Do you publish anything?

I have an ao3 account, if that's what you mean (also fanfiction dot net but I it's just the same stuff as on ao3 and I forget to post there sometimes); it's also under SupernovaSilence (ffn, too). It's finished fics over there and less of the headcanon-y stuff I post to tumblr.

love when tumblr just randomly adds enrichment (new buttons) to our enclosures

Brother Gregor never spoke and often spooked the neophytes with his appearance, but he was a gentle soul and a phenomenal cook and knew more ways to prepare a fish than the abbot knew hymns

I regret to inform you that Discord's new Terms of Service includes an arbitration clause. You can find it here https://discord.com/terms/#16. This clause includes an opt-out, which I have transcribed here:

You can decline this agreement to arbitrate by emailing an opt-out notice to [email protected] within 30 days of April 15, 2024 or when you first register your Discord account, whichever is later; otherwise, you shall be bound to arbitrate disputes in accordance with the terms of these paragraphs. If you opt out of these arbitration provisions, Discord also will not be bound by them.

These clauses are underhanded ways that corporations seek to deprive you of your right to participate in class-action lawsuits and your right to a jury trial. (This does only apply to us users ,other people still spread the word though )

by Adam Bignell

reminder to worldbuilders: don't get caught up in things that aren't important to the story you're writing, like plot and characters! instead, try to focus on what readers actually care about: detailed plate tectonics

Serenitea

10 x 14 Acrylic on watercolor paper

Andrew Lang's The Pink Fairy Book illustrated by Debra McFarlane

Mount Rainier, WA by Lazgrapher

"I have heard of such things"

“Please, your Majesty, I came in through a wardrobe.” “A wardrobe? What do you mean?” “I—I opened a door and just found myself here, your Majesty,” said Edmund. “Ha!” said the Queen, speaking more to herself than to him. “A door. A door from the world of men! I have heard of such things."

Thinking about this line from LWW (chapter 4). Jadis reacts to hearing Edmund came from another world by musing about rumors, even though she's from another world herself, and has in fact been to London (albeit briefly). Obviously the reason is because C. S. Lewis wrote LWW before MN and didn't care about super tight continuity, but that's no fun, so here are some in-universe possibilities:

it's been centuries since Jadis came to Narnia, and she's the type who ignores anything that isn't useful to her (e.g. ignoring Polly because Digory was the one that woke her, and then acting like neither child exists once they've brought her to Uncle Andrew). Charn is dead and she can't get back to Earth so she just…didn't bother to think about them ever again. By the time of LWW she can barely remember other worlds exist

Jadis barely knows other worlds exist, not because she didn't bother to remember, but because of some magical/physical reaction. Jadis has no memory of the Wood Between the Worlds once she's out of it, even though Polly and Digory do. Maybe Charnians just react that way to interdimensional travel, or maybe it's something specific to Jadis herself due to magic she's done. But whyever, Jadis forgets any world but the one she's in. The Wood fades almost instantly because she was there so briefly and has no personal connection to it. Earth would last a little longer, and Charn longer still, long enough that she can remember them during the end of MN. But by the time of LWW, she doesn't remember how she came to Narnia.

or she doesn't remember due to eating the silver apple? immortality comes with a price, and for better or worse Jadis is now bound to Narnia; she cannot go back

Telmar was founded by humans who stumbled through from Earth, and perhaps other places were as well (we don't know the histories of Galma etc). Or maybe solitary travelers find their way in sometimes, not enough to found nations or influence history but enough to leave rumors, rumors that Jadis is listening for very carefully because she knows four humans are prophesized to destroy her

Jadis doesn't mean a door as in "portal to another world" but door as in "hole in the magical barrier I've put up around Narnia", and thinks Edmund slipped in from another country. This would mean she doesn't understand the word "wardrobe" though. Then again Mr. Tumnus didn't know it either, so maybe they just don't have wardrobes in Narnia. (There's no absolutely no evidence in the books that Jadis made a barrier around Narnia, but there must be some sort of outer limit to her powers, or Archenland, Calormen, etc would also have been under her control, and they don't seem to have been. She was "Queen of Narnia", not "Queen of the World", and the countries mentioned in HHB all seem to be running normally without the sort of chaos caused by setting up governments again after a dictator's death. I can imagine Jadis making a magical line around Narnia's borders (with plans to expand, ofc) so her magic has a set space to focus on; maybe she can even sense when someone crosses it, which is why Edmund's arrival surprised her—he didn't trip any alarms.)

my favorite: Narnia herself is doing her best to fight Jadis. While the Pevensies are ruling Narnia, their lives on Earth become like a dream, and there are hints the reverse happens when they go back. But when they return to Narnia, "the air of Narnia [works] on" them to make them who Narnia needs them to be: the Kings and Queens of Old. Maybe it's working on Jadis, as best it can. It smoothes away her memories of other worlds, making her content to stay here, like it did the Pevensies. But for the Pevensies, it was a way to ease the pain of suddenly losing their old lives, whereas for Jadis, it's trying to keep her complacent. Because if she remembers there are other worlds, she'll try to find doors to them, and conquer kingdoms, and find more magic, and raise armies, and be that much harder to free Narnia from. Narnia is in pain and fighting Jadis the only way it can till Aslan and the Pevensies come to save it

Here is an updated master post of all of my title cards for your reblogging pleasure. Please reblog responsibly. <3

Brooch

Marcus & Co. (New York City, New York)

c.1900

This exquisite brooch is one of the few extant examples of plique-à-jour jewelry made by the New York firm of Marcus & Co., whose reputation at its prime rivaled that of Tiffany & Co. Herman Marcus (1828–99), a German–born and Dresden–trained jeweler, arrived in New York in 1850 and worked for a number of prestigious firms before establishing Marcus & Co. in 1892. Following his death, the company continued under the direction of his two sons, George Elder Marcus and William Marcus.

The brooch is a superb example of Marcus & Co.’s work in plique-à-jour enameling, in which the "cells" of color have no backing, allowing light to shine through the transparent enamel, thereby creating the effect of stained glass. One of the only jewelry firms of its day to succeed at this challenging technique, Marcus & Co. followed the lead of such innovative French designers as René Lalique. The sensitive 3-dimensional sculpting of the sweet pea blossoms and leaves, as well as the naturalistic coloring of the enamels, reflects the Art Nouveau aesthetic that prevailed at the turn of the century. Indeed, close parallels can be drawn with the brilliant naturalistic work of Louis Comfort Tiffany, whose oeuvre is so well represented in the Met’s collection.

The MET (Accession Number: Accession Number: 2016.107)

Bodice Ornament & Hair Comb

René Lalique

1903-1904

The Art Nouveau style caused a dramatic shift in jewellery design, reaching a peak around 1900 when it triumphed at the Paris International Exhibition.

Its followers created sinuous, organic pieces whose undercurrents of eroticism and death were a world away from the floral motifs of earlier generations. Art Nouveau jewellers like René Lalique also distanced themselves from conventional precious stones and put greater emphasis on the subtle effects of materials such as glass, horn and enamel.

René Lalique, 'the admitted king of Paris fashions', chose his materials for aesthetic effect and artistic refinement, not for mere preciousness or brilliance. Credited with introducing horn into the jewellery repertoire, he dazzled the public with a collection of ornamental combs made of horn. They were moulded and sculpted in the shape of flowers, waves and butterflies.

Victoria & Albert Museum (M.116A-1966 & M.116A-1966)

Pink evening primrose fairies!

I’ve been working on a series of Texas wildflower fairies inspired by Cicely Mary Barker’s illustrations. I wanted to highlight the biodiversity and beauty of my home :). I don’t think I’ve posted about it on here at all but one of the core motifs of my work is queer southern /southwestern imagery (specifically exploring intersections of lesbianism and transness). Conservative governments DO NOT represent the majority. Queer Texans will always be here! We are as natural and resilient as the flowers that bloom on the roadsides every spring. Anyways enjoy the fairies lol there are more where that came from

The Nightshade Berry Fairy Cicely Mary Barker

The Nightshade Fairy, from Flower Fairies of the Summer®, 1925. Estate of Cicely Mary Barker