#<- other than jim who actually has had several affairs. one of which is with batman sorry sarah. also sorry first wife
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well yes but actually no but also yeah
#they both lost focus and are having a consensual workplace relationship but also theyre both having an affair with prioritizing gotham#<- other than jim who actually has had several affairs. one of which is with batman sorry sarah. also sorry first wife#posts from the crypt#batgordon
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My Five Favorite Chilling Tales of Holmes
Given how shocking, dreadful and unbelievable actual crime was in Victorian England, it's a testament to Conan Doyle’s desire to make a mark with Holmes that he did not fashion his stories after the horrible crimes happening around him.
No, Conan Doyle eschewed rehashing the stories of real life murderous doctors, spurned lovers poisoning wives of married men, rampaging tramps committing mass murders of families, and grudge-carrying servants in favor of mostly tame stories of crime (blackmail and theft of inheritances probably being the most common in his tales).
I say "mostly" because he did write some ghastly cases for Holmes to solve. The Hound of the Baskervilles alone would be enough to secure Conan Doyle's name as an author capable of writing great fantastical horror.
But he didn't stop there. Here's my top five favorite tales of chilling crimes that Holmes has ever had to face:
THE CARDBOARD BOX
I can barely bring myself to read this one when I reread the stories. It is not only horrifying -- an elderly woman receiving a pair of severed ears anonymously by post -- but the truth behind the crime speaks to the utter misery that humans can and do render unto others. We see Jim Browner's happily married life crumble to pieces by the connivances of an infatuated sister in law, whose introduction of another man to her sister is the beginning point of so much tragedy. Alcohol abuse, loss of love, affairs, and a terrifying chase scene and death. All because one woman hated her brother in law for not loving her. It is a fine examination of the things we're willing to do to each other out of our own misery, to make others feel as miserable, but by God is it a terrifying and vivid tale.
THE RETIRED COLOURMAN
Probably second only to The Norwood Builder when it comes to stories that feature the creepy things a spurned man will do, this story is almost too much to bear. Most of the stories in The Casebook are unbearable, but that's another matter (and an opinion for another time). For any true crime buff it may ring eerily familiar to spousal homicide cases within the past fifty years. And yet the advanced and almost ingenious double homicide took place well before the stuff Forensic Files loved to pick apart. The fact that you are not certain until the very end that the pair have been murdered (and not just locked up or escaped) is unnerving, and the way in which we find out makes it all the worse: Holmes bluntly asks Amberley, "Where are the bodies?" Everything the murderer does marks him a very cold, diabolical person who is perhaps the third most dangerous man Holmes had the displeasure of tangling with. Then there’s the thought that this man is 60 years old.. someone that old doesn’t begin his criminal career with such a huge and almost perfect crime. What other crimes has he committed?
THE DANCING MEN
Along with “The Five Orange Pips”, this is one of those tragic tales where the client is done to death before Holmes can take any action. However, the tragedy of the wife’s past -- which she so desperately tried to put behind her -- catching up to her AND her husband, leaving her shot in the damn head and widowed is just so much more horrible to me than the events of “The Five Orange Pips”. Holmes was so close to the end, too, to the point that if he had finished his work just a few hours sooner, he may have saved a life. Just because the woman was the daughter of a mob boss and attracted the affections of a thug, she is unable to start a life where all of that is put behind her. The past catches up with an innocent woman, getting her injured and her husband murdered. All because some thug refused to leave her alone. It’s creepy. It’s also plausible and has happened before (with less drama perhaps, and no ciphers).
LADY FRANCES CARFAX
My god. What about this story isn’t gruesome and terrifying? Just imagine you’re an unmarried woman vacationing in a foreign country, and a couple of criminals take a shine to you because you happen to wear an expensive necklace. Next thing you know, after being charmed and delighted by these seemingly good-natured religious folk, they kidnap you back to your home country, gassing you with chloroform all the while, steal all your valuable jewelry (which is all you have to your name) and then stuff your nearly-gassed-to-death body in a coffin, on top of an actual dead person, in order to be buried alive. Jesus Christ. The ineptitude of Scotland Yard was almost fatal this time, as the warrant didn’t come until the woman was practically in the ground, and Watson could barely resuscitate her upon getting her out. Whether in real life or the pages of these stories, I’d hate to be at the mercy of Victorian-era Scotland Yard (Abberline was an insufferable buffoon).
THE CROOKED MAN
Another one to go under the heading “tales that exhibit how shitty the human race is”. It’s another more tragic-than-chilling tale like The Dancing Men, but I find it horrifying all the same. The crooked man in question had his sweetheart and all hopes for a normal future snatched away by the most cunning, cowardly and disgusting excuse of a fellow soldier (!) who betrayed him into a trap in order to get with his sweetheart. Pretty messed up. However you feel about colonialism, this guy spent years being beaten and tortured until his body became deformed, and tried many times to escape unsuccessfully. In Victorian England, a man so deformed as to be stooped over and one who isn’t elderly enough to explain such a posture would be considered a freak and wouldn’t be able to live normally in society. And thus it was for him. He lived a quiet life far away from anyone who might recognize him, and made the only living he could with his exotic pet and snake. All this, just because he was in love and loved by a woman that a fellow soldier of his wanted for himself. And that man got her. She married him, and was married to him, ignorant of his treachery, for thirty freaking years. Imagine being married to such a scoundrel, a man you didn’t even see yourself with and honestly pining for the man you thought long-dead, for so many years and not knowing he was the reason your lover was presumed KIA. Imagine having so many years of your life wasted with a despicable creature. And imagine not being able to be with the man you did love, upon finding him alive, because of the way society was back then. This story is so horrible and tragic.
Special mentions: The Bruce Partington Plans, for the terrifying things people will do for money, and The Devil’s Foot, which at least saw some vengeance.
#sherlock holmes#sherlock#holmes#arthur conan doyle#sir arthur conan doyle#conan doyle#acd#scotland yard#victorian era#abberline#the five orange pips#the disappearance of lady frances carfax#the adventure of the crooked man#the adventure of the devil's foot#the adventure of the dancing men#the adventure of the retired colourman#the adventure of the cardboard box#the adventure of the norwood builder
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Please share this article, it important that you do so. These truths have to be told.
"Bethune’s name appeared in six reports in the House Committee on Un-American Activities and five times in Senate reports on people suspected of communist activity. While she was cleared of any involvement, the message was clear: Confronting racism and white supremacy is un-American."
"This is why white people are my bellwether."
"Whenever I am trying to decide whether or not a particular movement, policy or person benefits Black America, I wait and see what white people think. While that might sound racist, there has never been a movement, policy or person that benefitted Black America who was simultaneously embraced by white America. In this country, a stance against the trauma-inducing brickbat of whiteness is perceived as a stance against America. And anyone who disagrees can feel free to prove me wrong. Name one person who fought for Black liberation who white people agreed with."
"Whenever anyone does anything that includes the word “Black,” it immediately falls under the classification of Marxist and anti-whiteness. White people hate being left out, even though they are acutely aware that there is nothing more valuable in the known universe than a white life. White people will slit a Black baby’s neck for a white woman’s life."
"Let’s just say they will beat a Black baby to a bloody pulp, tie him to an industrial fan with barbed wire and toss his lifeless body off a bridge. Is that better?"
"But I understand why they vilify Black movements with Marxism."
"White people don’t know what Marxism is."
"According to a 1970 Harris Poll, 64 percent of Black Americans had a favorable view of the Panthers, while 92 percent of white Americans had a negative view. It’s probably because a lot of members of the Black Panther were Marxists, which is different from communism. Basically, Marxism is a way to examine history, economics and societies through the lens of class, while communism is actually Marx’s economic and political theory in which...wait. For a second I started to believe that there was some logic to white supremacy."
"White people hated the Panthers because they had guns and pushed for armed self-defense. For some reason, those America-hating negroes believed “the right of the people to keep and bear Arms shall not be infringed.”"
"I have no idea where they got that crazy idea from."
"Black people voting"
"Why white people don’t like it: States’ rights, something something, communism, something something it was a different time."
"When Black people marched on Selma for voting rights, they were called “communists.” The Voting Rights Act of 1965 was called “Un-American.” Of course, the 2020 election was about “socialism” because so many Black people voted."
"Southerners, conservatives and white people, in general, have never pushed for a single law to expand the electorate because they are the only true Americans."
"Critical Race Theory"
"Why white people didn’t like it: Because they don’t know what it is."
"This one is easy."
"The one thing that dumbfounds me about white supremacy is how much white people trust each other. They just trust the explanations for their fellow white people. In all this debate about CRT, I have yet to see one person who opposes CRT who can also explain what CRT is. And many of the legislators who are against funding K-12 teachers who absolutely do not teach CRT are already funding the leaders’ movement, such as Richard Delgado, the professor at state-supported Alabama Law School who wrote a little book called Critical Race Theory: An Introduction. "
"All they know is that it has the word “race” in it, so it must be bad."
"Legislators opposed the Civil Rights Act because it was “Marxist.” The House Committee on Un-American Activities investigated the Student Nonviolent Coordinating Committee for communism. The FBI did, too."
"In a 1964 New York Times survey, a majority of white people said that the “Negro civil rights movement had gone too far,” and a quarter of those people said their resentment was growing. They were right. Two years later, a 1966 Harris Survey, revealed that 85 percent of white respondents thought civil rights demonstrations “hurts the negro.”"
"Apparently, to white people, fighting racism is worse than racism."
"And if you think I’m kidding about white people not thinking Black people were smart, according to the National Opinion Research Center, it was not until 1963 that 50 percent of white people believed “Negroes” were born with the same intelligence as whites."
"History"
"Why white people don’t like it: Because white people might find out about some of the things white people did, which is racist."
"The fight against what politicians have deemed the Marxist, Un-American 1619 Project is actually a fight against teaching the history of slavery more accurately. And it is not new. White people said the same thing about teaching abolition. The United Daughters of the Confederacy said the same thing about the Civil War. White school districts in the North and South said the same thing about Jim Crow. And Black History Month."
"Plus if white kids learn about America’s racist past, they might start saying: “I’m not going to do that again,” and then, what will happen to white people?"
"Martin Luther King Jr."
"Why white people didn’t like him: He was a communist. He was anti-white. He was a Marxist."
"In 1966, a majority of white Americans had a negative opinion of King. When he died in 1968, 75 percent of Americans disapproved of him. Now they love him..."
"Because he’s dead."
"This is why we must never ignore white people."
"While we should never, ever do what white people collectively want, history has shown us that if something is good for Black people, white people will hate it. And if they vilify something as racist, communist or anti-white, you should take a second look because, nine times out of 10, it might be worth considering. When it comes to freedom and equality, the easiest thing to do is to see what white people have to say...
Then do the opposite."
I copied a lot of his article word for word those are Michael Harriot's words not my own.
The word's of people who commented.
"I was asking one of the few people on the Right side of politics I am still in touch with about why he hates CRT, and he sent me a link to a whole essay. It boiled down to a few leaps in logic:"
"1) the USSR used US race relations as a shield to deflect criticism of their own human rights record (“And in the USA, they hang n-words”)"
"2) therefore, any criticism of race relations was caused by Soviet propaganda (not, you know, by actually HANGING BLACK PEOPLE)"
"3) therefore any discussion of race relations was commie propaganda."
"4) therefore, any movement that calls attention to race is communist."
"It’s very similar to how the Communist League fired the original writer of The Communist Manifesto because he brought up ethnic minorities and racism and replaced him with Marx, outright rejecting any factor that so much as complicated their preconceived model. It also shares many of the issues raised in the “grievance studies” affair, being exegesis to elaborate and propound upon a founding scripture."
"That’s the most idiotic line of reasoning I ever heard. It’s so typical of white people as a group in this country that when someone points out some shit they did that’s fucked up that instead of you know, stopping the fucked up thing they basically say that the entity pointing out their fucked up shit is bad therefore bringing up solutions to the fucked up thing they did is wrong."
"Fuck the trolls, but if anyone is actually confused about the likelihood of any white person to trust any other white person over anyone at all who is even POSSIBLY not white, please refresh your memories regarding the multiple instances in the last several years of a Black person being anywhere near a house or building, then being approached by either a white guard, cop, or other self-important deputy of white fragility."
"In these instances, Black people are often believed to be up to no good even after they show ID proving they live in the building some white person has decided they don’t belong in. No amount of proof will have a fragile white self-deputy believing that even state-issued IDs are a real thing and this Black person lives in their own home."
"But when any white person walks by and says “Oh, this is _____, they live here”, immediately, that’s good enough to let this perceived criminal go into their home."
"Because any white stranger vouched in any sort of way."
"Literal evidence of address means nothing, but the word of ANY white person, with no proof of their authority, no hassle about “Well what are YOU doing here?!?”, just...instant belief of any white skin."
"Also, the main difference between Angela Davis and Assata Shakur is that Ms. Davis beat the system at its own game, the “proper” way. Racism couldn’t even beat her at their heavily-rigged game. Ms. Shakur ALSO beat the system, but because she didn’t get to win at a fully-rigged game, she found her own loophole and got out of this racist hellhole."
"Not that it matters, because they’re both the same to any racist. To me, they’re both brilliant heroes."
"If you asked these mouth breathers what they hate about CRT not only could they not tell you, they would call you “the real racist” for asking. There is no winning with these people because they refuse to see themselves as ANYTHING other than the good guys in any situation. It is fucking tiring to deal with this shit and yet they seem to not understand that we are more fucking tired than they are. With each comment, committee and talking point they pretty much prove that no white person could handle being anything other than well, white."
"To admit anything else would result in a reckoning. It will never happen and America will remain a racist society, with white culture pushing back and getting more extreme as each generation of BIPOC become more aware and angry over white supremacy. America will implode and whatever rises from the ashes will either be that reckoning with real change or a third world country."
Again I quoted these people
#black lives matter#justice for black people#blacklivesmatter#blm#justice for black lives#share#sharethis#sharetheword#spread the message#spread the word#marxism#socialism#communism#leftism#spread this#spread awareness#please spread this#end white supremacy#fuck white supremacy#fuck white people#abolish white supremacy
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My Personal Ranking of Ghosts Episodes and Why
So, here’s my personal order for all the current Ghosts episodes, from best to worst, with a bit of an explanation as to why I think so. I included who wrote each episode because the writing pairs tend to have consistent strengths and weaknesses that affect my enjoyment. These are, of course, just my opinions, and I recognize that different people have different tastes.
1) Moonah Ston (Larry and Martha)
This episode is hilarious and it continues to be hilarious through multiple viewings (some of the jokes in other episodes start to wear thin after multiple viewings, but this one remains entirely solid through dozens of rewatches). Barclay and Bunny are my favorite guest characters throughout the show. Also some of my all-time favorite bits are in it: Cap stealing Thomas’s role doing the reading, the shooting of the pheasant with Cap, everything to do with Mary and the cooking of the pheasant, the way Alison yeets the pelaverga as soon as it’s handed to her, the juxtaposition of the eclipse ritual and the dinner party, Bunny’s ‘sobriety test.’ Also, there’s a strong A plot and a strong B plot that tie together, and all of the characters are fit into these two plots well, which is something the creators sometimes struggle with.
2) Getting Out (Mat and Jim)
I love everything about the Captain’s portion of the plot and it’s a nice big portion, too. His scene with Kitty is one of my favorite scenes in the show, brilliantly written, well-acted, and gorgeously shot. I can feel for Mike and Alison in it. Fiona’s another really funny guest character. My only major complaint is that the plot with other ghosts after the Captain’s left the group starts to drag after enough re-watches, particularly Thomas’s bad erotica and the jewel scene. I found both very funny on the first several watches, but the payoff to both is ruined with enough rewatches. With the first, the payoff is with how surprisingly bad for a ‘professional’ writer his story is, but after you’re well aware that Thomas is a bad writer, it’s just listening to bad writing over and over again. And the bit with Fanny’s jewel has such a long lead up, to get to the surprise payoff that the jewel was secretly pawned by George forever ago, but once you know the jewel is gone, the long lead up gets progressively more tedious with every watch. At least for me.
3) Reddy Weddy (Ben and Simon)
I’ve written extensively about this one before, so I won’t include much, but: I love everything having to do with the Captain in this one, particularly the completely wonderful flashbacks with Havers. Mike and Alison were very well done, and I enjoyed Martin as a guest character. But I really didn’t like the whose-turn-is-it-to-pick-the-movie subplot, it just seemed sort of unnecessary to me and detracted from the tone of the rest of it. I assume they just had trouble finding a better integrated role for Pat, Thomas and Julian, which, as I said under Moonah Ston, is an occasional weakness the creators had.
4) Gorilla War (Larry)
I love Cap’s campaign of attrition. And his singing. Everyone had solid, funny bits, all tied into one main plot in it. Mike and Alison are both well done in this episode. It’s the first episode where Alison is able to interact with the ghosts and I think they did a great job capitalizing on her coming to terms with it and Mike’s such a supportive husband in it.
5) About Last Night (Mat and Jim)
I love the spat between Cap and Pat in this one, because the focus of their subplot is their relationship dynamic and I enjoy their relationship dynamic- even though it’s close to the breaking point in this instance, all is well because they make up in the end. Everything about the state of the house and trying to remember what happened to it-as well as the flashbacks to the party- is pretty funny. The bits with Dante were very funny as well. The Robin-Mary subplot was a bit meh for me, but I didn’t dislike it, I’m just not sold on the idea. I didn’t enjoy Mike being sidelined on the roof for most of the episode when Alison needed his help and all the criticism he got from the other characters for not being around to help Alison, though.
6) Who Do You Think You Are? (Mat and Jim)
This is a really strong introductory episode with some good, funny bits in it, but it doesn’t rank higher since the ghosts can’t interact with Alison yet and Mike and Alison don’t know they’re there, which is where a lot of the fun of the concept of the show comes in to me.
7) Bump in the Night (Larry and Martha)
The robbers were funny as were the ghosts’ utterly inept attempts (save Robin) in stopping them. I loved music club, particularly the Captain’s performance. I appreciated the return of Barclay and his bitches. Humphrey was actually reasonably included in the plot, which is always a nice change. There weren’t any bits I found particularly outstanding (except maybe Cap’s musical performance) but there weren’t any major bits I disliked, either. Everyone’s included in one main plot and it continues to be just as enjoyable on rewatches.
8) The Thomas Thorne Affair (Mat and Jim)
I greatly enjoy examine-the-story-from-multiple-viewpoints-to-illustrate-unreliable-narration plots, so that went well in this episode. I also really like regency romances, so this ticked another box for me. Humphrey was given an important bit again, which I appreciate. The bit about Francis was a nice twist at the end, because otherwise it would have been a bit too predictable, with Thomas being shot in a duel over a romantic misunderstanding- that was the most obvious solution to his death, after all. It felt a bit contrived, though, that the characters who died after Thomas all went to the group meeting on time, while the characters who witnessed Thomas’s death were all still wandering around upstairs and just happen to wander into Alison’s room in time to contradict the last telling of the story and provide the next. And of course, the fact that half the cast is just sort of sitting downstairs waiting for a significant portion of the episode always seemed a bit lacking to me. Also, Mike starts the episode being unusually stupid (not knowing Elizabeth II is the current queen- at least in the US, not being able to answer who the current President is frequently used as shorthand for ‘having brain damage’) and spends the rest of it being insecure about Alison’s ex (this seems to be a Mat and Jim thing).
9) Perfect Day (Mat and Jim)
I loved all the Cap bits in this. Pat’s plotline was good, too. Humphrey actually had a substantial role, which I appreciated, and more so since he actually managed to bring Fanny around to the gay wedding. I was of course thrilled that it was a lesbian wedding. But I’m not a fan of ‘miscommunication causes drama’ plots in any medium and I disliked how once again how insecure Mike is in this episode (Mat and Jim again) and how poorly he handles it.
10) Happy Death Day (Ben)
I love all the Pat bits. I liked the interactions between the Captain and Julian, they had a really enjoyable dynamic in this one, although they’re being rather disappointing human beings in their plotline. I like Kitty’s plotline, too, and the garden scene between her and Fanny is very funny and beautifully framed. I don’t think this episode did a particularly good job with either Mike or Alison, though. Mike ditches his probably still concussed wife who is plagued by ghosts to manage the building work he started because he’s spending hours a day out of the house because there are too many people in it and he’s apparently potty-shy and Alison thinks trying to convince people to do probably thousands, if not more, pounds worth of free labor by making them tea is both a plausible idea and an appropriate thing to even try (it’s bad enough when the people asking you to do free work for them are actually your friends, contriving a friendship in order to do this just sort of seems a bit contemptible to me). Some of the jokes get less funny with time- Fanny with the butt cracks, for instance. I considered the Thomas subplot another weak ‘well, something needs to be done with this character’ subplot and I can’t even remember off the top of my head what Mary was doing most of the episode despite having seen it at least a dozen times, besides the bit where Alison throws the teacup at her head (and if I were Terry, I would have called it quits then).
11) The Ghost of Christmas (Ben and Simon)
Mostly fluff, and a decent amount of it was rather predictable fluff, but I’ve written more on that elsewhere. Mike’s sisters were the worst. I was hoping Ben would write himself a bigger role and he didn’t. In the Bleak Midwinter was gorgeous, though, and there were enough smaller bits that I found endearing to prop it up over the next two.
12) The Grey Lady (Larry and Martha)
I enjoy the ghosts’ routine as shown at the beginning of the episode. I found Pat’s radio show amusing. I liked the basement scene with Nigel. I wasn’t a huge fan of the Captain’s ‘stretching’ subplot (although I do greatly enjoy his ‘for king and country’ running), it just seemed a bit silly to me, like they couldn’t decide what to do with him for most of the episode, so went with ‘eh, squats, I guess.’ Also, I feel like they had trouble placing Mary and Kitty, too. Mary spends a lot of the episode staring at a wall and Kitty spends all of it just following the group and occasionally wailing about the ‘ghost-ghost.’ Also, I think Alison went a little too far with her simulated haunting when she dressed up as the Grey Lady; it wasn’t smart because there was no way she was going to get away with it after anyone turned on the lights and it seems a bit more like attempting to defraud people than the rest of it did.
13) Free Pass (Mat and Jim)
Alison actively puts people in danger for money, misrepresenting the house as structurally sound in order to get a movie contract, when in fact the floors are held up by hope and happy thoughts and could (and eventually do) cave at any moment. If the floor had fallen through in the letter scene, before Mike braced it, when they were using the heavy equipment, there likely would have been serious injuries. Also: Toby Nightingale is the worst. Also: the solidity and supportive nature of Mike and Alison’s relationship is the best part of it and I dislike the choice (Mat and Jim again) to make him so insecure in this episode (this was the first in the episode order to do so).
To speak on general tendencies, though: I’m not a fan of doing morally questionable things for monetary reasons unless the situation is life or death, so all of the episodes where that’s Alison’s primary purpose get major demerits from me. That’s a matter of personal taste, but there I am. As for the writers (I recognize they all come up with the general story arcs together, but the writing pairs are responsible for execution), everyone struggles a bit sometimes to get solid roles for everyone into the plot, to be expected when the cast is so large, but some instances are worse than others. I think Larry’s (well, Larry/Martha for most of them, but they’ve both joked that mostly she drinks and he writes when they’re working on their episodes) still the strongest writer in terms of having mostly cohesive plots that standup consistently as solid to multiple viewings, but he also has the most experience as a writer, so that’s probably to be expected. Ben and Simon have both stated that they like jig-sawing a bunch of little plots together to make an episode, and while it is a bit impressive that they can make episodes with like, nearly as many plotlines as characters come together to make one reasonably sane episode, I find this strategy detrimental in that to me, when they do this, there’s always one or two plots that are really, really good, a few plots that are pretty good, and then one or two plots that I just don’t enjoy, that to me drag down the rest of the episode (most apparent in Reddy Weddy, but it happens to some degree in all of their episodes). My major criticism of Mat and Jim is with the way they write Mike. I actually really like Mike when he’s well done, but his portrayal seems to vary a lot between episodes, and (with the exception of Ben’s Happy Death Day, but his problems in that one are different) the episodes he’s written the weakest in are all written by Mat and Jim. They’re the only ones who I think write Mike as insecure in his relationship with Alison and his most incompetent and/or useless moments also tend to be written by them. I don’t know if they have a slightly different concept of Mike’s character than the other four or what, but I think Larry/Martha and Ben/Simon’s portrayals of him tend to be significantly more flattering.
#bbc ghosts#everyone and everything#i intended this to be short guys#but i got caught up#and over three hours and 2200 words later here we are
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A Gentleman Never Tells - Chris Adams
Gentleman Chris Adams is a name that many people miss when they talk about wrestlers from the UK who not only did good business in the US during the 80’s but helped to train some of the biggest names in professional wrestling during the 90’s and helped to bring to light one of the most popular finishers in the industry today.
Chris Adams was born in Rugby, Warwickshire on 10th February 1955 and from a young age was involved in competitive Judo, which he continued training in exclusively for around 14 years which he earned a Black Belt in the discipline. Both he and his brother Neil competed in national and world championships, with Neil actually winning a silver medal in the 1980 and 1984 Olympics. Chris was a member of the 1976 Olympic team but never competed for Great Britain.
Chris Adams began taking part in Professional Wrestling in 1978. He had no formal training in wrestling and used his expertise in Judo in his early years of wrestling. He worked with Joint Promotions and appeared on ITV’s World of Sport regularly taking on the likes on Mark ‘Rollerball’ Rocco, Dynamite Kid, Fit Finlay, Adrian Street and Davey Boy Smith. His finishing move, originally called ‘the Judo Kick’ was later renamed a ‘Superkick’ and is still used by many professional wrestlers today.
By 1983, Adams was approached by Fritz Von Erich to work for World Class Championship Wrestling and he officially joined on 15th April, 1983. During his time with WCCW, he feuded with many of the company’s big stars, from The Von Erichs to Ric Flair, and the Fabulous Freebirds. He was tag partners with Gino Hernandez and became the second iteration of The Dynamic Duo in 1985, where one of their most notable matches was a hair match against the Von Erichs which The Duo lost and were shaved in front of a rapturous crowd.
Chris was due to go into a feud with Gino going into 1986. They had worked an angle against The Cosmic Cowboys, who were actually Kevin and Kerry Von Erich in disguise. The finish to the match was Adams being blinded by hair cream that was thrown by Hernandez, resulting in a loss against the Cowboys. Chris used this time in the storyline to go back to the UK and visit him family, but during that time, on 2nd February 1986, Gino Hernandez died of a Cocaine Overdose. Adams was questioned by Scotland Yard about Gino’s death as authorities in Texas originally treated the incident as a homicide, but this was later changed to an Overdose by officials. There is still some scepticism over Hernandez death today.
Shortly after this, Adams started to become involved in a number of high-profile altercations, many of which would hamper his career despite his talent in the ring. In June of 1986 while travelling back from a show in Puerto Rico, Adams headbutted an Airline pilot and punched a male attendant. This resulted in a 90-day jail and a $500 fine. It is believed that Adams’ belligerence was a result of being denied alcohol by an FAA inspector and that he was restrained by Kevin Von Erich in the process. By September of 1986, Adams had left WCCW to join Bill Watts’ UWF but later returned to WCCW in 1987 as UWF was absorbed into the NWA.
In UWF, Adams became tag partners with Terry Taylor, known to many as The Red Rooster in WWF in later years. They later feuded and carried this back over into the newly acquired by NWA, WCCW. Over the next few years, Adams would find himself in the upper mid-card region of the company’s talent pool, competing against many of the companies’ big stars and also working with companies like Georgia Championship Wrestling and World Wrestling Alliance.
In 1988, Chris Adams opened his own training school based out of the world-famous Dallas Sportatorium. Two of his most popular students were Scott Hall/Razor Ramon and Stone-Cold Steve Austin. In 1989, Adams was arrested and sentenced to a year’s probation after his wife was found beaten after Adams had flown into a rage, again related to his Alcohol abuse. He was later involved in more legal troubles and again place don probation for 2 DUI arrests in 1991.
After the WCCW has ceased business in 1990, Adams returned to the independent circuit. He would visit numerous territories having matches for various championships during this time. He won the GWF Heavyweight Title on 2 occasions in 1994 and also a brief stint as the NWA Heavyweight champion in 1995 after Jim Crockett had taken control of the company.
He continued wrestling with various NWA affiliated territories and other independents up until joining WCW in 1997.
When joining WCW, Chris was placed into a British stable called The Blue Bloods alongside Lord Steven Regal (later William Regal) and Squire David Taylor. This stable was not together for very long due to some personal issues between Regal and Adams which hampered the stable from becoming credible in the eyes of the WCW officials. Adams wrestled against Randy Savage in the first match of WCW’s new midweek show, Thunder in 1998. Adams got a pinfall over Savage, but the decision was overturned by JJ Dillon after interference from Lex Luger swayed the match in Adams’ favour. He began to drop down the card, working as an enhancement for other talents to get victories over. He left the company in 1999 and returned to Texas where he began promoting shows and wrestling part time.
During his career, Adams unfortunately fell victim to a number of addictions, his first with Alcohol. David Manning said in the Documentary ‘Gentleman’s Choice’ that his Alcohol dependency was heightened after a flight cancellation due to unforeseen circumstances by the airline prompted them to offer a free bar to the wrestlers on the flight, not for a few drinks but for several hours until a flight was arranged for them.
Adams was also a heavy user of GHB, which at the time was being used by bodybuilders and wrestlers alike as an alternative to steroids but it did not have the same anabolic effects as steroids and left longer addictive tendencies with the users. Many of the people using them believed that the GHB worked while they slept.
Adams and his then girlfriend Linda Kaphengst overdosed on a combination of alcohol and GHB in April 2000. Adams survived, but Kaphengst was not so lucky. The overdose starved her brain of oxygen and her family were told that should she survive, she would likely have long term brain trauma. A few hours later, her situation worsened, and her family had to make the difficult to turn off her breathing apparatus.
Adams was not originally suspected in any foul play at the time of the incident and went on to marry again in August 2001, but an intoxicated and threatening voicemail left on answer machine to Pam Hernandez stating that if she did not stop meddling in his affairs then she would ‘end up like Linda’. This voicemail was brought to the Homicide team dealing with Linda’s death and Chris was indicted on a manslaughter charge.
He was due to be indicted but the day before his hearing, he was fatally shot in the chest during a drunken fight with a close friend Brent ‘Booray’ Parnell on October 7th, 2001. Booray claimed self-defence, stating that Adams snapped off a piece of bedframe and tried to attack him with it. Booray claims in the documentary ‘Gentleman’s Choice’ that he does not know the reason for Adams’ behaviour at the time, other than asking him to keep the noise down as his mother was sleeping in the next room. He said that his eyes were black and almost demonic at the time of the fight, which is a known side effect of the drug GHB.
Booray was cleared of all charges against him as acting in self-defence.
Adams, although a clean-cut Olympic prospect from the UK, fell victim to the harsh lifestyles of living on the road as a professional wrestler. Though many still speak of him based on the poor choices he made during his life, many still speak of the apt moniker ‘Gentleman’ given to the late Judoka-turned-Wrestler.
His legacy of wrestling some of the sport’s greatest names in the 80’s and 90’s, training future hall of fame wrestlers and one of the UK’s least discussed exports is somewhat tarnished by his final days.
I have posted the link from Youtube to the 2008 documentary ‘Gentleman’s Choice’ below uploaded in full by The Hannibal TV.
If you have liked this post, please leave a review and follow for future posts.
Thanks!
https://youtu.be/-sgxAH47TsA
#gentleman#wcw wrestling#wrestling#history#uk#von erichs#gino hernandez#steve austin#stone cold steve austin#scott hall
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The Great Con-Junction
For a place like the world-famous Elstree Studios in London, history is made on the regular. Movies like "Who Framed Roger Rabbit," "Hot Fuzz," and even "Star Wars" have all been captured to celluloid moving at twenty-four frames per second. However, it was a lesser-known, though no less ambitious film that had eager fans lining up around the block on a mild February morning nearly forty years later. The film I speak of is none other than Jim Henson's 1982 cult-classic "The Dark Crystal." Myself and at least 200 other attendees were gathered for the first official Dark Crystal convention, celebrating both the film and the Netflix series. Taking place at the very studio where the movie was filmed, Thames Con's "The Great Con-Junction," was also the biggest reunion of the original cast and crew since the film's release. Once again, history was being made at Elstree Studios.
Upon learning of the convention I was filled with both desire and regret. Desire to go, and regret that I most likely wouldn’t be able. I live in Glasgow which is 6.5 hours away from London by car, and I don’t drive. On top of that, I hadn’t any money saved for such an occasion. But through the generosity of several friends, my mother, and my boyfriend willing to drive me there, the impossible was suddenly very tangible. With only twenty days until the convention, I was one of the lucky few able to attend this momentous affair.
It may seem odd that such a niche convention could draw someone from as far away as Glasgow, and in some cases the US and Australia. But if you’ve ever been to a Star Trek or My Little Pony convention, you may have some idea as to the sort of passion we’re dealing with. For many, Dark Crystal isn’t merely a great creative property, it’s life-changing. As a child, Jim Henson’s work left an indelible mark upon my soul. Projects like "Fraggle Rock," "Storyteller," and "The Flintstones," inspired creativity in me and filled me with the desire to one day work for the Jim Henson Company. Sadly, years of adulting did their best to dull that flame to a mere ember. However, after last year’s premiere of "The Dark Crystal: Age of Resistance," that ember grew into a roiling fire.
For the past month, I’ve been a ball of excited energy leading up to the convention. I’ve immersed myself in all things Jim Henson. Whether it be rewatching the Netflix series for the umpteenth time, revisiting Labyrinth, or reading JM Lee’s YA Dark Crystal novels, it’s been all I could do not to crack up. In the final week leading up to the event, I directed this nervous excitement into creating a cosplay as the Crystal of Truth, wrapped in black chains and metal claws. When the day finally arrived and I found myself waiting in line with other excited fans decked out in purple, or cosplaying as Deet or Rian, I knew I was with my people. The air was abuzz with excitement as we were slowly ushered into the building.
The event hall at Elstree was decorated with posters of scenes from the movie along with mood lighting. Part of the ticket cost afforded each attendee a beautiful signed print by Brian Froud. A bar at the entrance was selling official Dark Crystal merch including the ThinkGeek Fizzgig puppet only available in the states. Right away I had blown most of my budget, but my new furry friend would agree I made the right choice! I’d been there not two minutes, and already my arms were full of swag. I took this opportunity to get my Fizzgig and a book signed by both Brian and Wendy Froud, who were very generously autographing people’s items for free.
Usually, conventions leave a bad taste in my mouth as they seem like supremely capitalist ventures. And while there were plenty of things to buy, the Frouds’ generosity set the real tone of the event. Not only were they generous with their autographs, but they were also incredibly generous with their time. It seemed as though every person that talked to them was given an opportunity to gush and share their personal stories. As I told them both how much their work meant to me, they were treating it as though it were the first time they had heard it that day. Brian even took the time to doodle a little Fizzgig and Skeksis for me alongside his whimsical signature. The impression they left me with is that they were both very genuine and down to earth people, and meeting them is something I will carry with me for the rest of my life.
One of the things Mr Froud shared with me was that in his experience, people’s reaction to the Dark Crystal is usually always something creative. People go off and make fan art, cosplays, puppets, or even their own artistic endeavours. You could see proof of this all around the room that day. I met a brilliant artist from Seattle named Nori (@noriretherford), who in exchange for doodles from attendees was giving beautiful prints of her fan art. I drew my best skekTek from memory and have the cutest depiction of Seladon, Tavra, and Brea playing as children to show for it. There were cosplays with humbling levels of detail and even the occasional puppets of people’s original characters. All around you, creativity was swirling, and people were passionately sharing their enthusiasm with one another.
These initial couple of hours were dedicated to meet and greets with the cast, crew, and fellow attendees. Everyone seemed just as interested to listen as they were to share. One attendee remarked to me how she had never before felt more encouraged to speak to strangers than she had at the convention. Even my boyfriend, who is generally shy, was coming out of his shell and joining in the conversations. I was also pleased that the convention was managed well enough that I didn’t spend my entire day waiting in line to meet someone while he was relegated to watching my things. I was actually able to share this experience with him as opposed to relaying it through dreamfasting later. This made meeting the guests less of a thing to check off a list, and more of an experience.
My only real qualm with the structure of the convention was the Skeksis tea which was offered as part of the ticket price. Since I was unaware that the guests would be available all day, I was a bit late to lunch meaning the banquet was completely picked over by the time we had gotten there. No amount of cute creative table displays or impressively crafted Nebrie cake could obscure the fact that we were forced to find our lunch at the McDonalds across the road. Furthermore, I was unaware that the lunch was buffet style, which meant that if someone wanted to be as gluttonous as skekAyuk, it would leave the rest of us hungry. We were not alone in this, as several others were left to look upon the empty tables with dismay. That being said, for a first-time convention, it’s impressive that so little went awry.
For me, the biggest highlight of the day was getting to actually see the Gelfling puppets along with their respective puppeteers. Both Beccy Henderson and Neil Sterenberg had Deet and Rian with them. I’m not ashamed to admit that I hugged Deet. Being able to see the detail of the puppets and feel the various textures employed by the brilliant fabricators at the Jim Henson Creature Workshop was mindblowing. Not to mention that both Beccy and Neil were just as generous with their time as the Frouds. Though I would have to say the most exciting puppet I met that day has to go to Hup, as Victor Yerrid was actually puppeteering him and speaking directly to attendees in Podling. Hearing Hup say my name and talk to me was overwhelmingly exciting! That man is a brilliant puppeteer.
Throughout the day there were also several panels with guests from both the TV show and the movie. It was fascinating to listen to each of them tell their stories. Whether it be anecdotes about Jim Henson or tales about trying to navigate hot costumes under studio lights, it was a treasure trove of information. Listening to these stories was a constant reminder of the sheer amount of history present in the room. Each one of these guests had their own incredible careers, and here they all were, ready to share their fantastic stories. Yet despite this being an intimate gathering of a small group of creatives reuniting after 38+ years, it never once felt like it was all about them. You didn’t feel like an interloper or an evesdropper. We were all part of this wonderful experience together.
It was puppeteer Louise Gold’s remarks to the crowd about this that really put into words what we were all thinking. Through stifled tears, she remarked that she had initially come to see all of her old friends, but had found herself equally enriched by meeting the fans. Seeing all of us come together and sharing our stories was as inspiring to her as it was for us. Hearing her impassioned words moved quite a few of us to tears, myself included. She was easily one of my favourite people I met yesterday, and not just because she was so wonderfully extra. Her words spoke the same truth as Brian Froud's- what has resulted from this fandom is something creative. The Dark Crystal hasn’t simply entertained, it has changed lives.
Of course, like any good convention, it wasn’t just the guests in the spotlight. The cosplay contest allowed for an opportunity for the fans to strut their stuff. Much like the ticket giveaway the organisers had done, they couldn’t decide on just one winner. There was so much goodwill and positivity flowing that honourable mentions were given prizes as well, and with good reason. There were so many incredible costumes that I doubt I could have picked the best of the lot. There were Gelflings, Skeksis, a Hup, and even an urRu! My favourite of the lot was a mother-daughter duo who went as Brea and Kira respectively. But that may just have to do with the fact that I’m a big Brea fan and her costume was incredible!
Were I to think of any one word to explain how I feel about being able to attend this convention it would be grateful. I left feeling rejuvinated. My boyfriend even commented that I was “glowing.” I wish everyone in the fandom could have the same experience. I’ve seen so many passionate fans online in the last day wishing they could have gone, and I very easily could have been one of them. It’s proof to me that this fandom has more to it than just a few people toiling away in their basements. There is a real desire for these types of events. It’s not hard to imagine people declaring their Gelfling clan like Harry Potter fans might declare themselves Hufflepuffs or Ravenclaws. (I’m totally a Vapran.) If you look online, you can see people’s OCs of both Gelfling and Skeksis. Even I’ve considered putting together my own Gelfling Gathering here in Glasgow. I’m hopeful that this is a sign of things to come, and that we won’t have to wait a thousand trine for the next Great Con-Junction.
#the great con-junction#the great conjunction#the dark crystal#thamescon#london#brian froud#wendy froud#louise gold#beccy henderson#neil sterenberg#victor yerrid#skeksis#gelfling#hup#poddling#the dark crytsal: age of resistance#fizzgig#elstree studios
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Favorite True Crime Books – part 1
The Peyton-Allan Files by Phil Stanford : Two teenagers, making out one night in a car on the edge of town ― slaughtered by person or persons unknown. No physical evidence to speak of. No known motive. For all the Multnomah County Sheriff’s Office knows, there’s a psychotic killer roaming the hills west of town. Until they arrest someone for the murders of Larry Peyton and Beverly Allan, no one will rest easy. The Peyton-Allan Files is the story of the savage double-murder that changed life forever in the deceptively peaceful town of Portland, Oregon. A true-life murder mystery, guaranteed to keep you turning pages till the last guilty party has been brought to justice ― or maybe just framed. Because one way or another, this case has got to be solved.
House of Evil: The Indiana Torture Slaying by John Dean : In the heart of Indianapolis in the mid 1960’s, through a twist of fate and fortune, a pretty young girl came to live with a thirty-seven-year-old mother and her seven children. What began as a temporary childcare arrangement between Sylvia Likens’s parents and Gertrude Baniszewski turned into a crime that would haunt cops, prosecutors, and a community for decades to come…
When police found Sylvia’s emaciated body, with a chilling message carved into her flesh, they knew that she had suffered tremendously before her death. Soon they would learn how many others―including some of Baniszewski’s own children―participated in Sylvia’s murder, and just how much torture had been inflicted in one house of evil.
In Cold Blood by Truman Capote : On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues.
As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. In Cold Blood is a work that transcends its moment, yielding poignant insights into the nature of American violence.
Bind, Torture, Kill : The Inside Story of BTK by Roy Wenzl, Tim Potter, Hurst Lavigne and L. Kelly: For thirty-one years, a monster terrorized the residents of Wichita, Kansas. A bloodthirsty serial killer, self-named “BTK”—for “bind them, torture them, kill them”—he slaughtered men, women, and children alike, eluding the police for decades while bragging of his grisly exploits to the media. The nation was shocked when the fiend who was finally apprehended turned out to be Dennis Rader—a friendly neighbor … a devoted husband … a helpful Boy Scout dad … the respected president of his church.
Written by four award-winning crime reporters who covered the story for more than twenty years,Bind, Torture, Kill is the most intimate and complete account of the BTK nightmare told by the people who were there from the beginning. With newly released documents, evidence, and information—and with the full cooperation, for the very first time, of the Wichita Police Department’s BTK Task Force—the authors have put all the pieces of the grisly puzzle into place, thanks to their unparalleled access to the families of the killer and his victims.
The Road to Jonestown: Jim Jones and Peoples Temple by Jeff Guinn: In the 1950s, a young Indianapolis minister named Jim Jones preached a curious blend of the gospel and Marxism. His congregation was racially mixed, and he was a leader in the early civil rights movement. Eventually, Jones moved his church, Peoples Temple, to northern California, where he got involved in electoral politics and became a prominent Bay Area leader. But underneath the surface lurked a terrible darkness.
In this riveting narrative, Jeff Guinn examines Jones’s life, from his early days as an idealistic minister to a secret life of extramarital affairs, drug use, and fraudulent faith healing, before the fateful decision to move almost a thousand of his followers to a settlement in the jungles of Guyana in South America. Guinn provides stunning new details of the events leading to the fatal day in November, 1978 when more than nine hundred people died—including almost three hundred infants and children—after being ordered to swallow a cyanide-laced drink.
Guinn examined thousands of pages of FBI files on the case, including material released during the course of his research. He traveled to Jones’s Indiana hometown, where he spoke to people never previously interviewed, and uncovered fresh information from Jonestown survivors. He even visited the Jonestown site with the same pilot who flew there the day that Congressman Leo Ryan was murdered on Jones’s orders. The Road to Jonestown is “the most complete picture to date of this tragic saga, and of the man who engineered it…The result is a disturbing portrait of evil—and a compassionate memorial to those taken in by Jones’s malign charisma”
Nothing Is Strange with You: The Life and Crimes of Gordon Stewart Northcott by James Jeffrey Paul: A young man kidnaps his own nephew and makes him his servant and sex slave. He abducts young boys, has his way with them, and, if they know too much, kills them. He forces his nephew to participate in his crimes and to consign these little victims, sometimes still living, to their graves.
His father is afraid of his own son. His son mocks and abuses him, falsely accuses him of incest and child abuseand still he supports his son.
His mother loves her boy and will do anything to help himeven commit murder.
The Gordon Stewart Northcott casea part of which is fictionalized in the major new Clint Eastwood film CHANGELING, starring Angelina Jolieis still, eight decades later, one of the most nightmarish in American criminal annals. This booknearly two decades in the research and writingtells the whole story for the first time.
Fred & Rose: The Full Story of Fred and Rose West and the Gloucester House of Horrors by Howard Sounes: During their long relationship, the Wests murdered a series of young women, burying the remains of nine victims under their home at 25 Cromwell Street, Gloucester, including those of their daughter. What was left of Fred West’s eight-year-old stepdaughter was dug up from under the Wests’ previous Gloucester home; his first wife and nanny were buried in open country. Most victims had been decapitated and dismembered, their remains showing signs of sexual torture. These twelve are just the ones police found when the Wests were arrested in 1994. There may be more whose bones have not been located . . .
Howard Sounes broke the first major story about the Wests as a journalist, and covered the murder trial of Rosemary West, before writing Fred & Rose, the definitive account of this infamous case. Beginning with Fred’s and Rose’s bizarre childhoods, Sounes charts their lives and crimes in forensic detail, creating a fascinating and truly frightening account of a marriage soaked in blood.
The Blood of Emmett Till by Timothy B. Tyson: In 1955, white men in the Mississippi Delta lynched a fourteen-year-old from Chicago named Emmett Till. His murder was part of a wave of white terrorism in the wake of the 1954 Supreme Court decision that declared public school segregation unconstitutional. Only weeks later, Rosa Parks thought about young Emmett as she refused to move to the back of a city bus in Montgomery, Alabama. Five years later, Black students who called themselves “the Emmett Till generation” launched sit-in campaigns that turned the struggle for civil rights into a mass movement. Till’s lynching became the most notorious hate crime in American history.
But what actually happened to Emmett Till—not the icon of injustice, but the flesh-and-blood boy? Part detective story, part political history, The Blood of Emmett Till “unfolds like a movie” (The Atlanta Journal-Constitution), drawing on a wealth of new evidence, including a shocking admission of Till’s innocence from the woman in whose name he was killed. “Jolting and powerful” (The Washington Post), the book “provides fresh insight into the way race has informed and deformed our democratic institutions” (Diane McWhorter, Pulitzer Prize–winning author of Carry Me Home) and “calls us to the cause of justice today” (Rev. Dr. William J. Barber, II, president of the North Carolina NAACP).
In Broad Daylight by Harry N. MacLean: Ken Rex McElroy terrorized the residents of several counties in northwestern Missouri for a score of years. He raped young girls and brutalized them after they went to live with him or even married him; he shot at least two men; he stole cattle and hogs, and burned down the houses of some who interfered with his criminal activities. Thanks to the expert efforts of his lawyer and the pro-defendant bias of state laws, he served no more than a few days in jail, the author shows. In 1981, sentenced for the shooting of a popular grocer and free on bail, he was killed by the men of Skidmore, the center of his felonies; they closed ranks against all attempts to identify those who had pulled the triggers. Written by a first-time author, this is an engrossing, credible examination of the way vigilante action can take over when the law appears to be powerless. BOMC and QPBC alternates.
Killer Clown by Terry Sullivan: He was a model citizen. A hospital volunteer. And one of the most sadistic serial killers of all time. But few people could see the cruel monster beneath the colorful clown makeup that John Gacy wore to entertain children in his Chicago suburb. Few could imagine what lay buried beneath his house of horrors–until a teenaged boy disappeared before Christmas in 1978, leading prosecutor Terry Sullivan on the greatest manhunt of his career.
Reconstructing the investigation–from records of violence in Gacy’s past, to the gruesome discovery of 29 corpses of abused boys in Gacy’s crawlspace and four others found in the nearby river–Sullivan’s shocking eyewitness account takes you where few true crime books ever go: inside the heart of a serial murder investigation and trial.
Inside Alcatraz: My Time on the Rock by Jim Quillen: Jim Quillen, AZ586 – a runaway, problem child and petty thief – was jailed several times before his twentieth birthday. In August 1942, after escaping from San Quentin, he was arrested on the run and sentenced to forty-five years in prison, and later transferred to Alcatraz.
This is the true story of life inside America’s most notorious prison – from terrifying times in solitary confinement to daily encounters with ‘the Birdman’, and what really happened during the desperate and deadly 1946 escape attempt.
Go Down Together: The True, Untold Story of Bonnie and Clyde by Jeff Guinn: Forget everything you think you know about Clyde Barrow and Bonnie Parker. Previous books and films, including the brilliant 1967 movie starring Warren Beatty and Faye Dunaway, have emphasized the supposed glamour of America’s most notorious criminal couple, thus contributing to ongoing mythology. The real story is completely different — and far more fascinating.
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Hillary Clinton on Her Surreal Life and New Hulu Doc: “I’m Not the President, and I Got More Votes! It’s So Crazy!”
The former candidate looks back and laughs. What else is she gonna do?
Hillary Clinton sat serenely before me, as if she didn’t have a care in the world. That was my first surprise as I was ushered into a room at a Pasadena hotel to talk to the former Secretary of State and the woman who won the popular vote in the 2016 election about Hulu’s four-part documentary series, Hillary (premieres March 6). Although she’s been accused of being plodding and dour, Clinton exuded buoyant warmth. And then there was her laugh. At first I was convinced that it was deployed for effect. (Politicians get media training; is laughter training a thing?) But gales of it tumbled out so regularly and recklessly that it seemed clear Clinton was just relaxed—maybe for the first time ever?
Sure, sometimes her laughter sounded rueful, but a lot of us feel rueful these days. And while she has stopped ascending the political ladder, Clinton’s name still sparks both adoration and loathing, as well as generalized post-traumatic stress. Some people wish she would withdraw into media exile rather than shadow the current election like the ghost of campaigns past. That gave some pause to Nanette Burstein, the documentary filmmaker behind The Kid Stays in the Picture and American Teen who took on this project in 2018. Burstein knew the Clinton defeat was still a raw wound for liberal America. But it was a cross she was willing to bear, given the complete editorial control and 35 hours of interviews with her subject she was granted, along with leeway to pose any questions she wanted.
I started to ask Clinton how it felt to participate in this legacy-defining project after so many years of having her life’s narrative framed by others, but the word “framed” triggered an explosive howl of laughter. “By all definitions of that word!” she said, eyes flashing, before collecting herself again.
“I decided to do it because I’m not running for anything and I think my life and my story has parallels with women’s lives and stories and what’s going on in politics,“ Clinton told me resolutely. (This was several weeks before the rumor circulated that Mike Bloomberg was considering asking Clinton to be his running mate.) “Thirty-five hours sitting in a chair answering questions is grueling but I felt like if I didn’t tell my side of the story, who would?” she added with a shrug. “At least there’ll be a baseline: Here’s what actually happened in my life. Here’s what I actually said about it.”
That led to some very uncomfortable conversations about the many scandals that engulfed the Clintons, including her husband’s affair with Monica Lewinsky. (“It was awful what I did,” Bill Clinton tells Burstein, barely able to look at the camera. “I feel terrible about the fact that Monica Lewinsky’s life was defined by it.”) “I had to ask the ex-president of the United States about the most personal thing in his life and why he would make such a decision,” Burstein recalled. “It was very intimidating! But it was about: How did this affect Hillary and her marriage and the repercussions of that, which followed her 20 years later, into this last election.”
The series flickers back and forth between Hillary Clinton’s youth and the present, weaving together a complicated and flattering (if not quite hagiographic) portrait of a woman who’s provoked admiration and abhorrence for much of her life. Sometimes she seems like a real-life Zelig, popping up near the center of American culture for the last half century. But Zelig was a bystander, whereas Hillary got right in the thick of the action, sometimes changing the course of events and others times being swept along by them.
Clinton came of age at the exact moment that the women’s liberation movement was rising, and her 1969 Wellesley commencement speech landed her a spot in Life magazine. As a young lawyer, she wrote briefs as part of the staff for Nixon’s impeachment hearings (decades later, in a savage irony, she saw the process from another angle when her own husband was impeached). After following Bill to Arkansas, she confronted good old boy sexism, encountering judges who thought women shouldn’t be lawyers and constituents who felt the first lady of Arkansas should take her husband’s name. When Bill cheated on her in the White House, some women were furious with Hillary for standing by him. Conversely, when Bill entrusted her with the daunting task of devising a universal health care plan 16 years before Obamacare, right-wing rage, and revulsion boiled over. Footage in the Hulu series features protesters brandishing posters with slogans like “Hillary makes me sick” and “Heil Hillary.” At a Kentucky rally, they even burned her in effigy.
“I was threatened when I went around the country talking about it,” Clinton told me of that heated Hillarycare moment, shuddering at the mention of the burning effigy. “The Secret Service made me wear a bulletproof coat at one event because they had taken guns and knives off of people trying to get into the outdoor event. I thought, Shit, I’m trying to get people health care! It’s not like I’m stealing your firstborn here! What is the matter with you?” she shrieked, howling with laughter. “It was so weird—like, what’s happening here? Were they paid? A lot of them were riled up by talk radio…. But yeah, I had a lot of very unusual experiences.”
In the Hulu series, former adviser Cheryl Mills recalls “Hillary hater sessions” during Clinton’s 2008 campaign for the Democratic nomination: Women complaining that the candidate was too power-hungry or that she’d been weak for staying with Bill. “It was like watching The Exorcist: The bile would just keep coming up,” Mills said. Clinton herself told me that before she ran for president, a psychological researcher warned her she’d have problems with white women “because they don’t want any conflict with their husbands, their fathers, their sons, their brothers, their boss. And white men are not going to vote for you—they didn’t vote for your husband, they didn’t vote for Obama, et cetera. So there was a lot of pressure on these women.”
Whatever your view of Clinton’s politics, Hillary reminds us that she was voted the most admired woman in America in the Gallup Poll for 16 years in a row. (Michelle Obama knocked her off the top slot.) Clinton fervently believes she had the white woman vote nailed down in 2016 “until Jim Comey dropped that letter on me,” she said. “I was going to win, I am absolutely convinced of that…. What happened is that white women left me, because their husbands or their bosses or whatever said, See? See? She is going to jail! It was a very effective assault on me.” The series points out that not only was Clinton’s career shaped by her own husband’s infidelity, but it was derailed once again by the sexual misbehavior of Anthony Weiner, husband of her top aide, Huma Abedin. The FBI probe into his sexting a teenage girl ultimately led to Comey’s announcement that they were reopening the investigation into Clinton’s use of a private email server. This reignited the frenzied right-wing smear campaign and, she believes, turned off enough vacillating voters to throw the election to Trump.
Burstein didn’t want to lean too heavily on the gender angle because there are elements at play in Clinton’s turbulent trajectory that “have nothing to do with that,” she said. “They have to do with politics. With her own personality. But there are also things that are very specific to being a female when you’re trying to do something no one else has done…. You really see that play out in her story over and over again.” The documentary shows how the battery of conflicting public expectations and right-wing vilification over several decades caused Clinton to build up defenses, which made her seem ever-more guarded and humorless. That armoring process started as early as law school, where she learned to put her head down and work hard “despite whatever obstacles were put up. And when you fast-forward into an age where everybody wants to see what your emotions are and how you respond and all that... It’s really a different environment in which we find ourselves now.”
Clinton first sat down with Burstein for interviews just a few days after the 2018 midterm results came through with their record number of women elected to Congress. The former first lady and Secretary of State regards the anger-fueled impetus that drove so many women to run for political office as the silver lining to her 2016 defeat. “She doesn’t feel that it’s a tragedy, so why should I depict it that way?” said Burstein. “She’s not bemoaning her existence every day. She’s like: Okay, what’s next?”
Sitting in front of me in a nubby tweed blazer, Clinton said she tries to be realistic about the progress women have made during her lifetime. “A lot of legal barriers have disappeared, and that’s a big step. So now we deal with all of these pent-up stereotypes and judgments about what women should and shouldn’t do or should and shouldn’t be. And we have all these forces—political and ideological and religious and financial—arrayed against further progress. And we have a president who is a willing tool. He doesn’t believe any of this stuff. He has absolutely no core beliefs whatsoever.”
Clinton won’t endorse anyone in the primary, she told me: “I just want whoever can beat him to get the nomination. Beat him in the Electoral College. That’s all I care about. I’m not going through this again!” she said, dissolving into laughter once more.
I asked Clinton if she ever thought about what she’d be doing in a parallel world where she hadn’t moved to Arkansas and married Bill. She evaded the question, telling me she moved there because she wanted to decide whether to marry and just fell in love with her life there. But then I mentioned to her William Gibson’s new novel, Agency, which takes place in a world where Hillary is president.
“Oh, I’d love to read it!” she gasped, asking for more details. In our own reality, “I’m not the president and I got more votes. It’s so crazy! So I’m interested in somebody writing something about a different ending.” She smiled and wailed, “I want to live in that world!”
(Link)
#Hillary Clinton#Eek so she's going to read the alternative universe Hillary Clinton and I am living for it
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according to tmz’s latest update , 𝐡𝐨𝐧𝐞𝐲 𝐜𝐚𝐩𝐫𝐢𝐨 has just signed with 𝖛𝖎𝖑𝖎𝖋𝖞 … you know the twenty five year 𝒆𝒔𝒕𝒂𝒃𝒍𝒊𝒔𝒉𝒆𝒅 singer / songwriter ? the one who resembles 𝐚𝐫𝐢𝐚𝐧𝐚 𝐠𝐫𝐚𝐧𝐝𝐞 ? yeah , her ! they’re known for being +𝐨𝐫𝐩𝐡𝐢𝐜 but also -𝐯𝐞𝐱𝐢𝐧𝐠 . rumor has it , 𝒓𝒆𝒅𝒂𝒄𝒕𝒆𝒅 . hopefully , under new management , the 𝐜𝐢𝐬 𝐟𝐞𝐦𝐚𝐥𝐞 will avoid being the subject of a new scandal . [ emmy , 21+ , she/her , pst ]
hello everyone ! i am so excited to be here with you all on this brand new journey together ❤️ my name is emmy and i’m one of the admins . please , please seek me out for anything and everything , i’m more than willing to assist ! this is my problematic child honey . she’s a bit of a chaotic mess but i hope you all grow to love her just as much as i have . i can’t wait to plot with you guys !
⤷ ⋄ * introducing honey caprio !
honey was born angela caprio to italian immigrant parents , angela and joseph in maryland . living a rather unproductive childhood , there was not much of her early childhood that is worth noting other than she adopted the name honey relatively young as she loathed sharing a name with a mother and it was an affectionate pet name her father gave her that she really liked . in school , honey was hardly remarkable in any sense . her grades were average , she had a solid friend group and was a member of the choir . her voice is always something that stood out , particularly her talented vocal range which helped cast her in several musical theater productions . so how did someone so genuinely normal sky rocket to stardom ? well , that’s a funny story , actually . ever hear of an industry plant ? you’re looking at one . and what exactly is an industry plant ? an artist that is suddenly skyrocketed to fame seemingly overnight , and that’s exactly what happened with honey . after graduating high school , honey had no intentions of seeking out a higher education . instead , she spent her youth partying with her friends , getting high , and making poor decisions . during one night of drunken karaoke , she was approached by a representative from a record company . a girl with zero ambition to do anything other than live her life to it’s fullest was suddenly being put in booths to sing her little heart out for some of the biggest producers in the game . while this was never a lifestyle that honey had thought plausible before , she quickly fit into the mold of what the record label was after : a sultry vocalist who is inherently messy . and thus , dangerous woman was born . it was a calculated release right down to the title track , the first single , and the overall aesthetic honey would portray . honey had very little input in dangerous woman , which launched her into a mainstream name overnight with her smokey music video and impressive range . suddenly she wasn’t a girl from maryland anymore . she was attending hollywood parties , having sex with big names . no one really knew where this girl came from --- she was suddenly here and in everyone’s faces and making appearances at nearly every award show . sweetener was the first album that honey had some creative control over . she was experienced now , a world tour behind her and a sturdy fan base . while she wasn’t pumping out hits , she was the topic of many headlines . too drunk to walk out of the club , multiple whirlwind romances that ended horrifically , and diva - esque behavior which was amplified by her infamous donut licking incident . shortly after sweetener was released with success , honey’s label gave her the go ahead to drop another album almost six months later , thank u next which earned her several grammy nominations . no one is really sure how a girl so messy became so damn famous , but her agent recommend that she find better management to keep her name in a more . . . ahem , positive light . she signed with vilify and embarked on another world tour which she recently wrapped . it’s rumored honey is currently working on new projects but she’s been keeping it low key . . . for now .
⤷ ⋄ * isms + head canons !
⤷ honey is . . . a leo to a fault . she’s playful , bright , but horribly demanding and stubborn .
⤷ she’s bisexual and she’s honestly quite a shamelessly sexual individual . she isn’t the type to settle down to easily , though , and often juggles a handful of lovers instead of committing to just one person .
⤷ her sense of humor is really unique . she sarcastic and dry , but i would also consider her to be quite childish . she’s immature in what she finds amusing .
⤷ she has all the canon tattoos that ariana grande has .
⤷ becoming a celebrity hasn’t really changed her personality too drastically , rather she’s very set in her ways and doesn’t often behave like a celebrity should . she isn’t very poised . she curses in interviews and on the red carpet .
⤷ while she is so successful musically , it wasn’t her passion until recently . now that she has more creative control of her music and has been taught the art of production , she is genuinely passionate over it .
⤷ she literally won’t respond to angela , just don’t do it . don’t call her that . . . she’ll kick you right in the balls , i promise you .
⤷ if i had to compare her characters , i would say she’s a mixture of buffy summers , jim from the office , summer from rick and morty , & marquise from cruel intentions .
⤷ her tendency to be impulsive gets her in a shit ton of trouble . she has horribly bad luck and is caught by the press doing nearly everything that she should keep hidden .
⤷ loathes being alone , she will have her friends live with her in her home rather than not have someone to go home to .
⤷ she isn’t the best romantic partner . a lot of her music reflects that , especially in thank u next . she doesn’t really seem to care about the way she acts , either . it’s important to note she hasn’t genuinely felt love before . she’s come close , but that exploded in her face .
⤷ in contrast , honey is an excellent friend . she’s loyal . she’s fierce when it comes to her group . she’ll be the first one posting shit on ig , the first subtweeting . she relies on her friends for a great deal of support .
⤷ fame coming so quickly and so out of pocket really fucked with honey emotionally and psychologically . she suffers from anxiety , gets panic attacks , and often turns to drinking and drugs to combat those feelings .
⤷ ⋄ * plot ideas !
⤷ platonic plots : best friend(s) , housemates , music collaborator , inspiration , writing buddies , party buddies , only friends when we’re high / drunk , we met backstage at an award show and have a budding friendship , you used to date my best friend but we got along so well we stayed friends , drug dealer , i got too drunk at a party and you looked after me , confidants , we went on a date but ended up being friends instead , theme park buddies , sibling like bond , we used to hate each other until we actually got to know each other , publicity friends , we used to date but now we’re just friends
⤷ romantic plots : forbidden romance / affair , hateship , exes with benefits , friends with benefits , publicity romance , heartbreak , i could’ve fallen in love with you but we never got the chance to make it real , we only hook up when we’re fucked up , you’re the boy / girl in my songs
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Lockdown Diary Part 3
A personal account during the lockdown in the UK due to the Covid-19 outbreak.
23/03/2020 8:30pm Boris Johnson, UK Prime Minister, gives a live address to the nation to, effectively, put the country on lockdown to stem the spread of the deadly coronavirus strain, Covid-19.
Many of us have been self-isolating for days but this latest development within the UK in reaction to the pandemic feels very serious and very scary. I decided to keep a simple diary and where better but online.
Day 61: Writing this in the afternoon on day 62. An exercise driven day. Two walks and stair climb as usual plus I popped round Jeff’s early evening. First time I’ve been to his house, 1 Garden Row, Elmington. It’s further than I thought so, with walking there an back, I managed a daily total of 14km. It was good to see him and have a social (but social-distanced) beer. When I got home, @9:45pm, I made thai green chicken curry, watch The Report (a great, if worrying film) and then TikTok-ed until gone 5am!
Day 62: Typing this on day 64! Beer round Karen’s. Missed Sam’s quiz.
Day 63: Typing this on day 64! Beer round Karen’s. Again! Well, it is bank holiday Monday! Had dirty pizza for tea and watched The Heat. Again! It is the most piss funny film.
Day 64: Well, I have been feeling guilty about treatung the bank holiday w/e l;ike a bank holiday w/e. It’s dawned on me that that guilt is way too self-disiciplned.
I got up about midday, usual two walks and stair climb but that’s it. I need to clean the house from top to bottom, get on top of my online courses, get the garden done, get the car fixed, go shopping…fucking hell - if only I had the time…
Day 65: Today I swapped Amazon prime free trial for about the 5th time in my life. Same card and address - will they get wind of my skullduggery. This is all so I can finish watching Hunters and catch Homecoming S2.
I went shopping at Asda near Raunds. I wish I hadn’t, it’s no good for a comprehensive shop.
Received an email from RCI inviting me to a Zoom meeting with Pal Mulcahy for a business update. I fear the worst. And it’s at 10:00am, FFS!
Day 66: Logged in an attended zoom forum with Paul Mulcahy and over 250 RCI staff this morning. The message was that there is going to be redundancies. I expected this and expected to fall victim. All staff that are going to be put through cionsultation would be contacted today. I however wasn’t! Very, very surpised. meanwhile, Nick Reilly asked to connect via LinkedIn (including become a LinkedIn staff team member - that’s new to me so I’ll see what it is but I accepted the invitation) Later, I WhatsApp-ed him and asked who has been affected from IT. All he could tell me was no one on Jon Rodger’s team is under threat. Also, Mark C emailed - I’ll respond tomorrow.
I got up at 09:00ish and had my mornming walk before the 10:00am meeting. I am now, at 09:30pm, fucking knackered. Dinner and then bed, methinks but not before one more episdoe of Hunters!
Day 67: Typing on Day 68. Got pretty drunk last night. I’ve got blisters from walking (new boots) so I don’t think I’ll walk tomorrow (well, today!).
Day 68: I did fuck all today. Got up after 1pm, no walking. I did manage to clean the bathroom (and smash my little mirror) and do my 26 stair climb. I am typing at 9pm and I feel whacked!
Day 69: I have an abscess. It’s not too painful (today) but I am going to call the dentist tomorrow (Monday). I think antibiotics are in order.
I watched a film, which I actually started yesterday, called The Voices starring Ryan Reynolds, Gemma Arteton and Anna Kendrick. Fuuuuuuuuuuuucking weird. The closing credits are the most bizarre, in context, I’ve ever seen. But, in general, a very good film.
Back to normal exercise regime today plus hovered the hall and stairs. Get me. It’ll be interetingh to see my Google Fit figures for May tomorrow.
Day 70: Contacted the dentist who advised salt water rinsing and ibuprofen. But, tbf, it’s a lot better today and the swelling has gone right down. The dentist I called was the Oundle House (Rodericks) one. I was not hopeful since last time I saw them they referred me to their Northampton clinic for root canal work which was quoted at over £600. However, the dentist was very nice, had my x-ray to hand from that last visit and seemed more interested in making sure I’m OK than gaining a paying customer. He still wants to see me when possible though!
I must mention the weather. It has been glorious weather nearly every day throughout May (it’s June 1st today). Seriously sunny and like a holiday every day. The news mentioned it today - the level of sunshine throughout the transition from spring to summer is unprecedented, apparently. My T shirt tan is, quite frankly, ridiculous!
Day 71: Today’s ‘must mention’ is what’s going on in the US and it’s not particularly related to Trump. There was a black man killed while under arrest. George Floyd died Monday 25th May (8 days ago) A policeman, who knelt on his neck for minutes while he complained of not being able to breathe, has been charged with murder. Now there are riots and curfews and military intervention all over the country. It’s similar to the English riots of 2011. It’s worrying, sad, scary and not what the fight against the pandemic needs. Most of all, it’s racism rearing its ugly head yet again.
I’ve had a normal-ish day. received an email from Jim checking in, talked to a recruiter about a promising job lead (although the hours are 8-5 which I am not happy about), talked to Barry across the road and sent Barzzy a WhatsApp. And I logged in Shaw Academy and started lesson one of module 2 of web Design. It’s been a while, so long overdue, but I only did about 15 minutes. Must try harder / do better!
As I type, late (10:10pm) I have dinner cooking and a strange pain in my left side and am in the middle of No Country for Old Men. Don’t think I’ve seen it since the cinema (13 years!)
Day 72: As soon as (well, within a couple of days) I mention the weather, it turns. It’s rained a little and is a lot cooler (15° rather than mid-20s). Much better for walking, I have to say.
I finished Hunters today (Amazon Prime series). While I enjoyed it, it got too surreal at the end. It is loosely based on the real story of Nazi hunters in the US in 1977 but the straying from loosely based to down-right ridiculous fiction annoyed me. If it goes to S2, I will watch it, however.
Received some of my rental deposit back today (the law changed so that only 5 weeks rent can be demanded as deposit). Over £600. Nice.
Day 73: I made a short video for Marc and Clare’s 26th wedding anniversary. I ‘dressed up’ for it. I enjoyed doing it and I think it was appreciated.
Day 74: Typing on Day 75 for no other reason than I couldn’t be bothered on day 74! I received a letter either today or the day before (well, yesterday or the previous day!) from Mr Minos at the eye clinic informing me that, while there is some stuff going on in both eyes (garnered from the photo scans done at the last hospital appointment), he wants to see me in three months. Always a refief when that happens.
Been getting into two series on Amazon: Alex Rider and Modern Love. One is a male Hanna, the other is soppy affairs of the heart based on real life stories (from essays written in the NY Times). Both enjoyable for totally different reasons.
Day 75: Lazyish day. Well, not really, just that I only went for one walk, alebit 6km andI got pissed on. Wehn the rain hit, it was also fucking freezing! Some of the clouds were stunning today, made for great photos. As I type, it’s 21:12, I’m listening the wonderful Phoebe Bridgiers. Now, I’m gonna make some tea and sup a few ales, I reckon.
Day 76: Done lots of walking today (over 13,000 steps) I made sausage casserole with too much chilli (scotch bonnet and birdeye). I had an online (fb) debate with Sam over whether the George Floyd murder was a racial.
Day 77: Received a new (used) wing mirror for the car. £18 with delivery, I reckon that’s a bargain. I cashed in £20 from Prolific as well, so I’m satisfied at the financial full-circle. Dropped the car off at Barnwell (Nene Valley Body Shop) and walked back - 7km. Just about to dive into tea - finishing the blazing hot sausage casserole from yesterday. Then I’m going to do some more Rubik’s cube practice with my recently acquired GoCube.
Day 78: Lots of daily walking, 26 stair climb, press-up and late nights watching TikTok (gone 3am this morning) are making for a constantly knackered Tim Stubbs.
Today I made veg soup and cooked up some meatballs. Both are delish. How did I ever to learn how to conjure up such stuff?
The Rubik’s cube learning is coming along except that I need good daylight to distinguish between the yellow and white faces on the flipping thing!
Day 79: Listening to Radio 6 most the day and the news is making for dire listening. Forecast of severe recession, especially if there is a second peak of the virus, which I think there will be. Plus, an offshoot of the George Floyd murder and the #BlackLivesMatter movement, institutions and town councils are being lobbied by campaigners to remove statues of anyone associated with things like slavery (one was toppled in Bristol at the w/e) and rename buildings etc. that were named after historical characters with any links to something that now is deemed wrong or offensive. I agree with it but it’s not pleasant to hear amongst other bleak news.
Walked to Barnwell to collect my car - front trim reseated and new wing mirror fitted, £20 - bargain (I source the replacement wing mirror). But, also, forked out £165 on car tax!
Cleaned the lounge from top to bottom. Knackering!
Day 80: Chatted with Dad and Rita - he’s pissed off with the slavery backlash but otherwise they are both OK.
I saw Baz in the Tesco queue where I mentioned my disgust at the Thursday market being allowed (I found I could not maintain 2m at all times just walking to Tesco’s!) and that I really don’t want to catch Covid19 as I will probably die. Maybe a bit dramatic but he messaged me later today to say he’d been thinking on what I said and offered to shop for me. I replied that I am OK to shop but am scared at how people are taking things so much less seriously than when lockdown started yet the virus is still out there just as it was then! I am very touched at his massage.
I thoroughly cleaned the bedroom and changed the bedclothes today. House work really knackers me out!
Day 81: Spare room cleaned today. Not much else to type about. It’s Friday, I making curried mince and I don’t feel like a beer. How I’ve changed!
Day 82: I did have beers last night. Ended up going to bed with daylight and dawn chorus for company.
Today, when I woke, gone 1pm, I have been greeted by what can only be described as thoroughly depressing news from every quarter. This includes violence in the capital, further virus outbreak in Beijing. Fog’s political posts on FB make for depressing (but vaild) reading. I’m feeling thoroughly fed up today. Not even music can lift my mood…
…but, I am currently listening to Craig Charles on BBCR6 and, I have to say, he’s putting in quite an exceptional effort - there may be hope that my mood might lift, even at gone 8pm! I might have a beer or two and grab something postivity and enjoyment from the day after all.
Day 83: Another late one last night but up before noon today. Started watching something called Condor on Sky One. It’s OK - there’s stuff I wanna waytch on Amazon Prime but, more often than not, it keeps telling me there’s ‘a problem’ when I try to play anything. Pissing me off.
I just checked and I have two weeks of the initial 12 of furlough to go. I shall started asking the questions about what might happen on the Connections website.
Day 84: Typing this on Day 85. On the way back from dropping off some shoes for Sean Davies at his brother’s (martin) I met Karen and she said why not pop round for a beer so I did. Certainly not used to a drink on a Monday so that, and the genral upheaval to my evening, while good fun and a nice change, put pay to my usual diary entry! I sorted Amazon Prime out by leaving the TV turned off for over an hour.
Day 85: Tim did the garden today and it looks great. The pipes in the bathroom have been knocking loudly, on and off, for a couple of weeks now. Last night, they were so loud that today I took it upon myself to resolve it or ring Woodfords. So, having turned off the water, run the taps dry to get rid of any trapped air and then turned the water back on slowly, I discoved it’s the cistern and its pipes. Woodfords are arranging Corvee to visit. Meanwhile, leaving the water turned off at least stops the noise which is, otherwise, costant and unbearable!
I emailed HR a couple of days ago about what’s happening in a couple of weeks time in terms of furlough when the 12 weeks will be up. Sue Cockimngs got back to me attaching an email Deryn sent on 15th May which I never received. Basically, they’ll extend furlough if need be and an update should be forthcoming late May/early June. Well, that time has passed, so who knows what is going to happen. The furlough scheme (CJRS) has been changed by the govenment, I’ve read, and it looks like any new people would have to have been furloughed by June 10th (it’s the 16th today) so no furlough rotation, which is annoying. The CJRS ends 1st October with employer contributions required from 1st August - that’s D-Day as far as I am concerned….so job hunting will have to step up a notch!
Day 86: Pete’s birthday and he bought himself the same speaker as me. When I asked if it lived up to his expectations he mentioned it’s better through WiFi than Bluetooth. That confused me as I haven’t got WiFi available on mine…..long story short, I bought the wrong fucking speaker. I got a AudioPro AddOn T10 instead of C10. To say I am fucked off is an understatement. To think I was so pleased at the cheap price I paid. Now I feel like I have wasted €200. Bollocks.
Day 87: Finished Alex Rider last night. Another series that started off so well and ended a litte weak but, overall, not bad.
I’ve started keeping strange meal times…lunch very late (4pm) and dinner really late (11pm). I need to sort it ‘cos it’s playing havoc with my sugar levels. I had a huge hypo while having my second walk today, second day on the trot that’s happened. My late dinner was Chinese chicked curry with a quarter of a scotch bonnet and two birdeye chillies. Delish.
Day 88: I have managed to be bitten yesterday or the day before on one of my walks. There are strange, itchy lumps on my right inner forearm. And I do mean itchy.
I trimmed my sideburns today, I was very pissed off with them. My hair looks just a little less shit.
I did a shop at Tesco in Corby today. Mainly booze as follows:
20 cans Sam Miguel £18
18 cans Stella £15
20 bottles Bud £10
8 cans Tyskie £9
3 lrg bottles Warsteiner £5
£57 Bargain.
Day 89: Lazy day. One short walk and usual stair climb. Howard and Sue popped round to give me a pressie - bottle of Monkey Shoulder. I’m building up quite a collection of whisky!
Day 90: Dad called and we chatted for an hour or so. I had to apologise for not sending a father’s day card! Dan messaged me and offered to pay for a pizza delivery which I declined.
Football has started again this past week…Prem and Championship only. L1 and L2 season was cut short and Posh missed out on the play-offs by one place.
As I type, Everton v Liverpool is on Sky Sports on a Sunday evening - it’s very strange with no crowd. There’s crowd noise being played thorugh the tannoy.
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Danganronpa 1 & 2 characters as High School “recommended reading” books I actually read
Makoto Naegi
To Kill a Mockingbird by Harper Lee
when i read it: 5th grade for fun, 10th grade for English class
did i like it? well enough yeah
content warnings: thematic & period-typical racism, ableism, and sexism
about: Recounts a summer in which Scout and her brother, Jem, watch their lawyer father defend a black man accused of raping a white woman in the south while balancing raising them alone. Other stuff happens, but that’s the most important plot thread.
Sayaka Maizono
Medea by Euripides
when i read it: i don’t remember, maybe 9th for drama, 12th for English?
did i like it? yep!
content warnings: child murder, infidelity, some pretty brutal other character deaths, sexism
about: Medea, who has sacrificed everything to be with her husband - even committed treason - has been left by the man so he can move on to woo and wed a princess. And she loses her shit.
Leon Kuwata
The Adventures of Huckelberry Finn by Mark Twain
when i read it: 11th grade
did i like it? yeah!
content warnings: thematic & period-typical racism (use of the n-word), domestic abuse, classism iirc?
about: After his abusive dad comes back and demands money under the threat of death, Huck Finn runs away with a fugitive slave down the Mississippi River. Being Mark Twain, it’s a comedy, although Huck’s father is genuinely kind of frightening and his friendship with Jim is kind of heartwarming.
Chihiro Fujisaki
Frankenstein by Mary Wollstonecraft Shelley
when i read it: 10th grade for fun, 12th grade & freshman year of college for class
did i like it? I’ve got mixed feelings; i love the book, hate most peoples’ interpretations of it.
content warnings: character death, incest (depending on the version of the novel you read), unethical doctors, neglectful parents
about: Thinking he knows better than literally anyone else he’s ever met, Victor Frankenstein decides it’s his birthright to play god. He robs graves to build the perfect body, and then, once he’s successful, flips his shit and refuses to acknowledge any part he played in the creation, wrecking the lives of like everyone he knows.
Mondo Oowada
The Outsiders by S.E. Hinton
when i read it: like 6th or 7th grade, for fun
did i like it? i loved it!
content warnings: abuse, thematic classism, character death
about: Honestly the most obvious choice to make for Mondo. Ponyboy Curits, a greaser, recounts the last few months of his life in which, after being repeatedly harassed and then nearly killed by gang of rich kids, his friend Johnny stabs one to death. In order to keep Johnny out of prison and Ponyboy out of a boys’ home, the two run away. Considering Ponyboy is also being raised by an older brother, this totally fits Mondo.
Kiyotaka Ishimaru
King Lear by William Shakespeare
when i read it: twice in college (discliamer: as an english major i had to taken an entire course on shakespeare, so he shows up a lot here between that and having done theatre)
did i like it? no
content warnings: a surprising amount of gore for a stage play, including a guy getting his eyes gouged out and someone getting beheaded iirc
about: The king’s getting up in years, so he’s hoping he can drop the workload off onto his three daughters while remaining the figurehead. His youngest, Cordelia, who he loves best, refuses to kiss his ass by saying that he’ll still have power over her once she’s married, and this pisses him off so he disinherits her. Then her sisters, annoyed with their father and his favoritism, decide that with Cordelia out of the way they can now do basically whatever they want and determine to make his life hell. Since he named them Goneril and Regan, I don’t blame them.
Hifumi Yamada
The Canterbury Tales by Geoffrey Chaucer
when i read it: college, but i wanna say i read some of the stories in it for English classes in high school?
did i like it? some of the stories i did yeah
content warnings: varies from story to story, but i remember unsanitary, drunkenness, and infidelity
about: The overarching “plot” as such is that a group of people are making a pilgrimage to Canterbury, and decide that to pass the time they will tell two stories each. Each story is told in-character, and whoever tells the best story has to...buy everybody dinner, or something? I don’t really recall. It’s a comedy, but it’s also unfinished because Chaucer bit off way more than he could chew.
Celes Ludenberg
“The Cask of Amontillado” by Edgar Allan Poe
when i read it: 11th grade
did i like it? probably, i’m a fan of Poe
content warnings: drunkenness, murder
about: This one got memetic on tumblr for a while, but essentially this guy decides to get revenge on an old friend of his for some kind of sleight by getting him drunk during Carnival, leading him into the basement, and burying him alive. Poe isn’t one to go soft.
Sakura Oogami
“A Very Old Man With Enormous Wings” by Gabriel Garcia Marquez
when i read it: 10th grade
did i like it? no
content warnings: objectification, something akin to torture
about: A family finds an old man with wings lying face-down on the ground and decide to keep him like a pet. People see him and assume he is an animal, and the family decides to start charging admission like their own private sideshow, while onlookers abuse him. One of those extra depressing stories that makes you wonder why the hell you had to read it for class.
Mukuro Ikusaba
The Crucible by Arthur Miller
when i read it: the first time, probably in 6th or 7th grade, and then several more times after that for a variety of other classes. it’s a theatre and English class staple.
did i like it? when taken in context, yes. but i’m also fucking sick of reading it.
content warnings: infidelity, paranoia bait, period-typical racism & sexism (takes place during the Salem Witch Trials)
about: The plot is a witch hunt, in which a girl who had an affair with a married man claims to have been taken over by the spirit of the devil and that all her friends and a variety of other townsfolk have too. It follows the trials as they try to determine who is and is not guilty, who will repent for their sins, and thematically is about puritanical hysteria. It’s about the Red Scare of the 50s, surveillance, the Hollywood Blacklist, propaganda, and tyrannical government. Naturally, teachers fail to provide any context for the play that actually makes it relevant or interesting. Compare to modern day callout/cancel culture.
Kyouko Kirigiri
12 Angry Men by Reginald Rose
when i read it: 10th grade (although i’d already seen the movie)
did i like it? yes
content warnings: thematic classism & xenophobia
about: The jury of a case in which a teenager is accused of murder convene to determine their verdict. All but one man believe him to be guilty. The rest of the play covers his attempts to sway his other jurors into at least casting aside their prejudices to view the case impartially.
Byakuya Togami
The Federalist Papers
when i read it: summer before 12th grade for AP Gov. yikes.
did i like it? oh god no. i had to have my lawyer dad explain it to me.
content warnings: legalese and it’s boring as fuck
about: i mean it’s just a bunch of essays to promote ratifying the the constitution. I don’t even remember if we read all of them. that’s how bad my retention of the subject is.
Toko Fukawa
The Metamorphosis by Franz Kafka
when i read it: 10th grade
did i like it? kind of?
content warnings: bugs, emotional abuse, depression
about: A man awakens one day to find he has transformed into a giant cockroach. It’s a metaphor for his depression and what a burden he feels like to his family. If you read anything about Kafka’s life, you’ll understand why he was depressed.
Aoi Asahina
Hamlet by William Shakespeare
when i read it: i’ve forgotten when my first time was because i’ve had to read it so constantly. if i had to wager a guess, i’d say middle school, though i’ve read it for fun, for drama class, and for English class.
did i like it? yes
content warnings: character death, suicidal ideation, incest vibes (depending on your interpretation)
about: Hamlet, not over the early death of his father, is enraged that his mother has married his uncle. He’s really bringing everyone else down about it, and then he starts to see his father’s ghost on top of it all. No one’s sure if he’s just mad with grief or if the ghost is for real, but he starts making life for everyone else difficult when he decides to try and expose his uncle as his father’s murderer.
Yasuhiro Hagakure
Death of a Salesman by Arthur Miller
when i read it: 10th grade i think?
did i like it? if i believed in book-burning, this would’ve been the first turned to ash in my trashcan
content warnings: infidelity, mediocre white men with narcissism, suicide, not sure what else
about: An aging father who thinks he was robbed of success by circumstances refuses to face facts that he is a loser by projecting his failures onto a son that now hates him and thinking real big of himself for a wash-out.
Junko Enoshima
Othello by William Shakespeare
when i read it: college
did i like it? it’s my favorite Shakepseare play, actually!
content warnings: thematic racism/xenophobia/Islamophobia, domestic abuse, character death
about: A tragedy centering around the planned downfall of Othello, Moor of Venice. He’s relatively well-respected for his heroics and generally being a pretty cool guy, but for whatever reason, Iago wants to see him suffer. And when I say “for whatever reason” - it’s because Iago never gives a consistent one, but at the end he admits the entire thing has been his orchestration and he’s had no issue exploiting peoples’ bigotry as a means to an end. One popular and pretty text-evident theory is that Iago is in love with Othello. But - causing a ruckus, bringing society to its knees, and torturing a man just for shits n giggles? Getting it all done by sheer power of charisma? That’s all Junko ever does.
Monokuma
1984 by George Orwell
when i read it: 10th grade for fun, 12th grade for class
did i like it? yes but i don’t recommend it. i like tedious shit.
content warnings: paranoia bait, sexual themes, torture, probably other stuff i’m forgetting
about: Classic dystopia lit in which the government controls the flow of information to the degree of creating its own language (”newspeak”) to explain the technology used to survey its citizens and distill history-changing propaganda. Especially relevant in an era of “fake news.” Where Big Brother Is Watching comes from. Extremely difficult to get into.
Hajime Hinata
Of Mice and Men by John Steinbeck
when i read it: 10th grade
did i like it? yeah
content warnings: ableism, implied domestic abuse, character death, animal death, era-typical sexism (1930s)
about: Very desolate and depressing novella about the futility of the American Dream to “make something of yourself”. Two farmhands, Lennie and George, arrive at a California farm seeking employment. They just want to earn enough money to open up a farm of their own - a rabbit farm - and things are all downhill from there. Well-written and one of Steinbeck’s shorter works.
Twogami
The Great Gatsby by F. Scott Fitzgerald
when i read it: 11th grade
did i like it? yes! i loved it. but in the way that you love sleazy tabloid rag stories.
content warnings: infidelity, car accidents, character death
about: Stupidly rich people in New York in the 1920s being fake as hell. It’s about excess and decadence and the idea of having a rags-to-riches story, and it’s very homoerotic.
Teruteru Hanamura
Brave New World by Aldous Huxley
when i read it: 10th grade
did i like it? one of my top faves tbh
content warnings: alcoholism & drug usage, thematic classism & racism (ie that’s the point), sexual themes, violence, non-graphic suicide (like literally the last sentence), character deaths
about: You know how 1984 is a very pessimistic dystopia about government surveillance? Brave New World is like “what if everything was a utopia because of government interference?” It’s easier to get into than 1984. It’s about a man from the upper echelon of society discovering the dirty secret of how society is able to able to function the way it does, an outsider into his world to shake things up.
Mahiru Koizumi
Pride and Prejudice by Jane Austen
when i read it: i dunno, summer between 9th and 10th grade maybe?
did i like it? yes! i loved it.
content warnings: there are a couple of guys who are sort of gross but there’s nothing that bad in it
about: An upper-middle class family - more the mother than the father - trying to marry off the eldest of their five daughters. It’s largely character-driven and most of the plot focuses on Jane’s relationship with Bingley, Elizabeth’s relationship with Darcy, and the problems witch judging people based on first impressions.
Peko Pekoyama
Call of the Wild by Jack London
when i read it: 9th grade
did i like it? fuck no
content warnings: graphic animal violence. if there’s other stuff i forgot because i fucking hated this book.
about: I think it’s something like a dog getting lost in Alaska and has to learn to be a wolf in order to survive? It’s incredibly brutal and is one of those media where just reading it makes you feel cold.
Hiyoko Saionji
The Glass Menagerie by Tennessee Williams
when i read it: 10th grade
did i like it? not really
content warnings: man i don’t know, but it’s by Tennessee Williams so there’s probably alcoholism, daddy issues, and homophobia
about: An overbearing mother embarrasses her son and disabled daughter when an old school friend comes to visit...I’m not sure if there’s more of a plot to it than that. Like most Williams works, it’s largely character-driven.
Ibuki Mioda
If On a Winter’s Night a Traveler by Italo Calvino
when i read it: college
did i like it? this is one of those rare exceptions in books where i read it, because i remember having a visceral reaction to it, but i can not for the life of me remember a single damn thing about it other than how stupidly difficult it was to read.
content warnings: it’s metaficiton.
about: You are the protagonist. I genuinely can’t explain anymore than that.
Mikan Tsumiki
A Streetcar Named Desire by Tennessee Williams
when i read it: 9th grade
did i like it? not really, but i’d be willing to reread it
content warnings: domestic abuse, rape
about: Unstable Blanche DuBois goes to visit her sister, Stella, and meets her appalling husband Stanley. All Tennessee Williams plays seem to have a theme of family tragedy in them, with this being probably the most bleak example.
Nekomaru Nidai
The Odyssey by Homer
when i read it: 9th grade, then again in college for a classics class
did i like it? yeah
content warnings: your usual classical Greek-variety nonsense, including character death, infidelity, and partying.
about: Odysseus attempts to make his way back home after the Trojan War, and has a time of it. Having pissed off Poseidon he’s gotten off-course and gotten lost another ten years, and had a whole slew of other adventures trying to make it back home and save his wife from the harassment she’s been getting since his disappearance.
Gundham Tanaka
The Tempest by William Shakespeare
when i read it: 10th grade
did i like it? not especially
content warnings: thematic colonialism & racism...not sure what else but it’s hard as fuck to read. try reading it out loud & acting along to it.
about: I didn’t totally get it but there’s something about a wizard having been banished and now people are coming back to find him for some reason? the people who exiled him & his brother & daughter have crash-landed on his island and now he might get his revenge. Thanks, TVTropes! All I remember is discussing in one class about how The Tempest managed to predict the “finding” of America and how the English would treat the native peoples. It’s a “romance”, which in that day and age meant it was about magic. Influenced some science fiction works like Brave New World (the title of which comes from a line spoken by Miranda). I should probably reread it.
Nagito Komaeda
The Catcher in the Rye by JD Salinger
when i read it: 8th grade for fun
did i like it? yeah
content warnings: implied pedophilia. i’m sure there’s other stuff but i don’t remember it well enough.
about: Perennial troublemaker Holden Caulfield is kicked out of boarding school, and takes a hell of a long time getting home from the place as he complains about his declining mental state, hypocrisy, and loss of innocence. It’s one of those books you either really love or really hate, and has been repeatedly challenged because Holden swears too much and might be bisexual.
Chiaki Nanami
Pygmalion by George Bernard Shaw
when i read it: 12th grade, i think
did i like it? yes
content warnings: classism
about: A linguistics professor makes a bet with a friend that he can take any lower-class citizen and teach them to speak formal English, well enough to pass them off as aristocracy to other rich people. It’s the plot upon which the musical My Fair Lady is based, although it was intended as a deconstruction of the kind of plot whose trope it now codifies.
Sonia Nevermind
“Lamb to the Slaughter” by Roald Dahl
when i read it: 10th grade
did i like it? yeah!
content warnings: infidelity, character death
about: A guy comes home and tells his heavily pregnant wife that he’s been having an affair, and he’s leaving her. She doesn’t take it well. I won’t spoil the rest of it, as it’s a short story, but it’s fun to keep in mind that it’s be the same guy who wrote classics such as Matilda and Charlie and the Chocolate Factory.
Kazuichi Souda
A Midsummer Night’s Dream by William Shakespeare
when i read it: 8th grade for a book report and then again in....i don’t know. i’ve had to read it a lot.
did i like it? sure, it’s got some pretty great insults
content warnings: men being douchebags including stalker-y behavior, and a woman falls in love with a man who has a donkey’s head (it doesn’t last)
about: Hermia & Lysander are planning to run away to get married because Hermia’s father doesn’t approve of Lysander, and she’s trying to dodge the affections of Demetrius - the man to whom she has been betrothed, because he’s an ass who, among other things, slept with her friend Helena and then ditched her. Which Helena is still hung up on, even though he’s a gross creep. At the same time, a group of actors are trying to get together a play for an upcoming royal wedding, and the King of the Faeries is trying to win back his wife. This all connects because a faerie decides to fuck around.
Fuyuhiko Kuzuryu
The Chocolate War by Robert Cormier
when i read it: college, for an independent study
did i like it? yeah
content warnings: graphic violence, i think some homophobia?
about: Kids and staff at a private school take a candy sale way too damn seriously. There’s basically a mafia at the school and some sort of weird popularity contest and hazing going on.
Akane Owari
“The Most Dangerous Game” by Richard Connell
when i read it: 9th grade
did i like it? i guess so
content warnings: human hunting
about: A man finds himself shipwrecked on an island, and is then hunted for sport. No, really.
Monomi
East of Eden by John Steinbeck
when i read it: technically i’m in the middle of it right now, but that counts, right?
did i like it? so far, i guess i do, but it’s mainly i care character who comes up later. couldn’t give less of a shit about adam trask, full offense
content warnings: period-typical sexism & racism (set around the turn of the 20th century and published in 1952), implied pedophilia (that gets incredibly glossed over), ableism
about: A combination of heavy-handed religious allegory (Steinbeck really just can’t cool it with the Cain and Abel theme naming) and family tree history. Follows the Trask family through Adam’s childhood, tumultuous relationship with his brother, even worse relationship with his wife, and horrible parenting of his children. The end (which is what the film adaptation covers) is more centered on his son Cal Trask grappling with the idea that he might be evil because of his genetics, or something. I think that’s an argument you could make of Monomi, being related to Monokuma (or at least, how i’m sure she’d feel).
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The End Is Nigh: A Conversation With OFFICIUM TRISTE Frontman Pim Blankenstein
~By Shawn Gibson~
I was first introduced to OFFICIUM TRISTE when Mors Viri came out in 2013 and I have been a fan ever since! At the time, I had a radio show and got an email from HammerHeart Records with promo and played some songs off of that album.
The Dutch band's music has also pushed me through tough times, mentally and emotionally. There is sadness in their songs, as there is great beauty. Each song has its own dynamic sound with piano, organs, violins, cellos, etc. Officium Triste's albums are heavy as mountains, but have parts within that soar like eagles!
Recently, I had the privilege of longtime singer Pim Blankenstein, who has been with the band since 1994.
Mors Viri by Officium Triste
Officium Triste has been making music since 1994! How does that feel to be with this band now and the current state of affairs?
It feels as exciting as it was when we started out. Of course, a lot has changed in 25 years, but for us as a band our values are still the same. We love slow, heavy and melodic music and we still write this kind of music. Over the years we of course have grown as a band and you keep learning. After the last couple of line-up changes I totally feel this is the best line-up we've had. We're all on the same page and actually things couldn't be better.
What does the name Officium Triste mean?
If you put it in Google translate, it says it means the baleful. Back when we started out our then guitarist Johan Kwakernaak came up with the name, which he got from a Latin dictionary. The combination of words means something like a "sad gathering," such as a funeral.
You are from the Netherlands right? What are some other bands from the Netherlands you guys love?
Yeah, we are from the Netherlands and when we started out there were quite some doom bands we dug like early The Gathering, Celestial Season, Castle or Beyond Belief. Having said that, the doom scene never was that big but we always had killer bands. Just think of Deinonychus or newer acts like Facade, Treurwilg or Beyond Our Ruins.
In other genres we have (and had) great bands, too. Death metal was especially huge. Pestilence, Pentacle, Asphyx, Sinister, Thanatos, Severe Torture, Bodyfarm, Gorefest. I could go on and on. Bottomline is that the Dutch scene always has been and still is great. We know quite a lot of bands personally and we get along real fine.
We are all Doomed! Are you Stoned?
Nope. Used to smoke a lot. Not anymore though. But that doesn't change the fact we indeed are doomed!
The Death of Gaia (Atmospheric Death/Doom Metal) by OFFICIUM TRISTE (Netherlands)
Your latest album 'The Death Of Gaia' came out December 13 2019. What has influenced the writing of this album?
As far as the music is concerned, our core values are still present, which is writing slow, heavy, melodic and melancholic music. I like to say we are still inspired by the bands that showed us the way in the '90s, like Paradise Lost, Anathema, Katatonia or Type O Negative. Along the way, also a band such as Shape Of Despair inspired a bit but also film scores, shoegaze or dream pop.
Lyrics are about subjects such as the decline of our planet, loneliness, insomnia, guilt, and stuff like that -- basically what is happening around us. So the reality of life inspired us in that department.
Throughout the years of your albums there is always great range and depth of song with varied instruments. Are there any instruments you haven't used yet, but would love to include in a song?
From a personal perspective, I'd like to include some percussive elements. I can totally imagine us using some proper timpani for that ultimate heavy sound.
Who did the artwork for 'The Death Of Gaia'?
When we figured out we wanted something different as artwork on this album and moved away from our earlier art, we got in touch with Chris Smith of Grey Aria Design from the US. We liked what he had done for Solstice from the UK and we really wanted that Art Nouveau-type art. Chris totally delivered what we were after.
Art by Chris Smith/Grey Aria Design
What makes you guys laugh?
We actually laugh a lot. We get along really well and joke around a lot making fun of each other. Other than that we are totally into dark, sarcastic humour. Or stand-up comedians like Steve Hughes of Jim Jefferies. Writers like Bukowski or Brusselmans (a Belgian writer). Ren & Stimpy, Pinky & The Brain, Invader Zim. There's plenty of stuff that makes us laugh.
What has been an awkward moment for Officium Triste?
Probably being too drunk on stage in our early years could be considered as awkward. Other than that, not much. Maybe some awkward moments on behalf of our previous bass player, but I won't get into details on that because it's better to let that rest.
You have a long history of making death doom and are in the same boat as other established bands such as My Dying Bride, Katatonia, Paradise Lost. What is in the future for Officium Triste? Will there be another 25 years?
Well, we take it as it is. Our current label Transcending Obscurity is quite happy with us it seems and has been asking if we want to do another album for them. We are gathering new song ideas as we speak, so you can expect another album in the future. Not sure if we'll last another 25 years, as we will be considered as elderly people by then. As long as we're having fun we keep doing what we like to do.
Who is in the band Officium Triste and what do they do in the band?
Right now it is the founding members Martin Kwakernaak on keyboards. He used to be our drummer, too. Gerard de Jong on lead guitars and I (Pim Blankenstein) on vocals. We have Niels Jordaan on drums, William van Dijk on rhythm guitars and Theo Plaisier on bass.
With the varied sounds in your music do you have several session players to record? Sometimes it sounds like you have a symphony accompanying your music!
Actually, this time around we used some session musicians. We decided to record some real string instruments, as opposed to using the sounds from the keyboard, so we asked Chris Davies to record violins. We knew Chris from Eye Of Solitude where he used to play bass and he played violins with Clouds, in which I am involved, too, in a way. He did a great job. On cello we asked Eliane Anemaat. She is quite known for her work with bands, such as Celestial Season, Mayan or Delain. She also did an outstanding job.
What are some bands from the beginning that have influenced Officium Triste? Who are some current bands that catch your attention?
I more or less mentioned some bands in an earlier answer, but we initially were heavily influenced by Paradise Lost, Anathema, Celestial Season, My Dying Bride, Katatonia, and Type O Negative. But also Metallica, Edge Of Sanity, Dismember or Winter influenced us to some extent. Later on, also bands such as Evoken, Mournful Congregation or Shape Of Despair impressed us. Currently, there's not a lot of bands that caught our attention and actually had an impact on us, but we do like bands that mix things up like what In Solitude, Tribulation, Alcest or Chapel Of Disease are doing, to name just a couple.
Film by Buzau Live Music
Beyond doom and death, what other music styles do you like and listen to?
We listen to quite a lot of varied stuff. Like heavy metal, classic rock, shoegaze, indie rock, new wave, movie scores, retro wave. As long as it is good music we listen to it.
Will you ever tour in the states?
Hopefully. If we ever get a proper invitation and stuff is sorted out, well we definitely would like to come. We are crossing the Atlantic in a couple of months to play a one-off in Mexico.
For me, I have felt positive things from the lyrics and the heavy music amidst the doom. I guess its nice to be able to relate to songs and feel the music with your soul. The balance of heavy and almost symphonic and atmospheric music still blows my mind! Officium Triste is one of very few with clean vocals accompanying death growls I love. Most clean vocals fuck me up.
Cheers for that!
"Burning all Boats and Bridges" is my jam! Fuck it all and starting clean! My life has to take another turn! A fresh start is what I yearn for! Please tell me a little about this song.
Actually, this song is basically the only one where we could use music provided by our previous bass player. But since he fucked things up I have a hard time listening to this particular track. I did write the lyrics, though, and I usually start with a song title. I'm not sure where I got it from, but the lyrics are about having a fresh start and cut all ties with your past. It's not something that happened to any of us personally. But I guess everyone can relate to the subject, so I wrote lyrics about this.
"The End Is Nigh." Do you think this song is relevant to current world events?
That's what inspired it. But to be honest, this world has been a shithole for centuries. So, when I wrote the lyrics I did think about the current state of affairs, as well as stuff from the past. I think everyone can decide for themselves what we talk about, whether it is politics, the environment or overpopulation. It all goes hand in hand, in a way. For the lyrics, I took the Four Horsemen of The Apocalypse as a metaphor. And the second song on the album World In Flames continues with the subject.
Pim, thank you very much for your time! It is a pleasure and an honor!
Thank you, Shawn, for the interview. Much appreciated. Hope your readers will check us out if they haven't done so yet.
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#D&S Interviews#Officium Triste#Rotterdam#The Netherlands#Doom#Metal#Doom Metal#sludge#death doom#blackened doom#Shawn Gibson#Doomed & Stoned
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121. Knuckles the Echidna #22
Dark Alliance (Part One of Three): You Say You Want a Revolution…
Writer: Ken Penders
Pencils: Jim Valentino
Colors: Barry Grossman
So fair warning - this arc is very politics-heavy. I've already criticized the inclusion of politidrama plotlines in the comic before, despite my own personal interest in them, so I won't go over it again. What I will go over is that this arc also includes quite a few tasteless references to the Nazi regime of World War II, starting with the intro page. See, every issue in this arc begins with, rather than the traditional intro page that recaps past events and introduces plot points to come, instead a speech or quote relevant to the current story. This one is a parody, if you will (though played completely straight) of the "First They Came" poem by the German pastor Martin Niemöller, referring to how many people stayed silent while the Nazis oppressed and enacted genocide upon groups that those in silence didn't belong to. In this altered version, "Anonymous" claims that Robotnik came for hedgehogs, squirrels, rabbits, and foxes first, during which the speaker stayed silent as they were an echidna and didn't want to get involved, and so by the time he came for the echidnas there was no one left to speak up for them. Of course, quite aside from the fact that this is completely disrespectful to the real-world situation that the actual poem describes, that's not even how the Robotnik coup went down. Robotnik, upon dethroning King Acorn, pretty clearly just started roboticizing all Mobians indiscriminately without regard to their individual species. Not only that, but he didn't even get a chance to start on the echidnas, as all of them were either contained in their pocket universe on the Floating Island, or hanging out in Albion, which it appears Robotnik never even knew existed. I don't know, the whole thing is clearly an attempt to seem really intellectual and deep on Penders' part, but it just comes off as insensitive instead.
Anyway, onto the actual story. We open in the house of High Councilor Pravda, who appears to be the main political leader of the city. In the dead of night, Pravda is awakened by a window smashing downstairs, and angrily stomps down to confront the intruder, believing it to be "dingo trash up to no good." Instead, he is dragged out of his house roughly by several Dark Legionnaires, while the leader, called Kommissar (her title, not her name), admonishes him for his apparent hypocrisy regarding his anti-technology stance.
Well, she seems lovely! As she has her people drag him away, we pan to Haven, where Knuckles is demanding answers from his grandfathers on his father's whereabouts. To his credit, Sabre is genuinely apologetic to Knuckles, believing that they should have been a lot more forthcoming with him a lot sooner, but Knuckles really isn't having it, and can you blame him?
As a side note, this is about the point in the comic where the eyes of characters such as Knuckles and Tails, formerly depicted as black pupils as in the classic games, start to gain some color. We already saw it with Tails a little while back during the Sand-Blasters two-parter, and it's very inconsistent between issues (for example, you'll notice his eyes are blue instead of purple up there), but you'll start to notice it in screenshots from here out before their designs finally stabilize to their modern forms, similar to their designs from the games.
While Knuckles continues to demand to see his father, we ourselves see Locke, who is dropping off Remington, Julie-Su, Lara-Le and Wynmacher back in Echidnaopolis. Remington asks him how things went with Lara-Le again, and Locke acts like he's all regretful that he couldn't woo Lara-Le back to him or something, which like, really man? You're divorced and haven't spoken properly in years, and she has a new fiancé now, did you really expect to just manage to sweep her off her feet again and get remarried? Julie-Su tries to approach Locke to thank him for saving the whole group, and finds herself recognizing his appearance somewhat. Upon asking, she's shocked to find out that he's Knuckles' father, and asks him about Knuckles' whereabouts. Remington ushers her away before they get a chance to speak further, probably to protect Locke's privacy, and as he jokes with her that it seems like she actually cares about Knuckles, Locke muses to himself that his son is likely furious with him, which, yeah, not far off there buddy. He has an idea of where his son might have gone, and as he speeds off in his air vehicle, we jump over to the Kommissar, who has by now dragged her captive all the way back to the Dark Legion's current hideout… and oh boy, inside we get to see a familiar f- …uhh… okay, well, I won't call him a familiar face, because we've never seen him looking quite this messed up before, but it's Dimitri, okay? It's Dimitri back on his BS.
Guess he had to have some, uh, extensive reconstructive surgery after his rather literal fall from grace. And unfortunately for everybody who doesn't want to be ruled over by a cyborg'd up monstrosity of a dictator, he's got a new takeover plan in mind for the city!
Back in the more civilized areas of Echidnaopolis, Remington is having his driver take Wynmacher and Lara-Le back to their apartment when they find the streets blocked by a protest from dingoes, agitating about their lack of housing and accommodations within the city. Remington tries to resolve the situation peacefully by requesting that if they must protest, to at least let traffic pass while they do, but at that moment a giant flaming fireball comes out of nowhere and starts wrecking the place, and the whole thing devolves into a big brawl between the protesting dingoes and the watching echidnas.
Remington calls Haven for backup, and while I'm not sure who exactly in that nest of grandpas he expected to go rushing out of there for something as simple as a protest gone wrong, luckily for him he mentions Lara-Le over the comm, and Knuckles immediately enlists Archimedes' help to poof him out there to help his mom. Meanwhile, we get to see that Locke has completely, thoroughly misjudged where Knuckles would be hanging out at this moment, having thought for whatever reason that he would be brooding inside the Chaos Chamber next to Mammoth Mogul's ugly frozen mug.
Now this is some well-appreciated character development from Locke. I've been heavily criticizing him this entire time for how he's handled his interaction, or lack thereof, with his son, and I'm glad to see that Lara-Le's admonishments seem to have gotten through to him. While he won't get a chance to catch up with his son right at the moment, at least we know the big talk isn't that far off in the future.
Knuckles and Archimedes poof into the fray on the streets, and Knuckles begins throwing punches at whoever gets close enough, which as everyone knows is the single best way to end a violent brawl - by participating! Despite being an echidna himself, he doesn't hesitate to throw punches at other echidnas in the bunch, with Archy adding some of his own fire breath into the mix. If anything, I'd say he accurately judged the situation, which is that the dingoes were peacefully demonstrating and it appears to have been an angry, racist echidna who threw the first molotov. General Von Stryker makes his entrance, and despite him predictably acting aggressive and blaming echidnakind in general for the dingoes' treatment, Knuckles actually agrees with him that the echidnas are being really crappy, and offers a truce so they can discuss what went wrong and how to resolve it. Meanwhile, back in hell - I mean, the Legion's hideout…
This is probably the single most disturbing page in the comic so far, if you ask me. This guy is begging, screaming, for mercy and they put him under like nothing's wrong and start doing surgery without his consent (obviously) on his brain. Dimitri, watching the proceedings, starts mwahaha'ing to himself about the whole affair, as apparently Pravda is the direct descendant of Menthor, the councilman who denied his and Edmund's proposal to use the Chaos Syphon all those centuries ago. He's determined not to get careless with his power again in the future, and now that he's defeated death by old age through the sheer power of adding more and more cybernetics to his failing frame every time something goes wrong, he's ready to get his long-due revenge.
In another part of the city, Knuckles and Archimedes poof right into the middle of the Chaotix, who are pleased to finally see him and hopefully get a chance to catch up. As he explains what was going on with the protest, Julie-Su arrives and gives him the "why" he was looking for, which is that, naturally, Pravda was kind of a racist ass and wasn't working very hard to ensure the dingoes would have housing built for them in a timely manner. However, elections for the position of High Councilor are coming up in a few days, and Pravda has ever-so-mysteriously been missing since the previous night, with his traumatized wife too messed up to be able to talk about what she saw. She slyly mentions when questioned that "a little birdie" gave her all this information, leading Vector to rather rudely blame her for "having friends in low places" and generally acting as distrustful of her as ever. Seriously, Vector's been kind of a jerk to her ever since she left the Legion, and you just know that situation is gonna come to a head sooner or later. But enough of them - let's head back to the Kommissar, who's having her people reenact Kristallnacht in the streets of Echidnaopolis! (Told you this arc is full of tasteless references to WWII…)
She reports in to Dimitri, who is pleased to hear about her progress on the senseless property damage and random citizens she's beating up for no reason. Like, the regime seems cacklingly evil enough to want to do this kind of stuff, sure, until you hear Dimitri's actual plan for takeover this time - he's implanted control chips into Pravda's brain, and is going to use him as a mouthpiece for the Legion's ideals in the upcoming election!
So, wait. You want to get your new mind-slave to cast your organization in a positive light, and at the same time you're having one of your main commanders go around smashing windows and beating people up in alleys? How is this master plan of yours supposed to work, exactly? That entire Kristallnacht page could be removed from the comic and not only would it not impact the story, it would make it make more sense than it currently does. I seriously think that it was only included to draw more parallels to the Nazi regime, because there's just no way it makes any real sense otherwise. Sigh, Penders. Why do you have to be like this?
#nala reads archie sonic preboot#archie sonic#archie sonic preboot#sonic the hedgehog#kte 22#writer: ken penders#pencils: jim valentino#colors: barry grossman
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The First Meeting of the Justice Society of America
ALL-STAR COMICS #3
DECEMBER 1940
BY GARDNER FOX, BERNARD BAILY, EVERETT E. HIBBARD, SHELDON MAYER, CHAD GROTHKOPF, HOWARD SHERMAN, BEN FLINTON AND MARTIN NODELL
SYNOPSIS (FROM DC DATABASE)
Eight super-heroes gather together at a secret location for the first official meeting of the Justice Society of America. Johnny Thunder decides to crash the party and, with the unwitting aid of his magic Thunderbolt, brings all of the heroes together much more quickly than they originally intended. Johnny suggests that they should each tell the tale of their most exciting adventure.
Flash
Jay Garrick and Joan Williams are having dinner at a New York restaurant when a woman named Mary Rogers approaches them. She tells the couple that her father, treasure-hunter Tim Rogers, has been searching for a legendary sunken ship called the Sancta Joanna. She is concerned, however, because pirates from a rival ship called the Nancy K have been trying to sabotage her father's efforts.
Jay sneaks off to change into the Flash and races to the Panama coast to investigate the scene. Streaking through the water like a torpedo, he manages to find the sunken ruins of the ship. After evading the jaws of a hungry shark, Flash introduces himself to Tim Rogers, who subsequently tells him about the pirates of the Nancy K.
Flash swims after the Nancy K and uses his super-speed as a makeshift propeller in order to steer the ship off course. Boarding the vessel, he races around the deck, confounding the efforts of the armed pirates. He then aims the Nancy K on a direct course for an iceberg.
Returning to Rogers' ship, the Flash aids the man in securing the gold from the hull of the Sancta Joanna.
Hawkman
Carter Hall and Shiera Sanders attend a science expedition in New York. Shiera learns about a strange volcanic phenomenon taking place on the island of Krakatao. She decides to investigate the affair despite Carter's protestations. Concerned that Shiera may be placing herself in danger, he decides to follow her in the guise of Hawkman.
When they arrive at Krakatao, they discover that the interior of the volcano is populated with men calling themselves Fire Ghosts. Hawkman notes that the alleged Fire Ghosts are coated with a strange material, which renders them invulnerable to the effects of the flames. The Fire Ghosts capture Hawkman and Shiera and bring them deeper into the volcano to the lair of Mazda – the sorcerer. Mazda reveals that he is actually a scientist who has developed a force generator that harnesses pockets of hot steam from the volcano, transforming it into pure force. With this technology, Mazda plans on taking over the world.
Hawkman breaks free and wrestles with Mazda. He flips him backwards into the magma pits, killing him. Hawkman then brings Shiera back to her hotel room.
Spectre
During the nights of the full moon, a mysterious shadowy figure prowls the streets of New York taking random lives. A guard from the Central Building is found dead, the apparent victim of strangulation. The police commissioner assigns Jim Corrigan to the case, demanding that he find the killer as soon as possible. Corrigan returns to the Central Building where he notices the presence of a strange brass gargoyle that had not been present on previous occasions. The gargoyle leaps down from its pedestal, declaring itself as Oom – a monster that had spent thousands of years trapped on the moon. Now that he is free, he pledges to kill as many people as possible.
Oom attacks Corrigan, who quickly alters his appearance to that of the Spectre. Oom challenges the Spectre, declaring that the first person to locate the fabled Red Moon Stone of Yzgartyl will have earned the right to remain on the Earth. The loser must agree to abandon the planet forever.
The Spectre and Oom travel through outer space in search of the Moon Stone. Oom attempts to slow the Spectre down through the aid of one of Yzgartyl's henchmen. The crony in question, a large brown space-dragon, battles with the Spectre while Oom takes the opportunity to find the Moon Stone. The Spectre succeeds in getting the stone away from Oom and returning to Earth, thus winning the contest. Oom, however, refuses to return to his former imprisonment. The Spectre uses his unlimited power to pull Oom's soul from his body, trapping it inside the Moon Stone. He then hurls it out into deep space.
Hourman
Mister Bannermain informs Rex Tyler that he wants him to attend the Durant charity costume ball with his niece, Regina Paige. Rex decides go to the function dressed as Hourman. When he arrives, he sees five other guests also dressed as Hourman. He learns that the other Hourmen plan on stealing the Durant diamond collection and pinning the job on the real Hourman. Rex takes some Miraclo and gets into a fight with the imitators, but one of them knocks him down from behind with the butt end of his gun.
When he awakens, he discovers that the thieves are gone. He sneaks into Durant's study where he finds evidence indicating that Durant is the ringleader of his own robbery. In need of fast money, he staged the robbery so that he could collect on the insurance money.
Hourman tracks down the thieves and apprehends all five men. He then exposes Durant's fraud, and the police arrive to arrest everyone.
Sandman
Wesley Dodds and Dian Belmont are driving through the country when suddenly they come upon a twenty-foot unconscious man. Unable to do anything about it, they return to the city, where Wes begins investigating the extraordinary case as the Sandman. He sneaks into the medical offices of a nearby hospital where he discovers that a doctor named Faversham lost his medical license for performing illegal experiments involving pituitary disorders on mice. Hospital security guards burst into the room, and the Sandman is forced to escape out the window.
He continues following the trail with Dian. Along the side of the road, they find a a giant-sized cat chasing a giant-sized rat. After romping around for several moments, both animals fall over dead. The Sandman concludes that both animals were experiments of Dr. Faversham.
The Sandman finds an old country house, and enters the cellar. In the darkened room, he finds a man strapped to a laboratory table. The man explains that Faversham has been kidnapping men and transforming them into giants. However, the effects are only temporary and ultimately fatal. Faversham sneaks up behind the Sandman and tries to kill him, but Wes manages to knock him out with a right cross.
Doctor Fate
Inza Cramer is shopping at an old antique store in Salem when she meets a strange woman. The woman sells her a small brown box, which she claims comes from Samathrace – Home of the Ancient Mysteries. Inza accepts the box, and in a moment, the strange woman disappears. Inza returns to her apartment and opens the box. The box emits a strange gas, which renders Inza unconscious. The image of the mystery woman appears in her dreams, instructing her to find Doctor Fate.
Inza awakens and rushes to Fate's tower. As he greets her, an army of the Egyptian undead rises from the ground and attacks them. Doctor Fate grabs Inza and flies off. He catches a whiff of her perfume and recognizes the scent as Chevegris – an opiate used for magical effect. Someone has deliberately poisoned Inza as means of getting to Fate. Doctor Fate brings her back to her apartment, where he places her in a deep sleep. He then flies off in search of the beings responsible for this attack.
Doctor Fate finds that an amateur wizard has acquired a tome, which allows him to pull nightmares directly from a victim's psyche. Fate fights up against several phantasms including, a giant octopus, the Witches of Endor, and a herd of maddened unicorns. Piercing the wizard's force shield, Doctor Fate brings him down using old-fashioned martial arts, the wizard dies as his neck is broken. Doctor Fate then opens a rift and banishes the wizard from Earth for eternity, in case he reincarnates someday.
Atom
Al Pratt is on a geology field trip at Calvin College when he notices an armored car robbery on a desolate stretch of road. Changing into the Atom, he attempts to leap on top of the hijacked vehicle, but slips from the roof and falls to the ground. Fellow student Mary James comes upon him, and Al revives just in time to prevent Mary from removing his mask.
The Atom is back on the case, and tracks the criminals down. He follows the stolen armored car to an airstrip, where they hijackers are preparing to load $20,000,000 dollars in gold bars onto an airplane. Bursting onto the scene, the Atom dives into the thugs and quickly overpowers them. Mary James arrives at the scene with the police to take the men away.
Green Lantern
As crime runs rampant throughout the city, citizens begin to look towards Commissioner Mason for guidance. However, a political opportunist named Lacy manipulates events to get Mason out of office. He arranges it so that it appears that Mason is accepting graft, and has him exposed. To fill the vacuum, Lacy is appointed as the new police commissioner. Lacy maintains all of the city's racketeering outfits, but manages to keep a low profile on everything.
Alan Scott learns of the affair and decides to investigate as Green Lantern. He consults with an investigative journalist named Paul Pryer and together they plan to expose Lacy. Lacy sends his goons to kill Pryer, but the Green Lantern whisks him away to safety.
Lacy's henchman, Ape, manages to render Alan unconscious with a wooden club, but the Green Lantern quickly revives and escapes. He flies after Lacy who is preparing to kill Paul Pryer. Using the power of his ring, he traps the corrupt police commissioner and hypnotically forces him to publicly reveal how he framed Commissioner Mason.
Justice Society
After a round of storytelling, the JSA finds that it has some urgent business at hand.
CONTEXT (FROM WIKIPEDIA + DC DATABASE)
The Justice Society of America (JSA) is a superhero team appearing in American comic books published by DC Comics. The Justice Society of America was conceived by editor Sheldon Mayer and writer Gardner Fox. The JSA first appeared in All Star Comics #3 (Winter 1940–1941), making it the first team of superheroes in comic books.
The Justice Society of America first appeared in All Star Comics #3 (Winter 1940–1941) written by Gardner Fox and edited by Sheldon Mayer during the Golden Age of Comic Books. The team initially included: Doctor Fate, Hour-Man (as his name was then spelled), the Spectre, the Sandman, the Atom, the Flash, Green Lantern, and Hawkman. Because some of these characters (the Atom, the Flash, Green Lantern, and Hawkman) were published by All-American Publications rather than DC Comics, All-Star Comics #3 is the first inter-company superhero title, as well as the first team-up title. Comics' historian Les Daniels noted that: "This was obviously a great notion, since it offered readers a lot of headliners for a dime, and also the fun of watching fan favorites interact."
The JSA's adventures were written by Gardner Fox as well as by John Broome and Robert Kanigher. The series was illustrated by a legion of artists including: Martin Nodell, Joe Kubert, Jack Kirby, Harry Lampert, Joe Simon, Alex Toth, Sheldon Moldoff, Carmine Infantino, Joe Giella, Win Mortimer, Bernard Baily, Frank Giacoia, H. G. Peter, Jack Burnley, Lee Elias, Irwin Hasen, Bob Oksner, Paul Reinman, Everett E. Hibbard, and Bernard Sachs.
The first JSA story featured the team's first meeting, with a framing sequence for each member telling a story of an individual exploit. In the next issue, the team worked together on a common case, but each story from there on still featured the members individually on a mission involving part of the case, and then banding together in the end to wrap things up. An in-house rule explicitly laid out on the last page of All Star Comics #5, reprinted on page 206 of All Star Comics Archives Vol. 1, required that whenever a member received his or her own title, that character would leave All Star Comics, becoming an "honorary member" of the JSA. Thus, the Flash was replaced by Johnny Thunder after #6, and Green Lantern left shortly thereafter for the same reason. For this reason, Superman and Batman were established as already being "honorary" members prior to All Star Comics #3. How these two heroes helped found the JSA before becoming honorary members was not explained until DC Special #29 in 1977. Hawkman is the only member to appear in every JSA adventure in the original run of All Star Comics.
The validity of Red Tornado's involvement with the Justice Society is a matter of debate. During the Golden Age, this issue contained Ma Hunkel's only direct association with the Justice Society, but as she was invited to attend the group's first official meeting in this issue, it would be reasonable to conclude that she was a Justice Society member or close associate. It was later established in JSA #82 that Ma Hunkel had worked with the JSA on Earth-Two. She also had a long-standing association with the JSA on New Earth (as shown in JSA Classified #4 and JSA #55), playing a maternal role to its members.
REVIEW
While Marvel accomplished the first team-up of the Golden Age, DC (as we know it these days) made a team-up book. This is very convenient as all the artists involved don’t need to think different stories for their characters, but “episodes” inside a bigger story. Of course, this issue is different as the stories are Flashbacks. This type of narrative would be later used (and abused) by Gardner Fox on Justice League stories, where he would split the story in chapters by also splitting the group in pairs.
Also first super-hero group, and approved by the government (in the next issue, they are sent to find spies across America by the FBI). It wouldn’t take long for the competition to do the same. The JSA would be replaced by the JLA in the Silver Age revival of the super-heroes (Secret societies were popular in the forties, but not a good thing in the fifties, so they went for “league” as in NFL).
As for the individual chapters, they are not that impressive, but at the time, for that money, it was worthy entertainment. The only thing that could make this book even better are episodes for Batman and Superman.
There is also a lot of fourth-wall breaking, as the characters know each of them appear in comic-books, and they also talk about pages and editors... so I am not sure if they were supposed to be so conscious about their “reality”.
I give this milestone issue a score of 8
#everett e hibbard#jsa#all-star comics#all star comics#dc comics#comics#review#1940#golden age#world war II#justice society#justice society of america#atom#doctor fate#dr fate#the flash#spectre#hourman#hawkman#sandman#johnny thunder#thunderbolt#red tornado#ma hunkel#green lantern
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Controversial Film Opinion that shouldn’t be
Spy films, as a genre, are always political and reveal more about the ideology of the culture it is from.
Every Single One.
(And they are more informative and valuable to us than political documentaries at times, but I digress)
(When I get around to re-watching the Kingsman franchise, expect me to yell about it, this for the moment is Just MI and maybe Bond, Also Hitchcock) (Shoutout to you dave for reminding me that the Hitchcock spy films exist)
Mission: Impossible, from the moment of its inception as a film franchise is in very anti-government.
James Bond is for the most part (at least the older ones from the 60′s): Doesn’t devolve much into such a distrust of the government, for a lot of reasons given the context of where and when it was filmed
Notorious, (the Hitchcock one with Ingrid Bergman) is somewhere in between.
(I’d go so far to argue that Mission: Impossible II is an elaborate remake of Notorious but with A better soundtrack and Much WoOsh!)
I have a Lorge Film Essay I’ve been working on in the Subject:
There is an intense relationship that the Mission: Impossible franchise has with the American government. In fact, the relationship between the spy and handler is a metonym for that the American public appears to have with its government beginning in the post-cold war era when the film franchise begins.
The Films themselves are a continuation of the original television series, something which may not seem all the important but is actually a reinforcement on the nature of the spy genre as a reflection of the current political climate.
The original Mission: Impossible film features the character Jim Phelps, a character of the original television series. Originally, he is a hero, a clean-cut good guy with no moral hang-ups. Yet the decision to portray him as a villain in the film reveals the quiet, seemingly sudden distrust that the American people have of their government
To elaborate further, the original television series is from the ’60s. While a very politically turbulent time, not just in the States but all over the world, the American people were far more concerned with fighting each other and overall didn’t have much reason to distrust their government.
Between the decades of the 60s to the 90s, when the first M: I film is made, there are key watershed moments in the politics of the United States: The Watergate Scandal and the Iran Contra affair. Both were political scandals of extremely popular American presidents, exposing the dark underside of the political system and the extent of greed the government could have.
If you can’t trust your government, then who could you trust?
It’s telling that Jim Phelps, A character fans of the original series would have recognized, is chosen to be the villain. He is trusted, and when that trust is betrayed, it is representative of the political turmoil that the American public has already faced.
Aside from those two specific scandals, there is also the end of the cold war. The enemy of the American public for the longest time was simply communism. All, or at least most media in the espionage genre, dealt with communist villains dead set on destroying the Western™ way of life. But now that the war was over, and the Soviet Union had dissolved what would be their new villain?
The world was moving on from the cold war, and communism was no longer seen, at least in the broad picture, as the pure evil like in older times. And in fact, during the time of the cold war, there were several instances of the American government doing things in the name of protecting Western Interest™ when in reality the public found out was merely an extension of greed (Such as Vietnam, Grenada, Etc.)
The people felt betrayed by their government.
And so then, it was fitting to make The Government Man™ the villain of the first film.
#Salty Film Major#my essays#supergeekytoon#mission: impossible#Tom cruise#meta#film meta#Spy films#m:i#Jim Phelps#that goddamn motherfucker#Ethan Hunt#Mission is very critical of the government within its narrative and i will never stop shouting about it#Nancy yells about Mission: Impossible#what else is new#salty film major™
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Swimming With Men - a slightly more coherent review
You possibly saw my initial reaction immediately after the UK premiere in Edinburgh on Sunday - it kind of went “OMGOMGOMGOMGSOGOOOOOODAAAAAAAAAAAHHHHH!!!”
Now I’ve had a day or two - and in advance of the London premiere later - here’s a few more thoughts in actual English (and without spoilers).
If you're reading this I'll assume your main interest in this film is the same as mine, so let's kick off by saying that in Swimming With Men, Rupert Graves as 'Luke' is funny, touching, gorgeous, adorable and, most importantly, on screen quite a lot! You won't want to miss this one - in fact you may feel, like I do, that you'll need several viewings to fully appreciate it ;)
The story is a simple one: Eric (Rob Brydon) is having a bit of a mid-life crisis; bored at work, convinced his wife (Jane Horrocks), who's just been elected to the local council, is having an affair and unable to connect with his teenage son. His only solace is the peace and quiet of swimming lengths at his local pool. While there he spots a group of seven men at first sitting at the bottom of the pool and then trying to make patterns on the surface. Eric tells them their patterns won't work unless they're an even number so they invite him to join. Shortly after, they hear of the unofficial Mens Synchronised Swimming World Championships in Milan and with the help of coach Susan (Charlotte Riley) they work on a routine and head off to represent their country...
Rob Brydon is very good as the lead and manages to successfully tread a very fine line between being sympathetic as opposed to just pathetic. You manage to feel for him as much as you feel for his bemused wife played with the perfect amount of exasperation by Jane Horrocks.
While Eric is the main focus, the other members of the team - Rupert, Jim Carter, Adeel Akhtar, Daniel Mays and Thomas Turgoose - all get their moments to shine individually and as a group and they deliver as well as you'd expect from a cast of such quality. They play very well off each other and though each of them is by necessity of timing reduced to a fairly broad characterisation by the script, they're all given enough individuality by the actors and the interactions within the team to stand out from each other. When they're called on to work as a team is when the film works best though and well done to them for all their hard work training because you can really see it in the synchro sequences!
(While we're here, special shout out to Ronan Daly and Chris Jepson, the other two team members who do all the non-acting heavy lifting - sometimes literally! - in the swimming scenes. I must also mention the beautiful work done on the underwater filming - the tranquility of some of the pool shots really communicates why the guys find their peace there.)
Charlotte Riley makes a great no-nonsense coach who's obviously very fond of all the guys even when she's torturing them in the gym and the pool (and by eating chips in the pub!)
I don't want to give anything away about Luke or his story within the film but once you get the gist of it I'm sure you'll be as hooked by it as I was - and as satisfied by the end! :) (Rupert gets several lovely expression-only acting scenes which I know will be popular!)
As for the overall plot - it's a "sporting underdogs/male bonding/man loses woman and tries to win her back" film so there are never going to be too many surprises in the script but there were enough little variations on the usual cliches to keep it from being utterly predictable. (Don't assume the trailer has shown you everything!) This is the kind of film however where knowing roughly what you're getting means knowing what you can look forward to and enjoying the journey - and with this bunch of actors you know you're in very safe hands.
Finally, the important question: it's meant to be a comedy, so is it funny?
Yes - or at least I thought so! Lots of laughs, several of them belly laughs (in more ways than one!) - along with several "awwws" to nicely balance them out - and I left thoroughly entertained and dare I say a little uplifted by what is a solid, unassuming, funny, feel-good film.
And did I mention Rupert Graves is gorgeous and adorable in it? And mostly in swimming trunks? What other reasons do you need? ;)
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