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#[sad/tragic Law vibes]
medicus-mortem · 15 days
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The Gray Havens - Ghost Of A King Official Lyric Video
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polyklok · 8 months
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Movies I think Dethklok members would really like
No this is not based on anything I’m just in a mood™ rn
Nathan Explosion
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Mad God
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So, no, I did not have any ounce of an idea of what this movie was about when I originally watched it, and I’m still not 100% sure tbh but an hour and a half of these pure vibes would totally be up Nathan’s alley. The post-apocalyptic setting, all the gore, the details of the various monsters, and I think he would just really appreciate it from an artist’s standpoint as well. This movie would just resonate with him, even if he wouldn’t have a fucking clue what was going on the whole time.
Mary and Max
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I’m, personally, a bit on-the-fence about this movie, but it is undeniably sweet and I headcanon Nate to be on the spectrum so 🤷
This would be, like, his guilty pleasure film. The movie he knows is for kids and is totally not brutal but he loves it anyway. The, “I do not feel disabled, defective, or a need to be cured” really hits for him every single time. He rewatches it at least once every few months, especially when he’s in some sort of emotional slump.
Mandy
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Another one that just like, like, big Nathan energy, you know? He just seems like a guy to really love loose plots with trippy visuals and strong emotions attached to them. Also, this movie is so completely badass, it is certified metal in his book. He also finds the story incredibly tragic; having the love of your life stripped away from you in such circumstances really tugs at his heartstrings, but in a way that gets him pumped up rather than sad. This is probably his go-to when people ask, “what’s your favorite movie?”
Pickles the Drummer
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Son in Law
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Okay this is my guilty pleasure movie. I usually don’t like stoner-comedy from the 90s, but this movie hits different. Maybe I just find Crawl hot. Anyway, I’m projecting that onto Pickles. He honestly probably finds a lot of crappy comedies to be peak film, and this is no exception. Pauly Shore pretending to be a country boy for a whole movie? Hells yeah. Pickles would watch while high off his mind, laughing his butt off and going to town on some cheez-its or something. And you know what? He deserves it.
Opal
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I’m counting short films because I feel like Opal is the movie for Pickles. He’d watch it on a whim, because these are not usually the types of things he enjoys, and then he’d in tears over the emotional rollercoaster he did not agree to go on. Like, he grew up in a neglective household with authority figures that were overly-selfish and projected their own problems onto the youngest one in the house, to which he had to hide within his own brain more often than not just to properly function. And then he just…watched it happen all again in the hypnotic style of Jack Stauber. The Mom’s song had him in gasping tears for a while, the way you get when a movie somehow perfectly captures your own trauma right in front of you. And the ending??? Ugh. Go watch Opal, guys, it’s on YouTube.
Nathan and Pickles both get very emotional about certain stop-motion films, isn’t that crazy?
House
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Thank you to Lucy for this Letterbox review that I think he would write
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Anyway-
This movie is actually so insane. It’s not scary in a horror-movie way, like it meant to be, it’s scary as in ‘What the hell is happening and why do I understand it?’ Pickles doesn’t like most traditional horror films, as the long, quiet suspense bores him and the sudden jumpscares freak him the hell out way more than they should. But he loves the campy-wacko-type horror that they were apparently making in 70s Japan. It’s just scary enough to get his heart pumping, but the pure silliness of it all overrides that, getting him in a giddy mood and excited to see what happens next.
(No I am not done but tumblr won’t let me add more pictures)
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riotstarruika · 4 months
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Top 5 reads from 2023(ish)
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Tagged by @earthly-apples ♥ Some of these may be from 2022 because I don't remember and time is fake anyway :P
Les Mis Unsurprisingly this book continues to consume my thoughts. I'm very behind on Les Mis Letters, but it was great to read through a good chunk of it again with the knowledge and necessary context to understand some of the things that went over my head the first time. Truly, a work that rewards hyperfixation XD (Honourable mention to the Arai manga as well, which was published in English this year)
Orsinia How could I refuse an Ursula K. LeGuin novel about student revolutionaries in a fictional central European country in the 1820s? It has good synergy with les mis as it references some of the same political themes and events, though the tone is more 'grounded' and small scale compared to Hugo's very grand symbolic one. Its characters are more accidental revolutionaries who have sort of stumbled into being figureheads of their movement rather than deliberately setting out to be so, but it's super interesting to see the main character try to balance his family life and wants with what he wants to achieve, and the danger it involves. It's also pretty sad in places, but with a less depressing ending les mis (low bar, I know). Ursula K LeGuin's prose is a delight, as ever.
Piranesi I've been really enjoying books that do interesting things with prose lately and this was one of them. It's difficult to say much about this one without spoiling it, but even though I guessed most of the plot very early on, the way the story was told made it feel fresh and interesting, and the vibes of the main setting are immaculate. I've also been liking alternative art histories and art / literary 'memoirs', one of which is Deaths of the Poets. It's part history and part travelogue, documenting the journey of two modern day poets visiting places that famous historical poets died, with a view to exploring the mythos and mystique around the idea of poets as tragic, romantic 'tormented artist' types. I liked that it explored not just the biographical 'facts' of the poets lives, but how they were received by the public at the time, and how the cultural expectations of what it means to be a poet shapes how their artistic work is perceived. Outrageous! The Story of Section 28 and Britain's Battle for LGBT Education A history of the UK's own 'don't say gay' law in the late 1980s/ early 90s and how it was eventually overturned that somehow manages to be more hopeful than depressing. I'm not old enough to remember any of the events the author discusses, yet I can still feel the law's impact on how the people around me discussed (or didn't discuss) LGBTQ+ people when I was a kid. A lot of the same rhetoric that was used against gay and lesbian people in the 80s has been repurposed to attack trans people now, and a few of the names in it may be familiar (derogatory), but it also highlights the actions of the people who fought against it and eventually won out. Zero-pressure tagging @fremedon, @upatreewithoutaharness and @thevagueambition because I feel like you'll have interesting recs 😊
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bl-recs-and-reviews · 10 months
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Are we getting a sad and tragic secondary gay couple in Laws of Attraction???? Or is it just me feeling the vibes?? Now that I've seen their starts I need to see it happen. Give me this thailand, I beg you
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tarotofbadkitties · 1 year
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Bamon is mythic on many levels
As I was pondering the goddesses and men, Selene and Endymion dynamic I realized Bamon definitely hits several of the main notes in that vein, and that the characters pass through some variations on that theme before coming to each other.
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Damon’s first taste of love is with this powerful immortal when he’s a human man. He’s enthralled with her beauty, freedom and power but alas...she was not to be his goddess. She didn’t love him back. But like Selene did for Endymion in several different versions of their myth, she did grant him a lesser version of immortality.
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And our goddess Bonnie’s first love is this mortal, Jeremy Gilbert. She fell in love with him and fell hard, and when his time came to die, she defied the laws of the universe to save his life. We technically hit the notes of the song here with these two but...this was a dress rehearsal for when they found each other.
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Now we get to Bamon, and for mythical love they actually give us THREE different myths, one of which is gender-flipped.
The first is the subject of my last post, the goddess and the mortal. While yes, technically Damon is immortal, compared to Bonnie he’s distinctly unmagical. It’s clearly stated in the series that vampires lack the ability to connect to and feel nature, and that is the source of magic in their world. Eventually the show breaks that rule with heretics, but that’s off topic, so I’m sticking to the main lore here. Bonnie can accomplish feats of magic that leave him in genuine awe. And, rather importantly, Damon first seriously considers using the cure when he thinks he and Bonnie might die in the prison world, so he might do so with her as a human. And when Stefan cures him, neither of them have reason to imagine this will result in him being with Elena because she’s still under her magical slumber with no apparent way out. And thus, we’re back to human Damon and fabulous goddess. But what kind of goddess is Bonnie in particular? That takes us to myth #2.
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Bonnie’s a nature goddess of course! That’s why her powers are so tied to weather, the elements, life...and why it’s made clear several times that she will lose the power she has if she loses her life. It’s why her powers are intensified when she’s outside in the elements. And a nature goddess in love with a god of death...well that sounds an awful lot like Hades and Persephone, doesn’t it?
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And this is one of those myths that has two versions...just like this show presented two takes on it. In one, she goes willingly to the god of death, but eats 6 seeds of a pomegranate and is thus bound to remain in the underworld.
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In the other less romantic version of this tale, she’s dragged down there and has to be rescued by her mother, but as in the other version, she’s only able to get her a reprieve and not fully free her from the grip of the underworld and its king.
And to wrap up this jaunt of mystical madness...we have Orpheus and Euridice. Orpheus was a musician and Euridice was the love of Orpheus’s life. When she tragically died, he played songs so sad even the gods wept and they agreed to give him a chance to rescue his love from the Underworld.
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Bonnie faced down death itself to save the lives of Enzo and Damon, while the show was giving us love triangle vibes. Bonnie used her magic to attempt to bring Enzo back from the land of the dead, and ultimately that ended in him trying to straight up drag her to hell with him. She failed in much the same way Orpheus did, and nearly met a grisly fate like his own. And Bonnie faced down Cade, the personification of death and judgment on the show for Damon...and we’re back to Selene and Endymion because this goddess defied all odds and saved his life.
Sure, it could all be coincidence, but I think it’s deeper than that. I think that versions of these myths have travelled through all the cultures of the world in different ways with some variation, but much of the core themes the same, and therefore instinctively they hold our attention. Even people who can’t tell you the names or exactly where they came from or the details usually heard a bit of this here and a bit of that there, and if you’re going to make a story feel epic to your audience, you’ve got to kick it old-school with the themes of the epics our ancestors passed down. I think in the Vampire Diaries with these characters and their foils, you see how strong and enduring a bond these dynamics can create when the love is true, and how much of a tragedy there is in gods and mortals entangling if their love is not true and their motives are not pure.
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If you’re still answering Ace Attorney stuff, I’d like to know about the Miles Edgelord (spelling is intentional) guy. I know nothing about this franchise, but I like his vibes.
Honestly yea I imagine you’d enjoy him, he’s very bad at communicating but he’s doing his best. Also he always wears this dumb little cravat thing and it’s so funny he looks so fancy
He’s got one of them tragic backstories! His father, Gregory Edgelord, was a very chill guy and defense attorney. Miles wanted to be like him all his life, he watched recordings of his court proceedings with awe and he was determined to be a defense attorney just like his dad. However, one day Gregory took like a six year old Miles to the courthouse with him, and while they were going down the elevator it got lost power due to an earthquake, and they were trapped in there with a court bailiff for so long that the oxygen began to deplete, and everyone was going a bit crazy. After five hours, the bailiff went crazy, screaming and trying to strangle Gregory because he was ‘stealing his air.’ The gun from his belt had fallen off, and Miles grabbed it, and threw it at the bailiff in hopes of saving his father. The gun fired and then Miles passed out. When he came to, his father was dead from a gunshot wound that Miles assumed he had caused. He lived with the horrific guilt of that for like twenty some odd years? Really sad. He cuts off all contact with his friends and becomes cold, and gets adopted into the family of a rival prosecutor. Manfred von Karma, a strict and greedy man, raised him as a prosecutor, and trained him to use any methods necessary to get a guilty verdict. Miles ends up being a pretty snotty asshole for a while because of it.
But later it’s revealed that what actually happened was when Miles threw the gun, it fired through the glass of the elevator door and hit a man in the shoulder. That man, Manfred von Karma, then picked up the same gun and shot into the elevator. The bullet hit Gregory and he died. Von Karma then took in Miles to prevent any risk of his murder getting out. Also just to be a dick because he didn’t like Gregory and just wanted to fuck with his family in general.
Once you prove Miles never killed anyone, it isn’t over for him. A few months after the secrets are out, he decides he needs to do a bit of self reflection and disappears to Europe. Except. He leaves a note on his desk saying ‘Miles Edgeworth chooses death’ and so everyone thinks he’s dead? Like you have to understand that Phoenix, the guy you play as, was his best friend in elementary school. Phoenix was so worried when Miles went off the charts due to von Karma that he based his entire law career around finding Miles again. And then once he’s finally freed him from his guilt the dude just leaves an ominous suicide sounding note and it just kinda wrecks everyone. But it’s fine! Miles comes back later, and he’s had some time to think, and hes now ready to prosecute again with better morals. He works with the player during trials, he like. Actively gives you evidence you shouldn’t have so that you can work together to find the truth. It’s very nice, he’s a great guy. He and Phoenix have a lot of romantic tension (it can also easily be read as two friends with a very deep bond but the fandom likes to read them as homos which I wholeheartedly agree with) and he has a lot of entertaining interactions with him in that vein. He has a chess set sitting in his office and one side is painted red, and the other is painted blue with spikes. Looks a lot like him and Phoenix.
That’s kinda the basics! That’s his whole backstory, he’s one of those people that have a really pretentious vibe but in actuality he’s just awkward and is trying to learn how to interact. At the end of the case where you prove he didn’t kill his dad someone tells him he should be celebrating, and so he clears his throat and says ‘wooooo hoooo’ in a very flat and monotone voice. But like he is doing his best and I love it for him. He’s really obsessed with this children’s cartoon called the Steel Samurai, he’s got like a giant statue of it in his office and he collects the trading cards for it. He gets very embarrassed if you try to bring thing up.
Unrelated to lore, his suit color can be read as the hex code #boob69. Just a fun tidbit for you. If you wanna know more I will gladly talk about more things, I think this is a good cursory look at his story though. I hope you like him he’s a neat little prosecutor man
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mettasing · 1 year
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the snow maiden opera kinda irks me. i dunno, maybe i am completely clueless but i couldn't help myself to not interpret the main heroine as nd and/or aroace and a tragic figure of one at that. like... every scene with her gives THAT VIBE. i can analyze stuff, believe me, i literally could be doing it for a living in a few variations of future, but some ideas are just born and left in dust cuz some people around you will just look at you and cringe. people around me aren't really educated on and/or fond of (to put it softly) neurodivergence and lgbtq+, i assure you. I👏NEED👏TO👏SHARE👏(ok i was referring to the imaginary audience).
but i won't do an actual analysis. i don't want to proof read and look up for opera text, yada yada i'll just write what i can remember. this text won't have concrete points, arguments and conclusions.
first, she's literally considered as an anomaly by the sun god yarilo who's so threatened by her existence that he fucks off and refuses to end the winter for 10+ years. (well if you look at east on map it's on the right side. fitting💀). she is a miracle, a child of spring beauty and grandfather frost, literally not from this world, she doesn't understand love, a feeling that represents humans and separates mystical and real worlds.
during the opera she constantly appears in the centre of various awkward situations... to say the least. like. lel'. he's a human musician and the reason why she wants to fit in with humans. she was enthralled by his songs and in the prologue she begs her parents to let her go to berendeians. she doesn't understand what lel' means when he asks her for a flower when he performs a song for her. she interprets his request literally and wonders why he can't pick the flower himself, when in reality he means her attention, her affection for his song. and he's sad that she didn't know what he meant🥹🥹and in the end she is so awkward, dumbfounded by him going to other girls. later, when her conflict with inability to feel love reaches it's peak she thinks that she WANTS TO BE WITH LEL' CUZ OF HIS BANGERS BUT HE CHOSE ANOTHER GIRL AND SHE GOES "why not me? am i not beautiful? i think i am... why this girl? why is she better than me? why you chose her over me? what she has that i don't have?". she is fixed at the idea of love, but until the end she doesn't even know what it feels like. she genuinely doesn't understand what's wring with her, why she can't find a place in human realm? she thinks her "inability" to love is her flaw, and she dies when she finally "feels" it. but i never found her expression of love as genuine. it is intoxicating and overwhelming for her, it fucking kills her.
a place... ha-ha-ha. "feels" it.
why else i can't find her feeling of love genuine? mizgir, that's why.
fuck mizgir. all my homies HATE mizgir. he gets pity only in the end when he [insert washed-up russian rock joke; also cannon bomb] himself, and it's brief because goddamn that would be traumatic to see anyway.
i know one person who thought this guy was cool and "HiStOrIcAlLy AcCuRaTe🤓🤓🤓" (it's a fucking utopian fairytale??? my guy???). and this person would get an F- in ethics (not really because any teacher will give them a straight A even for the speech in defence of eugenics because they are a teacher's pet). so. it's not the main point.
mizgir is introduced and in his very first scene he dumps his fiancée only because he saw snow maiden ONCE. and he's really nonchalant about it with brilliant words like "well i loved you, now i love another". berendeians live in fairytale utopia. the don't have actual laws because their life is buit on traditions and mutual trust, their tsar is "perfect", a philosopher tuned to nature. they didn't ever knew that someone would just decide to break their way of life on a whim. everyone judges him, but naturally he doesn't care. well, he doesn't care about snow maiden the same amount.
mizgir👏is👏a👏rapist👏he promised berendey that he will ignite the feeling of love in snow maiden for spring to come. so, what's his plan? well. he explicitly wants to rape the girl who doesn't really understand his affections and his desire but is scared for her life because the guy is a predator and proud. HE THREATENS HER while chasing her through dark forest, and when she calls for lel's help (as she is still somewhat close to him and finds his songs comforting), mizgir mocks her. he wants to get her and show her his love. luckily, snow maiden's guardian, leshy, shows up – thanks to him and his ghostly apparitions, mizgir gets lost in the forest for some time.
meanwhile snow maiden feels anguish for her "alien" nature and asks her mother for help. love is something that keeps her apart for humans, so she wants spring beauty's guidance. her mother knows it would hurt her child, but she promised to help her daughter with anything. these... rather strange feelings... that snow maiden experiences. uhm.
her love isn't... pointed at something. i am not an expert in love, yeah, that's why i can find myself in heroine with her struggle, but she didn't live among humans at all, ok. the love she feels is... blinding. literally. it's not something she can comprehend, partly because she haven't been capable of catching it. it shooks her. she is entranced by it all the way until the end. she is falling into the hands of m*zgir (who happily proceeded to tell everyone that it was his doing) so freely, almost hypnotized. she's too enthralled by newfound sensations. doesn't matter why she loves him now. she just does. deeply. she will marry him. of course. she happily consents when berendey is like "are you sure? he's not forcing you?". her final air blurs the line between death and life/love. snow maiden's feelings are tormenting her, but also are extremely sweetening. she melts, literally and figuratively – from the sun and something entirely new and dangerous, something that she earned to have but now can't contain within. i doubt this is a kind of tale where love is celebrated at it's purest form, wild, bacchanal ecstasy. love is not even a central point of the story. can i even call it that?
snow maiden's "love" gives me the creeps. and when it dies with her, a living miracle, long cruel winter finally ends.
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findingroleplays · 1 year
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Lawyers, Lycanthropy, and Liminal Spaces
Howdy! 23M, searching for some extra original long term plots with my werewolf at law. 
Looking for a good character driven tragic romance with some monsters over a law/murder mystery/liminal backdrop. OOC chatter, art, headcanons, playlists, memes, ideas etc are great!
➼ Private Discord Server Only (US-MST) ➼ Characters 30-40 years old ➼ Writers 20+, ideally 23-26 years old ➼ Lazy Literate (3rd person past tense) ➼ NSFW welcome
3-5 para, sometimes more or less as the plot requires. I don’t care to be the length/grammar police, however, but posts should be readable and have substance. Quality over quantity!
I am often busy outside the roleplay, but I’ll generally try and post at least once weekly or so (and am generally always around for chatter), sometimes more if things are going fast/I have extra time. I am also super patient and will happily wait weeks for replies, life comes first!
Genres: Horror. Crime. Romance. Thriller. Slice of Life. Modern. Mystery. Realism. Fluff. MxF.
Vibes: Hannibal. The Good Wife. Unnerving Images. Cry of Fear. Trevor Henderson. Suits. Better Call Saul. Watch Dogs. Hozier's entire tracklist. The Shape of Water.
Dynamics: Werewolf/Human. Doomed romance. Angst. Ethical paradox. Slow burn. Hurt/Comfort. Rivals/enemies to lovers. Sad/bittersweet ending.
I am not interested in:  ➼ Pop Culture Animal Behavior / Omegaverse / Jurassic Worldism / Young Adult werewolf tropes ➼ Doubling  ➼ Writers age 19 and younger  ➼ Anime ➼ Werewolf x Werewolf
Got any other similar ideas? Lemme have em! DMs are always open!
dergenn#8301
dergenn#8301
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significantfoliage · 2 years
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911 S2 e14, at 9am cause my body is being annoying:
- FUCKING KONDO METHOD, CHIM YOU LEGEND
- has Maddie been seeing a therapist this whole time?? Has it been mentioned? Good for her but kinda wish we'd ever seen that
- Bobby I don't know what a sucking chest wound is, I doubt these kids know
- hey uh. How the Fuck are these events leading up to what looks like a gas main explosion?? Oh wait, and if Maddie is going back to work and the 911 number is down, does that mean that the call center got blown up
- lolllll love this kid being so participatory. Framing it as sucking up is great but I'm sure it's also part of paying one main actor lol
- Buck and Eddie herding children is adorable
- Harrrrrryyyyy don't give your dad a complex!!
- okay glad the call center didn't blow up or something!! But uhhhh dang there went the. Everything. Is this gonna be like a pointed crisis inspired by Verizon choking fire fighter signals and service during wildfire fighting a couple years ago?
- why is the FBI here???
- I'm once again saying I Hate BYSTANDERS.
- why does Maddie know there's 3 San Vicentes and this other woman doesn't?
- 38 years old is a geriatric pregnancy????
- STOP CLAPPING WHY ARE YALL EVEN HERE
- maybe Sonia isn't okay cause that baby is Too Big. Yes it's because having an actual new born in a show isn't feasible. Oh dang she died shit.
- ARE YOU SHITTING ME HOW, HOW DID SHE GET A PULSE AFTER 15 MINUTES???? DAMN THAT WAS A MIRACLE BUCKS RIGHT
- okay Maddie's supervisor/trainer being very gay coded has grown on me. I love him now
- I literally think these FBI people are the terrorists/hackers that caused the outage, I hate their vibes
- oh noooo Michael noooo don't be weird about this 😭
- I can't believe I'm wishing for Athena to come and be a mediator!!! She typically escalates a situation but bruh these are her men
- petition for Athena's family to stop dragging Michael's VERY TRAGIC BACKSTORY into like. Day to day arguments.
- oh hey! We're finally back to the opener!
- Omgggggg, Tommy from Chim's backstory!!!!
- bruh the fucking ladder truck broke??? For real??????
- you've gotta be shitting me, in what world does a gutter pipe hold but the fire ladder doesn't
- Eddie why don't you have a mask or something on
- lol poor Buck doesn't get to do a cool rescue maneuver, just Eddie
- genuinely dismayed Chim and the other crew didn't call in about the impending deluge
- chim being the miracle 🥺🤩 yes he is I love him!!!
- damn these FBI agents just. Wasted their whole day. How was step one for the 911 center not checking the power????
- the eldest daughter is played by a girl who is definitely older than first homecoming age but she does a great job + child labor laws and rights so whatever
- lolllll the suck up waffles, good luck Harry!!!
- thank God Michaels gonna be an adult finally
- okay okay. So apparently there's season parts A and B. So is this B? And is it's theme "hey emergency services is broke"
- this is even a good conversation! Good job Michael and Bobby!
- OH NOOOOO MICHAEL AND GLENN BROKE UP!!! GLENN BARELY EVEN GOT TO BE IN THE SHOW!!
- Bobby you are Buck's father, accept it
- oh noooooo, they're talking about the weather!!! That's not terrible but they had such a good vibe before Doug nuked everything 😭
- damn and Buck was right AGAIN!! She does need to move out!!
- I love how lazy they're getting with Chim's rebar scar, it's literally just a red X now lmaooooo
- 😭😭😭 I'm genuinely sad they're not gonna get their vibe back, like it makes sense but they were So Precious rip
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For each member of the Cullens, what do you think it would take for them to realize the extent of how unhinged Edward is and what do you think they would do about it, if anything?
Well, we’re going dark places today, aren’t we?
Alice
Alice is already fully aware of what Edward is, she simply doesn’t care.
There are visions that Alice misses, Edward thinks Alice misses the vast majority of Biology due to being hyper focused on Jasper (and likely missed the school massacre that Edward was seriously planning) but there is a lot she doesn’t miss.
Every time Edward thinks about how great it’d be to smash Mike Newton’s head like a watermelon, every time he considers devouring Bella, every time he enters her room unannounced to stare at her while she sleeps unawares, the time Edward considers genocide of the Quileute Tribe because of Jake’s telling Bella a story he doesn’t even believe, Alice knows.
It changes nothing for her.
She roots for Edward and Bella’s relationship, not because she knows for a certainty it will work out, but because it might. And that slim might, where Bella Swan might survive and become Edward’s lover as well as her own Barbie is worth everything they put Bella through to get there.
Also damningly, Alice cares very little for how good Edward is for Bella just as she cares very little for Bella period. Bella is Alice’s excuse to party and a dress up toy, but Alice will cut contact with her to a) please Edward b) prove a point to Edward.
Worse, Alice will take Bella to Italy, a city where she knows Bella will be killed with a 90% chance upon entry, on the slim chance that they might prevent Edward’s suicide. Yes, she vaguely explains the risk Bella’s taking, but she doesn’t say it in clear terms nor does she waste much time arguing.
Edward is far more important to Alice than Bella.
What I’m getting at is, thanks to her gift, Alice is intimately aware of just what Edward is capable of. She doesn’t care. And yes, there’s something to be said that Edward, more often than not, does not act upon these futures and he shouldn’t be condemned for choices he does not make. However, he does make some of them, and Alice knows.
There’s nothing I think Edward could do to either inform her that she was gravely wrong in how she perceived him or drive her away. Alice would be disappointed he’s thrown the family into such disarray but most likely would try to steer him away from whatever choice would cause such a rift.
She would aid, abet, and enable him because that is what will keep the Cullens together. Which is something Alice very much wants.
Carlisle
Carlisle lives in a river in Egypt, the water is made of double think. There are strong hints that Carlisle’s family is not quite as gung ho or altruistic about the diet as he is. Instead of being appalled, Carlisle quietly lowers his standards, and gives enthusiastic applause when Edward does things like choose not to brutally murder the serial rapist who nearly raped Bella. This is big growth for Edward! He also takes measures like sending family members who have accidents to their victims funeral, in the hopes that something, maybe, might make them see humans as people worthy of life.
If you asked him though, he’d talk about how amazing his family and the Denali are for the diet, and how he’s so proud to be a part of this community that values human life. LOOK HOW MUCH THEY VALUE IT.
When it comes to Edward, I think Edward holds a special place in Carlisle’s heart. He was not only the first person he turned, but Edward left and came back, to Carlisle this signaled that he’d found meaning and purpose in preserving human life. More, Edward... is very good at hiding what he is and is desperate that Carlisle above all others never see it.
Rather than have a conscience, most of the time, what stops Edward from “you name horrific action” of the day is the thought of “What would Carlisle say?” 
My point being, from the outside, especially to Carlisle, Edward truly does look like a noble soul. There are... flags, but they’re easily ignored or written off as issues with Edward’s emotional maturity.
Where Carlisle starts getting concerned is with Bella. Edward leaves for Alaska, great, Carlisle’s proud he was able to make that decision and know his limits. ThEn EdWArd CoMeS BaCK.
Edward comes back, in a week, nothing has changed, and he refuses to leave. Carlisle talks to him, Edward’s thinking he’s better than Hamburger and he can’t let her win, what he actually says to Carlisle is something along the lines of “I can’t run from my fears” Carlisle does an upside down smiley face then says, “Yes, you can, please do” And Edward doesn’t.
Things with Edward and this girl get progressively weird, but Carlisle is very proud that Edward sees the value of human life and not murdering a girl for being nearly hit by a van (this is how low Carlisle’s standards have become), and then Alice goes, “Oh, by the way, Edward is in love with this girl!”
Carlisle just sits there, “Alright then” and quietly puts aside his dreams of moving to a town where Edward doesn’t eat Bella Swan.
But I’m getting off track, this isn’t about canon where Carlisle can explain Edward’s actions away as noble but extreme, emotionally immature, and misguided.
Eating Bella’s not enough. Carlisle will see this as a tragic accident, something he foresaw, but something he assumes will haunt Edward for eternity. And, as it will haunt Edward for eternity (though not for the reasons Carlisle assumes) there will be nothing to make Carlisle question Edward’s character. He was young and foolish to think his limits were endless, but this was a tragic accident.
And it’s something, that in canon, Carlisle is hoping won’t happen but expects with helplessness.
I think there are a number of things that could do it. Had Edward eaten Biology, had he decided to defy Volturi law by eating Saint Marcus’ Square, but staying closer to the realm of possibility...
Had Edward forcibly aborted Bella, murdering her and her child in the process, or else if Renesmee didn’t have her gift, and Edward murdered her after her birth (assuming Jake didn’t get to it first).
Those actions cannot be excused away nor cannot be seen as tragic accidents. They are premeditated and evil, and yes evil is a strong word, yet here we are. This is Carlisle staring in the face of madness.
And that’s what it will take.
If Edward cheats on Bella, then while Carlisle is sad and disappointed, affairs happen and passion fades. More, Edward and Bella married awfully young and barely knew each other, this perhaps isn’t surprising.
If Edward eats a human Bella on the day she’s supposed to be turned, in very suspicious circumstances right at the last minute. Carlisle will know, deep down, but never allow himself to believe it. He’ll think Edward is utterly devestated and had let his guard down on that last day in anticipation of Bella’s turning.
This though, there’s no denying this.
I don’t believe Carlisle can kill Edward. Murder is not in his nature, and more, Edward is so dear to him. And now that this has happened, Carlisle would blame himself in part because surely, the human Edward Masen would never have become this. 
He’d likely reach out to Aro. Eclipse has happened, but not Breaking Dawn, and more everything is in question. He has to know the truth from a man who has seen Edward’s very soul. He goes in person, likely tells Edward his plans, and Edward rages but that doesn’t stop Carlisle.
Rosalie (more on her below) would never forgive Edward, ever, she is done. She and Emmett likely go with Carlisle to Volterra to hear the truth of what Edward is. Esme stays behind with Edward, torn in half, but unable to leave his side in this time of crisis. With that, her and Carlisle’s marriage completely dissolves on the spot. Alice stays with Edward as well, which means Jasper does to, though this likely starts the gears in head and he begins to contemplate leaving his wife. Though I imagine he won’t act for some time.
By the time Emmett, Rosalie, and Carlisle reach Volterra the coven is broken.
If Bella survived, if Edward murdered Renesmee while she was out of commission for three days, then I imagine she too goes to Volterra. Not for truth, but so that Aro can murder her, because there’s no point in living anymore.
Emmett
It would have to be beyond the pale extreme because Emmett gets more hints than most of the family (i.e. Carlisle and Rosalie).
Edward doesn’t really confide in Emmett, per se, but he does say some pretty damning things on their hunting trip in New Moon and give off varying vibes of crazy. Rather than realize that Edward, perhaps, is dangerous, Emmett only gets the feeling that Edward might not be alright in the head. Mostly, Emmett doesn’t want to think about it.
So he gets to listen to Edward raving about how Bella could be crushed by a meteor, wondering why Edward even cares when two days ago he didn’t give a flying fuck about this rando tasty human.
To Emmett, Edward has been laughing madly to himself for days, is now a  paranoid wreck, and is starting to creep him out but... Maybe if he ignores it, Edward will go back to normal?
Not helping is that Emmett doesn’t care about human life. He’s constantly telling Edward to treat himself and eat Bella, in a manner that suggests he vicariously wants to live through the delicious experience (as well as get Edward to calm down). 
If Edward eats Bella, Emmett will slap him on the back and say “Good job, bro!” If Edward eats Bella after the whole “love” thing, well, that’s weird, but, uh, “Sorry, bro?” If Edward murders all of Biology...
Then Emmet might do a double take and think, you know, maybe something’s not right with Edward.
I think he’d suggest he and Rose take a very long vacation and wait for things to calm down. Hoping that, if he ignores this, it will go away and Edward will return to a... saneish person.
What Rose thinks is a different story.
Esme
There is nothing on this planet that could tear Esme away from Edward. Esme’s purpose in life, the thing that gives her joy each morning and each night, is her family which you can condense down to Edward: the best and brightest of all of us.
We see it in canon.
The day after Edward decides he’s in love he acts like a lunatic. The car smells like Bella, as he kidnapped her for a ride home (Bella did not realize she had, in fact, been abducted. Edward does for two seconds then says to himself, “No, no, this is--completely necessary. I’M A MONSTER”
Jasper, Alice, Rosalie, and Emmett get to ride home in this Bella smelling car. Edward keeps laughing, like he’s in an opium den, it’s fucking weird. Edward offers no explanation, the car always smells like Bella, what are you talking about?
Edward then skips to the piano, giggling to himself, and sits down to compose. An action he hasn’t done in years. He’s still grinning and giggling to himself, by the way. Alice joins him at the piano, being equally cryptic and weird as usual. For some reason, Rosalie leaves the room in complete humiliation and shame. This is never explained to anyone watching.
Esme is sitting in the room, taking this all in, and thinks nothing. Instead she smiles, at beautiful Edward, and asks him to play the song he composed for her. She’s so glad to see him filled with joy again. She tells him that he is the best and brightest of all of them.
Esme later gives Edward her pretty much express permission to eat Bella if the girl is causing him such pain and misery. Luckily for Bella, Edward’s in love. So he passes on that and assures Esme the most wonderful thing has happened, he is in love.
My point being, Edward could drop the corpses of the students he murdered in Biology so he could more efficiently eat Bella at Esme’s feet and she wouldn’t blink. It wouldn’t even process for her. Esme would continue carrying on as Esme, nothing changing, while the rest of the family stares agog at the city Edward just murdered.
There is nothing Edward could do or say that would ever change Esme’s mind and she will always treat him as her favorite child.
Jasper
With his gift, I imagine Jasper suspects. Edward loathes Rosalie, despises him, and his feelings for others are... strange. He holds indifference and contempt for mankind and when it comes to Bella. Woof, what a cocktail.
He has no proof though, but I imagine if the smallest thing comes into his lap, that suspicion would become a certainty.
As for what he’d do, it’s hard to say.
I think, in most scenarios, he’d look the other way. Yes, Edward is a monater, but Jasper to is a monster if for different reasons, he has no room to judge. More, Edward is in many respects the heart of the Cullens, far more than Japser himself is. If Jasper goes causing strife, making accusations the others may or may not believe, then the coven could collapse.
This place, these people, are what Jasper thinks he’s been searching for all his life. For the first time, he knows peace, and is trying to live a life where he doesn’t persist in agony every time he succumbs to eating. Jasper is not going to risk that falling apart, even if he finds Edward unpleasant.
And if Edward keeps it to himself, or if the occasional human is the victim, then that’s a price Jasper is willing to pay.
Jasper might actually get concerned when it comes to Bella. For all Bella’s not very close with him, he holds her in very high regard. He nearly devoured Bella, and she forgave him, she forgave him his monstrously brutal past and has never flinched from him. She is a reminder of what humanity can be and why it’s important.
If he realized the threat Edward is to Bella, not just in eating her, but on a level much darker than that, then he might start to act and would probably try to get Bella to leave while she could. However, he also likely knows Bella would never listen, because she doesn’t see what Edward is and nothing would convince her otherwise. Not to mention, as soon as Jasper knows, Edward will plot against him so that no one in the family will ever listen to a word he says.
Not to mention that Alice, of course, must know and doesn’t care. That will be quite the blow to Jasper taking any action.
Barring extreme circumstances, Jasper does nothing, he just watches and waits to see what the others do.
Rosalie
For all that Edward doesn’t bother to be nice to Rosalie, and is ready to lay into her at a moment’s notice, he’s very dear to her. He is, in all regards, her brother and she cares for him deeply as she does the family as a whole.
Rosalie has no idea what he truly is and it would take a lot for her to accept it. More, unlike Carlisle, although she prizes human values and tries to hold herself to human standards her morals have slipped enough that she genuinely advocates murdering Bella Swan in her sleep so that Rosalie won’t have to move.
Murdering Bella won’t be enough, Rosalie will see it as the accident that could have been avoided if Edward hadn’t insisted on being a fool. 
I think, for Rosalie, the best way to drive it home would be a sexual crime. Had Edward forced Bella’s abortion in Breaking Dawn, that would have done it. First, it’d be such a messy, bloody, affair at that point and would look like a horror show (which means Edward’s more than likely to eat Bella in the process). Second, this would be Edward taking the child that Bella wanted, tearing it from her and murdering it, and performing the most vile action that Rosalie can likely even contemplate.
I don’t know what she’d do, I don’t think Rosalie’s capable of killing Edward, she cares for him too much, even after something like this. However, I think she would make an ultimatum to Carlisle “either he goes or I go” and then would never speak of Edward again, he’s dead to her.
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aquanova99 · 2 years
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When I tell you that I am sleepy, im telling you I typed this ask twice in the search bar. 😫
Have you given your in-depth thoughts on Esme before? Thanks to many in the fandom yourself included, I’ve grown to like Jane, Rosalie, and Leah. I wanna love the women so bad (minus Alice). But tell me, do you think Steph just did her dirty? Do you think she’s a doormat? Is there something in her that you like that I can’t see yet? She’s gorgeous, but her characterization is hard to want to defend.
I have to agree with you anon, love Elizabeth Reaser but Esme seems to be lacking. Its no ones fault but SMeyers, but we are just not given enough. And what we do get is pretty strange.
I don't necessarily see Esme as a doormat but as someone who needs is clinging to this illusion of a perfect family. She's a stay at home mom for kids who don't eat, don't make too much of a mess and don't need to be coddled/cuddled. What on earth is she doing all day? They don't even have any dust to shed, so she cannot be cleaning endlessly. Does she just watch daytime soap operas and Ellen? She doesn’t even have a car, I’m so serious it’s in the illustrated guide. She can’t even pretend to be human. I mean we know her control isn’t great so it’s probably for the best but still, give her a minivan for gods sakes. As another woman with a terrifying tragic backstory, you would think there was more depth but the more you peel back on Esme we just get nothing? No thoughts head empty kind of vibe. I say this because upon trying to find exactly what chapter it was (Eclipse CH 9 btw) Esme suggests that a vampire might be in Bellas room because they are curious about the Cullens and they might not have any bad intentions. Ma'am, your future daughter in law is walking safety hazard to herself, please get it together, no random vampire is going to come in a humans room looking for more vampire friends.
She also does not seem to care for human life as much as the Cullens all say they do, since we see in Midnight Sun that when Carlisle sent Esme to try and get her to tell Edward he should stay away from Bella, Esme is perfectly fine with him eating her if it makes Edward happy and less stressed. I--
And while we are on Edward, there does seem to be that weird boy mom energy with him. She tells Bella hes the best out of all the Cullens, like her other "children" aren't right there??? I mean most likely Edward reminds him of the son she lost and what he may have turned out to be, but Edward is quite literally a weirdo. But at least if SMeyer had dug into that maybe it would have made her character more interesting. Instead she is given the ability to love? I just dont really get that. Shes also more than happy, and not at all triggered by Ragdoll. Bella is the hero once again because her daughter (that she never takes care of) has given Esme, and Rosalie the fulfilment of the baby they lost or never had.
I would have loved if after Bella took Rigatoni, she pulls Carlisle aside and says she needs some time away because shes realizing that it isnt her baby and it never will be. And the sped up process probably would hurt her too.
There isnt really anything to hate about her, she is the only Cullen besides Carlisle that doesnt call Jacob and the rest of the Quileute's dogs or mutts, so she does get some bonus points there. I think my biggest disdain of hers is how much she enables Edward. Not in the way Alice does, just in the way that he can seem to do no wrong. Rosalie even calls herself and the others substitutes. Which is so sad, but Esme is only like 26, so the Cullens probably cant fit into the ' i need to protect these babies at all costs,' it probably breaks the illusion. Which is why I imagine Edward, a boy that was probably skin and bones about to die of the flu probably brings out her maternal side, he is going to be permanently look like a sick child that needs her care, because as much as everyone loves Rob, Edward was only 17. A sick, almost dead 17 year old boy from the 1900's, mans was itty bitty (theory???that thats why Bella also was drawn to him, since she always feels like she has to take care of people)
Honestly, I think I wrote her as an unhinged antagonist once because I feel like she could be in the right circumstances, but because of the lack of information she could go either way. She's just another character we have to like because she likes Bella. Even then, its always to serve Bella. I have my own headcanons on how she should be because in the end, if we go by SMEYERS CANON then we know that the mindset you die in, is the mindset you stay in. Meaning Esme should be terrified of being intimate with a man even if it is Carlisle. Probably more so since her first husband was so charming until he wasnt. She should be in a state of constant depression because she literally unalived herself. But she was turned and wheee I get to be with the man I had a crush on when I was a teenager (we are not digging that up) and wheee I get to be a mom to an angsty emo child.
To give her some hope, I will say that its all a trauma response, which should be plausible thanks to canon but in my world it can. But boy, getting her to open up to some kind of vampire therapist and who knows what they could find.
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blrush · 3 years
Text
Rec List Request
A personalised list for @jammy-boy 🥰 could be of interest to others, so enjoy!
Basic requirements: - just finished and loved SOTUS - is Arthur/Merlin trash - loves a twist or reversal of classic “power-dynamic” - loves angst with happy ending ______________________________
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Theory of Love
Film student Third (Gun) has been secretly in love with his best friend Khai (Off) for three years, but Khai is straight, a massive player, and a total arsehole if we’re being honest. This starts painful, but then they start playing around with tropes and expectations and then it changes POV which just HITS so hard and completely changes your whole perception. You know the movie Flipped? It references that, and then does the flip - so good.
Knowing the level of pining, pain and angst that you love (plus your background in film studies) I feel like this is required viewing. Get out the tissues. But also, it’s still really funny and cute/dumb (cause gmmtv) and the production was excellent. Also, Off/Gun are PEAK natural chemistry and Gun is such an incredible actor that watching him cry or yell at someone is still preferable to other actors being happy.
Watch on YouTube HERE
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He’s Coming To Me
Precious baby boi Singto plays Med, a ghost, who is is stuck in limbo for 20 years - until he meets a boy who can see him, Thun (my baby boi Ohm) who promises to help him figure out his unfinished business and cross over. And then they were roommates! And then they start falling in love and it’s ANGSTY because they know Med will have to leave one day. Ouch, my heart.
You will enjoy the mixture of domestic fluff and tragic angst in this. But don’t worry it has a happy ending (kind of, I think, from memory haha). Also, you will enjoy the fact that they can’t touch (cause, ghost) which is *chefs kiss* except for moments of heightened emotions when Thun’s powers become strong enough that he can touch Med (FUCK YES, THIS TROPE IS EVERYTHING)
After much whining from fans, they put it up on Youtube haha so watch HERE. 
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Until We Meet Again
ANNGST. RE.IN.CAR.NA.TION. ANGST. What else do you need to know?!?! Reincarnated soulmates trope?!!? HELLO!?!?  It’s so beautiful. I’m still not over it. And yes it has a happy ending, it starts super sad, then ends up super fluffy and the romantic fluffy moments oh god it’s so romantic. I know you love like soft domestic food sharing etc - this show is ALL about the cooking.
The casting, the characterisation, the acting, the story, the music, even the friendship group and the side-couple, it’s perfection *chefs kiss* PERFECTION
Watch on youtube HERE
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A Tale of A Thousand Stars
After the lovely volunteer teacher Torfun dies (RIP poor torfun) in a tragic accident, her heart is transplanted into selfish pretty rich boy Tian (played by the beautiful Mix). After learning of her selfless character, he feels guilt and shame for living (the angst is very real) and makes it his mission to complete her life’s wishes and follow in her footsteps. 
As the new village volunteer teacher, he then falls in love with the very handsome and very shirtless chief Phupha (Earth), who lives to protect the trees, we stan an environmental man. Angst, fluff, complications, and many miscommunications ensue. I was tearing my hair out by the end of this show. Yes, it has a happy ending (eventually). Earth x Mix was a pairing we did not know we even wanted or needed until this show happened and now I cry every time I see a picture of them together. Every single time Phupha looks at Tian in this show I literally tear up. HE LOVES HIM SO MUUUUUCHHH *crying again*
Watch on youtube HERE
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I Told Sunset About You
Childhood best-friends, turned enemies (for stupid kid reasons), to lovers. This is ANGSTY but so fucking beautiful it’s ridiculous. I wouldn’t even class this as “BL” because it doesn’t have any of the standard tropes, and there’s no silly sound-effects or innuendo jokes. This is like genuine lgbt+ indie-film realness. You can honestly just watch it for the cinematography and the music. The AESTHETIC of this show is what truly makes it special. The symbolism, the colours, this show said CINEMA. And the sexual tension is absolutely WILD. You will live for the angst (with a happy ending). And no, do not bother watching season 2, it’s perfect as a stand-alone mini-series. (I’m still upset).
Watch HERE 
and now for some stand-out non-Thai series...
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Where Your Eyes Linger
Korea has gotten on the BL train, and has now made a whole bunch of viki mini-series that are all cute but this one is right up your alley. This is VERY merthur. It’s literally servant/master, bodyguard/prince trope. But, I thought the characterisation was nicely thought out and wasn’t what I was expecting. The tension is palpable, the angst is juicy, and the soft kdrama vibes are cheesy and wonderful. Angst with a happy ending (of course).
Watch on VIKI
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HIStory 3: Trapped
So the Taiwanese HIStory series has been around forever, and I love the whole series (History 2: Crossing The Line is my all time fav). But for youuuu, I think the most appropriate is Trapped. Police detective single-mindedly obsessed with a gang leader? Yes please. But whatever power-dynamic expectations you would have of a police/criminal couple are twisted and warped immediately! This series is so endearing, it’s mostly comedy/action, and whilst it has plenty of angst, mostly it’s just CUTE as fuck. Also the side couple are adorable too!
The whole History series is on Viki now yay!
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The Untamed
Look, I KNOW 50 episodes of plot-heavy chinese historical fantasy is a lot. But there’s a reason this show was soooo popular. It only took me like 3 attempts and a whole ass “guide” pdf to figure out what the fuck was happening in the first ep cause its non-linear. But, if you are in the right mood (ie; sick, or in lockdown) and need something to get completely LOST in for like a week, then watch this haha. I know you couldn’t make it through Guardian, but maybe this one will hit the spot.
This has all the angsty character tropes you live for. And cause it’s censored, there’s no actual romance, so instead it’s just the best kind of UST, character driven, emotional soulmate angst. To summarise: Wei Wuxian is; adopted, a trouble-maker, impetuous, head-strong, fun-loving, has a martyr complex and wants to save everyone. Meanwhile, Lan Zhan is; lawful good to a fault, stoic, shy, and has a martyr complex about saving Wei Wuxian and Wei Wuxian ONLY. Now throw them into the middle of supernatural / political turmoil and see what happens. Well I’ll tell you what happens, Wei Wuxian becomes the “villain”, gets killed, and Lan Zhan spends 16 years looking for him. FUCKING KILL ME OKAY. (No, that’s not a spoiler it happens in the first episode haha)
Do NOT watch on Netflix the subs are trash. Watch on Youtube or Viki
 ~ ~ ~
This list may seem long but I was VERY reserved in my selection okay you have no idea how tiny this tip of the iceberg is 😂
Also, knowing your love of no-touching, tension, and angst. I would also briefly draw your attention so School 2013 in my bromance list which is the single most angsty show about friendship ever made.
Enjoy!
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mrs-nate-humphrey · 2 years
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I know you’ve mentioned before that you don’t like Nate getting into politics, and I totally agree with you! I even remember watching the finale when I was 12 and finding out that he was running for mayor and I was like, that’s not right...
But I literally have no idea what I would want him to do??? Like, at all???? So, I was wondering if you had any thoughts on that, cause your gg opinions are literally always on point.
I also to this day can’t decide what I think about the Spectator arc. I mean, journalism def feels better than politics, but that whole thing was also started with William and Diana thing, which was... yikes. But in the end he DID break away from them, and I feel like that piece he wrote after William tried to use the Spectator to further Tripp’s career was a real high point for his character. Can you see may dilemma here? What do you think?
Idk, Nate’s just my favourite character (out of the mains who stick around through the whole show), and I very much relate to him on like a neurodivergent level... I just need to replace canon with something better in my head.
hi, sorry about taking a while to come to this! i've been kind of unwell, RIP, and wanted to answer when my brain was like, more present & all that. nate being mayor sucks, because it has such a vibe of him giving up what he wants for whatever his family wants from him ("darthmouth, law school, blair, that was the plan nathaniel," etc etc).
i also don't like the spectator arc for nate at all? like it was so opposed to what nate was actually passionate about, it just didn't make any sense. if he really wanted to break free from his family and do something for himself, why would he choose journalism? from whatever we've seen of nate in the show, i think it's safe to say that'd actually be a really unfulfilling career path for him. he could've chosen to break free from his family by getting a job that's more aligned with things he likes, or at least, things he doesn't vehemently dislike. imagine how much fun it would've been if he'd decided to try his hand at becoming a professional chef! or something new and unexplored, for him, like that.
& your point re: the spectator arc/nate's family.. while i get what you're saying about him trying to break away, it didn't feel like that to me, tbh. it felt so much like he wanted a fresh start, but his grandfather did everything he could to control nate & get nate where he wanted him to be, if that makes sense. and yes, in the situation nate tried to make the best of things, but to me it feels tragic as fuck. and kind of horrible - the sense that no matter what nate tries to do, no matter how far away he tries to get from his family, they're right there, breathing down his neck. they just won't let him be his own person. it makes me wonder what happened to nate during those 5 years of fast-forwarding before the derena wedding & finale... did he try and escape his family more times before realising there was no way he could get out of their grasp, and is that why he succumbed to running for mayor? dammit, i'm sad now.
anyway! i skipped the first question so that i could come to it last, and i've put it under the cut here. so... potential careers for nate that i actually really like, under the cut, here you go:
i like the idea of him being a physical education teacher in high school, like, a lot. i think he'd be really good at it, and unlike some of the absolute garbage instructors i've seen, he would like... be mindful & considerate of kids' feelings and not comment on their bodies or fitness levels in disrespectful ways? you know what i mean.
he could also become a professional athlete? dude was the captain of three different sports teams in high school, come on natie, join a sports team as an adult for REALZ
horseboy!nate is very close to my heart so. i love to think of him doing some job that involves that. riding instructor who works in the stables? racehorse trainer? i don't know, i'm very much not a horseboy. but. yeah.
kindergarten teacher natie!!!! this one is really beloved to me. i am gonna write milofic with date endgame about it someday... milo's in kindergarten, nate's his teacher, dan's the hot single dad, you see where this is headed....
i like the idea of nate running vlogs, like "how to" vlogs, for people who are new to adulting, or whatever? i think he'd find it satisfying AND he'd be good at it. stuff like "how to cook if you're living alone," "how to file your own taxes," "how to assemble furniture from ikea" (bonus video: "how not to assemble furniture from ikea"), & i think he'd have a really good brand of like. humour & sincerity? like he would have "how to cook" videos but he would also have "i burnt breakfast again" kind of videos. idk, i just like natie being able to leave the sheltered bubble that is the van der bilt hivemind & do his own thing - and find joy doing his own thing! and share that joy!!
in that line - an arc i LOVE for nate is nate deliberately working jobs like customer service/retail & all that just so that he gets that experience and learns what that is like. cashier natie my beloved... i'm actually writing that one into a fic, lol. but just stuff like that.
nate & vanessa working in a coffee shop together.......
flight attendant nate...
okay, this one is a favourite: tour guide nate!!! like, one of those guides who escorts a group of tourists around a city and tells them about the history and monuments and shows them the sights. i mean, he canonically did do this with raina, but of course, as a tour guide, there'd be... less romance in his job, LOL.
im suddenly thinking of nate being a cab driver and i'm really into it, idk what to tell you.
mechanic nate! but mostly just for the potential datefic. dan's car breaks down and nate's there to fix it and dan can't stop staring at nate's arms, good lord,,
jokes aside, there's something really good about nate specialising in repairs of some sort. any sort! hardware repair, clock fixing, plumbing.... it doesn't matter whatever it is, i love the idea of nate making broken objects better.
nate would be really good at being an actor or a model i feel, but i think those jobs would make him miserable, so unless we're looking at angsty/whumpy fic premises for him, that's not what i wanna see him doing
i know that both S & liz have mentioned social worker nate at some point, and while i personally don't really see it, i do think he has the right skillset for it & that it's a cool headcanon!
someone - i don't remember whom, i think it was leila but i could be totally mistaken - said something about nate being one of those counsellors who work in school & yeah, he's definitely got the right skillset for that.
i definitely forgot some, & if my mutuals want to reblog + add please go ahead!
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sybilmarlowe · 3 years
Text
Since I joined the One Piece fandom, I was asked different times which character I ship with Doffy the most. Given I'm usually into self insert things, I'd firstly go with "my OC, of course 😛"... But let's talk about what I think of Doffy's most famous ships 😁
DISCLAIMER: all of what follows is TOTALLY my own opinion, don't want to judge anyone who thinks differently than me. OP is a fictional world made of fictional characters and anyone can ship whoever they likes!
So, here's the ships:
Doffy x Viola
Ok, let's start with what many people's don't want to hear: this ship is canon. Yeah. Like it or not, it's a matter of fact.
I honestly like them together, they're a weird couple but somehow they work. I like to imagine how could have been the dynamic between the two of them, and I'm more than sure there was nothing abusive from Doffy's side. I mean, sexually at least. I agree with the fact destroying one's whole life and Country is pretty abusive, but I'm quite sure the feelings between Doffy and Viola have been real for a while. Maybe the concept could sound trivial, but no one chooses who to love and Doffy has many characteristics which may definitely make a person fall for him. Not totally sure HE has ever truly loved her, but I like to think so. After all he does have a weak side and Viola might have been one of the few (even thanks to her powers) who managed to see it and knowing him deeply. This surely strenghtened their bond and it might have finally resulted in love...
My vote is a 8/10
Doffy x Cora
This is incest. I know. And it's indeed problematic and controversial. Irl a thing like this isn't exactly acceptable.
BUT as I told before, OP is pure fiction, so... I have to say quite like them tbh. In my opinion, as long as a relationship is adult and consensual there's nothing deeply wrong in it IN FICTIONAL WORLDS. (I know, there are fanfictions in which their relationship is abusive, but since we’re talking about headcanons here I like to think it’s not). Have you watcher GoT? Cersei and Jamie were one of the best written pairings in the whole series, the same goes for this situation imo, we have all the conditions to make this ship a sensible one.
They’re a realistic couple cause they went through a lot of difficulties together and, even if they chose different paths of life, their bond is very very deep. Their love is a desperate one, like “you’re the only one in this world I can REALLY trust”. This from both sides. The difference is that Cora is a pure person who just want to love and being loved while Doffy... well, he’s not exactly mentally healthy and he’s like “all or nothing”.
A lot of angst and stuff, of course, for this reason my vote is 7/10
Doffy x Crocodile
I’m sure someone out there is going to want my head for what I’m about to write, the DoffyxCroco fandom is huge after all... but... 
I don’t like this ship at all. 
Given one can ship two people with no reason or just because they wear matching colours and look good in fanarts (?) imo DoffyxCrocodile has no sense. They interact, yeah, but nothing about their dialogues or shared scenes makes me thing they could be a good couple. Even that most famous encounter at Marineford which made fanpeople scream... They looked just like contenders who quite disliked eachother, nothing less and nothing more :/ and Doffy saying “I’m jelous!” just gave me the same vibes of a childish sacrastic way to piss off a person, pretty much like the stupid classic “you fight like a girl!”. 
They’re aesthetically beautiful, nothing to say, they’re both among the most handsome characters in OP  and have a similar story, so I’m not saying I don’t understand the reasons of those who ship them... Just... I want ships to be stronger and more credible than this :/
6/10 just because they look good in fanarts XD
Doffy x Luffy 
This is pretty diffused, but..... why. 
I mean... what happened between the two of them which could have made them fall for eachother?? D: Have you ever tried to date a person after trying GearFourthPunch them out of the troposphere? °A° (Also, Luffy could LITERALLY be Doffy’s son. This is weird. Not the weirdest thing, but still.)
Srsly... If you like them together I ask you to tell me which dynamics are there behind this ship. Cause I really can’t see WHERE do you see even a little trace of feelings between the two of them D: 
Sorry D:
3/10 
Doffy x Law
Gods, yes. YES.
This ship HELLA works from every single point of view. Doffy and Law are two of the most (if not THE MOST) well written characters in the whole series. They have a complete and complex background, a deep and multifaceted personality and, above all, an extremely strong bond. 
Ship them or not, they’re literally OBSESSED by eachother for different reasons.
 Law is the ONLY man Doffy considers almost his equal, he thinks he’s like the only person worth being his right hand man and I’m quite sure he’s galvanized by the idea Law is the one who’s gonna sacrifice his life to make him immortal. Like... a great life to complete an even greater one? This is insane. And yet beautiful. 
On the other hand, Law’s thoughts have been completely centred on taking revenge on Doffy for 10 years. Like, he was literally obsessed by that man, consumed by the hate he felt for him which obscured anything else, even his maniacal good sense in the end. 
Turning this all into a tragic and tormented love story is as easy as drinking water. A long-term reciprocal hate mixed with a deep admiration for eachother (even from Law’s side, after all Doffy was the one who thaught him almost... everything?) which slowly turns into something terribly different. Imagine the tension between two arch enemies who have to admit their hate melted into passion... and yet still have this latent feeling of wanting the other’s death.......
Don’t know what’s your opinion about this kind of stories, but for me, the self proclaimed Queen of Angst, in love with the most tragical Theatre and Literature... THIS IS GOOD STUFF. 
10/10 HANDS DOWN.
Doffy x Trebol 
What tHE ACTUAL F***K. 
-10/10 
Doffy x Bellamy
Please, no. 
Alright, I hate Bellamy. He’s exactly the kind of character I find terribly pathetic and incomplete. He barely has a personality of his own, he’s a wild fanboy with nothing original (not like Barto. Barto is the best fanboy ever. All my love goes to Barto.). 
Now, he spent all his 34 years of life trying to... imitate Doffy? And yet he doesn’t even manage to truly understand him. So he’s worse than a fanboy, he’s attracted to the idealization of a man who’s not even half of the things he expects him to be. This is sad. Really sad. And call me a sadist, he deserved being humiliated imo. Maybe this helped him open his eyes and getting a life. Seriously. 
It goes without saying I totally can’t see how a relationship between him and Doffy could work. Doffy despises him, the only kind of plot this thing could have is a quite abusive one :/ and since I deeply dislike abuse.... no. This ship is totally out of question.
0/10
Doffy x Monet
This is another ship which barely touches the canon. I sincerely think the "love" between the two of them is pretty much unilateral. Doffy respects Monet, he deeply appreciates her abilities, intelligence and loyalty, she's clearly among his closest subordinates, but... He doesn't love her in a romantic way. As for Monet, she's totally in love with him, she'd kill and die for him. And in fact that's what she does in the end.
Monet is not among my fav characters, but I still feel quite sorry for how things went for her. She gave her everything away for a helpless, almost obsessive, love.
If something between the two of them really happened for real, I think it was merely physical.
For this reason, tough I have to admit they'd actually look beautiful together, I can't ship them :/
5/10
Doffy x Vergo
Ok, I dislike Vergo. He's quite a flat character imo, don't even like his design 😅 I don't ship him with Doffy for this simple reason, but being honest they could perfectly work as a couple.
Vergo was among Doffy's very first "real friends", he was among those who were considered a family by him and, most importantly, he was the only one around his same age. They literally grew up together, likely supporting each other, and I wouldn't be honest if I said this has no chance to be a good assumptipn for a love story. A quite simple and basic one, if you want, but it's the most realistic kind of bond two people can make.
Still not shipping them, my vote is a honest 7/10.
Guess that's all?
Let me know what do you think about this 😆 do you agree with my votes? Or there are some points you totally disagree with?
Well, anyways. I had fun 😂
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kanohivolitakk · 3 years
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Miserix!
YOOO I was hoping someone would send me Miserix for the ask game. He's one of my favorite characters ever since I was a wee lass yet I almost never talk about him for one reason or another. So this is good opportunity to give my Miserix related thoughts.
Content warning for suicide mention in one of the last points btw.
For starters, I find Miserix to be a rather interesting character. This is due to his backstory of being the disgraced former leader of Makuta who was overthrown by Teri and being exiled, desiring. Miserix has this...certain aura of intrigue and mystery due has this...aura of mystery and superiority surrounding him. He isnt a mysterious character by any stretch of imagination, but he def has a vibe of mystery to him.
I love his design so much...Hes a big large dragon with such a kickass design, can you say no to that. I also love how he was designed by a 12 year old girl.
Speaking of...CAN I JUST SAY I LOVE HOW MISERIX CANONICALLY HAS HIS DEFAULT FORM BEING A GIANT RED DRAGON BECAUSE HE FEELS THAT WILL GIVE HIM A SENSE LF SUPERIORITY (+ he likes dragons and feels comfortable in being a dragon form as such). This is why I love this dragon man so much, talk about a chad.
One of the reasons Miserix sticks with me is because of him being one of the few truly neutral characters in the series. Like sure he is a big angry dragon who hates Teridax and wants it all to be destroyed but I don't necessarily think he's evil per say, just someone whose mind was warped by revenge (and even if youd count him as a villain hes different from most other villains). Helps a lot that the object of his revenge was the main villain by say.
Him being an angry dragon who wants revenge is so fucking cathartic and I love it. Since like, sometimes you just want to go apeshit at those who hurt you, ya know. You Miserix, kill Terry like you want to!! Again what a chad!!!
Miserix is one of the most tragic characters in the series when you dissect him. Like, guy was loyal to his duty and mission, was betrayed by his most trusted lietnuant and then almost killed. And that betrayal and isolation degraded his mind to the point he's jusr a mindless beast who wants revenge at this point. And its so sad, especially when you wonder how much he changed due to these experiences.
Speaking of....I think about pre!exile Miserix a lot. Given how the Miserix we see in canon is...heavily affected by Teridax betrayal I wonder what he was before that. What did he value, how did he operate the Brotherhood? Was he deeply focused in his duty or did he have time for other interests and having meaningful relationships? What was his relationship with Teridax like before the latter betrayed him? What about the rest of the Brotherhood? How much did he change, did he have any values or was he just a mindless rage monster? There's so much room for interpretationand speculation and to headcanon and I love that.
The mainthing I can think of is... Pre!Exile Miserix is very driven by duty. Like, in Mutran Chronicles its made clear how he was very invested in his duty and believed in balance and order. It made him having this sense of ...goodness I guess??? Or at the very least that his arrogance was kept in check unlike the rest of the Makuta.
When I was younger I was very "UWU Miserix was good the other Makuta were evil f*cktwits who betrayed him" for a very long time but honestly rereading Mutran Chronicles made me realize that while he certainly had some kind of moral code he was messed up too (see how he convinced Takadox to act as a spy). Like, Miserix was like, lawful neutral at best (chaotic good if you want to stretch it) Def had a moral code to an extent but was not above shady actions.
Speaking of...I kiiinda ship Miserix/Takadox because of those lines that established Miserix hired Takadox to act as Barraki spy in Mutran Chronicles. Like the way Takadox looked at Miserix with concern when the Barraki were leaving the meeting w the BOM just really made me interested in their dynamic despite the fact we know NEXT TO NOTHING ABOUT IT. but the little we know gives so much potential for them to hacing a really interesting dynamic. Its a shame that Takadox yeeted off in FOF before he could interactwith his former emplyoer, it wouldve given interesting insight into the two.
I aggressively headcanon that Miserix was the first Makuta ever created, and possibly one of Mata Nuis first creations [since iirg MN created the Makuta while Great Spirits and Artakha created most of the GSR species ]
As a kid I seriously thought Miserix was a girl for a while because his name + design were kinda feminine for my child mind fsr. Because of this misconception I had of him as a child, I have ended up in headcanoning him as nonbinary (either genderfluid or bigender to be more specific, leaning towards the latter tbh). He would more or less default to he/him pronouns due to being more used to them but wouldn't mind being refered with feminine or genderneutral pronouns. That being said, he would probably be VERY against being refered with it/its pronouns due to seeing it as dehumanizing.
Also on a "baby me saw Miserix design as androgynous" I heavily hc his voice as androgynous too. Angry, low and booming yes, but in a way that doesn't sound too masculine. This is tve main reason I'm mixed on his voice in the Ignition stop motion: its too masculine for my taste (that being said the voice sounds super jnique and I always hcd Miserix having a rather unique sounding voice soo)
Break from headcanons and thoughts to say: MISERIX HAS SOME OF THE MOST BADASS LINES IN THE SERIES. So much of his lines are so badass and he def has a lot of my favorite quotes in series. Just so much confidence and badassness oozing him.
I find the fact Miserix was turned into a painting by Teridax incredibly funny. Also cant believe paintings are canon in Bionicle.
I think about post-canon Miserix a lot. Now that Teridax is dead, what now? Where would he go there? Would he still be rage-filled monster ,now just having no purpose for his rage? Or would he just wander purposlessly,feeling like theres no reason for him to exist? Regardless, there would be this emptiness... At some point Miserix whole existence became fixated on Teridax so like....When Teri died it was kinda..what then. Post canon Miserix is by far one of the more interesting post canon characters given how much it wouldve affected him. Eh, knowing how Greg writes hed either done "Miserix is driven mad/still rage filled" in the laziest way possible, come up some really stupid and convoluted thing that was out of tje blue or have him being killed off by Velika or one of his cronies instead of exploring his character in any meaninful way.
On a related note, can we talk about how its canon that in one universe Miserix loosing his purpose made him so depressed he killed himself? I think about that sometimesand just...man guy really was driven by having a duty and purpose.Again, makes me wonder what happened with prime!timeline Miserix post canon.
All in all ,Miserix is great and criminally underrated. Hes both a character thats incredibly simple(angry dragon who wants to kill Teridax) but has potential for complexity in him thanks to all the potential his story has. His story is a tragic one, being given a duty he was willing to commit to his fullest, only to be betrayed by his kind and casted away, this slowly turning him into a rage-obsessed monster we see today.Miserix is such a great and interesting character, and I wish more of the fandom paid attention to him.
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cto10121 · 3 years
Text
Top R&J Adaptation Pet Peeves
Adaptation is hard. Really, really hard. Shakespeare especially knew it; he was one of the best adapters for theater ever, and he himself adapted R&J from Arthur Brooke’s Tragedie of Romeus and Juliet. Since then Shakespeare’s play itself has been given the adaptation treatment and hooo boy, are there doozies, misses, and fascinating failures. Most are published fanfic flops, like the ones I reviewed for my blog, but others tend to be more complicated than that. So without further ado, let’s dive into the Top Adaptation Pet Peeves I’ve personally encountered, or simply tropes and patterns I find annoying.
The two families/groups not being alike in dignity. Yes, I’m looking at all the productions and adaptations that decide to switch the whole rival houses dynamic for a race or class one. The ones who pit a marginalized group against another marginalized group, like Romiette and Julio (Black/Hispanic respectively) are fine-ish. West Side Story also does this, but unfortunately the whole “white ethnic” gang is no longer a thing now, as most non-WASP ethnic white groups are considered functionally white nowadays, so it does become a problem re: the Puerto Ricans being the underdogs to the white ethnics. Some have done a poor/rich, privileged/marginalized dynamic, but you just can’t do it with R&J; it breaks the equality of the pairing. By far the worst of these is the anime Romeo X Juliet, which had the evil Montagues be the corrupt ruling power who usurped the throne from the Capulets (????). Look, the whole point is that the two groups’ differences are superficial and stupid, and that they are more alike than different. This doesn’t work if one group is favored/discriminated against over another. It also leads to disturbing implications—namely, justifying a dangerous and destructive feud and intergroup violence and hatred in general. Another side effect is that it ruins the mutuality of the lovers by bringing in unequal power dynamics where it isn’t needed.
Juliet as a #girlboss/badass/“strong female protagonist”. Many adaptations do some measure of this by having Juliet resist even the first mention of Paris, talk back to her parents and the Nurse, and, for Gong’s These Violent Delights (Juliette Cai as the dagger-wielding daughter of a gang) and the anime Romeo X Juliet, (Juliet crossdressing as the vigilante the Red Whirlwind) actually kick ass and generally “strong female protagonist”-it up. I think this is largely a reaction to Juliet’s canonically marginalized position as a sheltered 16th century maid, mistaking the passivity and lack of agency of her status as a character trait. As a result, we get CrouchingTigerHiddenDragon!Juliet. Just no. The original Juliet, as everyone should know like their own name, was no shrinking violet, but neither was she a YA/anime shonen dominatrix either, and I feel she wouldn’t be even in an AU. Also, by this point it’s so cliché. Juliet is so well-written as she is; why stuff her into this Katniss Everdeen peg?
Juliet as an immature ~bby. Not so much adaptation!dumb, thank goodness, but I’ve seen this small trend in play productions that take the “Juliet-is-thirteen” thing waaaaaay too seriously and either have a tween-looking actress or make the actress play Juliet a facsimile of what a thirteen-year-old is supposed to be like. I especially will never forget the Orlando Bloom production that had poor Juliet deliver her “Gallop apace” on a swing. Awful.
Mercutio being turned into either 1) wacky, comic relief gay or 2) a mystical/sad tragic gay. Mercutio occasionally gets done dirty in either of those two ways and it’s sad. That French Canadian film Roméo et Juliette is by far the most damning offender of the latter take. I don’t like either trope, and I certainly don’t like it for Mercutio, for whom it doesn’t really fit. Also, I feel it’s important to note that as the Prince’s kinsman Mercutio is the most higher ranked and privileged of the three, his being forced into a “sad, tragic gay” mold feels ludicrous. Even his death comes about because he wanted to avenge Romeo’s honor (or, well, more like he really wanted a fight), not because he was Bury Your Gay’ed. Cocciante’s Giulietta e Romeo musical does something unique and has him as an omnipotent narrator, which works a little better than it should, but overall it’s also a miss. Mercutio is Romeo’s foil and a fun side character; outside of that, it’s hard to make him work without changing his character entirely.
Romeo being turned into 1) an immature woobie/“cinnamon roll,” 2) bumbling hero, 3) a himbo/idiot, or 4) evil (!!). My poor boi has been done the dirtiest in so many different ways, it’s hard to quantify or even name them. They range from flattening his character a little to “romantic idiot” to full-on Ron the Death Eater-ing him (yes, that’s a thing, twice!! See Juliet Immortal et al. Or rather not). The last two are mostly in the realms of salty fanfic, thankfully, but the himbo idiot and woobie still inform some actors’ performances. Needless to say, I hate all of this. Romeo is no idiot, himbo or not, and he is as mature as the rest of the youths (he is at least praised by Capulet as a “portly gentleman”). Canonically he is shown to best Mercutio in a game of wits and explicitly restrains himself from revealing himself at Juliet’s balcony. Act 5 shows him coldly but effectively convincing an apothecary in less than a dozen lines to break the law and sell him poison. I don’t exactly know from what stems this woobification of Romeo. Actually, no, I do. Romeo may be climb high orchard walls, playfully roast his friends, talk about how chastity vows are stupid and hope Juliet would cast off that pesky virginity of hers, and kill two characters all he likes, but as soon as he weeps immoderately over being banished/separated from Juliet and the possibility of her not loving him anymore, he renounces his Man(tm) card. Hello, gender roles-based sexism! God, I hate you so much. Please die.
“It’s a dark, ~crazy world!!! Verona is a violent, crass, tacky, dangerous hellhole!!!” Okay, so this is mostly shade thrown at Baz Lurhmann and the Hungarian version of Presgurvic’s RetJ, (the latter more fondly than the former) but it still disappoints me. The whole “fair Verona” thing aside, I think it’s clear that Shakespeare’s Verona is supposed to be a violent, steamy clusterfuck, but with the veneer of wealth and prosperity and genteel good taste that papers over the cracks. It’s the whole appearance vs. reality thing. I still think French RetJ does Verona best, and fortunately most productions and versions get it as a “quaint pretty small town is actually a hellhole” thing (hell, I think even that Gnomeo and Juliet movie made the suburban lawns nice). I just like the contrast, what can I say?
“Benvolio, Mercutio, Tybalt are more interesting than R&J, let’s make it all about them instead!!!1” This is the weirdest thing, but I think there were some web series (at least one, and no, not Jules and Monty) that literally did this, a weird modern Tycutio AU. But in general, adaptations that overdevelop the feud and the whole Benvolio-Mercutio-Tybalt thing at the expense of R&J are a no-go for me. I like the three and they all have their little crannies of character nuance, but they are less developed and the feud drama less interesting overall than R&J. I also don’t like the ships with any of the three, Bencutio and Tycutio being the most popular set-up. Canonically Mercutio and Benvolio spend most of their time either searching for Romeo or talking about him and how much he’s changed. As for Tycutio, Mercutio disdains Tybalt’s dueling skills and overall they don’t seem to know each other well personally. Both ships have no chemistry with each other and are firmly into fanon territory.
“R&J’s love was like a cinnamon roll, too good, too pure for this world…” Some adaptations, uncomfortable with some of the high-scale eroticism of the lovers, tend towards this. They’re teen sweethearts, high school, if you will, so let’s make them as cute and chaste and ~uwu as possible. Romeo X Juliet tends sickeningly towards this, but that just might be the demure Japanese culture informing the text. But I don’t know. R&J are not exactly horndogs, but they’re not dead either (horny bird metaphor, anyone? Also Juliet’s whole famous I-wanna-bang monologue). It’s secretly condescending too, in that it tries to put down and dismiss R&J as puppy love…puppy love that leads them to an uncompromising position and a double suicide, but okay. Sounds fake, but okay.
“R&J was just lust and it’s kinda their fault, actually—” Nothing will make me loathe your adaptation quicker than this. Fortunately most adaptations know enough not to go that far, but Baz Luhrmann’s version definitely has some of this vibe, along with some forced comedy. Kill it with fire.
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