so one thing i rly like abt mob psycho (shocker !) is that the Incident between the kageyama brothers is kept entirely contained. like, most other shows—at least ones that i've watched—feature long monologues of characters traumadumping to other characters, sometimes in the middle of fights, and while that Does happen a lot in mob psycho, the kageyama bros never do this abt The Incident, and i think that's a fascinating choice bc The Incident is the entire reason why the show starts in the first place. it's the reason mob meets reigen at all, it's the reason mob doesn't fight back against teru, it's the reason ritsu goes through his character arc. it is arguably the Most Important Story Beat and the show has countless opportunities to let the characters spill their guts on screen for drama, and yet neither of the brothers let this spill. neither of them talk about it, except with each other
there's been numerous times i've watched shows where people suddenly traumadump and tell their life story unprompted when truly not a single soul asked, but with mob psycho, both the bros are Constantly berated with questions on Why they do these things; Why are you so off-putting and quiet, Why do you not use your powers, Why won't you fight back, Why do you want psychic powers so badly, Why are you ruining these students' lives now that you have them, Why are you helping me defeat my evil dad . all of these questions eventually loop back around to The Incident, and yet neither of them ever let it slip. neither of them Ever share, and the only time they come anywhere close to it is in the wd arc
it is the event that Shaped Who They Grew Into, and yet it is not known by the main cast at all. teru has no idea, even reigen doesn't seem to understand the full extent of it, even though The Incident is what caused mob to come to his office. their parents prolly don't even know
idk, i just think that's a good detail. the brothers both hold the weight of their troubles close to their chests. and even though that makes it seem as though they figure it out on their own, it couldn't be further from the truth
their own experiences with the people around them allowed them to grow and make mistakes and learn from them, all without sharing their deepest secret, and then both took those new experiences and lessons and applied it to this issue, and learned Again
meanwhile, the rest of the cast is largely clueless abt this Entire issue. it's Crazy to me that most of the cast has no idea what the main issue is, and i think it's a brilliant choice. these characters helped the kageyama bros without ever meaning to or knowing about it, no matter how big or small the role. you truly never know what somebody else is going through !
and even in the end, it's not like there's a big reveal that tells every character the kageyama brothers' Tragic Backstory. nobody fucking knows, still. like Yeah they should totally talk this out and go to therapy or smth but i just like the fact that the story doesn't treat it as some dramatic fanfare for Other Character's Shock Value and doesn't let them air their troubles to the ends of the earth. i appreciate that
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So I watched the Garouden anime. And I have thoughts.
(TL;DR I liked it but have some gripes)
I watch/read martial arts series like Garouden not for the plot but for the beefy men beating on each other so I do not care that the plot of the anime is... sorta not there and goofy as hell. The fights are animated beautifully and are nice and brutal and that's what I'm here for. Yeah the animation was sometimes janky in the non-fighting scenes and there was some funny CGI in the background but again, the fights were good so I was happy. Yay men punching each other in the face.
Also I feel like if someone watched the anime without reading the books or Itagaki manga adaption they would have no idea what's happening and who any the characters are, like for example Tanba's little twink friend shows up halfway through the anime with no intro and it's never explained who he is and I think that's pretty funny.
But. My one actual problem.
From the trailer it was obvious the story was gonna focus on Fujimaki and tell a different story from the manga, which is fine, I actually like him better as a character now after watching the anime, I was pretty meh on him in the manga. But. Then Tanba is also a character. And then they name drop Tsutsumi in the first ep. And then they mention the Tanba vs. Tsutsumi fight. And speedrun like half the manga in like two eps.
SO HOW CAN YOU NAMEDROP TSUTSUMI THREE TIMES AND SET UP HIS AND TANBA'S FIGHT AND THEN LITERALLY NOT SHOW THE BEST FIGHT FROM THE MANGA LIKE HOW CAN YOU DO THIS TO ME PLS GIVE ME THE BIG-TIDDY-SHORT-KING VS UNEMPLOYED-HORNY-FOR-FIGHTING-MAN FIGHT I'M BEGGING YOU
So anyways, pretty salty my man Tsutsumi didn't get to fight in the anime. Other than that, I enjoyed it. Would love a season two.
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Things that went through my head while watching this episode:
--"it's so nice to be able to get wrapped up in this and know about I'm about to get new content" was certainly something that went through my head by the end of the episode, but I was also reminded of how it felt a little too drawn out and over saccharine, and how the extra long length of this episode did not feel it served it fully well. I've come to be more forgiving of the excess happy fluff at the end of this season, and I will defend it as follows, but I still would have preferred they reign it in a little so we don't forget about how hard-won that battle was with how chipper and energetic everyone is.
--But you know what? They deserve it. They are functioning on the rush of relief, and it took a while for them all to gather down there on the grass. Like, it's kind of sweet that the people who first got to celebrate this victory with the Kamado siblings were a trio of swordsmiths who would have felt awful if Nezuko had to die on their accord. These weren't even swordsmiths whom Tanjiro hung out with much, but their lives were just as worthy.
--It was nice to see the group celebration expanded on a bit, but I think what got me feeling like it was overdone was seeing Mitsuri be overwhelmed with gratitude specifically on Nezuko's behalf too, since she was the one not to witness the peril Nezuko was in. I feel it was enough to have have Mitsuri be relieved on everyone's behalf, and to have her be shocked that Nezuko is there in sunlight, which is cute and funny. No need to quite rehash what Tanjiro has just momentously been through. And this is coming from some who really, really loves Mitsuri & Nezuko interaction. It would have been totally in-character to have left Mitsuri blissfully unaware of how awful Nezuko's experience was unless someone point-blank tells her that Nezuko almost didn't make it. Then the extra gratitude specifically for Nezuko would feel earned.
--And my gosh, Ufotable, you sure sold Nezuko's pain. I am still so impressed.
--I also initially did not like just how playful it is to have Nezuko and Tanjiro running away from Haganezuka, because it takes me out of how much peril they were just in. But hey, if there are two characters who are totally fine, it is Nezuko (the being the point that she is way more than fine) and Haganezuka (who will always have energy for enacting sword justice).
--But hey, besides that? Sure, it's pleasant to see them be so happily relieved. This isn't even "we defeated two Upper Moons" triumph, it's just "we're alive, Nezuko is in the sun, Muichiro remembers things, we're alive, we're alive, we're alive." Like, a littttle bit more "WHOA, THOSE WERE UPPER MOONS" like after defeating Gyutaro & Daki would have been nice.
--And like........ that whole final scene... it has its very cute points, just getting to see the swordsmiths interact more since this was their season to have some well-deserved spotlight, both for the work they do and as characters. But it played that "everyone loves Kamado Tanjiro (but he never takes the credit)" note a little too loud. Some things play more nicely with subtlety, but hey, Ufotable wanted to go out with a triumphant statement. I want to be forgiving of that, but... those villagers were busy trying to hurry out of that village. : / And I really hope that Genya, Muichiro, and Mitsuri got the same treatment, but I doubt anybody went collecting confetti each time.
--So anyway, setting those grievances aside!!
--MUZAN MONOLOGUE. Like, it was good, but it always give me flashbacks to Nomura Mansai's Muzan monologue in the Noh rendition, which was chilling. Still, this anime version was great, and I love me all those extra touches they expanded his Heian life with. Muzan isn't all that complicated of a villain. He was always spiteful human who wanted to take out his frustration by destroying other people. Then he got power, but spending half of his time on the brink of death for a thousand years is like being spit in the face. Sure, you're powerful, buddy, until somebody opens a window. And I like that Muzan is uncomplicated. It's his utter disregard for others that made him a villain in the first place, and he has never and will never change.
--And that is why one of my favorite Muzan moments ever is how he doesn't even both to pick his feet up or step around the two corpses on the floor as he exits the room. Other people really are nothing but furniture to him, and that little action--or lack of action, rather-- speaks so loudly about his character.
--Imagine how different the rest of the series would have been if Hantengu's head didn't spin in Nezuko's direction?
--Nezuko's victory over the sun deserves how much it got milked, because in the context of the series, she had in fact made the greatest achievement of any character in this series. Sure, Tanjiro has just killed Upper Moon Four, but it only took the Corp a little over a hundred years to accomplish killing an Upper Moon. Nezuko, within three years of being turned into a demon, has accomplished what Muzan has failed to do for over a thousand years. What's more, this is entirely through Nezuko's own power; there was no one who could have helped her accomplish this. Tamayo could only observe with wonder.
--Truly, Nezuko has "prioritized" this over, say, reattaining her sense of self. I see Nezuko's demon development as being a bit infantile. When she was first "born," so to speak, she was not aware of herself as an individual being, only that she hungered, and that she had just undergone some terrible loss, and that Tanjiro was all she had left. After a little sleep it got easily to process that Tanjiro was someone who she understood, and even as she started to gain some sense of self, it revolved around Tanjiro and his welfare. Listening to Urokodaki and Tanjiro as she slept, and perhaps seeing memories of her family as she dreamed probably put together something more basic, but she probably did not remember anything more than her family's faces and how deeply she cares about them. I think little by little as she started gaining more of an awareness of others as individuals and appreciating that there is more in the world she enjoys than just her brother's wellbeing, she probably gained more and more of an understanding of being someone named Nezuko and having a mission to fight demons with everyone else she has come to care about, and with, a high level of ability to understand language, but because she had the muzzle this whole time, she had no need to try to use words herself, so she didn't prioritize this either.
--I bring that all up just to say that she might have (without words) been thinking, "oh, I know what this is called. This is 'morning.' People are supposed to say something, what it is? Oh, right! Gu--gOoD mOrnNinG~"
--And then it's like, "OH, I CAN COMMUNICATE!!! THIS IS FUN!!!!! NEW POWER!!!"
--So proud of you, Nezuko
--I like that Ufotable stressed her daytime eyes still looking very inhuman. It stresses how something is still very off about her existence. Nobody is used to seeing a daytime demon. (I prefer her nighttime eyes, though.)
--But also that is such Kimetsu Logic to do a thing and then explain the thing without spoiling it. Thank you for your letter, Tamayo-san.
--Now, Tanjiro, though. You know that he's making it harder and harder to uphold Corp rules about what makes a Pillar. Haha, no, Tanjiro is no Pillar! He only cut the heads off those Twelve Moon demons because he had Pillars helping him! Haha, somehow he is still the same rank as Zenitsu and Inosuke after chopping the head off Upper Moon Four! (Zenitsu and Inosuke, what the fresh hell have you two been up to in order to match rank with Tanjiro???)
--But also, it is wicked cool how Tanjiro is just turns the Mark on now like a lightswitch, and that Ufotable switches up in the animation in a way that shows he's going at full throttle. (Meanwhile, our Marked Pillar friends looked just a little more blithe than their usual blithe selves.)
--I find it totally legit that he could suddenly use Thunder Breath, since Sun Breath is the source of all of them, so the concepts would be the same anyway.
--Those last hits Tanjiro gets in on Hantengu too, very cool. I love how many tries it takes to get that hit, too! Hantengu is full of surprises and I have come to appreciate him a lot more over the course of this rewatch. If I ever, say, get a skiddish hamster, maybe I'll name it Hante or something.
--Love the sound design on the mountain setting, especially when Muichiro calls out to Tanjiro from up on the cliff. That sounded SO GOOD in the theater.
--Also, just, a huge shout out to all of Ufotable's construction of settings. Really, really, wonderful.
--And the sounds on SUCH A REALISTIC PANIC ATTACK, and movements, right now to how Tanjiro's fingers shake. Man, way to stress me out. I sort of what to speed it all up to see how quick this all went down as Tanjiro was panicking, but the only parts that were really slowed down were watching Hantengu run. It was all so painfully slow and was all happening too fast. What an awful moment.
--and I can't wait for Tanjiro to reflect back on that when talking with Himejima
--This episode was Nezuko's biggest triumph, but at least for a few moments, it was also Tanjiro's biggest loss.
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