NEW BABYGIRL ALERT! (it's the wolverine! Logan!)
okay so I watched the x-men movies cuz of a cunty edit of Logan on tiktok and he looked so babygirl and silly so I was like; "Yeah, I think I'm gonna watch ALL of them cuz I've got to know more abt who this beautiful creature is."
I mean, I already knew who the wolverine was, but I didn't know shit abt his personality. so it was such a pleasant surprise to find out he's literally just a fucking cat-boy.
HE HAS CLAWS
HE SNIFFS THE AIR AND HISSES WHEN HE'S FIGHTING.
When he does his hair in the morning, he gives himself little- little ears- 😭☝️
I AM SOBBING WHY IS HE SO CUTE
AND HE'S WEIRD AND FUNNY AND DUMB HELLO?!?!?!??
I AM SCREAMING.
Why didn't anybody tell me he's so fun and cute? I'm convinced he'd enjoy sexy girly songs, esp from the early 2000s. He's a bad bitch, respectfully.
To me, he'd enjoy 'girly' things and would just casually mention whatever he likes and people would just stare at him, and he'd be like, "What? You don't?"
He literally could wear anything and no one could tell him shit cuz he's gonna rip their throat out 💞
My evidence is him wearing a tight tank top and jeans with a leather jacket like, 24/7??? And he just casually shows off his tiny weeny little slutty waist and strong thighs???? who the fuck does he think he is??
A bad bitch, your honour ☝️
He's very much y2k, girly pop, cunty and bold, feral and fucking beautiful.
HE WOULD WEAR CROPPED T-SHIRTS WITH JEANS I JUST KNOW IT, THE MOVIE MAKERS HAVE FAILED ME. I'M SO MAD.
I know he's literally a masculinity symbol for many men and boys. especially his physique, and they want to look like him. but I know the truth! I have been graced with a vision, and Logan is one of the girls, he's invited to the sleep over and to brunch <3
He loves women and loves what women love and I love him as well.
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So, your Clear Sky post is absolutely horrifying, but it was very needed, so thank you. What are your general thoughts on tackling his abuse for the AU? Like you've said, pretending he's a good guy is not the way to go, but are you planning on toning down *some* of the situations, just to give some of the cats a break? Clear Sky is a very realistic depiction of abusers, but that seems to come across even without victim number 25, yknow? I'm very curious about how you'd like to go about this.
My most recent big change was bringing Slash back into the fold, because I realized that it was actually a disservice to not address where DOTC's themes dip into Colonialism. It's a hard topic, and I'm still trying to work out the details, but I realized it was important.
With how BB!DOTC is such a MASSIVE overhaul, to properly address abuse and the ways it impacts you, ableism and its violence, and xenophobia broadly, a huge reworking of Slash belonged here too. He's one of the greatest examples of how badly WC demonizes non-Clanborn cats. I shouldn't dance around it.
That's what I need to do with Skystar.
MANY of his victims have happier endings than canon, though. Bumble is one of the most famous, bumped up into a major character and directly responsible for the formation of ThunderClan. Bright Storm is taking most of Gray Wing's roles. Birch and Alder are getting examined, with either a father who wants his kids back or Milkweed as the mate of Misty.
A lot of people will die because of him, even more will be hurt, but I see BB!DOTC as a story about victims and survivors.
Others might grab POVs here and there, but as a response to canon which I feel is Clear Sky's story told in many parts, I center this rewrite around Thunder Storm. The path of kindness he marches down, with love and with anger, and the people he helps.
So BB!Star Flower...
Previously I was playing her as ENTIRELY just manipulating Clear Sky. She was loyal to One Eye and trying to get at Skystar to bleed him dry for 8 lives to sacrifice; but connected to Thunderstar over recognizing him as a victim who deserves her idea of justice. So, she offers Thunderstar the final kill, so her father will be grateful to him and he'll get power AND the death of his abuser.
(When Thunderstar looks upon Skystar, pathetic and neutralized down to one life, he thinks about the collateral damage that will descend upon the forest if he accepts the deal. He decides that he has found the line between Justice and Justification. Of course he wants the power to make his enemies cower, protect his people, and eliminate Clear Sky so he never threatens them again; that's not the problem.
He can still do these things. He wouldn't NEED the power of a war god to do so.
But if One Eye returns, he will be endlessly hungry, ruthlessly dedicated to revenge, and set out to devour the whole forest. Everything would get worse, and even more people he loves would die. It's where his desire to destroy a monster would lead to him BECOMING one.)
Even on its face, it was previously missing an element. There's a step between "Starf decides to bring One Eye back" and "Starf offers Thunderstar the final kill" that was bare. This is the piece that was missing-- That she, herself, is trying to reach out to the only person who's ever really understood her.
But more importantly... I do feel this topic belongs here, in BB!DOTC. Abuse is a MAJOR theme. SKYSTAR is a monster already. He's harmed two wives in BB (Bright Storm and Falling Cry) and played toxic games with all three kits (Thunder Storm, Pale Sky, Tiger Sky).
And I'd avoid Star Flower being abused... why? Because it's uncomfortable to confront the pattern that Clear Sky displays? That in-canon, he tries to cut all his victims into the same ideal shape, from Storm to Thunder to Star Flower? ...it should be uncomfortable. Everything that I described in Clear Sky Is A Monster is rooted in the same desire for control, power, and punishment most abusive people share, he just happens to be a severe example.
Yes. That includes how he treats his child and romantic partners. The parallels that are drawn between Starf and Thunder are there because he wants power in the form of obedience. Starf replaces the son as a narrative award for his "growth" of not killing random people anymore for a while.
A cookie cutter is an effective tool because IT ONLY MAKES ONE SHAPE.
You know what's more uncomfortable? Reading canon!DOTC and seeing someone who hurt you reflected almost perfectly in the character the writers think did nothing wrong. Because of "good intentions" that were not there.
I will say though, just to be clear; I don't see a purpose in being more than PG-13 about serious topics for this project. I promise none of my intentions have changed. Nothing will be more graphic or gorey than canon WC-- just more intentional.
I'm keeping the sacrifice because it's dope. No one is taking this from me. Girl Moment: Killed her awful husband 8 times to count as 8 sacrifices and offered the last life to her buddy as a show of good will. How else do you make friends outside of high school
But I know now that Star Flower NEEDS to keep the canon fact she has very little agency, UNTIL that moment she snaps.
She's sacrificing one abuser to try and bring back a bigger, badder one, because in spite of everything, her father One Eye always made her feel safe. Even though he promised her off to Skystar, and expected her to be willing to die for him. She's followed every command, every order, past the death of his mortal vessel.
The first, and only, selfish choice she's ever made was in reaching out to Thunderstar to offer him the power of her father.
Thunderstar's Justice is a story about a Thunder Storm at the pinnacle of his arc, how the survivors of his Clan are settling into the new normal after the carnage of The First Battle, how Skystar's arrogance brings a violent god to the Forest... and the connection Thunderstar makes with the daughter of a monster.
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𝗚𝗮𝗹𝗲, 𝗶𝗻 𝗮𝗻 𝘂𝗻𝗱𝗲𝗻𝗶𝗮𝗯𝗹𝘆 𝗶𝗺𝗽𝗿𝗲𝘀𝘀𝗶𝘃𝗲 𝗽𝗮𝗰𝗲, 𝗯𝗲𝗴𝗶𝗻𝘀 𝘁𝗼 𝗲𝘅𝗽𝗿𝗲𝘀𝘀 𝗮 𝗺𝗮𝘀𝘁𝗲𝗿𝘆 𝗶𝗻 𝘁𝗵𝗲 𝗪𝗲𝗮𝘃𝗲 𝘁𝗵𝗮𝘁 𝗱𝗲𝗳𝗶𝗲𝘀 𝗵𝗶𝘀 𝗮𝗴𝗲. After ridding himself of the orb at last, in fact, the wizard becomes a force that's once more unstoppable. He can cast spells without a word, capable of summoning infernos with a wave, and the ease in which he harnesses storms is frightening, but only as frightening as it is an art. Of course, Gale, however, had proved long ago his more prodigious talent. Still, to see him in action beats just listening to this talk. Gale is powerful, relearning all that he'd lost with alarming speed, and that's all a testament to his blinding brilliance--and, of course, his ingrained ambition. With the orb, the wizard had to limit all manner of casting. He had to sate his hunger, was forced to draw back as to not tempt fate, and with the orb in place snuffing his most powerful spells, was something of a tempest in a thick glass cage. However, with the orb finally gone, those limits have at last been lifted. He had became a level 12 wizard with a hell of a handicap, and with that handicap absent beyond its lingering scar, it's like all his previous mastery finally returned--and with force, mind you, like a strike of lightning. In a way, one could compare him to a runner stripped of their weights. He'd learned unparalleled control with an arcane bomb strapped, but now no longer fearing his imminent explosion, is free, as goes the metaphor, to cast a god damned marathon. And Gale is learned. Rather, he's disgustingly learned. He knows all schools of magic, is qualified to teach every field in Blackstaff, and he doesn't serve his city or own his own floating realm, but he'll once again become archwizard in those ways that matter--in his ability to cast and his hellish ferocity. Maybe he won't become as great as he had been with Mystra, but as a former chosen, it's a helluvan accomplishment. In time, Gale Dekarios becomes Gale, professor at Blackstaff, but as a testament to his ability, the city again warms to the idea of Gale of Waterdeep--because she's really only one Gale one could possibly need.
Of course, he doesn't advocate for the title... But it still delights him.
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