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winterscrows · 6 months
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I have so many projects in the works but I have no idea which to put more attention into.
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winterscrows · 6 months
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HOW TO GIVE PERSONALITY TO A CHARACTER
Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:
Understand Their Backstory:
Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.
2. Define Their Goals and Motivations:
Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.
3. Determine Their Strengths and Weaknesses:
No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.
4. Consider Their Personality Traits:
Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.
5. Give Them Quirks and Habits:
Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.
6. Explore Their Relationships:
Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.
7. Show, Don't Tell:
Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.
8. Create Internal Conflict:
Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.
9. Use Character Arcs:
Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.
10. Seek Inspiration:
Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.
11. Write Dialogue and Inner Monologues:
Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.
12. Consider the Setting:
The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.
13. Revise and Refine:
Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.
Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.
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winterscrows · 6 months
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Writing a romance scene between friends-turned-lovers
1. Build Tension and Chemistry:
Start by creating a strong foundation of emotional connection and chemistry between the characters. Show the reader why these friends are perfect for each other.
2. Use Inner Monologue:
Reveal the characters' inner thoughts and feelings. Allow readers to see their internal struggle and realization that their friendship has transformed into something more.
3. Subtle Gestures and Glances:
Describe subtle physical cues such as lingering touches, longing glances, or an accidental brush of hands. These small actions can speak volumes about the characters' growing attraction.
4. Dialogue:
Develop natural and engaging dialogue that reflects the characters' personalities. Use humor, vulnerability, and sincerity in their conversations to convey the depth of their emotions.
5. Setting and Mood:
Choose an appropriate setting that complements the romantic mood. Consider factors like lighting, ambiance, and the time of day to enhance the atmosphere.
6. Build Anticipation:
Slowly escalate the tension and anticipation as the characters become aware of their changing feelings. Tease the readers by delaying the moment of confession or physical intimacy.
7. Show Vulnerability:
Let your characters open up to each other, sharing their fears and insecurities. Vulnerability can be a powerful tool in a romance scene, making the characters relatable and endearing.
8. Physical Descriptions:
Provide sensory details when describing the characters' physical appearances. Highlight what makes each character attractive in the eyes of the other.
9. Create Realistic Obstacles:
Introduce obstacles or doubts that challenge the characters' path from friendship to romance. Overcoming these obstacles can make the relationship feel more genuine.
10. Build to the Climax:
Slowly build the scene to its climax, whether it's a passionate kiss, a confession of love, or another significant moment. Make it emotionally charged and meaningful.
11. Emotional Impact:
Ensure that the scene evokes a strong emotional response from the readers. Let them feel the characters' joy, relief, and excitement as the friendship evolves into romance.
12. Aftermath:
Show the aftermath of the romantic scene. How do the characters feel afterward? What changes in their relationship? What are their hopes and fears for the future?
13. Consistency:
Maintain consistency with the characters' personalities and the development of their relationship. Ensure that their actions and words align with their established traits and the progression of their bond.
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winterscrows · 6 months
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Some tips for using a few words to describe voices:
1. Tone Words: Use tone words to convey the emotional quality of a voice. For example, you can describe a voice as "melodic," "soothing," "sharp," "gentle," or "commanding" to give readers a sense of the tone.
2. Pitch and Range: Mention the pitch and range of the voice. Is it "deep," "high-pitched," "raspy," or "full-bodied"? This can provide insight into the character's age, gender, or emotional state.
3. Accent and Diction: Describe the character's accent or diction briefly to give a sense of their background or cultural influences. For instance, "British-accented," "Southern drawl," or "formal."
4. Volume: Mention the volume of the voice, whether it's "whispering," "booming," "murmuring," or "hushed."
5. Quality: Use terms like "velvet," "silken," "gravelly," "honeyed," or "crisp" to convey the texture or quality of the voice.
6. Rate of Speech: Describe how fast or slow the character speaks, using words like "rapid," "slurred," "measured," or "rambling."
7. Mood or Emotion: Indicate the mood or emotion carried by the voice. For example, a "quivering" voice may convey fear or anxiety, while a "warm" voice may express comfort and reassurance.
8. Resonance: Describe the resonance of the voice, such as "echoing," "nasal," "booming," or "tinny."
9. Timbre: Mention the timbre of the voice, using words like "rich," "thin," "clear," or "smoky."
10. Cadence: Highlight the rhythm or cadence of speech with descriptors like "staccato," "lilting," "rhythmic," or "halting."
11. Intonation: Convey the character's intonation by saying their voice is "sarcastic," "apologetic," "confident," or "questioning."
12. Vocal Characteristics: If applicable, mention unique vocal characteristics, like a "lisp," "stutter," "drawl," or "accented 'r'."
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winterscrows · 6 months
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List of “when your partner is a romantically constipated idiot (please forgive them, they just don’t know how to express their affections properly)” prompts
“I hate you,” Character A murmurs, playfully slapping Character B on the arm. “It’s your fault I’m like this right now.” 
“I love you.” “…Are you drunk?” 
“I miss you so much, and I really miss cuddling with you.” “Hm… You know, I’m starting to think cuddles are a necessity for you.” 
Calling their partner “My guy” or “My dude” or “Brother” or “Mate” or “Buddy” or “Asshole” romantically while calling them “Sweetie/sweetheart” or “my love” sarcastically. (So I genuinely think I might have problems welkfnewklfn) 
“You’re so cute.” “…You keep saying that. I am not cute. You’re the only one who thinks I’m cute. You’re weird for that.” 
Telling their friends and the internet and anyone who would listen that they like their partner so much… Everyone except their partner. 
Not knowing how to respond when their partner is being affectionate with them, or when they call them cute nicknames/pet names.
“I will puke if I start calling you pet names. Doesn’t mean I don’t love you, though.” 
“You staring at me like that makes me want to wither away and die.” “What? Why?” “Because it makes me super fucking nervous!” 
“I really like you.” “…Um. Cool. Thanks?”
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winterscrows · 6 months
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neither “that’s not canon” nor “fuck canon we made this all up” but a secret third thing (canon shouldn’t be taken as gospel but is useful as a reference point for building upon and recontextualizing characters and details. if you worship the source material as unchangeable then fandom in general probably isn’t for you. if you have complete disdain for the source material you would probably enjoy yourself more in a different fandom)
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winterscrows · 6 months
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List of “a forbidden romance between the good and the bad” prompts
Requested by: Anonymous Request: “Hello!! I absolutely ADORE your blog and what you do!! It's helped so much with writing and helped me get back into it :D I was hoping, if it wasn't much trouble- if i could request some prompts based around forbidden romance? One from a world of good and the other from a world of bad- forbidden to be together type vibe.”
“We just can’t—” “But why can’t we?!” “You know exactly why we can’t. You and I… We’re different. We don’t… We’re not meant to be together.”
“As much as it pains me to say this, I don’t think I can ever... I can’t be with you.”
“You kill people for a living. And I’m someone who heals people for a living. Do you really think we can convince the public we’re not fucking lunatics for thinking this is going to work out between us?
“This line was never meant to be crossed.” “Well, we’ve crossed it. Now what?” “We don’t let anyone know we’ve crossed it, if we don’t want to lose each other.” 
“But how long do we have to keep this a secret for?”
“I don’t know if I can act like I don’t know who the fuck you are in public when you do all of these things to me when we’re behind closed doors.” 
“Our families would disown us—“ “Then so be it.”
“You know I’m all in if you are.” 
“The world would go into chaos if we don’t keep this on the down low.”
“…This is going to get tiring for you one day, and you’re going to leave me. No one wants to be kept a secret.” “I wish you had more faith in me… In us.”
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winterscrows · 6 months
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I love the phrase "they get along like a house on fire". It's perfect. You and me have perfect chemistry and it's setting off the carbon monoxide detectors. People are calling emergency services to get us to stop being so chummy. Someone died
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winterscrows · 6 months
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the rule of fandoms is that if someone has a character in their url or bio they either understand that character well enough to give a 3 hour unscripted lecture on the subject OR they're really obsessed with their version of that character thats an entirely different made up guy. and theres literally never an in between
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winterscrows · 6 months
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Genuinely one of the best things in fiction is letting a character have a real ugly cry. Get out of here with that ‘single silent tear’ bullshit, you cowards. I want the catharsis of an actual emotional breakdown! Make it noisy, make it wet and snotty and gross! Make it ugly and unfiltered and raw!
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winterscrows · 6 months
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Obsessed with characters who portray themselves as worse than they are. Who are lying to everyone including themselves about it. People generally assume if someone's lying about themselves they're trying to look better but sometimes they're trying to look worse. They attribute agency to where they had none, add intend to accidents, try to convince everyone that this is something they did instead of something that happened to them.
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winterscrows · 6 months
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im not a grelle sutcliff apologist because she has nothing to apologise for
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winterscrows · 9 months
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And I saw, and behold a white horse: and he that sat on him had a bow
And there went out another horse that was red: and power was given to him
And I beheld, a black horse; and he that sat on him had a pair of balances in his hand.
And I looked, and behold a pale horse: and his name that sat upon him was Death, and Hell followed with him
@thebandghostofficial
Based on this post because that was a wonderful idea I couldn't not draw it
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winterscrows · 9 months
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Ok but there's something about how Gabriel and Beelzebub are fully ok with leaving heaven and hell. They were at the top, really powerful and influential but the second they got a taste of what it's like to not be in the system of heaven and hell they left. But not just that, to add on Crowley is alluded to have been or worked with higher ups because of his security clearance to open Gabriel's file and he's also disillusioned with the heaven and hell system. BUT on the other hand Aziraphale isn't a high up (or like not Prince/Archangel high) and he still believes in the system so he's not ok with falling. I'm calling it now,not if WHEN we get s3 it's gonna have Aziraphale becoming disillusioned with heaven because he spent so much time in the grey. So maybe he'll fall and take the system down with him.
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winterscrows · 9 months
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100 posts!
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winterscrows · 9 months
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Send me asks pls! I’d love to answer questions, take requests and whatever else. :)
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winterscrows · 9 months
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Jesper: Hey Kaz, would you stab Inej in the leg for 10 million kruge?
Inej: You stab me, and then when my leg gets better, we buy a big-ass house.
Kaz: You can stab me too, then we'll have 20 million.
Inej: Good thinking.
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