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#wills confession
atreehugginghippie · 2 years
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no, wills confession does not, in fact, also apply to el.
okay so ive seen people try and say that wills speech in the van can still be applied to el- that thats why will was able to even say all of it. and that annoys me so im here to explain how the speech doesnt apply to el at all like every other byler on tumblr !
1. "Because, I mean, without heart {mike}, we'd all fall apart. Even El. Especially El. These past few months, she's been so lost without you."
okay.. so i dont know how to explain this but el is going through a crisis bc she doesnt know who she is. she needs stability, encouragement, love, family and friends. she thinks shes lost her dad, moved from the ONLY place shes ever had anyone, is relentlessly bullied, etc. she doesnt know whats missing because shes never been allowed to figure herself out (from the lab, to hiding, etc). she doesnt know what she wants because shes never been allowed to think about it. she wants mike bc mike is 'easy'. familiar. a reminder. will however- as young as he is- has never seemed to not know himself. hes always seemed to know who he is- even if he hates doesnt like some aspects. and he knows mike, more than anyone probably. will knows whats missing from his life- friends, acceptance- and he knows what would ease it- mike, soft words, reassurance. he wants mike because mike is, well, mike.
2. " It's just, she's so different from other people, and... ( haltingly ) ...when you're... when you're different, sometimes... ( sighs ) ...you feel like a mistake."
agreed. this applies to both el and will. byers twins twinning. cool, moving on to the bigger part of this chunk-
"But you make her feel like she's not a mistake at all. Like she's better for being different"
it always confuses me when people say this speech can also be applied to el but especially because of this part. because just a few eps into the season she was questioning whether or not he sees her as a monster. she was worried he saw her as a monster like everyone else. and the whole 'what did you do? what did you do?' right after the angela hit. and the 'she didnt look fine' at the table. making her feel guilt and shame instead of trying to help and understand. its been like this since season one, really. the 'what did you do' is even, in my opinion, paralleled when el threw lucas in the first season. and the fight he had with her when wills body was found, making her feel guilt. as if it was her fault. it probably feels, to her, that its always her fault when her trauma gets too much or she cant control her powers. so yeah the speech doesnt fit. does it ?
2.5. so this is a continuation of the last quote so reread that and come back.
"And that gives her the courage to fight on."
the vines vecna was choking her with tightened when mike was telling her he loved her. that she was a superhero. that his life started the day he met her. why is that ? i thought he was supposed to give her courage in being different? and why is it that every time she finds her strength its because her loved ones are in danger or hurting. or- and this is super important- it's because she is finding herself. it's bc she had a moment where she accepts herself. it doesnt have anything to do with mike- or anyone else. and her courage, and im not even talking powers here, comes the same way.
3. " If she was mean to you or she seemed like she was pushing you away, it's because she's scared of losing you, like you're scared of losing her. And if she was going to lose you, I... I think she'd rather just get it over with quick. Like ripping off a Band-Aid."
el really wasnt 'mean' to mike. far from it. the only 'blow up' she had at him in season three was a breakup that was framed as a joke and mild eyerolls and comments that were soon forgotten. and in season four the only time she was 'mean' (honest) was the "from mike" scene...
and she was never pushing mike away. he kept her at arms length. she wrote to him constantly, made sure he felt welcomed when visiting, etc. and she didnt lie to keep him distanced, she lied because she thought it would keep everyone happy.
will though, wills been more 'snappish' at mike. less tolerant of his bullshit. will didnt reach out when he couldve. hes terrified that mike will cut him off eventually (esp for his 'secret') and so to save that heartbreak- he thinks of doing it first. but.. he cant. it hurts just as much anyway.
yes, el and mike are scared to lose eachother. theyre scared to lose all their friends. however how this is worded means something different. and its not the way mike and el are scared of losing eachother. el and mike leave fights unresolved. will and mike never want to. why is that ?
4. "So, yeah, El needs you, Mike. And she always will."
then why does el always seem happier when theyre not romantically together ?
el can get on without him as a boyfriend after awhile. she, at the end of the day doesnt need him like that.
everytime will and mike fight its framed as if its just as important as the end of the world. why is that ?
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glitterandhelium · 2 years
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he’s breaking mike’s brain lmao
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shima-draws · 3 months
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THAT right there, ladies and gentlemen, is a LOVE CONFESSION
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bethanydelleman · 10 months
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Benedick: I love you
Beatrice: Okay, will you kill your friend for me?
Benedick: Um.... but he's like, my friend... can we talk about this?
Beatrice: Then your love is worth literally nothing. Move along.
Benedick: FINE
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angelsdean · 5 months
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I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.
So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?
Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.
Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.
Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.
So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)
And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."
So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)
And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."
But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.
Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)
So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.
Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.
Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.
Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.
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pholiabanna · 10 months
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One thing I'll never understand is why Mike's monologue was marketed and the "big and beautiful love confession of season 4" when Wills monologue is right there.
Because idk, if I had to choose between an aesthetically ugly shooted "I love you because you have powers and a yellow t-shirt haha" and a cinematographically beautiful "I love you because you're you and you make me feel better for being different and you give me the courage to keep fighting even when things get tough"... idk I'd def consider the second one as The Love Confession of season 4
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"They fell first" "They fell harder" is so out of style tbh.
I want "They fell first AND they fell harder" X "They made a move so there could be a relationship in the first place instead of eternal angsty pining."
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pinkeoni · 11 months
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Mike has successful intentional rizz. If he wants to rizz someone he can do it if he really wants to (ie Will in the bedroom scene) but he does not have unintentional rizz. He has never rizzed without meaning to. People don’t come to Mike, he has to go to them.
Will, on the other hand, has untinentional rizz but not good intentional rizz. He was flustered as hell in that bedroom but he also has girls that he doesn’t even want flocking to him left and right. The rizz just eminates off of him but when he calls on it it doesn’t come.
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starrynyx · 6 months
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"he can't be a father figure and a love interest" just wait until i tell u about the ancient greeks
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kadextra · 10 months
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???????? Richas gave Bad a copy of the “Eu te amo <3” (I love you) book he got Bad to write, and said he’d use the original to give to ‘one of my dads’ and set up a date. Bad immediately assumed he’d give it to Forever (hello???) and was surprised to learn that Richas didn’t get a chance yet, but would when Forever returns
…then Bad said he’d give the book to Forever himself and beat Richas to it. now they have a competition going of who will give it first 😀?
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transkingcobra · 1 month
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I was curious and
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I’m sorry are we looking at the same man here?
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filmnoirsbian · 1 year
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I'll never forget this straight man who I was chatting with on the plane bc we lived in the same neighborhood and had similar interests and he asked me out and I let him down very kindly and let him know I'm a lesbian and he immediately was like oh that's chill wanna just hang out as friends sometime? Which doesn't happen a whole lot tbh because I am femme and almost never get "one of the lads" treatment from straight men so I was pleasantly surprised and agreed and then literally the first time we hung out alone together he said "I've had sex with lesbians" and tried to kiss me. Straight men dig their own graves.
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palabasa · 4 months
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read a fic with really good character writing for liujiu that blew my mind, but now it's made me sooooo picky with other fics i read 😭 i keep going "HE would NOT fucking say that!!!!!" over and over again whenever i read new works. torn btwn wanting good food but girl this ship is NOT big enough for me to be picky with
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Simon: *being treated with anything less than optimal love, happiness, care, kindness, adoration, protection*
Me: 🔪🔪🔪🔪🔪🔪🔪🔪🔪
@anonfromtheflight: 🪓🪓🪓🪓🪓🪓🪓🪓🪓
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People had every right to think will was guilty when he was framed, no doubt about it.
“I had to open you up to get a decent sound out of you”
Him bursting out of that one crime scene, covered in blood and having contaminated it.
He knocked out the brick in his own wall because he was hearing scratching inside that wasn’t there.
He was unnerving, he was a scary man. He said disturbing shit.
I don’t blame the characters for believing he was a killer.
.
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wutwutno1 · 10 hours
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Vizzy Nom
Based off of @stormtheskyelf2 's Lizzy headcanon story idea Idea origin: https://www.tumblr.com/stormtheskyelf2/747575904113393664/lizzy-headcanon-anon-btw-you-have-some?source=share Read tags before reading. You have been warned
“Damn purple thing.”
V flew through the bunker halls, looking for Lizzy. Her wings wired softly as the anti-grav engines hummed away, propelling her forward through the cold air.
V felt the cool air rushing past her, making the already naturally cold six inch tall drone feel even colder.
“I will so get her back for this. . .”
V continued with her flight, although she knew she’d have to stop before her engines got too cold to function.
V looked around at the looming pieces of furniture and massive doors rushed past as she flew past them. She found a suitable box to land on and circled back to it. Her peg feet landed on them with a soft click.
V’s wings retracted into her back. V shuddered, feeling the cold metal enter her barely-warm-enough-to-function body. One of the many downsides of being tiny.
V sat on the box and huddled up to herself. V looked around. This hall was full of lockers and posters relating to school and education. V saw a few posters for the prom that was more than a month ago. V scoffed and rolled her eyes.
“Ugh. They still have those up? These are some lazy worker drones. At least I’m at the school. Lizzy’s class should be ending in a few minutes. I just gotta wait and pray she comes through here.”
As if on cue, the school bell rang, and students began filing out of the classrooms. V watched as each student passed, waiting for her friend to walk past.
V saw Lizzy’s blond hair among the crowd of semi-mindless worker drones. V checked her core temperature, and upon deciding it was safe for her to make the short flight, unfurled her wings and took off. She flew up into the air and began to glide down to Lizzy, targeting her head.
Lizzy felt a something small splat on the back of her head and latch on. Instinctively, she grabbed it. Whatever it was, it felt like an action figure had clung to the back of her head. Lizzy felt it cling to her hand as she brought it to her face to inspect.
V landed in Lizzy’s hair and latched on. She clung to Lizzy's hair, relishing the slight warmth it offered, until someone yanked her away once more. V squeaked reflexively and clung to the hand that tore her away. It was warm. It was nice.
“V?! What are you wearing?!” Lizzy shrieked before changing to a more calm and smug tone, “Also, what happened to you?”
V looked at her outfit. She had ditched her crop-top jacket for an actual winter coat and snow pants since her body could barely keep up with the cold and keep her warm enough to function. V sighed and looked up at Lizzy.
“Old one was too cold. I will literally die wearing anything else.”
V let go of Lizzy’s fingers, not wanting to ruin her image in front of Lizzy.
“As for what happened, Uzi was using her freak powers and shrunk me. She says it was an ‘accident,’ but I think it was on purpose.
Lizzy laughed. Her grip on V loosened until V was just sitting on her flat palm.
“Are you still going to the sleepover?”
“Yes. I wouldn’t be here if I wasn’t.”
“Well, does my tiny little killer need a lift?”
V blushed slightly at Lizzy calling her her little killer, but it quickly went away.
“I will rip your voice box out of your throat once I’m big again, but yes. I do need a lift.”
“Ha!”
Lizzy and V knew V’s threat wasn’t genuine. V has never followed through with a threat to Lizzy, but it didn’t matter. Lizzy lifted V and placed her on her shoulder. V gladly sat down and leaned on Lizzy’s neck, blushing lightly as she did so.
“What are you doing?”
“Shut up. I need the warmth. I will literally die without it. This doesn’t mean anything. Shut up.”
Lizzy just chuckled and began walking to her living quarters. . . .
Lizzy arrived and opened the door. Only one other girl arrived and was already sitting on Lizzy’s couch.
Rebecca lazed on Lizzy’s couch waiting for Lizzy to arrive. Once Lizzy did she slowly stood up.
“Took ya long enough.”
“Shut up. Where is everyone else?”
Rebecca shrugged.
“Jess is dead, Becky has a virus, and Diane had better things to do.”
“Damn. So just us three, huh?”
“Three?”
“Oh yeah.”
Lizzy grabbed V off her shoulder and held her in her cupped hands.
“V’s here, even though she’s so tiny.”
V grumbled and crossed her arms while sitting in Lizzy's cupped hands, giving the impression that she was annoyed to be there. Rebecca looked between Lizzy and V. She knew they had a crush on each other, but were unwilling to show it. Rebecca grinned, already formulating plans to get them to confess.
“Alright then. Let's get this party started!”
The girls then went to Lizzy’s room. They started with a few games and a movie. After a few hours, they began to play Truth or Dare. Rebecca knew this was her chance. She just had to set them up perfectly.
Rebecca already had a plan. She had recently learned of vore, and she was going to dare Lizzy to vore v, knowing she wouldn’t do it. Lizzy would then have to confess her feelings for V to explain why she wasn't taking the dare. It was foolproof!
“Okay, that was pretty stupid V. Now then, Lizzy. Truth or dare?”
“Dare,” Lizzy said, smugly.
Rebecca grinned. Now was her chance.
“I dare you to vore V!”
Lizzy and V paused. This was unexpected of Rebecca. They both knew what vore was, but they were now thinking that Rebecca was a fan of it.
V laughed while Lizzy blushed. V knew that Lizzy wouldn’t do it, which is why Lizzy’s next words made her oil feel even colder than it already was.
“Okay. I’ll do it.”
V jerked her head to face Lizzy, confusion etched on her face.
“Excuse me?”
V yelped as Lizzy’s fingers grabbed her coat hood and lifted her into the air. V kicked and thrashed as Lizzy brought the tiny morsel of a drone to her face.
“It’ll be fine, V. It’s warm in there, I promise.”
Rebecca watched on in horror as Lizzy lifted V above her mouth. Lizzy opened her maw and allowed her warm breath to waft over V, causing the smaller drone to tremble.
“W-wait, Lizzy! C-can’t we talk about this?”
Without a word, Lizzy drops V into her mouth. Lizzy’s jaws snap shut behind V as she felt Lizzy’s soft tongue sink beneath her. V pushed against the roof of Lizzy’s mouth, trying to open her mouth, but Lizzy’s spongy tongue just compressed and sunk more.
Lizzy giggled feeling V wiggle in her mouth. It was a weird feeling, but she liked it. Lizzy did a mental countdown and swallowed, pulling V halfway into her throat. Lizzy could feel V’s legs kicking in her throat. It tickled, but Lizzy was on a mission. She couldn’t fail this dare.
On the second swallow, Lizzy's throat completely engulfed V, dragging her down to her stomach. Lizzy traced V’s descent with her finger, feeling her wiggle all the way down. Lizzy turned back to Rebecca, who had wide hollow eyes and was covering her mouth in a mix of horror and shock.
“What?”
“Y-you actually ate her.”
“What, didn’t think I’d do it?”
“Y-yeah? You were supposed to say no and confess your feelings for V. . .”
*Lizzy blushes and averts her gaze. Her arms instinctively cross over her abdomen.
“F-feelings? For V?”
Inside Lizzy’s stomach, V was panicking. V kicked and thrashed against the soft spongy walls. It was warm and slimy in Lizzy’s tummy. V couldn’t believe that Lizzy had gone through with the dare.
V looked around the space. The pink glow from LEDs hidden in the folds of the walls illuminated the grey walls that V looked around. V was half submerged in a pink glowing liquid that dripped from the walls. The space was soft and warm. If it wasn’t for the fact that she was panicking and in Lizzy’s stomach, V might have enjoyed it. The walls absorbed all of V’s attempts to escape, making V feel trapped and alone.
Lizzy could feel V’s struggles. Lizzy’s smile widened as she turned to Rebecca.
“I can feel her squirming in there!”
“Y-you can? Um. . . Can I feel?”
Lizzy shrugged and lifted her shirt, and guided Rebecca’s hand to her abdomen. To her shock, Rebecca could feel V’s struggles.
“Oh, wow. . . I can feel her. . . Do you mind if I?”
Rebecca lowers her head and presses her ear to Lizzy’s stomach. Lizzy blushed, but didn’t stop her. Lizzy placed a hand on Rebecca’s head, pressing her softly to the soft fabric that separates her and V.
“Wow, I can actually hear her!”
Rebecca raises her head and looks Lizzy in the eyes.
“So, what are you going to do with her now?”
Lizzy thought for a moment before answering,
“I think I’m going to keep her in there for a while. Come on. Let's watch a movie.”
V felt her world rock as Lizzy stood up and started walking. She grunts in frustration with every bounce of Lizzy’s step.
Rebecca and Lizzy make themselves comfortable on the couch and start to watch a movie. It was a cheesy comedy, but neither drone laughed. Both drones kept the movie on for background noise as they pulled out their phones and started to browse social media.
V had remained still for a good few minutes after Lizzy had sat down. She waited for Lizzy to say or do anything, anything to tell her she wasn’t being forgotten. V got tired of waiting and halfway through the film, started to kick and struggle.
Lizzy noticed V’s kicks and placed her hand over her stomach, gently letting V know she wasn’t being forgotten.
V felt Lizzy’s hand over her and sighed in relief. She decided to try and talk to Lizzy and tell her she wanted out.
“Hey, Lizzy? Can you let me out now?”
Lizzy glanced at her stomach from her phone, hearing V’s voice. She let out a single snicker and smiled, shaking her head.
“In a bit, V. Relax, okay? Everything will be fine.”
Lizzy suddenly felt a sharp jab in her abdomen and doubled over, groaning in pain. V had bit Lizzy’s stomach wall. V’s saliva instantly repaired the little damage she caused, but it happened long enough to give Lizzy a little sting.
“Okay, okay. I’ll let you out of there! Just chill for a moment!”
Lizzy stood up and made her way to the bathroom. Once inside, she closed the door and locked it. She didn’t want Rebecca, or god forbid, her dad to see her spit out V.
Lizzy braced herself, leaning on the sink and slowly working her stomach and throat to squeeze and push V up. V rose higher and higher in Lizzy's throat before she deposited her in her mouth.
Lizzy grabbed a towel and spit V out into it. She began to dry V off while the smaller drone grumbled.
“Sorry about that. I guess I kept you waiting too long, huh?”
V shuddered. She was cold again. The slime and saliva coating her cooling off rapidly and making her feel colder.
“Thank robo-god Lizzy is drying me off,” V thought.
Lizzy finished drying off V and she placed the tiny drone on the corner of the counter. She crouched down to be eye level with V, watching her tail swish angrily behind her.
“So, um. . . About eating you. . .”
“Were you going to digest me?”
“What?”
Were. you. going. to. digest. Me?”
“N-no! Absolutely not! I don’t even think I can digest!”
“So why did you keep me in your tummy so long?!”
Lizzy blushed. She didn’t want to admit it, but she did enjoy having V inside her. However, Lizzy decided to tell V the truth.
“I guess I just liked having such a hot and cute girl inside my stomach.”
This time, it was V’s turn to blush. She thought that Lizzy liked it, but she didn’t think she’d actually admit it. V especially didn’t think Lizzy would call her hot or cute.
“Y-you think I’m hot? And cute?”
V and Lizzy averted their eyes while shuffling in place. Both were flustered, and both knew the other was too.
“Yeah. . . I do. . .”
“W-well um. . . I guess you’re also. . . hot and… cute. . .”
Both stood there, averting their gaze and occasionally glancing back at the other, not saying a word.
“Do you want to. . .”
“Make this official?”
Lizzy and V stared into each other's eyes, trying to see if the other was faking or wasn’t willing, but finding no unwillingness in each other’s eyes.
“Yes,” they both said at the same time.
Lizzy offered her hand for V to climb on, which the tiny disassembler accepted. V quickly climbed onto Lizzy’s hand and sat down. Lizzy lifted V to her face and stood up.
“S-so, how about a quick little. . .”
“Okay. . .”
Lizzy brought V up to her mouth but this time, instead of Lizzy’s lips parting, they puckered out, just like V’s. Lizzy planted her lips on V’s face and the drones kissed. V tried to do the same, but it was a little awkward with Lizzy’s libs engulfing V’s entire face.
The two pulled apart and looked at each other with prominent blushes on both of their faces. They were both quiet for a few seconds before bursting into laughter.
“Better wait for you to get big again before doing that again, huh?”
“Agreed!”
They both relaxed and looked into each other's eyes, smiling warmly. Lizzy glanced away for a second to consider her next words. She had a question for V, but she didn’t know how she would feel about it. Lizzy sighed and decided to continue with it anyway.
“So. . . What was it like… inside my stomach?”
V paused. She took on a thoughtful gaze, trying to think of a response.
“It was… nice. It was very warm and soft. . . I liked it. . .”
V was blushing in embarrassment once she finished her statement.
“Why do you ask?”
“Well, it was nice having you in there. It felt like I was protecting you. I liked having you close like that. . .”
“Would you like to… do that again?” Lizzy whispered under her breath, but V could still hear.
“I um. . . Yes. . .”
Lizzy’s eyes lit up and she smiled, feeling excited. Lizzy was almost shaking in excitement while staring at V, lovingly.
“Honestly though, I’ve heard of this thing called ‘fearplay.’ Would you like to try it out?”
“Whatever floats your boat, hun.”
Lizzy felt like she was melting with how flustered she was at V’s statement. She quickly calmed herself and her tone shifted to better fit the fearplay she was about to perform.
“Okay then. Get ready V.”
Lizzy looked down at V with a wide hungry grin, showing off all her teeth.
“Well, look what we have here. A delectable little treat!”
V giggled and feigned fear.
“Oh no! A big scary monster!”
Lizzy laughed evilly and brought V closer to her jaws.
“Oh yes, I am a big scary monster! And I’m going to eat you!”
“Please don’t eat me!”
Lizzy lowers V and lifts her shirt, exposing her abdomen. She presses V against her stomach and plays a gurgle sound effect.
“I’m gonna eat you. You’re going to go in here! Can you hear it calling for you? Yes, I can tell you’re going to be delicious indeed!”
Lizzy lifts V back to her mouth, opening wide and revealing the dark warm cavern. V can see the little heart-shaped pink LED in the back of Lizzy’s mouth just under her uvula. Pink glowing saliva drips from Lizzy’s mouth, drooling on the poor helpless V.
“I’m gonna eat you, and I’m going to enjoy feeling you struggle helplessly!”
Before V can respond, Lizzy shoves her into her mouth, only V’s tail sticks out of Lizzy’s lips. Lizzy flicks her tongue out and licks the little vial and stinger before slurping it inside. Lizzy manipulates her tongue to turn V around to swallow her pegs first.
Lizzy braces and swallows hard, swallowing V in one gulp. Lizzy licks her lips and pats her stomach affectionately.
“Good luck, morsel! And squirm while you still can!”
Lizzy laughs again before calming down and shifting back to her normal self.
“How was that, V?”
“You definitely need some help! But not bad for your first try!”
Inside Lizzy’s stomach, V shuffles up to one of the stomach walls, getting comfortable in the soft warm space. V smiled, feeling safe and protected despite Lizzy’s earlier words. She knew it was just pretend, so why worry? V closed her eyes and started to enter sleep mode.
Lizzy rubs her abdomen one more time before walking out of the bathroom and joining Rebecca on the couch. The movie was still playing and Rebecca looked up from her phone, turning her head to Lizzy.
“So, how��d it go? And where’s V?”
Lizzy smiled and patted her stomach.
“Let’s just say, your plan to get us to confess our feelings for each other worked.”
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