Kieran Culkin on Roman's playboy image and the way the actors/writers understanding of backstory fits together. (x)

absolutely no way

Billie Piper fighting for her life, sitting next to Christopher Eccleston while he says that Russell T Davis, Julie Gardner and Phil Collinson would have to be sacked before he ever has a Doctor Who cameo, like the child of divorce that she is.

“I am in my Buick, staring in the rearview mirror at my daughter in the car seat, an hour after I gave Derek, a guy I don’t know, the last thirty bucks I had. My editor reminds me, it’s seven years before car seats are mandatory. My ex-wife reminds me I never owned a Buick. This is the odyssey of recollection.” 

The tapes are an admitted performance. This is the premise of our interview. Half a century later, allow me my odyssey.

but fr outside of my contracted madness i absolutely refuse to give joe alwyn gold rush like how is that song at all related to their relationship the lyrics clearly spell out a relationship that either never existed or only existed in implication and fantasies and maybe-maybe nots and its so bitter and yet desperately soft in the bridge where it almost projects a sense of envy, of wanting to be them as much as you want them. It continues an interesting oft ignored lyrical trend of taylor wanting just as much to be her lover as to have them, envying their easy charisma (you were flush with the currency of cool/i was always turning out my pockets) or quiet dignity (your integrity makes me seem small) dating back to her earliest songs (the kind of flawless i wish i could be). Theres a projected self hatred and yearning to be better that twists itself into both romantic and sexual lust for her partners thats so fascinating and speaks to how all of her songs regardless of who theyre about are also an act of self reflection on who she is and who she wishes to be.

i see a lot of people saying they don't like the modern day/interview/daniel parts of iwtv and i simply couldn't feel more differently i gobble those scenes up like they are italian dessert... louis being a freak who is trying to present a picture of wellness but is clearly extremely unwell, daniel trying to provoke him by analysing the story through a modern lens and often in bad faith, louis' words being chosen carefully to represent the events of his life in the way that would further his currently unclear agenda, daniel's issues with drugs and his sexuality, the history and tension between the two of them..... literally it's a WELL of interesting threads to follow if you engage with it

Sebastian Stan talking about Bucky Barnes in CATFA

Anya zoning out, after Joey decides that Hugh Skinner would be the best co-star to be stuck in a lift with for 24 hours.

I love the relationship (or rather, the lack thereof) between the Hilda fandom and Luke Pearson. I don’t know if this is just me, but I feel like we’re just marginally aware that he’s A Guy and that he makes the thing we like and that’s as far as we care to go. You see fandoms researching their favorite creators and following them in every social media and looking for each of their projects and we just. We just want the stills and trailers. Some people care about what he has to say about the plot and animation. And that’s it. He’s just a dude whose name is in the opening and whose self insert shows up sometimes to Be Useless and we’re fine with that! The opposite of a parasocial relationship. We’re parallel playing in the same room

Radio Times | 27 January - 2 February 2024

Reconstruction ended in the US in 1877, and during that year, as well as the years immediately post civil war, there was an especially huge push for black people to find loved ones who were sold off the other states or countries during slavery, especially those who had children fathered by their masters as their masters were the ones who sold off the child/ren or had the best information on finding them. People would send letters, put ads in newspapers, even take trips themselves to go find loved ones that they had lost due to the scurge that was slavery. And I keep thinking about Louis du pointe du lac, sending all those messages to find his daughter that was sent out of state by her white father

Kieran Culkin on what's going on with Roman and sex. (x)

what a lucky break for me.

I need more unhinged Richard quotes, like the whole “[coc*ine when you’re young vs when you’re old]” thing or I may simply pass away

Hi Hello 🤗

This ask has been sitting in my inbox for a while, but now I finally come around to compile some more quotes from Richard's interviews (here is 'Part 1' so to speak).

Off to another tiny little round of stuff Richard says (some are interesting, others a little weird or downright unhinged):

I think the quote you mean is this one [from this audio interview]: "It's like, you know, it's like you know when you were young and could do coke for a fucking month and nothing, y'know? When you get old you need to recover from fucking one week." (and the interviewer is seemingly quite lost: "haha..true..👀")

Now, on to the Fellfrosch gem [interview]: Interviewer: Perhaps the disgust at the bitter aftertaste is really just a problem of overly careless personal hygiene? Richard:  "Tastes change too. Much of what seemed too bitter to us in childhood tastes good to us today. On the other hand, we usually find the sweets from the past too sweet. Every fur frog tastes different. Pure question of taste. There is no judgment in the text. We’re not saying it stinks."

His readiness to try out his talents with on-screen eroticism some more [interview]: "After I shot some erotic scenes for a video the other day I could also imagine doing an entire film in that direction. I was quite nervous in the beginning, but the longer we were shooting the more fun I had. Erotic, mind you, not pornographic."

in the same interview, he discloses the two main activities which bring him relaxation: "I love lying in bed, smoking and watching good movies more than anything. That is the only thing where I can really switch of other than sex. Lots of both, please. [laughs]"

And another quote from said interview regarding in which time period he would've liked to live and about his affinity to the middle ages (which for me as a history geek is so lovely to see that he is into that period as well): "I guess the sword and blade time as I always call it. Knights templar, 11th century. I can answer that this well, because I like to watch even stupid movies when they deal with that period. I just have a huge affinity to it somehow and would love to find out how things were going back then."

The way he pressurized/threatened (?) Jonathan Davis to sing a high note for the song "Silent so long" (man Richard must be such a nice fellow to work with 👀) [interview]: "But there was a high note in the chorus that Jonathan couldn't quite get right. So what to do? He said he couldn't sing that high. So I grabbed the receiver and whispered the following into his ear: "Watch out, Jonathan. This is the German way! Now take both your hands, grab your balls and squeeze until you get that damn sound."

Touring is hard, but partying is even harder [interview]: "Touring is not the problem, but partying is. If you went straight to the hotel after the show - no problem. But if you party until six in the morning, it's getting increasingly more difficult to get out of bed."

Being super vague in moments where we need more facts from him like in this interview, about the "Bück dich" performance of Till and Flake: "If Till had to do it to me… I would probably you know, like… uhm.. I'll do… something."

this whole feverdream here: an interview for the promotion of the first Emigrate album back in 2007, where Richard and his alter Ego "Mister Emigrate" answer the questions 'together'. It's has a Dr. Jekyll/Mr. Hyde vibe to it but is kind of cute ✨

On a more serious note, here he talks about the effects of drugs on him: "I took a lot of cocaine. You reach dimensions that you could never reach otherwise. You can edit a bass drum for eight hours."

Thank you for your interest in even more stuff Richard says 😌

Was gonna gather my thoughts and write a post tmr on the general mood in the ofts space after the finale bc I feel like a whole bunch of people overthink the amount of editing that was supposedly the result of "promo couple fans complaining too much" but I literally cannot sleep before I get this off my chest so here goes nothing:

Do you guys not understand how tv show productions work....

The script was written, reworked, and then finalized before they even began filming. Yes they might have changed some stuff between the initial scrips draft they had before the mock trailer and the true beginning of production this year but considering that they booked two at the time new but well received promo couples (remember that this show was already in planning at a time when Enchené and The Eclipse were still very very fresh), TopMew and SandRay were always gonna be endgame. It's especially obvious now that the full series is out bc if you go back and watch the mock trailer, all the same storybeats are there. This is how the story was supposed to go from the beginning. They most likely cast two promo couples on purpose because of the added bonus of pre-established compatibility and chemistry needed for endgame couples in such a messy series.

Then they filmed stuff. They finished filming I believe the day that episode 3 aired, so they could not have changed any of the ending based on audience reactions (as I have seen multiple people suggest), since we were barely a few epiaodes into the story. The book based on the series was also already finished and in the last stages of preparing to be released. The only thing they actually did was edit out parts of scenes or full scenes that they found did not add anything at this point in the story (like the sandray garage scene) or would actively harm what we, the audience, are supposed to be understanding and feeling right now (like the Mew smashing shit scene and Top attempting to sleep with someone else, which both were explained to have been cut because audiences were reacting strongly negative to Top even a few episodes into his redemption arc, when we were clearly supposed to start being on his side). They might also have moved some scenes around to aid the story flow but I am unsure of that one (I suspect the scene where Ray and Mew finally solve their shit out was supposed to be directly before the SandRay donut scene bc of obvious clothing reasons, bc they either fucked up hardcore with clothing continuity or moved the first SandRay rehab discussion to after the RayMew talk because it made more sense that way when seeing it played out on screen. If that was the case I am glad for it bc it would have felt a bit weird the other way around idk...).

All of this is however not new. It happens all the time in film and broadcasting production (also in book publishing....this is why editors and alpha/beta readers exist. I mean Brandon Sanderson's books famously go through four (?) stages of feedback before they get published...). Some scenes just get dropped in editing because when you see it on screen it feels redundant or not quite right, so it gets taken out before it changes what they want the audience to take away from other scenes. Movies and tv shows that have months between filming and airing dates usually solve this issue with test screening audiences and several runs of editing. There have been instances of Movies having test screenings at cinemas and then having their release date scrapped because they have to be re-edited completely as a result of unexpected audience feedback. GmmTV series being on smaller budgets and timeframes results in this time window falling away and relying on observing audience reactions to already aired episodes closely and then editing the next episode close to its release is one strategy to still ensure that you bring across what you wanted to (Kdramas also do this very frequently). It might not be ideal but it's not unusual and it certainly does not mean that anything substantial from the story was changed. All the storybeats as well as the character and relationship development remained the same because they already had everything filmed. They did not do reshoots or we'd know it. The story was planned this way. It was in the script. If you did not like it, then you did not like it. But don't accuse the directors of "bending to the will of fans" bc that's just plain wrong.

I too have my issues with some of the writing and some of the characterizations. But let's keep the criticism where it is actually deserved ok?

Edit: I have also seen quite a few people over here and also on Twitter say how disappointed they are in the "editing based on audience reaction" and that they should release a "directors cut" with all the scenes but like....this IS the directors cut. THEY decided how to edit this because the original intent is not always what arrives in the brains of the audience. Storytelling is a two-way street and if a massive chunk of your audience interprets a part of your story so differently to how you intended it to be understood, edits are necessary. Because that means that your intent is not communicated well enough.

GAMEFREAK SAID HOT BUTCH RIGHTS