TERMINAL. BABY. FACE.
Another silly Vault 666 comic, because every time I draw something with Lucifer in it his stupid baby face bugs me.
It drives him crazy in-universe too, though. He can’t grow facial hair to save his life (only patchy little wisps of almost-invisible blonde peach fuzz). He is 5'2″ and has a baby face and it is SO HARD to get people to take him seriously sometimes. He likes wearing his lab coat outside of his workshop because people still tend to associate “scientist” with “authority” and he will take whatever help he can get at this point.
Doesn’t help that most Wastelanders age like milk due to exposure to elements, poor nutrition, tons of environmental hazards, and radiation everywhere.
Text translation below cut:
Charlie: Bye guys, be good!
Lucifer: Have fun, girls!
Angel: Must’ve been tough, raisin’ Charlie.
Lucifer: Huh? ...Not really. The vault was safe, and Lilith was SUPER hands-on.
Angel: Well, yeah, but she’s in her 20s now, right? You must’ve been crazy young when she was born.
Lucifer: Uhh... I’m 47.
Angel: NO FUCKIN’ WAY!
Arrow to Alastor: 36 years old
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'have you ever had a normal series of thoughts in your life?'
no. today a friend made a lighthearted remark in jest to lift my spirits and objectively i KNEW that and told them i appreciated it but also then went off on a long tangent about my inability to trust said jest at face value because im incapable of not taking everything both extremely literally and seriously, while also prying apart every single possible angle or connotation of the simplest sentences just in case i miss some significant moral or factual implication.
my kid brother had to ask everyone in the family pre-written survey questions as part of his homework last night which turned into a whole affair because i physically cannot answer with a simple agree/disagree/i dont know to each statement because they don't take into account xyz facts or they don't give enough information about the situation and various implications would change my answer drastically.
in other news, every single survey, diagnostic question, medical intake form, etc. is Literal Hell to me because the questions are not clear and specific enough for me to factor in every possibility and give a truthful answer and i can't just give the answer they want or that im 'supposed' to give because that wouldn't be the true answer! it would be lying! and there's no option to give a full 'well technically......' explanation of my answers!
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the thing about the evelyn hugo book is that when you are familiar with Um Well You Know you can guess most of the plot bits and it frees up enough brain space to notice. that the writing is not good. so at least i am grateful for it for teaching me the difference between a story you find interesting , and actual good literature. thanks
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a random draft where i was ramblingg about witch hat & art to myself for myself :)
rare time i feel like actually going off about the thing i’m having fun with right now in more detail ... but not on twt where strangers might try to discuss back at me lol sorry but that is scary. (not that you even have the room to soliloquy on there)
i love how there's characters for varying types of artists to relate to. people like agott who have been adept at drawing from a young age but feel overwhelmed by feelings of not meeting their expectations. and are driven mostly by feelings of wanting to prove their worth..
people like oru who have always been around the art but now are burnt out from commissions and wondering just what they're drawing for... and ones i relate to the most personally like coco and qifrey, who started drawing at an older age to the skilled people around them. like coco i'm so happy that i'm in the world of drawing(/magic) now and excited every day but also weighed down by fears that i'll never get to what i where i need to be after starting at this late stage and also whether i'm really cut out for this....
and like qifrey i only started drawing after a narrow escape from trauma... i started drawing to make sense of what my life is now, just as he was invited by beldaruit to become a witch because it was the only safe path he could take. (although i've not been through anything quite like what he's been through... ouagh)
and there’s tetia who just wants to draw to make other people feel happy about what she’s made, to have fun, and spread hope and happiness and gratitude. who feels so happy whenever someone thanks her for what she’s created - i understand now how it feels to want to thank them for thanking her and how making art, when you get a meaningful response, can be a truly warm communal type experience. but you do need that response - her overwhelming happiness when the dragon thing was happy and she said it was the first time she’d ever felt fully appreciated for her magic and it made her soooo happy. she had been drawing until then, but it was the last puzzle in place to make her realise the breadth of what magic can be for her.
and riche who is determined to not lose the “her”-ness from her art, doesn’t want to learn new techniques and become more regular and orthodox in style if it means she feels she’s losing something... i get that!!! precious autistic-coded child... the ways we feel about our art differ depending on our own mental landscapes. hahhhh... shirahama said she began this series because she was having a conversation with artist friends about how it feels like drawing just really is magic. i mean..... it is.
i think writing feels like magic too, and i’m glad i can do both now. any creation is total magic. i’ve drawn scenes that were in my head and that’s let other people see them and if i can trust their comments about it, has moved them in some way or at least let them imagine a scene or a situation that they wouldn’t have imagined otherwise. but it’s different from just telling someone about it. when you draw something, or write something it really exists now - outside of you. THAT’S SO WEIRD.
i liked drawing a lot of takarazuka things (before i realised i got kind of burnt out drawing all this transcore stuff that people were not exactly responding to because it’s so niche and weird lmao) but drawing fanart for something that also ONLY exists in art is so special. it’s not acted by real people. like.. they’re just little people that someone drew and now i draw them too. total magic. and she gets up and draws them every day the same as me...
i love that a manga isn’t just art, it’s storytelling too. doing both writing and drawing at the same time - it feels like such a perfect and fascinating combination of skills and facets of creation. i’m better at writing than drawing, so i don’t feel like i can express my original stories well enough in comic form just yet. but i might just get there.
the world is so confusing and overwhelming and terrible every day. only creation is something i can understand. sometimes i can’t understand it - when i feel REALLY bad, it’s definitely like, what’s the point. and i wish i had more things to experience at present than just creation - i want to be outside and just feel and be as well as create. and at some point i’ll definitely stop posting my creations online. but creating has become something that i don’t need to understand the reason for it - so at those times when i wonder what the real point to any of this is.... lately, i usually still create anyway. just as you’d still breathe and sleep even though you’re hurt and confused by the horrors of the world. it’s becoming how i express myself. i find myself drawing pretty much every day because it’s part of how i make sense of shit now and i naturally want to do it. not doing it is painful.
i hope this magic continues. i hope it becomes far more wonderful than i can even imagine from here.
and i won't lose.
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Since there’s no more BCS this week or ever, you’ll have to suffer through some brief sappy THOUGHTS instead. But last week after the finale I went to go visit my parents and they asked me how the BCS finale was, and I was all like “when I last saw you I was still a girl, but now I return to you a woman.”
And I was just trying to be melodramatic and funny, but then thought about it more, and that is kind of what it feels like to me??? Breaking Bad just consumed my early twenties, I fell in love with it immediately, and it was also what made me finally try writing fan fiction, and then try writing my own things, because all I wanted to do was write something as good as that. I was about to say it was such a creative ‘spark’, but let’s be real, it was a furnace. And then Better Call Saul has carried me THROUGH my twenties, and unlike Breaking Bad (which I binged), I got to grow with it and watch it in real time every year, see it get deeper and more nuanced with every season as it peeled back layers, falling more and more in love with it each new season. And then finally last week we got to watch it all come together and coalesce into one of the most stunning, thoughtful, poignant, mature, bittersweet, breathtaking, and beautiful shows of all time, and it really does feel like a full-circle end of an era.
BrBa and BCS have meant so much to me in different ways, and I’ve never grown with art in quite the same way as those two stories. They’re the ultimates for me. I know it’s unbelievably sappy, but I can’t not say thank you to both shows and everyone involved in making them for being so generous in sharing how they do it. It’s really been such a special ride <3
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