My favorite thing about Eliot Spencer is how invested he gets in whatever job/role he’s doing for the con. He has to play a caterer? He will give you a gourmet menu and poach some pears for dessert. He has to play a minor league baseball player? He will hit a home run and he will be excited when the local deli names a sandwich after him. He has to play a police officer? He will make Hardison respond to a call that’s nearby because there might be kids in that house. Eliot commits.

More random tropes that I fucking love: Becoming the mask you wore.

Like oh shit, this character who was sent to spy somewhere under a false identity suddenly realises they've started to genuinely become the person they claimed to be? Someone who's been telling the same lies about who they are for so long that they're actually forgetting that the story isn't true? Finding themselves genuinely doing the things they pretend to do in front of people, when they're alone and nobody's watching? Answering to a name that wasn't supposed to be theirs without thinking?

Ooohh-hoh-hoh, you lost track of yourself in pretending to be someone else? You were only supposed to impersonate somebody, a plausible background and a name you came up with on the spot, and now that the people you were supposed to infiltrate have become your true companions? You lost yourself in the game you played, and no you no longer know who you truly are, and where your true loyalties lie? And both sides would mark you a traitor if you came out with the truth. On a scale of one to ten, how bad did you fuck up.

Fuck that is a good trope. Never seen it done badly. Pour that shit on a table and I'll chop it into lines and snort it.

Is it actually reasonable to get a morphine drip for level 8 pain?

Asking because my perception of pain is entirely fucked up and I genuinely have no idea what’s reasonable to someone who doesn’t have chronic pain.

every single day I think about how american black vultures are known for engaging in interspecific allopreening (preening between different species)

and they have a specific relationship with crested caracaras, in which the black vultures assist them by not only preening them after meals but also leading them to food in the first place— due to their superior sense of smell— while the caracaras assist the black vultures by acting as a warning signal in case of danger

and while this is more typical of black vultures, this is not common at all for any member of the falconidae family— it’s a special bond!

yet another post in favor of vultures everyone , hope you enjoy:) and I implore you to do some more research on these incredible birds !!

EDIT: I meant interspecific allopreening! excuse my typo!

fairytales which tell you to be both kind and clever fairytales that say to be kind is to be clever and to be clever is to be kind fairytales that say the cleverest thing you can ever do is choose kindness and that cruelty or thoughtlessness are always foolish but not kindness never kindness

Keep seeing that post where OP starts like 'Thinking about...grieving the undead' and then adds on about like. Real life situations where people have not died but have left your life and you would have reason to grieve them.

All respect, that's an important concept, but that is not what I am thinking about when I read 'grieving the undead'.

the thing about team 69 is that griddlehark is about exactly as insane as you'd expect given their circumstances, which only serves to make cam and pal even funnier. they don't have any fucking excuse, they had an entire society around them, why are they that bad? why is their closest parallel for unhinged devotion and codependency the two repressed teenage lesbians who were the only children on their entire fucking planet? like team 69 works because each pair looked at the other and very incorrectly went "finally, some normal fucking people" but cam and pal did that to themselves on purpose where gideon and harrow were basically forced into that absolute disaster of a situationship. it's great

Hot Shit | Tom Cardy

...he is weaving the chocolate. Do you copy, this bitch is WEAVING CHOCOLATE

my gender is whatever's hotter at the time. if a situation would be hotter if i was boy then im a boy. if it'd be hotter if i was a girl then im a girl. easy.

Ah, the creeping dread of having to email someone who had an entire meltdown on you yesterday. 😬

the first complaynts are coming in: jess thinks my rimes are but a sin. she canot see the meme’s apeel. the bredlik love she does not feel.

I desperately need someone to convince my nervous system that the tiger does not exist.

Me, every time this course directs me to journal: I will simply not be doing that.

Also me: *does it anyways*

I hate Bruce's "I don't kill because once I start, I wouldn't be able to stop"

Like I simply do not buy it. Murder is not a potato chip Bruce. I think he is full of shit and a messy bitch who lives for the drama. I am certain Bruce has some kind of valid reason for not killing, but I don't believe that this is it.

i actually think it's pretty funny that dc writing dick growing up the son of literally famous, show selling out performers that literally everyone on the planet has heard of and really kind of poor growing up actually because the latter really says a lot of what dc thinks of extremely skilled circus performers and is. a little racist & classist if you think about it. and somehow manages to reflect really poorly on both john and mary grayson and haly's circus.

because i think it's like. they take the roma retcon + itinerant lifestyle + grew up in a rv + circus folk are basically carnival workers who get paid under the table, right? and add that up to = ergo dick grayson must have been very poor growing up despite the fact that. literally everyone on the planet has heard of his super famous parents.

and i'm not just talking modern day, where everyone and their brother seems to have gone to haly's circus (or was there that night). but even in post crisis, people like bonnie's mom were casually name-dropping "oh, like the flying graysons". they were pretty casually known, actually.

like yea, in a lonely place of dying mr. haly mentions that even back then (when they had the flying graysons as an act), the circus was "barely breaking even" but also does this make sense for a circus that would sell out whenever the flying graysons performed. like there's almost a dissonance between how well the circus is always shown to be doing in it's heyday (constant selling out, employing extremely famous acrobats) vs how well they're told to be doing (barely breaking even).

and like. if it is true & they were paid poverty wages despite the fact that they were literally the extremely world-famous headlining act of the circus, then either john and mary are completely incapable of negotiating themselves a fair salary for their skills &/or mr. haly is probably exploiting them.

because like. the flying graysons being a act for haly's circus means they would have to have a contract with the circus for their pay and benefits in return for their act--even in a lonely place of dying the other performers mention their contracts with the circus. because, again, circus performers are skilled workers. so being extremely skilled acrobats who are super famous, john and mary have. a LOT of power on the negotiating table given they're the only three people on the planet that can do a quadruple somersault and other circuses are probably salivating to offer them a lot of money to work for them instead. to buy their world famous act outright would probably cost hundreds of thousands, if not millions of dollars to avoid paying them royalities for everytime they performed it. if their act wasn't bought outright for a lot of money then their contract probably stipulates a certain percentage of profit from the shows they sell out as the headlining act OR should be more than enough to cover their yearly expenses, food, gas for their rv, insurance, etc. in fact, they may stipulate certain stipeds for gas and food. they might stipulate the circus cover their life & disability insurance given the inherent danger of their act.

so if they're completely unaware of what they're worth and being underpaid for their skills that are literally selling out shows, then you're implying that they're completely clueless & unable to negotiate a fair price for their skills and mr. haly is taking major advantage of them and dick grayson should tell that man to kick fucking rocks.

or they're just. okay? with being completely and totally underpaid for their skills given they like mr. haly so much?

idk. the more famous dc makes the graysons, the more dissonant this actually gets. like in modern day if they're so famous why don't they also have a monetized youtube of their acts & practices with millions of views. if they're that famous and still poverty level struggling, then why were they incapable of advocating for their worth as the only 3 people who could perform a quadruple somersault. like either the circus was a niche thing that struggled a lot and they shouldn't be famous (tim drake should be their only fan) or they were extremely famous and mary and john grayson. should have probably done decently well advocating for themselves, actually.