the process for us, that everything else was just additions.
You recently kicked off your headlining tour earlier this month. What does a typical day on tour look like for you guys?
Whistler: Sleep until 1...
Zach: Kinda depends on who you ask. Generally, Jake and I are the late risers. Breakfast and then soundcheck not long after that. Then we usually get some food and play the show. It's pretty easy if you let it be. We usually see friends in the town that we're in. We've been trying to write a little bit on the bus because we have the room to do that and the skill set to do that better than we used to. You can let your day be really easy and just play the show, but that's what I've been doing because I like it.
Whistler: There's a lot of hours where we just don't do anything. Most hours actually. You can try to take advantage of that like Zach was saying, write some tunes and be productive.
DeCarlo: I try to bike in the mornings. But I didn't bike today. I woke up too late.
Whistler: We're usually up pretty late until around 2 or 3.
Zach: We've been watching a lot of Harry Potter.
Whistler: We've gotten through the first five. Half-Blood Prince maybe tonight?
Zach: A lot of tour is figuring out how to take care of yourself. Stay healthy. Harry Potter helps.
What's your favorite part of being on tour?
Whistler: Harry Potter.
Zach: Playing the shows.
Nathan: That's why we're out here. Without the shows, it'd just be like "Bring me home! It's been fun!" There are moments when all of us are on the same page, offstage sometimes when we're just hanging out. Those are good moments for me. I like those.
Especially on social media, you guys seem to have a good idea of your branding and aesthetic. How important is the relationship between music and visuals to you and where do you pull influences from?
Zach: Another guy that we met in high school, David Kramer, does all of our album art, cover designs, tour posters, and whatever else we need. He is pretty much the main creative vision behind all of that stuff. We have ideas sometimes, but he executes them and does everything. Music has a pretty special relationship with aesthetics. It can bring the music into this other world that it wouldn't be in without it. Alabama Shakes did a great job with that on their last record. It wasn't heavy-handed graphic design, and if it wasn't as simple as it was, it would be a different record to me.
Nathan: This Will Destroy You had a really great aesthetic with their album Another Language that we kind of pulled from.
Whistler: I think we're all visual people. I think we all have a desire to make that something that flows really well with our music.
Jake: With Bambi, I think it was the first record where we focused on what colors we wanted to bring to the table before the record was even done. We started coming up with ideas and worked with David early on on what colors we were starting to see. Then those colors reflected themselves in the music and it all came together.
Nathan: The question of "Is this a daytime record to you guys or a nighttime record to you guys?" We went back and forth on that a little bit. If the background had been a bright color, it would be a completely different sounding album.
Other than the tour, what exciting things do you guys have coming up?
Zach: Are we doing a Friendsgiving? We're just taking the holidays off as we usually do and writing a bunch. Music, music, music. That's exciting I guess.
DeCarlo: I have a residency with my jazz trio. It's at this restaurant called Hodges Bend. Pop up in there and hop on trumpet when I get back home.
Whistler: I'm going to try to figure out how to record drums in my room during winter break.
For people looking to start a band or get into music, what words of wisdom would you offer them?
Whistler: Don't do it.
Jake: Nope. Not that.
Whistler: Try to find people that you love hanging out with and can spend time with outside of playing music. I'm sure it's doable to create bands with people who aren't your best friends, but it is a key thing to be able to jam and then step out of the room and be able to hang out.
Jake: Never let anyone dull your sparkle.
Zach: For how cliché that is, it's actually so true. On our first ever outing on tour, we were at Jake's cousin apartment in Austin, TX for SXSW. Her roommate did this (no offense) terrible home decor that she painted herself. The gesture was sweet and she had one that said: "Never let anyone dull your sparkle" with glitter and everything and we stole it from her apartment. That became our mantra for a good long while. For how cheesy it was, it does have some truth to it. When we started this, we had the confidence because we were in an art school and we were friends supporting each other. We knew it's what we wanted to do and we just kept doing it. It's focusing on that thing on the horizon while having the confidence to do it, and the ignorance. If I knew then what I know now, I'd have a certain amount of confidence, but I'd feel completely different about it.
Whistler: Finishing things is really important. You can start anything and get halfway through it, but you're not really doing any good unless you finish something.
Zach: Except for practice. You can never finish practicing.