mewmewdoppio
♡ ☽ ☆Killua☆ ☾ ♡
♡ Killua/Rouxls ♡ 19 ♡ He/mew ♡ N Harmonia has taken over my head help ♡ Art tag is scribbles ♡ naturalharmoniasboyfriend.carrd.co ♡ Sometimes suggestive ♡ Ask about my Comms ♡
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a redesign: to sate my personal sensibilities
#i dont remember if ive reblogged this before but she is oh so lovely#Legend of Zelda#Tears of the Kingdom#totk#loz#lady yona
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matching!
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average zoldyck household interaction
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started watching the hobbit
#third one is my prediction for the end of the third movie btw#lord of the rings#the hobbit#lotr#bilbo baggins#thorin oakenshield#gandalf#gandalf big naturals#galadriel#scribbles
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Are u normal about trans men
this is gonna get me some hate tbh but honestly? i disapprove of their choice to go to jupiter to get more stupider
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completely obsessed with this. partially inspired my slavic breakfasts. i’m planning a vampire dinner where everything i cook is going to be red.
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Hello! I’m opening writing c🍥mmissions! 5 slots, 30$ each. I need at least one commission for gas by tomorrow— another emergency carride was involved— so anything is appreciated! I do both essays/school assignments and fiction.
(— and if you want an art piece, it’ll be 60$!)
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Little gif i did for the end of mp100 s3 ! It’s been almost a year… this series has such a special place in my heart, i was so happy to animate a little bit on s3 !
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Sakurai x Taniguchi x Fu-kuyama Interview // NewType November 2008
--Congratulations on the completion of "Code Geass". When did the thought "It's ended" first occur to you, Director Taniguchi?
Taniguchi: That's a difficult question. Visually, that would be after the V-edit (Video Editing) ended, because after that you can no longer do anything about it. However, in terms of the end [of Code Geass] as a project, I really don't know.
--How did the final recording session go?
Taniguchi: It was difficult for me to control myself, psychologically. Since it was the final recording session, I kept thinking "This is the end", but in terms of the actual work, I had to hold on for a little while longer.
Fu-kuyama: I was thinking "Let's record our lines in high spirits!", but that only lasted until episode 24. The final recording session was...... This might be the first out of all my works so far in which I completed the final episode without putting too much effort into it. I took it all calmly.
Sakurai: I was in a spiritual state of nothingness. More than two years have passed between the recording of the first episode and the final episode. To be involved in a project for so long is something of a rarity these days, and because of that I was also overwhelmed with feelings. Still, "Code Geass", true to its nature, ended in a cool way.
Fu-kuyama: I think the VA with the most mixed feelings when it comes to the last episode of Code Geass might very well be Hoshi Souichirou, Gino's VA. To tell you the truth, I received a phone call on the night before the recording for the final episode. I wondered who it was... and it turned out to be Hoshi-san.
Sakurai: He called me, too.
Fu-kuyama: When I answered the call, all he said was "Tomorrow's the final episode, isn't it... do your best*." (laugh) [*ganbattene]
Sakurai: He said "Do your best" to me, too. I guess he was especially attached to this show.
Taniguchi: (laugh) It's up to everyone how they want to interpret the ending, I don't mind, but for me, it was a Happy Ending.
Fu-kuyama: I, too, think it was a happier ending than expected.
Sakurai: As for me... I'm looking at things from the viewpoint of Suzaku's VA, of course, but I've been watching the show as just another audience, too. That might be why the ending was painful for me.
--Was the final episode something you thought of from the very beginning?
Taniguchi: Yes. The ending was decided upon beforehand. Although it was eventually cut, I actually had [Okouchi] write a script for episode 1, one which began with the scene of Suzaku attempting to kill Lelouch. I'm talking about episode 1 of the previous series, not R2.
--The relationship between Lelouch and Suzaku described in these 50 episodes has seen a lot of ups and downs. They've shot at each other with guns, tried to kill each other, stepped on the other's face after he humbled himself by getting on his knees......
Taniguchi: From my point of view, Lelouch and Suzaku's relationship in the previous series did not go beyond that of reunited childhood friends. It wasn't "friendship" -- they were playing at a "make-believe friendship". With R2, my intention was to show how it turned into "friendship" in the truest sense of the word. ......As for the part with the kneeling, if Lelouch hadn't done that, he might have been killed by Suzaku, and Suzaku, had he not stepped on Lelouch's face, would probably not have been able to control his rage.
--Basically, it was necessary to go that far* for Lelouch and Suzaku to be able to rebuild their bonds. [*kneeling + stepping on face]
Taniguchi: It's a matter of definition, but for me, the relationship between "good friends", to put it bluntly, is one in which "they are able to change each other's soiled underwear even when they've become doddering geezers".*
Fu-kuyama: Though in my opinion, that's already crossed the line into "love" territory (laugh).
[*This line sparked an outbreak of "Eeewwww, Taniguchi", "Taniguchi's definition of friendship sets the bar too high" and "...Does Taniguchi actually have such friends?" on 2ch]
--Once again: what kind of show was "Code Geass" to all of you?
Sakurai: "Code Geass" was a stimulating piece of work, in my opinion. It suddenly appeared and swiftly took society by storm before facing its end in style. I look forward to everyone's reactions after the final episode. I'm sure all of us would like to see more of this type of original anime.
Taniguchi: I would be delighted if the viewers accepted [this show] with that thought in mind. When we first started "Code Geass", there was this sense of danger that if we don't do our best now original anime will die out completely. The way things are, there will eventually only be anime adapted from manga, games and light novels. For the sake of creating an entertaining original anime, we concentrated what skills we had and tried tacking them on little by little during the creation process. Of course, in "R2" we had to continue being aggressive. I continued working on this show feeling like a challenger. It was an enlightening experience!
Sakurai: These days, there are a lot of anime with tactical gimmicks, but "Code Geass" was strategically elaborate and daring, and was very much entertaining in a way other anime weren't. We, as members of the cast, were happy to have been part of its creation.
Fu-kuyama: They kept an iron-fisted control over the information given to us, too. We never knew what was going to happen next, not until we received the script.
Taniguchi: Once the episode directors, the animators and the VAs find out what's going to happen ahead of time, they tend to give their performances working backwards from the end result. There are times when working backwards actually makes it better, but if there is a continuous chain of turning points in the story, there are times when you subconsciously save your strength. I was afraid that would happen.
Fu-kuyama: I didn't want to know what was going to happen next. Finding out beforehand means I'll have to set the bar higher for myself, you see (laugh).
--Lelouch was a devil of a role to play, having to face some kind of trial every single time, huh.
Fu-kuyama: Lelouch's role is, to put it simply, the chief villain, and Suzaku is the hero. Watching Lelouch use his Geass and prepare the legwork of his strategies with all his heart and soul makes you feel like pitying him.
Taniguchi: Really, I had no idea creating an evil organization of the likes of "Shocker" [*from Kamen Rider] could be so much work (laugh). It's a lot of effort, truly. Here you are, desperately planning some kind of gambit, and "BAM!", the hero appears and everything goes to pieces.
Fu-kuyama: "Code Geass" is a story seen from the side of an evil organization, isn't it? If you were to see the world through a different point of view, a different kind of logic would come into focus. For example, if you were to consider Marianne and Emperor Charles's actions from their point of view, nobody would be able to say they were wrong.
Taniguchi: If you were to rewatch "Code Geass" with the camera on Suzaku's side, Lelouch would be an absolute evil (laugh).
Sakurai: Who's on the side of justice? Who's evil? It all depends on your position and point of view. Telling the story in this manner was very interesting.
Fu-kuyama: I realized that the viewers don't work according to the logic of "justice" and "evil" when choosing which characters to empathize with.
--Lastly, I'd like to ask each of you which episode left the biggest impression.
Fu-kuyama: It has to be episode 9 of "R2" for me. The conversation when Lelouch snatched Tenshi-sama away from Xingke -- in response to "You devil--!!", Lelouch answers "Ho, is that so?". I thought it was a fantastic exchange.
Sakurai: As for me, it's the final episode of "R2". It lingers on in your heart. The characters' resolve came through loud and clear, and it really got to me.
Taniguchi: All the episodes are important to me, so I can't choose one. If I had to say something... at the end of the recording session of the final episode, the staff, on their own initiative, gave out flowers to all of the cast members. I was happy to see that "Code Geass" has its own special place in the hearts of the staff and cast who have been involved [in the project] for so long. Thank you all for the hard work!
All: Thank you for the hard work!!
#OUghhhh hhh so goodddd#code geass#suzaku kururugi#lelouch vi britannia#lelouch lamperouge#interview
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my favorite customer service slip ups
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local old man finally gets new clothes
#Oughhhhhh soooo cute#so good#Love this#adventure time#marceline abadeer#princess bubblegum#simon petrikov
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Hi I was wondering if you had any more available slots for your adventure time commison and how to ask for a commission
No worries! You can typically just DM me to work out the details and ask me questions! And yes, while they're closed at the moment, I can let you know when I reopen them.
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I am not the asshole, and I think this whole thing is stupid, but I was promised that if I sent my side of things to this blog I could pick the hotel for our honeymoon, and I am marrying a man who once tried to take me BACKPACKING of all things, so this ask has become a necessity. In light of that:
AITA (I'm NOT) for planning the seating for our wedding in a logical way?
I got engaged in June, apparently in part because of my partner writing in to this blog (I don't know how to find or link to his posts, but I'm the man who got the cat to bite him, if that rings any bells?). At any rate, for the past ten weeks, I've been in the beginning stages of planning our wedding with my fiance, whom I have been secretly attempting to remove from the planning process as much as possible. I have ALREADY been given a list of his must-haves, and I AM incorporating as many of them as our budget allows. This has NOTHING to do with the emotional side of the event, and EVERYTHING to do with the fact that this is an idiot with no real planning experience or taste who thinks he knows more than me.
For the most part, this has worked very well. I'm the one who's been collating all the contact information for things, so I just replaced all the emails for the tacky companies with false addresses, responded to his inquiries as the companies to say the date was already booked or the price was outside our budget, and let him filter his way to the ones I DO like on his own. I also made a fuss about being "willing to compromise" on the few things he's picked I'm completely fine with in the hopes I can use it to make him compromise later, and have been humming portions of the songs I want on the playlist in the hopes he'll think he came up with the idea to include them himself.
None of this is the real problem. The PROBLEM is that he is deliberately ruining my seating chart, by moving our horrible friend's seat when I'm not looking.
The man in question dated both of us at one point in our VERY early 20s (both ended BADLY), is generally the messiest person we know, and will almost certainly get sloppy drunk and try to make a speech IF he does make an appearance. I'm banking on the fact that he won't, because he's also ridiculously wealthy, and will almost certainly send us some very lavish gift in lieu of coming.
He is SUPPOSED to be sitting beside my fiances aunt, at the same table as his grandmother, his work friend, and her girlfriend, because all four of these women are stone cold terrors who I believe are more than capable of keeping him in line on the slim chance he does come. My fiance INSISTS they won't be able to have any fun if they're running interference all night, and keeps moving him to sit at the head table instead. You know, where WE are. I finally caught him switching the label magnets on my planning board last night, and confronted him.
I tried leveraging how much I've been compromising already, that he's almost certainly going to RSVP no, and that I shouldn't have to deal with him on our big night. My fiance said he knew about all the fake emailing and such, and told me, and I QUOTE: "Look, the mind game shit was hot when it was just about the colour scheme or whatever, but I actually care about this. So you can suffer with everybody else, or you can do the normal thing and not invite a guy you hate to our wedding, you weirdo."
I said that if I did that, it would take out half his groomsmen, he called me an asshole and said I should go explain this to "literally any rational adult" so they could tell me I was in the wrong, and now here we are.
Would you recommend calling my fiance's bluff, since he doesn't want the man sitting near us either? Or should I focus on ensuring he'll turn down the invitation no matter what, so the matter of where he WON'T be sitting can be a moot point?
What are these acronyms?
Original post
The update
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truly no video game moment will ever surpass the part in portal 2 where glados says "well, this is the part where he kills us" and wheatley says "hello, this is the part where i kill you" and you unlock the achievement titled "the part where he kills you" (description: this is that part) and the chapter title appears on the screen and reads: chapter nine: the part where he kills you
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