#;EXPERIMENTAL BLACK METAL | Explore Tumblr Posts and Blogs

everydaym0nstrosity · 2 months

Text

145 Of The Best Avantgarde/Experimental Record Labels Of All Time

4iB Records

905 Tapes

Abandonment

Abhorrent A.D.

Aguirre Records

Alchemy Records

American Tapes

Angst

Ant-Zen

Arbor

Artoffact Records

ASRAR

At War With False Noise

Audial Decimation Records

Bacteria Field

Basement Tapes

Beast 666 Tapes

Bizarre Audio Arts

Blackest Ever Black

BloodLust!

Breathing Problem Productions

Broken Flag

Cabin Floor Esoterica

Callow God

((Cave)) Recordings

Chondritic Sound

Cloud Valley

Cloister Recordings

Cold Meat Industry

Cold Spring

Come Organisation

Crucial Blast

Cryo Chamber

Dada Drumming

Dark Vinyl Records

Deadline Recordings

Deathbed Tapes

Depressive Illusions Records

Diseased Audio

Dom/Dom America

Downwards

Drakkar Productions

Drone Records

Editions Mego

Eibon Records

End All Life Productions

Excite Bike

Extreme/Zero Cabal

Fag Tapes

Filth And Violence

Finders Keepers Records

Forced Exposure

Freak Animal Records

Fusty Cunt

Gods Of Tundra

G.R.O.S.S.

Hanson Records

Harbinger Sound

Harsh Head Rituals

Harshnoise

Hooker Vision

Hospital Productions

Housecraft Recordings

Hydra Head Records

iDEAL Recordings

Ipecac Recordings

Infinite Fog Productions

Järtecknet

Less Than Zero

Living Tapes

Loud!

Maggot Valley

Mannequin

Malignant Records

Menstrualrecordings

Monorail Trespassing

Moon Mist Music

Mother Savage Noise Productions

Murder Release

Musica Maxima Magnetica

Mutual Aid Records

Narcolepsia

Nefarious Activities

Night People

No Fun Productions

No Kings

Not Not Fun Records

Nurse Etiquette

Old Europa Cafe

Oxidation

Phantasma Disques

Posh Isolation

Primitive Propaganda

Prophecy Productions

Release The Bats Records

Relapse Records/Release Entertainment

RRRecords

Rotifer Cassettes

Rotorelief

Sacred Bones Records

Satanic Skinhead Propaganda

Segerhuva

Self Abuse Records

Shock

Side Effects

Skam

Skeleton Dust Records

Sky Burial

Slaughter Productions

Sloow Tapes

Smell The Stench

Soffitta Macabre

Sound Of Pig

Southern Lord

Space Slave Editions

Spite

Staalplaat/Nekrophile Rekords

Steinklang Industries

Sterile Records

Susan Lawly

Swampland

Sweat Lodge Guru

Terror

Tesco Organisation

Third Man Records

Thorax Harsh Cassettes

Torso

Total Black

Tranquility Tapes

Trapdoor Tapes

Trash Ritual

Tribe Tapes

Troniks

True Force/Pain Electronics

Turgid Animal

Tzadik

Urashima

Utmarken

Vis A Vis Audio Arts

Wagon

Wax Trax! Records

White Centipede Noise

Weird Input Records

We Release Whatever The Fuck We Want Records

ZSF Produkt/Lowest Music & Arts

62 notes · View notes

haveyouheardthisband · 3 months

Text

#Avant-Garde Metal #Black Metal #Experimental Rock #Progressive Metal #Chamber Music #Opera #2010s #2020s #USA #poll #Spotify

52 notes · View notes

salem-de-fleur · 1 month

Text

attention all tgirls who love chronically online industrial music:

(also anyone who fw angsty noisy music)

I released an album of silly little sounds.

please give it a listen if thats your kinda thing as i have like no audience currently and it would be fun and good to have income or even an audience

(reblog or whatevs)

25 notes · View notes

seraphim777s · 10 days

Text

+ uncertain + of the non-human soul +

+++

new material experimenting with my usual genres (dark/ambient, noise, neoclassical) as well as all new territory with acid techno, electro, and glitch ///

+++

21 notes · View notes

yourfavealbumisgender · 5 months

Text

Love and Affection for Stupid Little Bitches by Black Dresses is Transgender!

requested by anon

#request #love and affection for stupid little bitches #album #transgender #trans #black dresses #ada rook #devi mccallion #noise pop #industrial #industrial metal #experimental music #chillwave #vaporwave

53 notes · View notes

womenovmetal · 2 years

Photo

Kristin Hayter

Lingua Ignota

#kristen hayter #Lingua Ignota #experimental #black metal #noise #harsh noise #avante garde #chamber goth #goth #neo classical #metal #industrial #folk #women #women of metal #vocalist #pianist #multi-instrumentalist

416 notes · View notes

theremina · 10 months

Text

Hi. Um. So...

I've been quietly working on a really, really big, beautiful, maddening, PUNK AS FUCK collaborative DIY art project for about a year now with a whole bunch of people I've known for a loooonnng time and love a whoooole bunch.

I don't just believe in them as musicians. I believe in them as vibrant, brilliant, fiercely kindhearted human beings who make completely unclassifiable music and theatrics and wonderful community happen, and who deserve to be lifted up and celebrated and nurtured.

We FINALLY launched their Kickstarter today, after many months of collective work. Much to my delight, said Kickstarter has already made OVER FIFTY THOUSAND DOLLARS in less than five hours.

Hopefully we will double that amount by the end of the campaign (and THEN some) and my favorite live band of all time, Sleepytime Gorilla Museum, can feed themselves and keep roofs over their heads, their family's heads, their crew's heads, while the band woodsheds and the full team preps to finish and release a studio album and a short film and then (WE HOPE! 100K OR BUST!) pile back into their magical doomsday bus and tour the continental US once again for the first time in 13 years.

I wouldn't be doing this for any other band. Not even one of my own projects. That is how much I love Sleepytime Gorilla Museum, and how deeply I respect what they make and who they ARE.

Go check out the campaign! Pitch in if you're inspired! Share the link far and wide if you care about me EVEN A LITTLE BIT PLZ AND THANK YOU because this job'll earn me a substantial paycheck as well, but ONLY if we're fully funded.

AMBUGATON.

https://www.kickstarter.com/projects/sleepytimegm/sgm2024

#SGM2024 #sleepytime gorilla museum #kickstarter #crowdfunder #music #avant garde #experimental #black metal

33 notes · View notes

drondskaath · 1 month

Text

Vassus | Warlike Madness | 2024

UK Raw/Ambient Black Metal

#Vassus #Warlike Madness #UK #UKBM #Black Metal #Raw Black Metal #Experimental Black Metal #Dungeon Synth #Ambient Black Metal #music #band #Bandcamp

10 notes · View notes

idiotcoward · 11 months

Text

Agriculture - Agriculture Well here it is! The long awaited first release from the LA based black metal project Agriculture. Agriculture has been building up steam from pre-release reviews and commendations from metal blogs, critics, magazines, the whole lot. This album, at least in my circles, had a lot of hype. Even had a whole meme associated with the band: "I love the spiritual sound of ecstatic black metal by the band Agriculture" and it's pretty good! First off, a lot of black metal fans will shit on anything blackgaze-esc. Anything that even has the smallest whiff of Deafheaven or Liturgy is considered "Not Kvlt" or "poser shit" and frankly a lot of those people think that way because they're more invested in the aesthetic of music, how it makes them look to others, how it makes them feel, then they are about pushing forward the genre. Listening to the same four Norwegian black metal bands from the 90's isn't KVLT. Listening to endless repeats of the same tired BM tropes just reminds me of a Satanic version of Greta Van Fleet, and that is an ATROCIOUS thing to be similar to. Not too mention, all too often, these "TRUE BLACK METAL KVLT BANDS" are just Nazi Black Metal. From Burzum to Deathspell Omega. It's just Nazi shit. Agriculture on the other hand really dives deep into the blackgaze genre. Really pushing against what people expect when they turn on a black metal album. There is an interlude that is just a man singing over guitars. There are trumpet and jazz-esc sections. I mean there's still a shit ton of tremelo picking and high pitched screaming but it's black metal you know. There are definitely moments where it all works and it all felt so incredibly epic. Those emotional highs that I got listening to Liturgy or Deafheaven, but, at least on the first listen, I came away thinking "Yup. Kinda what I thought it would be." Not that that's a bad thing just, I wasn't blown away. The instrumentation was good, the singing was good, just... maybe it just didn't click for me. I'm excited to give it another listen and see if maybe I'll pick up on more nuances in a different context or mood. If so maybe I'll revisit my thoughts. But for now I think it's fine. If you really like this kinda music you'll absolutely love this, but for me, I'll probably just listen to some more liturgy.

#now listening #album recs #metal #Shoegaze #Blackgaze #Black metal #Experimental Metal #Experimental Black Metal #Metal Recs #New Metal #New Music #Music Review #Alternative Music #Agriculture #Post Metal #Avant Garde music #Avant Garde Metal

40 notes · View notes

musicmakesyousmart · 1 year

Text

DUSSK - Centuries Beyond Knowledge Sealed In This Vault

Grime Stone Records

2023

#DUSSK #Centuries Beyond Knowledge Sealed In This Vault #Grime Stone Records #black metal #experimental

45 notes · View notes

deathstench · 3 months

Text

Formed ten years ago, DEATHSTENCH released three albums and many eps.. The "Massed in Black Shadow" album was a great obscure and dangerous one..The crown of their sacrifice was their collaboration with Bon Masters Phurpa. John Paul Whetzel and Darea Plantin spells behind this interview.

“Blood Moon Divination” was your latest release. It was released in a limited amount of copies and only in Tape format. Why this choice?

We have always preferred analog releases. We view physical copies as something that should be appreciated.. Let's face it, it's the 21st century, and people do most of their listening through some sort of streaming service. If they like it, they most likely pirate it. We understand this; Our physical releases are intentionally designed for coveting.

We put a great deal of energy into each release. In our past special editions, we have included ritual accouterments that correspond with each album, such as shards of human bone and incense we made specifically for the intent to conjure with the dead.

You have released three albums. Please tell us the concept behind each one and the process of the recordings…Each release turns out to more noisy and dark forms..

To be precise it's four albums, and numerous collaborations and splits. Our releases are not in any sort of chronological order, from conception to the final product takes its own time dependant upon the haste of that particular record label. We record basically the same for each album, building upon a structured theme. Our music is built on layers of sounds from instruments, traditional and otherwise, that we record with either handheld devices or microphones connected to an audio interface which we use to record our percussion and amps.

Each track on "Blood Moon Divination" is an audial ritual recorded and released during each specific Blood Moon in the tetrad cycle of blood moon eclipses of 2014-2015. Through that span of time, these celestial vibrations were available as they were being released on several streaming platforms, including Black Metal and Brews and Repartiseraren. A tetrad of lunar eclipses is extremely uncommon. This was only the eighth of such cycles in over two thousand years. We compiled them together for a physical album that we chose to release during the first exclusive total solar eclipse the United States had seen in over two hundred years. Eclipses, both solar and lunar, are considered to be very inauspicious events throughout the world. As an omen of war, the Talmud regards "If the face of the moon is as red as blood it is a sign that the sword is coming to the world."

"N.O.X." is a transcendent four track journey that starts out violently with the lo-fi black metal track OXEX DAZIS SIATRIS, Enochian for "Vomiting The Head of Scorpions" and slowly transforms itself into a less chaotic discord that concludes with the meditative piece "Mysterivm Tremendvm". N.O.X. or "The Night of Pan", is a mystical state that represents the stage of ego-death in the process of spiritual attainment. The Greek word Pan also translates as All, as he is a symbol of the Universal, a personification of Nature; both Pangenetor, "all-begetter," and Panphage, "all-devourer". Pan is both the giver and the taker of life, and his Night is that time of symbolic death where the adept experiences unification with the All through the ecstatic destruction of the ego-self. In a more general sense, it is the state where one transcends all limitations and experiences oneness with the universe.

"Nekro Blood Ritual", our second album, was designed specifically for its cassette release and is broken into two sections: Conjuration Rites and Burial Evocation. This album focuses on conjuring the dead and the desecration of human remains. This is by far our most atmospheric album; most of the tracks are rely heavily on field recordings and stygian synthesizers to evoke the abject darkness. These songs are reminiscent to the "Incantations in Dead Tongues" era of our work. There are only two conventional (for use of a better term) songs on this album, "Nekrobloodritual" and "Desecrating The Host" the latter being a harsh black funeral doom dirge for the departed.

In our debut album, "Massed in Black Shadow" we utilize all of our influences through the years. Incorporating elements of death industrial, dark ambient, doom, and black metal, and hideously transforming and conjoining them into a writhing mass of absolute filth, a sound truly all our own. The final track, titled “Bastards of the Black Flame” can be considered a motto to us, as it is exactly who we are. The byproducts of an unholy union between some of the most violent forms of music, in both sound and ideologies.

DEATHSTENCH collaborated with Phurpa. How did this Union take form? Are you interested in the theory of empiricism in Bon Religion?

In 2012 Alexei Tegin had discovered our music from our debut album and contacted us. Both Phurpa and ourselves operate with the same meditative qualities regarding our music. Although our sound derives from different spectrums, they coalesce quite vividly. "Evoking Shadows of Death" fuses our ultrasonic vibrations and harsh atmospheres with the harmonious chants and deep, droning reverberations of their tantric voice. These two tracks are designed to help the chod practitioner tap the power of fear. This transformation does not fall spontaneously, as grace, upon the listener: the practitioner must engage in the process. One must take steps to transmute through the aural plane and, through a process in which they must actively participate, requiring utmost concentration and mental stamina. This mystical experience is achieved, not bestowed.

Empirical reasoning has no place in esoteric practices and the occult. These objects are neither phenomena (empiricism) nor human constructs imposed upon the phenomena (idealism), but real structures which endure and operate independently of our knowledge, our experience and the conditions which allow us access to them. Some things cannot be reduced down to empirical measurements.

Thanatology and satanism are your basic influences. How do you define satanism and how death in your personal path?

Deathlore has always intrigued the both of us. There is absolutely nothing more final than Death. Every single one of us will die, as Death does not discriminate. Dying, death and how human beings respond to the inevitability of their mortality and cope with the reality of loss can be viewed from a wide range of perspectives. Our intent has never been to elaborate on our practices or rituals to any audience. Even the altars we allow you to see are set up specifically for public viewing. While they are still symbolic of what we would normally produce for our own rituals, the intent isn't there. It's merely superficial. Our personal altars and rituals will always remain clandestine, as all witchcraft should be.

“Those who know do not speak. Those who speak do not know.” ― Lao Tzu

I would like to hear your thoughts and if you are into the systems of O.N.A & Temple of the Black Light in theory and praxis as Traditional satanic approach you unveil through your works . Satanism is such an elaborate construct; Atheistic, LaVeyan, theistic, there are so many paths. Satan has always been symbolic with the quest for Knowledge, of opposition to arbitrary authority, forever defending personal sovereignty even in the face of insurmountable odds. Our path cannot be defined by one simple ideology.

We have absolutely no affiliation with these groups.

Does DEATHSTENCH ever perform live?

We are very selective in our live performances. The last show was in Portland, Oregon way back in 2015 when we opened up for MGLA, Weregoat, and Sempiternal Dusk. Alan Dubin (of Gnaw, Khanate) and Billy Anderson, whom we have long collaborated with, did a sort of dueling vocals approach to our fifteen-minute audial assault on an beyond-capacity crowd. This show was recorded by Mateo from Greysun Records who also released it on his label in 2018.

Necromancy is an Old Art Like Time.Ancient Greece had deep roots also in this Subject. Are you familiar with the Ancient Greek Mysteries?

Yes, we are familiar with some of the Chthonic mysteries highlighting mortality and the briefness of life, and the spirits of the blessed dead. Though, like most true paths of esoteric knowledge, not much is truly known about the intricacies of these rituals, having been sworn to secrecy and then lost to the Sands of Time. It has been suggested that communicants would drink Kykeon infused with the psychotropic fungus ergot which helped the initiate to reach a fuller understanding of their purpose in life and to shed their fear of death and this, then, heightened the experience and helped transform the initiate. The same can be said of the Huichol in Mexico, who eat peyote at the completion of long arduous pilgrimages in order that they may experience in the journey of the soul of the dead to the underworld. Death worship and eschatology are celebrated by all cultures throughout time, most with the use of hallucinogens.

I would like to hear your thoughts on these words: “This being true for the ordinary Universe, that all sense-impressions are dependent on changes in the brain we must include illusions, which are after all sense-impressions as much as “realities” are, in the class of “phenomena dependent on brain-changes.” ― S.L. MacGregor Mathers, Goetia the Lesser Key of Solomon the King: Lemegeton, Book 1 Clavicula Salomonis Regis

In contemporary education, the emphasis has been on the psychomotor and the cognitive, namely reading, writing, and arithmetic, at the expense of the affective, namely, the emotions, the sensual, the intuitive, and the imaginative. Priority has been assigned to the verbal-intellectual skills. Anything else tends to be shelved or boxed and put away as ephemeral, esoteric, or mystical, each of these terms being used in a pejorative sense.

Consider for a moment the human sensory system. To the scientific mind, the senses are perceived to act as a kind of data-reduction system. The problem with this concept of the senses is that we do not respond to all that is potential sensory input. Perception is quite a selective process, attending to only a small fraction of so-called reality.

To some extent, scientist or artist, everything we perceive is "illusory," since to perceive anything at all we must use our imaginative capacity for fantasy.

What can we expect from DEATHSTENCH in the near future?

We have a few albums waiting in the shadows including collaborations with Sektor 304 and LINEKRAFT, as well as another full-length album incorporating both Billy Anderson and Alan Dubin. Time is relative, and there are no promises as to when any of these releases will see the light of day.

#DEATHSTENCH #zazen sounds #dark experimental art #ritualistic expression #dark ambient #esoteric black metal #death worship #audial witchcraft #occult black ambient #ritual music #death industrial #death ambient #black ambient #ritual ambient #occult magazine #indie zine #metal zine #band interview

10 notes · View notes