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#‘branch deserves better’
bamboozled-distress · 4 months
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why is there so much hate on poppy 😭 god forbid a woman do anything
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ananimations · 2 months
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WHO LET THE DOGS OUT?!
(who, who, who, who)
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I LOVE HIM SMMM
(Amazing) Au by: @djmurphy
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wildflowercryptid · 10 months
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in a perfect world, oleana would realize that she deserves better than rose and macros cosmos after the darkest day so she takes up the mantle of the dynamax professor from magnolia and eventually connects with a fellow assistant that had their devotion taken advantage of by their shit bosses.
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warning-heckboop · 4 months
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Do you guys see my vision
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iwasbored777 · 7 months
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These are literally the best puns I have ever heard in my life. Fucking genius
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starswallowingsea · 1 year
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another post inspired by the bad books book club but it's kind of concerning how a lot of popular YA books these days feature a huge power imbalance and don't like. make it clear that it's unethical and because these are popular with teenage girls it makes me concerned that they're internalizing these messages.
like the love hypothesis for example, which i have actually read and hated so fucking much, the main romance is between a phd candidate and one of the professors at her grad school. while they make it clear that he's not her advisor and can't be on her doctoral advising committee or whatever, he's in the same department first off and can still hold power over olive and in real life that could very very quickly turn sour because of the power imbalance. he very much still has power over her in ways she might not realize yet.
and then you look at......... well everything coho. like in verity the main character is sleeping with her agent which is UNETHICAL and could very very easily lead to a lot of business problems!!!! like you cant fucking do that and there's a reason why its looked down upon for agents to be romantically/sexually involved with clients. because the agent has power over the client. and while i think a fully grown 30 something adult can tell when something is just fantasy, younger adults are much much more impressionable to this kind of stuff. i'm saying this as 22yo college undergrad and i'm not immune to this either, but i'm aware of when i need to step back and ask myself what a text is saying and what it wants me to think because i've cultivated those skills. fresh 18yos who are still in high school and have had most of their high school career online or completely fucked with because of covid might not.
you can have books aimed at young adults that don't involve this type of harmful messaging romanticizing the power imbalance between characters. i see the way people talk about colleen hoover romantic leads and relationships and it's so worrying because nothing in any coho book is romantic and the romantic leads in all these books are like the brooding bad boy stereotype dialed up to abusive and people find it hot and attractive when it should be a massive red flag instead. young adults deserve better books.
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alybur635 · 6 months
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The tears used to be for him; for the freedom he lost and pain he gained Now the tears are for his son, who is to lose his freedom and learn this pain
Idk I should be asleep and I did too much work on this to get rid of it
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vtuberconfessions · 9 months
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saltycharacters · 9 months
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Watched Nimona recently and although it was a fairly enjoyable film and I would still recommend a watch. I got a bunch of thoughts about its ending and themes and how despite it trying to build itself up as this cool queer anticop story it fails to stick the landing and instead suffers from Treasure Planet syndrome. I've decided to ramble it out under the keep reading link so spoilers for Nimona starts there
So this movie is built upon a "knight system" which is established to be an obvious cop parallel, where the knights are essentially the police of this world. The allegory doesn't stop at the job description however, as the movie takes a bold move and introduces this system as very corrupt early on; from the main character being framed by a high-ranking, police-adjacent authority, to revealing that the entire system was built on false hatred and intolerance, to Nimona outright stating that it doesn't end at the true perpetrator, but that "the WHOLE system is corrupt". Time and time again we are given proof of how the knights, whether purposefully or not, hurt, indoctrinate, and brainwash the innocent. This is a great message, and they did an excellent job of carrying it throughout the runtime until doing a sudden 180 at the end. Not only do we see the cop system still in place, with knights in universe portrayed clearly on screen, but they're painted as good with a member playing soccer with a child. They tried to reject corruption by denouncing their founder, yet they still intend to perpetuate the job built to maintain her ideals from the ground up.
Despite attempting to dive into more meaningful territory with a daring dive into a serious modern problem, the ending they gave us was palatable and conveniently perfect in a way that satisfies everyone on a shallow level, which only works with a message that's equally shallow and inoffensive. This sort of trying to have cake and eat it too conclusion is what I refer to when saying Treasure Planet syndrome, as watching the movie gave me deja vu for the same faults- because, while Treasure Planet attempts to weave a unique and subversive narrative that touches upon deeper subjects which would lead up to an unconventional yet impactful end, what they finished with was jarringly standard hogwash where they attempted to tie lose ends in a conventionally pretty, corporate-ceo approved bow. For example, one of if not the main plot of the movie was Jim Hawkins addressing his trauma regarding an absent father that abandoned him and his mom at an early age, finding a better father figure in John Silver and gradually healing from his past with a better role model. Yet at the end, the cycle repeats itself as John ends up leaving (just like Jim's father) with narry a negative emotion from Jim. Jim then goes to cop academy where, despite his journey being about rejecting societal expectations and gaining self-improvement and growth through his own means, he becomes an A-Plus goody-two shoes cop loving poster boy in no time. The syndrome also hits particularly hard with Captain Amelia and Doctor Doppler, where despite their relationship being a man and woman, it still openly rejects heteronormativity with natural romantic progression (no love at first site bullshit) that involves Amelia being way more masculine and competent than Doppler and him being the well meaning yet gullible scientist. Even the way they flirt is subversive, with Amelia calling Doppler's eyes beautiful (a traditionally feminine descriptor) rather than the instigation being made by the man. Yet at the end, heteronormativity hits as Doppler is shown suddenly more assertive and masculine as he dips Amelia in a dance, not to mention their children fall into the trop of the girls looking exactly like the mother and the boy looking exactly like the father (Also. they put a bunch of makeup on the baby girls????). In short, Treasure Planet Syndrome is writing a subversive plot/story that ends abruptly in a palatable perfect way that sacrifices both natural progression and its messages in an effort to create a more appealing happy end. A movie that I think actually LANDED its subversive storyline was Strange World, where it successfully carried through with it's deeper narrative and provided a slightly uncomfortable yet incredibly understandable and meaningful ending.
One last thing before I stop my ramble- the queer rep in Nimona is pretty bad. I mean don't get me wrong, the main character (who is canonically mlm) is fine and I'm always happy to see upfront representation in my media, but the man he was saddle with as his boyfriend treats him terribly throughout most of the movie, to the point where I was genuinely shocked seeing them together at the end. His boyfriend is this nepotism golden child who's beloved by everyone and so neck deep in the corrupt system that he: slices off the mc's arm (just says a vague sorry later), spends most of the movie refusing to trust or believe him, spends most of the movie trying to hunt him down and arrest him, easily succumbs to peer pressure when it comes down to hurting him, prefers to stay loyal to the system rather than his bf, barely questions the situation, and refuses to listen to his bf provide him with explanations or answers. Even the MC recognizes how much he hurt him, because he ends up outright BREAKING UP WITH HIM and begging him to leave him alone, only to get back with him at the end like nothing ever happened. I want a happy ending for canon queer couples as much as the next guy, but if they wanted a happy end, why did the write the love interest to be so awful? They could've made him question the motives of his superiors and the entire situation more, he could've gone out of his way to seek out an explanation before forming his own conclusion, he could've made more attempts to break the rules for harm reduction, to try and understand what happened, hell to try and TALK to the MC- it's really baffling how they tried to paint this as true love when what should've happened is the MC getting a better spouse. I see this as an extension of Treasure Planet syndrome and trying to have and eat cake at the same time mentality, to say I wasn't surprised when I discovered this movie was written by the people behind modern She-Ra would be an understatement.
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thedeadthree · 1 year
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𝖞𝖔𝖚 𝖆𝖗𝖊 𝖑𝖔𝖛𝖊𝖑𝖞 𝖊𝖛𝖊𝖓 𝖎𝖓 𝖞𝖔𝖚𝖗 𝖒𝖆𝖉𝖓𝖊𝖘𝖘 — THE ANGUISH OF ATALANTEA AND THE SACRIFICE OF SAERA. THE CAUTIONARY TALES OF HOUSE ANDORAL. [ TEMPLATE BY @unholymilf ♡]
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sh4zzm · 1 year
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HOUSE OF THE DRAGON AU: (thought dump for a fic that I'll try to start)
I suddenly remembered a post I saw before stating that Lucerys Velaryon = Prince Eric.
Well
Fancast: Jonah Hauer-King as older Lucerys Velaryon (growing up to be the Lord of the Tides and Master of Driftmark). Able to pass off as a Velaryon since Laenor (before leaving) claimed that his children got Rhaenys' Baratheon genes instead of the Velaryon genes. Married Princess Rhaena Targaryen. In this story Rhaenys will have the Baratheon hair as she should have had.
Another branch timeline could see him as King of the Seven Kingdoms if Rhaenyra would be forced to disinherit Jacaerys for marrying Sara Snow instead of Baela. Corlys and Rhaenys would be fuming at the betrayal and Rhaenyra would be adviced to please them.
Hints of lucemond: Aemond/Fem!Aemond would be incredibly jealous since holy crap lucerys is a full course meal with a bonus Driftmark or literally the Seven Kingdoms and would regret choosing 4th child Floris/Male!Floris Baratheon over his/her nephew when he/she had the chance.
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0mrgn0 · 3 months
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i think we should give branch a gun in the next movie
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afooldyedinfolly · 2 years
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I don't give a shit about terminology or whatever I don't mind if you have qualms with language used. I myself have no particular affection for the term transandrophobia. But the moment y'all deny what transmascs (+ those interpreted as transmasc) go through specifically because they're transmasc or somehow twist transmascs trying to bring awareness to their issues as somehow being an attack on transfems or go on to victim blame them for having these issues under the guise of "calling them out on internalised misogyny" or whatever just know you are a much bigger problem that whatever unfortunate implications you think the language carries and your intentions are extremely transparent. Also every time you do this while claiming it's a white people thing you owe every tmoc who's spoken out about this and the unique intersection of being a poc+being transmasc 500$. If you do this while being white yourself, which I've seen a number of you do, you owe an additional upfront fee of 16,000$ with a monthly fee of 800$.
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I find it hilarious how people are acting like team black is the happy, well adjusted family in this story when the kids seem so done at the wedding lmao like Daemon didn't even wait a week after Laena's funeral and hasn't tried to comfort his daughters once and had the audacity to laugh at her funeral, Jace and Lucerys are under the impression that 1 both their dads are now dead (one is actually, Harwin baby I'm so sorry) and 2 their mom is immediately marrying their weird great-uncle they either never met or only seen in passing, Daemon is already on Rhaenys' last nerve, it's unlikely either Rhaenyra or Daemon will be in Rhaenys' or Corlys' good graves after marrying immediately after the deaths of their children (even if/when they learn the truth about Laenor, they still made them believe he was dead and made them believe they found his body immediately after the funeral of their daughter like that is traumatic AF, there's no changing that) like they're just as dysfunctional as the greens because they're still the one messed up family and it shows
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iwasbored777 · 5 months
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The most beautiful thing in the entire Trolls franchise will always be Branch's character in the first movie when he wanted Poppy to understand that life isn't as perfect as she thinks but when she got betrayed and hurt and lost all hope he did everything to make her happy again because he wanted her to understand the pain but not experience it because she didn't deserve that and he didn't think that others have to suffer because he did.
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youtube
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