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alittlebitofloveliness · 2 days

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In defence of Steve Randle

Listen guys, Steve Randle gets a lot of hate in this fandom and as much as it pains me, it's valid. Everyone has their own interpretation of the source material, and fandom is supposed to be fun, so it is absolutely valid and ok to hate or love any character you want. You can hate Steve for many reasons or for no reason at all! This is fandom! That's ok! The story is for you interpret and love and play with and hate on to your hearts content. HOWEVER, to say that Steve Randle isn't an important character to the novel is simply not true, and to say that he hates Ponyboy requires ignoring or downplaying some pretty key moments of the book. This is especially true for those of you who love Dally but hate Steve, because Steve gets a lot of hate for being kind of a dickhead (which lbr, a lot of seventeen years old are, especially to their friend's little siblings) while Dally gets less for doing a lot worse (harassing Cherry, jumping kids, etc). This isn't to say that either character is better- they're both great, nuanced characters who have done bad things, but the fandoms attitudes towards them when they share a lot of characteristics is really telling. Even Ponyboy's narration about them is pretty similar- Pony doesn't particularly like Steve, and he was canonically scared of Dally, but they're both members of his gang and he doesn't hate either of them. You don't have to like Steve as a character, just like you don't have to like Dally or Darry or Tim Shepard or even Ponyboy, but he is important- and he doesn't hate Ponyboy, nor does Ponyboy hate him.

A really important moment in the book is when Ponyboy and Johnny defend Dally after he harasses Cherry and Marcia.

"Dally's okay," Johnny said defensively, and I nodded. You take up for your buddies, no matter what they do. When you're a gang, you stick up for the members. If you don't stickup for them, stick together, make like brothers, it isn't a gang any more. It's a pack. A snarling, distrustful, bickering pack like the Socs in their social clubs or the street gangs in New York or the wolves in the timber."

This line here is super important. Pony and Johnny were willing to defend Dally after he sexually harrassed Cherry and Marcia- soc girls who they clearly liked and were intimidated by- in the name of being a good friend, because that is what's important to them and their gang. If they're willing to do it in this context for Dally, you'd best believe they'd do the same for Steve, and him for them. Steve can and will rag on Ponyboy within the gang, but he'd never dream of bad mouthing him to anyone else. Dependability is important to the gang, and Steve would never publicly shit talk Pony, and vice verca. Regardless of their squabbles within the gang, at the end of the day they've got each others backs. They're buddies. We see evidence of this at the end of the book, when Pony grabs the bottle and threatens the socs with it.

"You really would have used that bottle, wouldn't you?" Two-Bit had been watching from the storedoorway. "Steve and me were backing you, but I guess we didn't need to. You'd have really cut them up, huh?"

The important thing here is that along with Two-bit, Steve was backing Ponyboy, no questions asked. Sure most of it boils down to Pony being a member of the gang and that deep rooted loyalty to one another, but the context for this scene is that Ponyboy was sitting on Steve's car waiting for Steve and Two to stop flirting with some girls. The three of them were hanging out- without Darry, without Sodapop. It's their school lunch break. We know Ponyboy has middle class friend's at school, or that he could've spent time in the school library. It was a deliberate choice to hang out with Two and Steve. He wasn't forced into it. Canonically, Steve and Ponyboy hang out. Never alone, but they're decent enough friends to hang out together in a group. Doesn't everyone have friends like that? I do. This isn't the only textual instance either where they hang out without the entire gang being present. Early on, Pony offhandedly mentions that sometimes Steve and Soda will buy him pop and teach him about cars if he hangs around the DX.

"I had walked down to the DX station to get a bottle of pop and to see Steve and Soda, because they'll always buy me a couple of bottles and let me help work on the cars."

He could've just said Soda's name here but he didn't. Steve buys Pony pepsi and teaches him about cars, even though he gets annoyed with him when Soda invites him to hang around with them too often. And honestly, who wouldn't? I'd be annoyed if my best friend always invited her little brother along with us, even if I liked the kid. Wouldn't you?

Now, we do need to address the elephant in the room. I'm talking of course, about this quote;

"I'd never tell Soda, because he really likes Steve a lot, but sometimes I can't stand Steve Randle. I mean it. Sometimes I hate him."

I feel like very often people forget the context this quote comes from, and so it's magnitude is blown way out of proportion. Ponyboy has just been jumped and then immediately scolded by his brother who constantly makes him feel foolish and unwanted. He's already scared, embarassed, and defensive and then Steve goes and makes him feel even more unwanted. Of course he wants to lash out. Of COURSE he feels like he hates Steve in that moment. I did even reading it. But Ponyboy doesn't truly hate Steve. This moment is PEAK fourteen year old having a rough night energy, it's not truly representative of Steve as a character or of Ponyboy's feelings towards him. In truth, Steve actually kind of likes Ponyboy and is at very least protective over him. This is evidence by the previous quotes, but also when Ponyboy comes back from Windrixville, and is worried about the state placing him in foster care;

"'No, [Ponyboy said] 'they ain't goin' to put us in a boys' home.' 'Don't worry about it,' Steve said, cocksure that he and Sodapop could handle anything that came up. 'They don't do things like that to heroes.'"

It's subtle, and not immediately obvious to the traumatized fourteen year old who is used to Steve's cocky nature, but this is both a reassurance and a very bold claim. Not only is Steve trying to look out for Ponyboy the way the rest of the gang models- by treating him like a kid, letting the 'adults' worry about grown up issues in a misguided attempt to protect Pony- he is also throwing in his lot to make sure nothing does happen. Based on this quote and the rest of Steve's characterization throughout the book its not hard to infer that Steve would fight tooth and nail to make sure Ponyboy stays safe with his family. Sure, part of it is gang loyalty, part of it is his devotion to soda, but part of it is because he and Ponyboy are buddies in their own right, no matter how much they fight. They are friends- and Steve is an incredibly important character for many reasons, but particularly to add depth to Pony's character, to the bond between the Curtis gang, and to highlight how the Curtis gang differs from the other gangs in Tulsa. Steve is just as much an outsider as the rest of the gang, and it's disingenuous to say otherwise no matter how much you may hate him as a character.

#the outsiders #steve randle #ponyboy curtis #darry curtis #two bit mathews #sodapop curtis

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pumpkinsouppe · 1 day

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Here's my interpretations of all the OOT sages!! I have closeups of each sage and my thoughts behind their headcanon design changes below ^_^ (im alsooooo thinking of selling these as stickers if i ever figure out my silhouette)

Zelda

I headcanon Zelda is half Hylian half Sheikah with Impa being their aunt (mother’s sister, mother being full Sheikah and died when Zelda was young)

I also hc Zelda/Sheik as either transmasc or gender fluid depending on the interpretation of OOT I’m using, in this art Zelda is gender fluid and since I’m talking about sheik and Zelda a lot here I’ll just use they/them

Combined Zelda’s design with Sheik’s to make it more believable that they’re the same person this includes:

A skin color closer to Sheik’s concept art

Heterochromia, which is why sheik was hiding one of their eyes (and Zelda was forced to wear contacts or use magic to hide being half Sheikah post civil war)

Hylian pointed ears, another characteristic sheik had to hide (more info under Impa’s notes)

Lighter blond hair to be closer to Sheikah white hair

Sheik’s eye shape and eyebrows

Textured long hair, sheik would have a braid like in smash bros

Not pictured but if sheik is broad shouldered and muscular, then so is Zelda!!!!

Big forehead Zelda truther

Impa

Shares some traits with Zelda since I hc them as being related such as similar nose shape, eye shape, and skin tone

Textured hair styled into locs, tied into a short ponytail

Sheikah pointed ears, since Sheik hides their ears I thought it would be fun to have another different characteristic between the human races such as differing ear shapes. If Sheik showed their ears it would be a giveaway that they are not fully Sheikah

The rest is basically the same

Rauru

Rauru is perfect as he is all I did was give him spots on his skin to give him more accurate skin of an older person

Saria

So one thing I hc about Saria is that she was Link’s caretaker/mother figure in OOT so my main goal was to make her look childlike but have a more mature face

So I gave her rounder cheeks and made her smaller compared to everyone else and gave her larger eyes and a button nose but I also gave her some lines around her eyes to suggest age, I also gave her thinner eyebrows similar to a kid

I changed her eyes to brown bc I’m tired of all these blue eyed characters, there’s a severe drought of brown eyed characters in tloz

I gave her freckles

Her ears are also pointed upwards. I think the great deku tree did his best to make the kokiri look Hylian especially for link’s sake but he couldn’t get the ears right and they turned a little more animal-like since they live in the middle of the forest and are used to animals than humans. So kokiri look identical to Hylian children except the one difference is their ears being a different shape

Everything else is basically the same

Ruto

RUTOOOOOO ‼️‼️‼️‼️💕💕💕💕💕💕💕‼️‼️‼️‼️‼️💕💕💕💕

Her size is much larger bc why are all the royal male zora 20 stories high but not the female zora, she would be almost as tall as Darunia at this age

I changed her eyes to be like all the other zora, it’s weird all the other zora have full color eyes yet she has human eyes 😭😭 you can tell the Zelda team was terrified about being called monster fuckers by committing fully to making Ruto have all the same traits as other zora

I also gave her freckles and added more spots on her to give her more texture and bc I love the way the Majora’s mask zora look

I haven’t drawn her body so I don’t have itemized changes but I’d make a couple more changes, other than that she’s perfect. Only smaller changes were made to just make her more zora-like than the design the devs used bc they were scared of idek what. Women can be beasts and monsters!!!! Cowards

Nabooru

Nabooru had the most changes besides Zelda but technically Zelda was a mash of two designs rather than fixing all of the issues with Nabooru’s design

My goal was to make her look like an actual person rather than a caricature such as changing her over exaggerated nose to be a hooked nose, removing the white on her lips, etc. If there is anything I need to change about my new design for her please let me know, I want to keep her recognizable without using the harmful designs the devs gave her

I gave her a darker skin color and gave her moles

I toned her red hair so that it looks more natural

I haven't fully decided on her clothes but considering she's in the desert i gave her long sleeves esp bc the area you find her in has crazy sandstorms

I'm still deciding if i keep her yellow eyes or not, i like their contrast and how it matches her eyeshadow but also I want more brown eyed characters

Darunia

The one big change about Darunia is making him more animal like by giving him more of a snout and a dog-like nose. I don't like how Gorons are designed in games like twilight princess and the white lips they have in majora's mask so my main goal was for him to just seem more animalistic and non-human

i also added lighter color around his nose area to suggest age similar to a dog

nothing else changes other than that

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lovedianagrey · 12 hours

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hello!!do you have skk fic recs?

Introduction

Yes, I do. I’m sorry it took so long to give you a reply, but I wanted to give you a comprehensive list and was busy preparing for my last day in high school, and then I got a job 12 hours later, and then I traveled to New York for a couple Broadway workshops. But now that today’s been dealt with, I have my wonderful notes.

So here’s the gist of it. I have three focused reviews on some of my favorite Soukoku fanfics ever, but I felt like copy pasting it would kill you a little, so I’m going to use a simplified format that echoes what I once did for two other ships years ago.

Canon Space

Here I compiled four fanfics that take place in main canon spaces (so not BEAST). While I encourage you to read, I also ask you to make sure to check the tags of the actual work for any possible triggers. Furthermore, the styles these characters are written in, and the way they are portrayed, vary from writer to writer. Some are more “canon” based than others, but they all carry the essence of this ship. And if they don’t in your eyes, then you’re just reading a great novel with Japanese names.

i'll bleed out for you by StarshipDancer

Synopsis: After getting impaled together, basically dying in each others arms in a joint mission with the Port Mafia and the ADA, and getting brought back by Yosano, this shattered Soukoku is asked to go into hiding. In this time, things seem to start healing. But the impending call asking them to return to their positions in their groups haunts them, and when it arrives, things fall apart all over again.

Tags: Caretaking, PTSD, A Singularly Important Rat Is Present, Canon-Divergence, Post-Port Mafia Days, Love Confession, Pet Co-Parenting, Angst

Word Count: 71,848

Notes: Rattata is the best character. You cannot negate AbsoluteNegation’s incredible skill. I remember reading this fanfic between the airport and my flight, and when chapter four ended, I had to board the plane, with my shaking hands and quiet sniffles. Please read this one.

If you kiss me (I might let it happen) by encsiimomo

Synopsis: Chuuya’s done watching this. Dazai’s literally dating a new girl every week. He dates based on who asks him first that Monday, he breaks up with them that Sunday, and it goes on again. And again. And again. It’s driving him insane. So he does the only thing he can think of to earn himself a break – He asks to date him for that week’s cycle. Dazai’s surprised. Chuuya’s exhausted. But once the sparks fly, they’re unable to be put out.

Tags: Canon Divergent & Kind of Canon Compliant, Dark Era, Smut, Mutual Pining, Light Angst, Silly

Word Count: 52,127

Notes: I loved this fic because it encapsulates a pretty carefree tone that isn’t associated with Dark Era. It’s pretty smutty, but it’s really lovely to read them. It’s not a reflection of what these characters canonically represent. And while it definitely stays as a loose interpretation of these characters, it keeps the essence that makes this ship so sharp and wonderful. I loved Oda’s appearances too, they made me laugh.

A Doll's House by Abyss_In_WonderLand_likes_sexy_cannibals

Summary: After coming to contact with an ability-powered artifact, Dazai and Chuuya are forced to work together to overcome the ability’s trials, and face the bubbling sentiments they keep trying so hard to ignore.

Tags: Teamwork, Ability Loss, Poisoning, Denial of Feelings, Confessions, Light Angst

Word Count: 45,288

Notes: While definitely not a character study, this fic goes and shows how wonderfully warm a Double Black fanfic can be. You’ll giggle in some moments, be entranced in others, and it’s just fun. This is for those that aren’t scouring for the angst. This was the first fic that sunk me into a skk fanfiction hunt all throughout the winter holidays.

On Deathless Feet by AbsoluteNegation

Synopsis: Chuuya always knows the monster can get out of control, but it doesn’t get any less surprising when Arahabaki powers through him. For a while though, it’d been comforting to know Dazai could always reign it in, make it go quiet. Because he did when they recently met, when they rose through the ranks, and at the brink of their end. But after years of disconnection, and the consistent waves of betrayal, is Chuuya capable of trusting him? And is Dazai capable of letting him?

Tags: Caretaking, Controlling Arahabaki, Port Mafia, Post-Port Mafia, Mistrust, Non-Linear Storytelling

Word Count: 71,848

Notes: This story is just breathtaking. The writing style is incredibly vast and detailed, which may seem scary when described, but it flows so easily when you read it. The story takes place in an event where Chuuya loses control of Arahabaki in a Post-Port Mafia Soukoku time. But because of its non-linear style, one gets to understand their past experiences with each other in a manner that contextualizes and weighs in the events of their reunion.

Fanon Spaces

Before I begin, I’d like to note that there are so many AUs in this fandom, that I had to really search for the canon ones in my list. So understand that if you want more of these, I DEFINITELY have more of these. Also, again, while I encourage you to read, I also ask you to make sure to check the tags of the actual work for any possible triggers.

I’ll crown your inner child with laurel by acuteguwu

Synopsis: Chuuya has worked in a Michelin Star restaurant. So he really has no place in losing this cooking competition. But a sudden newcomer, who seemingly has no previous experience in the field, seems to want to tell him his bechamel sauce isn’t ready. And really, who does he think he is?

Tags: Chef Competition AU, Character Study, Slow Burn, Chuuya Is A Blunt Perfectionist, Dazai Is A Culinary Genius

Words: 197,090

Notes: I read this in two days, and I finished by waking up at four in the morning to finish up before going to a drag queen brunch. So really, my experience was incredible. You get to really know these characters, who are very themselves, and it’s lovely. Please read, it’s so worth it.

music for our funeral by itotypes

Synopsis: Dazai has always been lost on what exactly he wants to be. Chuuya knows exactly what he wants. Working with such incredible differences proves to be a difficult challenge, ending in at least a little bit of violence multiple times, but they make it work. Because their music sounds beautiful. Because they’re better geniuses beside the other. And maybe because once it started, they can’t seem to process this journey can ever end.

Tags: No Smut, Angst, 70s, Musicians!AU, Drug Abuse, References to Child Neglect, Lowkey Pretty Violent, Emotional Cheating (w/ Main Ship)

Word Count: 67,723

Notes: Look, there’s a whole genre of Soukoku music AUs. And I could tell you to read the famous “still, still, still” by icedlightroast, or the even more famous “I Was Screaming Your Name Through The Radio” by ElectricSplatter. Which really, they’re both INCREDIBLE fics that I think you should read (IWSYNTTR literally inspired me to try and write music, which led me to do an album for a school project, so I’m not kidding when I say they’re life changing), but I also know that these are famous fanfics that you can find in almost any big skk reader thread. So disregarding the following recommendation, I try to give you fanfics I found through a long scrolling process.

Everything or Nothing by Wellthathappened (Cataclysmic_Calamity)

Synopsis: Chuuya has never been able to experience much. So when he meets Dazai on the night of orientation, he lets himself explore. And as lips sink into his, and he lets himself be free, Dazai lets him know how unimportant he is by walking away when kids walk in on them. Cut to a month later, they’re paired as roommates, Chuuya’s gotten what Dazai insists is a douchey boyfriend, and Dazai Osamu has to recognize it wasn’t true. It wasn’t a night’s fluke. He really, definitely isn’t straight.

Tags: College AU, Pinning, Chronic Illness, Creation & References Of Illegal Panini Rings, Confessions, Miscommunication, Past Sexual Abuse, Bad Parenting, Cute Dates, Dazai’s Really Rich

Word Count: 264,937

Notes: I recognize I just put in my notes that there’s no major point in recommending these big fanfics, but I just read this because the person that introduced me into the fandom in the first place really loves this one. And it’s incredible. Worth every moment. I laughed a lot, and cried a lot. It’s those pieces of work that resound with you that keep you engaged. This one builds off of that.

Inseparable by milwritescausewhynot

Synopsis: Dazai and Chuuya have been joined to the hip since day one. But they’re not best friends. Or enemies. Or, worst of all, lovers. They are, however, great at pranking each other. Until one goes close to dangerous, and things begin getting complicated afterwards.

Tags: High School AU, Pranks, Light Angst, Denial, Pining, Confessions, Implied/Referenced Self-Harm, Crazy Kouyou, Childhood Friends, No Smut

Word Count: 107,804

Notes: I hadn’t saved this one in my compilation, but I couldn’t not find it. This fic is so charming, and I most enjoy how the characters move through the story. Definitely recommend.

In Conclusion

Again, I’m sorry for such a late response. I’m literally falling asleep right now but I felt too guilty leaving this for tomorrow morning. If you have any questions, notes, or looking for something specific for your reading, we cna talk about it.

Anyways, thanks for asking! Hope you love them, and sorry for any mistakes

#soukoku fanfiction #skk #dazai osamu #nakahara chuuya #soukoku #bsd #bungou stray dogs #fanfic recommendations #skk fanfiction #double black #bsd chuuya #bsd dazai

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i-guess-im-into-this-now · 22 hours

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The Apothecary Diaries

S1E17 First Watch

Here's where I watch The Apothecary Diaries for the first time and give my thoughts, analysis, predictions, and occasionally I stumble into a joke.

To start at the beginning:

Episode 1

My character/locations cheat sheet

Suiren - Jinshi's attendant

Lakan - master strategist

Basan - an officer who works in the palace

This episode opens with Jinshi asking Maomao for help with makeup, and Suiren decides that this is a great time to leave these two alone. Maomao believes that to make Jinshi any more beautiful would cause men to go to war.

Maomao: If this man in all his heavenly glory were to put on makeup... Are you trying to topple a nation?

Jinshi: Where'd that come from? On second thought, I would rather you don't tell me.

Is he? Not that he's trying to use his looks to do it, but it's an interesting thought. Is Jinshi interested in toppling a nation? Or perhaps dethroning an emperor? What an interesting thing to ponder. Also, is Jinshi worried that Maomao suspects him capable of insurgency?

Jinshi very much cannot afford to be found talking about toppling nations. I'm sure that the people in power who know who he really is, are already keeping an eye on him to see if he will make a play for the throne. Perhaps it is one of the reasons he was sent to manage the Rear Palace. If he makes a single misstep that could be seen as disloyal to the emperor, it would be enough to depose of Jinshi.

Ah! Jinshi wants some freckles! No, he wants to look like a completely different person. I'm sure he has a reason for wanting this disguise, but to Jinshi who has been the target of so much sexual harassment, being able to look common must feel like having a shield. He and Maomao can probably relate on this. Unlike Maomao, Jinshi can't do this regularly, his beauty is a tool that he is required to use. I also don't know that he would choose to change his appearance regularly. Even if he sees his beauty as a curse, I think he's comfortable enough with his appearance that he doesn't want to regularly alter it. Maomao does offer a more permeant solution, and Jinshi turns it down. His refusal could be because he needs his beauty as a tool, but I would guess that he doesn't want to change himself. All of that said, he's looking forward to this disguise that Maomao is going to prepare.

Maomao sees Jinshi first thing in the morning and is stunned by his beauty. She's annoyed at herself for being so affected by this man.

Jinshi: What's this? Why are you already wearing a scowl? Maomao: It's nothing. I was just noticing how lovely you are yet again. Jinshi: A little early for sarcasm.

Jinshi has tried to use his appearance on Maomao before, and it has failed every time. She's made it clear that she's not interested in him because of how he looks, so to get a comment like this one, he's sure she's teasing him. Which she is but she's also serious. It's interesting that Maomao is letting Jinshi know that she sees the physical appeal of him, when she never has before. And it's happening in an unguarded moment when Jinshi isn't trying to preen or seduce. I wonder why it's happening now. Perhaps it is just something that has been growing.

Maomao does something that disturbs everyone in the room for different reasons. She grabs Jinshi's wrist and sniffs him. Jinshi is blushing, the action a lascivious one to him. Suiren and Gaoshun interpret it the same way, but are shocked to witness it. Maomao explains that his disguise needs to start from his scent.

Jinshi ponders how well Maomao understands the world of the courtesan. He considers Lakan's suggestion to ask Maomao about how to lower a courtesan's value. Will he work up the nerve to ask? Jinshi isn't one to shy away from difficult conversations, however this is a loaded question. Asking it could reflect poorly on Jinshi. We shall see.

And does Maomao know anything about makeup? The gal was an apothecary that worked in a brothel. I'm sure she's an expert.

And she is. Her brilliance mixed with her experience means she's a master of disguise. She uses various methods to completely overhaul Jinshi's appearance, down to the most intimate details such as scent and sound of his voice. During Maomao's work to transform Jinshi, she takes time to admire various parts of Jinshi's body, such as the smoothness of his hair, the clarity of his skin, and the tone of his physique.

Jinshi is enjoying having Maomao's full attention on him and her hands all over his body, and he's going to think about this day every night before he goes to sleep. Maomao will probably also think about this day. It's a rather convenient excuse for both of them to enjoy some intimacy that they won't allow without the pretense. Meanwhile, Suiren can barely handle the multiple indignities that Jinshi has to endure to don this disguise.

Before Maomao commits to altering Jinshi's face, she can't resist putting some lipstick on him. Just to see. A little experiment if you will. One that now lives rent free in the minds of not only Maomao, but Gaoshun and Suiren too. I would give anything to see Jinshi in full glam in this show.

Nothing gets past Maomao and she finds the callouses on Jinshi's palms, surmising that he must train with weapons, which she notes is not a typical eunuch activity. Add that to the mountain of evidence that Jinshi is more than a eunuch official, that Maomao will promptly ignore.

Oh hell yeah! Suiren and Gaoshun are teaming up to send Maomao on a date with Jinshi. He couldn't possibly be seen with his usual companions, that would be too suspicious. Maomao points out the obvious, which is that she is also a well known attendant of Jinshi's. No problem, Maomao can be given a disguise too. And what Gaoshun couldn't? These two could not be more transparent. It's too bad that Maomao can't read this kind of obvious play when it relates to herself.

Maomao is dressed as a pretty young lady from a good family. And she is accompanied by Jinshi who is going out as her attendant. Jinshi loves this role reversal, and Maomao is teaching him how to play his part well. Who they are performing for isn't clear.

Basan is here, hanging back and watching Jinshi live out another one of his fantasies. Will Basan become jealous? One can only hope!

Jinshi is getting progressively more upset that Maomao is drifting in her own thoughts instead of chatting with him. He gets all pouty when Maomao says they have nothing to talk about. His fantasy date isn't going how he imagined it would.

Maomao picks up some meat skewers and after removing the cotton from his mouth Jinshi tucks in with fond memories from "camp." I'm assuming he's talking about time spent with the military. Maomao notes this isn't typical of a eunuch. I wonder what is even left on the list of things about Jinshi that resemble a eunuch.

Suiren and Gaoshun have a discussion about Jinshi and Maomao while they're out. They are pleased with themselves for setting up this outing, but Suiren is referring to Maomao as a toy, as Gaoshun used to. She talks about Jinshi as a boy and how he would fixate on one thing, and how Gaoshun would struggle to find something else to shift his attention. Gaoshun thinks that Jinshi can't afford to be so focused on Maomao. Maybe he's worried about how Maomao makes Jinshi more susceptible to manipulation from people like Lakan. Or maybe he means that with Jinshi's status, that it can't be allowed.

I've come to realize that this show is going to be much, much longer than the single season I'm on. The progress of this romance is like the slowest slow burn. Jinshi and Maomao have been stuck at an impasse for ages. Whenever they do make progress it's in the smallest increment possible that takes more brain power than I have to process and tease out. But I've digressed.

Basan looks like he's starting to enjoy this assignment now that he's picked up some meat skewers, and he can now enjoy both a juicy meal and the juicy conversation he's overhearing.

Jinshi is hurt that Maomao seems to want to get away from him as soon as possible. He asks her very earnestly if she enjoys her life in the palace. She really does, but she is worried about her father.

Maomao reveals more about her father Luomen. I think Jinshi is starting to put some pieces together about what position Luomen might have held. He'll need those clues when he gets closer to figuring out Maomao's true identity.

And it is good to see Maomao open up a little bit. She so rarely talks to Jinshi or anyone about her past, her hopes or her fears. That she does so here, with Jinshi is a step towards friendship.

Maomao sees the restaurant that Jinshi has an appointment at and notices all the ladies hanging over the men outside. She says she could have taken Jinshi to some place in the Pleasure District if this was what he was interested in. She sounds disappointed in Jinshi, or maybe she is disappointed in herself for the jealousy she feels. That she both thinks Jinshi is a eunuch and that he want to visit a courtesan is... interesting. Not that I don't think a eunuch couldn't have fun at a brothel, mind you, but still, her ability to misread a situation is always interesting. I'm confident that Jinshi is not here to meet up with someone for the reasons Maomao thinks. He may be here to meet a courtesan, but if he is, than it is to gather intel.

Honestly I'd support Jinshi if he were here for a hook up. He's committed to no one at this point, and at this rate he'll hook up with Maomao by about the time he is old enough to functionally be a eunuch, so have at it. Go wild Jinshi.

Jinshi finally gets up the courage to ask a terrible question: how to reduce the value of a courtesan. Maomao answers as I expected, you either take her purity or worse yet, you impregnant her. I'm gonna be sick. Lakan is so terrible. Just why is Jinshi so interested in this topic? Is this all to find dirt on Lakan? Does Jinshi suspect Maomao's origins are from the courtesan that Lakan "decreased the value of?" Does Jinshi have his own motives for wanting to decrease the value of a courtesan?

Jinshi is stunned, or perhaps horrified to realize what it might take to lower the value of a courtesan. It's a surreal conversation between these two. Maomao has to wonder why Jinshi is even asking the question. I can't think that she would believe Jinshi wants to use this method to decrease the value of a courtesan, but perhaps she thinks he might be interested in purchasing someone's contract? I don't know what Jinshi hopes to do with the info. Is this something he hopes to figure out to help him against Lakan? If he was hoping the answer would help him find a way to help Maomao, he now knows it's a method that he won't be willing to use. I really can't see him trying to take her purity or impregnate her. If those things were ever going to happen, he would want them to be out of mutual affection, which is still lightyears away.

I kept expecting this outing to be fun, and parts of it are, but there is so much that is undefined and unsaid between these two that there is an unsteady tension throughout the whole outing. Ultimately, the date fails to change any of it. Maomao does open up a bit about her father which is amazing. We so rarely see her talk about her life or her hopes or goals. Jinshi listens intently. And that is kind of the highlight of the day to me.

Obviously the final conversation about how to reduce the cost of a courtesan is important too. But without seeing the end of that conversation I can only guess what impact a question like that might have on these two's relationship. Because the implications of even asking the question aren't great, and I don't know where Maomao's mind is. What does she think Jinshi capable of? I tend to think she knows and trusts Jinshi pretty well, but when there is emotion involved her judgement gets all screwy.

And we haven't yet learned what Jinshi is up to. He wanted to come here in disguise for a reason. I assume he is trying to get information to help him against Lakan. At least, I hope that's what he's up to. Lakan is bad news.

To start at the beginning: Episode 1

Next Episode:

Coming Soon!

#the apothecary diaries #apothecary diaries #maomao #jinshi #jinmao #jinshi x maomao

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itsabouttimex2 · 1 day

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I just had a thought about your Taken Abroad story, what is demon child reader depicted like in the Journey To The West Story in LMK modern times? Like what would their reputation be?

I have a feeling that a certain Monke would be keeping them safe at Flower Fruit Mountain after he “vanished” (and probably longer before tbh)

I like to think that historical reviews of Y/N’s character are rather… divided. It’s agreed that Sun Wukong, for example, is an analogy for the human mind, creative, powerful, but utterly uncontrollable all the same.

It’s a little more complex for the child.

Some people think of Y/N’s journey as a metaphor for the human capacity to heal- they’re taken as a child from a barbed forest full of monsters and brought to civilization, taught to live and love and be better. The road is hellish and paved with difficulties, but things can get better. People argue that the shift from wild to tame represents the mending of trauma.

Those who disagree might say that, no, Y/N is a historical representation for adoption. They get pulled from an “awful, dangerous” home and put with a doting band of “brothers, and even a father” and gets raised properly by those who actually care about them, not just surrounded by mindless tromping monsters. (Which are interpreted as callous and uncaring parents.)

Others still view the demon child as an analogy for humanity’s ancient affinity for animals and their constant meddling with the lives of fauna. So many of Y/N’s chapters and passages in the book are dedicated to them sympathizing with caged beasts and freeing them, or getting into trouble to save an animal in need.

I like to think that they’re worshipped as a minor deity of animals and beasts, statues displayed prominently at zoos and sanctuaries. In some places, it’s customary to give those statues a pat on the head to bless yourself with good luck and a kind day.

I like to the think that by the present day, Y/N is still only a teenager. They hole up with Wukong and tend to the mountain with him, occasionally heading back to the Emerald Grove to ward off any loggers and poachers- non-lethally, this time.

But mostly…

“Playing something fun?,” the Great Sage asks, ruffling your hair as he leans over your shoulder. “You’ve had that game set aside for a while now, bud.”

“I was saving it for a week like this.” Is your placid return, laying on your back with a veritable storm of monkeys cuddling up to you. Each one is cozily sleeping, sucking up all the warmth they can from your resting form. “Rain’s not gonna clear up for a while.”

“Aww. Is it one of your ‘making friends with monsters’ games, huh?”

“Can it, Wukong… but yeah, it is.”

“Don’t ever change, kiddo. Also, scoot over.”

And then “Brother Wukong” is squishing in beside you, the monkeys shifting their heated puddle to accommodate their beloved king. It leaves you both of you trapped in a storm of fluffy white fur.

“Tell me about your little game,” he says, inviting you to infodump your way through another bleary rainstorm.

For now… things are good. Maybe not always, but at least for today.

And you’re happy.

#Time Talks #Taken Aboard #Yandere Sun Wukong

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strangermask · 2 days

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Aight, never thought I would be making a post about the #savemyboycole thing but here I am

Listen

With all due respect

Cole is heavily queer coded, and most people in the fandom interprets Cole being queer. Whether he’s gay, bisexual, pansexual, asexual, aromatic: it all depends on how you see it (the great thing about headcanons)

Was it ever stated he was gay in canon? No

Was it ever stated he was straight in canon? Not really.

Now you might say: “But the season three love triangle!” Literally it was confirmed by the writer that Cole wasn’t attracted to Nya during that. (If anyone is able to find the link to that post, please share)

Also: may I remind you that people can realize they aren’t straight after dating or even marrying a person the opposite gender. Hell, people can even know they aren’t straight and still present as one if they aren’t out yet. My brother is an example of the latter.

Now again, I don’t wish to be disrespectful because this is fan media and we all interpret things differently. I know we all don’t see the characters same. If you think Cole is straight, that is your interpretation and I can’t change it. But throwing a fit like this and trying to shove “make Cole straight” propaganda is not going to end well on your part. Especially in a fandom filled with mostly queer people

Another problem: contacting the new writers to make Cole straight? What happens if they don’t answer. Are you going to harass the writers to adjust to your likings? Like how the Voltron fandom did with Klance and ruining the ship for half the people? Like how the bmha fandom constantly harassed and sent death threats to the team to make certain ships canon? I don’t want to bring these up, but these things that have happened is exactly why we shouldn’t contact show writers to fix something we don’t like. Even if these events centered around ships, they were ruined for people. This could lead to Cole being ruined as a favorite character (and I hope it doesn’t come to that point)

All I ask, is that to please think critically about your actions and how it can affect everyone. This is not the way to go. Right now, we are only making jokes. But if it escalates beyond that, expect a much worse backlash

#mask talks #ninjago #hate im putting this under the ninjago tag #but its important #apologies if this worded poorly #i am very tired

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hungerofhadarr · 3 days

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Pathfinder is great because I just choose a portrait that is akin to , what I can only describe as , white fandom fanart interpretation of a character I want to make and then the model does not match even slightly . At this point I just choose a photo I like and accept I gotta see that the whole game while the character themself is Not that . It’ s like taping a printed photo of some guy’ s face over your own to look normal . You know ?

#pathfinder

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peterswonderland · 2 days

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Introduction

By now, we all have our opinions of The Tortured Poets Department: The Anthology. It has received mixed reviews from critics to fans alike.

In the Gaylor community, many have dubbed it her “straightest album,” which I am inclined to agree with. BUT.

If you do not like Gaylor or Swiftgron content, feel free to block and/or keep scrolling!

I’ve seen and read theories for years. In this post I will be referencing the Swiftgron Masterpost. I’m also an avid listener of the What I Will Say podcast. (No one affiliated with the podcast is involved with this post, and for all I know might disagree with it entirely. However, I will be referencing the masterpost at points, and it is only fair to give credit where credit is due.)

This is celebrity gossip, and everything is alleged. I do not know Taylor or Dianna. This is alleged (don't sue me, tysm!)

Peter is…Dianna?

Halfway through my first listen of “Peter,” I was fully convinced this song was about Dianna. That Peter was Dianna.

First, I will go through the lyrics that most pointedly seem Dianna-coded to me.

Forgive me, Peter My lost fearless leader In closets like cedar Preserved from when we were just kids Is it somethin' I did?

Taylor references closets in “seven” on folklore:

And I've been meaning to tell you I think your house is haunted Your dad is always mad and that must be why And I think you should come live with Me and we can be pirates Then you won't have to cry Or hide in the closet

Cedar closets are used as a "safe haven" to put valuable items in. The closet has preserved everything from when Taylor and the muse were "just kids" (likely meaning their early twenties.) Shoutout to Kristin in the WIWS Discord for mentioning this!

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Another interpretation I found on Genius mentioned that the closet line in “Peter” could also be a reference to another fantasy story, The Chronicles of Narnia, wherein stepping into a closet revealed a new fantasy world. This fantasy narrative ties in with “Peter”/Peter Pan and “Wonderland”/Alice in Wonderland, which we’ll get to in a second.

The line “And I think you should come live with/Me and we can be pirates” can also be connected to Peter Pan. Peter Pan and the Lost Boys often have to fight off Captain Hook and his pirates. There are also theories that pirates/Captain Hook are old Lost Boys. TL/DR: Old lost boys are either killed by Peter Pan or can choose to become Lost Boys…at least by these fans’ interpretations. A weak link I know, but still an interesting one.

“We can be pirates” because you’ve been forced to grow up too quickly…? Hm.

Further connecting “seven” to “Peter” is the idea of being just kids, although in “seven” it seems to be more literal, while in “Peter” she might be referring to when she and Dianna actually met: Taylor was ~20 years old, and Dianna was ~24.

From “Peter”:

Are you still a mind reader? A natural scene stealer? I've heard great things, Peter But life was always easier on you Than it was on me

Dianna is stunning, and has often been referred to as a scene stealer.

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“When we cast Dianna as Quinn, she ruined the part for me,” Murphy says. “She was supposed to be the Cybill Shepherd, Last Picture Show cunt, so to speak, but she humanized it. She can cry at the drop of a hat. So now her character has a conscience, a soul and great vulnerability.” Ryan Murphy, Rolling Stone. Credit

Credit (Shoutout to ellie from the WIWS Discord server for bringing the TCA nominations for "Female Scene Stealer" to my attention!)

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More from “Peter”:

And I won't confess that I waited, but I let the lamp burn As the men masqueraded, I hoped you'd return

I viewed this through a queer lens upon first listen; the definition of masqueraded (verb) is “to go about disguised/to assume the appearance of something one is not.”

When Taylor sings “as the men masqueraded, I hope you’d return,” the you is implied to not be a man.

We’ll circle back to lamps burning/lights in Part 2.

And you said you'd come and get me, but you were twenty-five And the shelf life of those fantasies has expired Lost to the "Lost Boys" chapter of your life

Dianna was twenty-five when she and Taylor allegedly began dating.

Dianna, through multiple interviews and her old tumblr blog (that often mentioned children’s fantasies and stories), seems to cherish her inner child and not be in any rush to “grow up.”

From an interview for Galore Magazine in 2014:

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There are also Dianna’s frequent posts on Tumblr about fairytales and children’s stories - this could lend itself to the idea she was living a “Lost Boy’s life.” More on that later.

But the woman who sits by the window Has turned out the light

Again, there is a reference to light, which is a theme (amongst many) we will visit in Part 2 of this analysis.

These lyrics draw natural parallels to Disney’s animated Peter Pan film, wherein Peter Pan visits the Darling children through their window. Wendy is seen sitting by the window, yearning for something more.

In another TTPD track about windows, “I Look in People’s Windows,” there are obvious parallels to “Peter.” These parallels are so strong that I believe these songs are almost certainly about the same person.

Credit | Credit

In “cardigan” from folklore, Taylor seems to categorize herself as Wendy and an unknown muse as Peter.

I knew you Tried to change the ending Peter losing Wendy

More “cardigan” parallels will be drawn in Part 2. Part 1 is focusing on “Peter” itself as well as its tie ins to another TTPD song, “I Look in People’s Windows.”

I Peter Looks in People’s Windows

Connecting “Peter” and “I Look in People’s Windows” is almost too easy, yet I didn’t catch it on my first few listens. Let’s break it down.

The images referenced above show that windows are a central plot point to Peter Pan. Waiting by the window symbolizes yearning for something more, something magical. Wendy is waiting for something more: for Peter’s return. We can draw parallels between Wendy’s window and the rabbit hole in Alice in Wonderland: a portal to something whimsical and dangerous.

If you’re new here, “Wonderland” from 1989 is known to many as one of Taylor’s most blatant songs about a woman: Dianna Agron. I encourage you to read this portion of the Swiftgron masterpost if you’re new or need a refresher!

Sit and Wait, Sit and Wait

The first theme we’ll discuss is longing/yearning. Both in “Peter” and “I Look in People’s Windows,” Taylor conveys a strong sense of yearning for a person with whom a relationship has permanently died, despite her hopes.

From “Peter”:

The goddess of timing Once found us beguiling She said she was trying Peter, was she lying? My ribs get the feelin' she did And I didn't want to come down I thought it was just goodbye for now

Said you were gonna grow up Then you were gonna come find me Words from the mouths of babes Promises oceans deep But never to keep

Forgive me, Peter, please know that I tried To hold onto the days when you were mine (Hold onto the days) But the woman who sits by the window has turned out the light

The woman (Taylor) who sat by the window has given up hope (turned out the light.)

Also, fun fact about "my ribs get the feeling she did": Dianna Agron removed a Wonderland tattoo after the song "Wonderland" was released. Guess where the tattoo was?

On. Her. RIBS.

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"We're all mad here."

Also, "What will we become? We become ourselves," is a quote from poet Patti Smith. Yes, the same Patti Smith referenced in the title track for The Tortured Poets Department. (Thanks to thea from the WIWS discord for pointing out the Patti Smith connection to me!)

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(Shoutout to reddit user aztraps for pointing out the rib lyric to me!)

The themes of yearning continue on “I Look in People’s Windows” during essentially the entire song, but here are some highlights:

A feather taken by the wind blowing I'm afflicted by the not knowing so

I'd be remiss not to mention that Peter Pan, throughout many adaptations, is known for his feather in his cap.

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The Paradise of Peter Pan by Edward Mason Eggleston, 1934

You might notice in this painting that Peter looks like...well, a woman (stereotypically and historically!) The character of Peter Pan is normally played by a woman on stage and is often depicted with female features. This makes Dianna being Peter even more...suspicious.

More from “I Look in People’s Windows”:

I look in people's windows In case you're at their table What if your eyes looked up and met mine One more time

This is a love that is ended, yet Taylor can’t help but wonder what might happen if flames rekindled.

I know what you’re thinking – Taylor Swift isn’t walking around random neighborhoods peering into neighbor’s windows. You’d be right (hopefully.) This song is a metaphor, in my view, for “insta-stalking” or social media “stalking” an ex, constantly checking up on them to see what they’re up to, who they’re with. She checks mutual friends’ pages, looking to see if she sees her love (Dianna) “at their table” (with them.)

The real question is - why use windows as the metaphor for internet stalking your ex? Perhaps to tie it into another song about that same ex?

More "ILIPW" lyrics:

I tried searching faces on streets What are the chances you'd be Downtown, downtown, downtown Does it feel alright to not know me? I'm addicted to the "if only"

Taylor is YEARNING for this person. She also seems to be unable to believe this person has been able to seemingly move on without her (just like Peter has.)

In “Peter,” Taylor’s relationship didn’t turn out as she hoped. She hoped this person would come back, and they didn’t. (“Come Back…Be Here” anyone??? PART TWO)

“I Look in People’s Windows” highlights the fact that Taylor has not completely moved on. As she goes about her daily life, she still “peers in people’s windows” (checks instagram/twitter/etc.) for this person. IT’S THE SAME MUSE!!! (Allegedly.)

In addition, the line: “I'm addicted to the "if only"” is especially interesting given Dianna’s interesting response to rumors of dating Taylor in a May 2023 (!!!) Rolling Stone article:

The theme of waiting is also important to discuss. In “Peter,” Taylor is waiting for someone who said they would grow up and find her; she’s sitting by the window waiting for them. In “ILIPW,” Taylor is looking through windows waiting for this person’s eyes to meet “mine one more time.” Both songs have this sense of sit and wait, sit and wait, sit and wait.

Taylor looking into people's windows and obsessing over gatherings where the muse might be in attendance reflects a sense of longing and yearning, reminiscent of Wendy's yearning in Peter Pan to reconnect with Peter despite being unable to bridge the gap between their realities:

Lyrics from “Peter”:

We both did the best we could do underneath the same moon In different galaxies

Eternal Youth

More from “I Look in People’s Windows”:

I look in people's windows Transfixed by rose golden glows

To view something in rose colored glasses is to see something in “favorably disposed opinions : optimistic eyes.”

One could compare this to the rose colored glasses Wendy takes on when visiting Neverland, or when Alice visits Wonderland. (Again, we will be reviewing Wonderland’s connection amongst many other songs in connection to “Peter”/“ILIPW” in Part 2.) Both of these fairytales cater to the inner child and youth.

The theme of eternal youth in “Peter”, based on the fairytale of Peter Pan, is self explanatory, and I don’t feel the need to go into detail in this already MASSIVE post.

For this example, we’re going with the theory that “Peter” and “ILIPW” are inspired by the same muse/relationship. “ ILIPW’s” theme of yearning can be interpreted through the lens of Wendy's relationship with Peter—a story that encapsulates the longing for eternal youth (which Taylor writes about in “22” on Red, a song that is DEDICATED TO DIANNA, the pain of growing up, and the poignant realization that some connections are meant to remain in the realm of dreams and memories.

Rediscover Your Sense of Wonder

Peter appears unexpectedly and at random to seemingly bring a sense of magic and wonder to those around him, including Wendy and her siblings. Peter visiting the Darling children through their window symbolizes the allure of escapism, especially for someone like Taylor who cannot lead a normal life, and the desire to remain forever young.

“ILIPW,” if you allow the interpretation that it is intrinsically connected to “Peter,” indicates a longing to recapture, if anything, the innocence and adventure embodied by Peter/the muse. Taylor’s fixation on windows is a search for moments of enchantment and wonder that the Peter muse gave her.

If we follow this line of thinking and allow Dianna to be the muse of “Peter” and “I Look in People’s Windows,” it’s very interesting that the song canonically dedicated to Dianna centers around the very idea of youth and wonder: “22” from Red, as seen in the Rolling Stone piece mentioned above.

From “22”:

We're happy, free, confused, and lonely at the same time It's miserable and magical / It seems like one of those nights We ditch the whole scene and end up dreaming Instead of sleeping / Everything will be alright If we just keep dancing like we're 22

Tumblr / felldowntherabbithole

Dianna once had a tumblr with the url felldowntherabbithole. While I searched what archives I could find, it was quite overwhelming, and I didn’t get through many of her posts throughout the years she was active. However, I will mention posts I did find that showcased her interest in fairytales, and why Taylor might choose one (or two…“Wonderland,” anyone?) as inspiration for songs she has written about Dianna.

FIRST: This old post was found by Cam from whatiwillsay. She is not affiliated with this post and did not endorse it. However, I was unable to find this screenshot myself on the Wayback Machine, so I want to give her credit for finding this post on Dianna’s blog:

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Now, onto some screenshots I found myself of Dianna’s love of fairytales, all courtesy of the Wayback Machine:

References from bottom to top: Goodnight Moon, Dr. Suess, Alice in Wonderland, Little Red Riding Hood, Underland (a retelling of Alice in Wonderland)

Part Two Coming Soon

PART TWO will be linked here when finished. If you have any comments, suggestions, or questions, I’m more than ready to hear your thoughts!

Part Two will cover "Peter" and "ILIPW's" connections to other songs associated with Dianna.

Part 3 will cover anything I missed that I didn't feel I could edit into Part 1 or 2, as well as some more reach-y theories that I still feel deserve an honorable mention!

This post will be edited for grammatical and factual errors as necessary, as well as adding more evidence I feel needs to be included in this post.

#gaylor #swiftgron #gaylor swift #peter #i look in people's windows #gaylor theory #gaylor lyric analysis #swiftgron lyric analysis

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harrowharkwife · 15 hours

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for the character meme: dulcie or cam or pal or a character of ur choosing!!! hehe

!!!!! ty lem!! im gonna do my girl dulcie...

favorite thing about them: honestly just the way she's written- it never fails to make me emotional that she *is* explicitly written as being brave and strong, but tamsyn neatly sidesteps the "inspiration porn" ableist stereotype of writing a character as being brave/strong *because* they are sick. dulcie isn't brave or strong because of her illness. her strength and bravery are explicitly positioned, IMO, as being in response to surviving *ableism* and other people's condescension towards her and mistreatment of her, rather than surviving her illness itself, if that makes sense. her health is just a fact of her life, it's not moralized. which i really, really appreciate. it's a small shift, but it's very meaningful to me.

ALSO deeply special to me: her intentional and careful commitment to boundaries re: The Palamedes Of It All. a refreshing change of pace, as far as these books go vgjtjxdjt

least favorite thing about them: i mean. houser. :/

favorite line: three way tie between "truly, wonderful news for my haters," "i am sick of roses and horny for revenge," and "oops, there i go again, never doing what i'm told"

brOTP: gideon!!!!! i think it's a crying shame they've never met. i think they'd get along tremendously. the whole cytherea gideon thing was Horrid and Awful in so many ways, but it always Extra stings (in an adding-insult-to-injury sort of way) when i think about what it would have been like if gideon had REALLY met dulcinea, and not cyth. dulcie would've been a great friend for her, i think. they'd have been so good at making each other laugh

OTP: honestly these days it's cam? @ palamedes ily but get outta here gayboy it's yuri time now. plus i just love chewing on the concept of cam + comphet, and cam + subconscious internalized misogyny, and cam + gender, and cam + her relationships and interactions with other women. i think there's lots to explore there. camdulcie has a certain "when i was eight i didn't realize i had a crush on the new girl in my grade so i just wrote her a note that said 'get out of my school'" energy about it, To Me

nOTP: idk if i really have one for her, specifically? idk. ianthe or something, fuck it.

random headcanon: stoner. on all levels except physical she is taking fuckall huge bong rips. on the physical level though her lungs suck so i think she'd be a tincture girlie. she's got chronic pain she deserves it. am i projecting? you tell me

unpopular opinion: idk if this is an unpopular opinion exactly, but i always see people referring to thee rejected proposal as being something born primarily out of love/out of romantic intent? and i don't know if that's necessarily how i see it. it was CERTAINLY, and obviously, a factor. but at least from my interpretation of pal's monologue to cytherea at the end there, i get the sense that he had already accepted her boundaries in that regard, because he says he "understood that he was a child." and we also get camilla saying that his motivations in proposing were primarily a means-to-an-end way of getting her off the seventh and letting her die with dignity. iirc her exact words were like "so she could spend what time she had left with people who cared about her." like, don't get me wrong, i think pal is lying to himself if he says that being in love with dulcie wasn't PART of the motivation there. but i find it a lot more interesting in a worldbuilding and social commentary way to interpret the circumstances there as him offering, essentially, to be a hospice doctor at age 19, and marriage being the 'easiest' way to get her off the seventh/planet medical malpractice. there's an imperial misogyny ownership-through-marriage throughline there that's nauseating, as well as the implications re: disability and agency and autonomy, and i think that's all very interesting to explore. i think this view is supported in part by the paldulcie interaction in TUG, where she alludes to the idea that she was cognizant about the impact that bearing witness to death and loss up-close and personal like that changes a person, and that she didn't want to do that to pal and cam, especially given their age. i think it informa dulcie's character and grants her additional narrative agency to look at things from that angle, of her "no" being in reference to *both* the age gap AND her intentional choice to continue suffering on the seventh, rather than put two kids through being hospice caregivers and/or widowers at nineteen– no matter how many times and how sincerely they kept offering, no matter that she would've absolutely had a more peaceful and comfortable end-of-life HAD she accepted his proposal and gone to the sixth to die. i think it says a lot about her as a person, that choice. there's a quiet and meaningful responsibility to her as a person that i find fascinating. and her character is just sooooo firmly rooted in and informed by disability politics, on every level, and i feel like people don't engage with that aspect of her characterization enough!

song i associate with them: ooooh SO many, i have a whole playlist. but i think the biggest ones are

-the drama by kesha ("friday night, get too high, keep checking my pulse, am i dead yet?" / "in the next life i wanna come back, as a housecat as a housecat! i'd sleep and play in the sun, i'd be a fuckin' cute son of a gun!")

-avant gardener by courtney barnett (the whole song really, but especially the lines "the paramedic thinks i'm clever cause i play guitar, i think she's clever cause she stops people dyin'," and "i take a hit off an asthma puffer, i do it wrong, i was never good at smokin' bongs." i just think she'd love this song.)

-honorable mentions include stoned at the nail salon by lorde, life according to raechel by madison cunningham, rose-colored boy by paramore (@ palamedes, lmfao), picture me better by weyes blood, extraordinary machine by fiona apple, rubberband girl by kate bush, last words of a shooting star by mitski.

favorite picture of them: oh man well it obviously has to be my icon... art made for me by the lovely @franzias-cave !!!! based on the concept of "the woman is dying, please do her the decency of allowing her to look the part in fanart." my girl... she's a malign fairy, she's a hot-eyed wraith <3

ty lem this was so fun! i love my gworl :')

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newwillinium · 24 hours

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The Great Khans and the Tribes of Zion/Honest Hearts

So I noticed this a few nights ago when I was trying to decide what route to go for my newest Fallout New Vegas character, and I noted something that I don't think many people have really ever clicked on.

-][-

The Great Khans, in Fallout New Vegas, are written as stand-ins for Native Americans.

Hear me out.

They are a people who have been pushed east out of their ancestral homelands time and time again, later finding a home for themselves in the Mojave. They warred with other native tribes, Mr House and what would become the Families, and then later were subject to a brutal attack on their civilians which led them to be stuck on land that was their own but was sparse in resources and are unable to meaningfully fight back against the rising Imperialistic powers of Mr House and the NCR (President Aaron Kimball later referencing and using the same "Sea to Shining Sea" rhetoric as the United States did during the Great Western Expansion, at Hoover Dam).

But what really clicked this for me was that, in the NCR ending where the Great Khans ally with the New California Republic, they are once more kicked off of their land and are sent off to a far off distant Reservation.

After the Second Battle of Hoover Dam, the Great Khans returned for a time to Red Rock Canyon. The NCR's pressing need to expand proved greater than its promise of amnesty, and before long the government decided the Khans had to go. The surviving Great Khans were relocated to an isolated, barren reservation, well north of NCR trade routes

Sounds really familiar right?

And looking at the Great Khans within this context, really reframes the context of their raiding and deep bitter anger that the Elder Khans like Papa Khan and Oscar have against the NCR.

Colonization is an ugly brutal thing, and it is also a complex one.

Like the Great Khans in New Vegas, many Native American tribes ending up raiding American citizens as a way to fight back, to strike against a rising imperialistic threat that was eager and willing to grind them against their heel, to kill their culture and bring all under the American Empire.

They fought, raided, begged, pleaded, sent letters to congress, lobbied Congress and the President and the Director of Indian Affairs, even as the infinitely more wealthy and powerful United States (even just off of the weary years of Civil War) did little to nothing to step the Westward push and actively allowed it's military to perform as it may on and off orders to get the natives off of land that had once been promised to them but was now deemed too valuable for a mere treaty to hold any sway.

And to bring this back to the actual conversation I want to have, is that I wanted to state this realization of mind in order to contrast it with another example from the exact same game.

The Dead Horses, Sorrows, and White-Legs of Honest Hearts.

Where as the Great Khans are treated with a kind of weary respect, of a people crushed beneath the wheels of a infinitely more powerful empire, struggling to find hope in a FUTURE for their people and culture, the Dead Horses and Sorrows and White-Legs are. . .honestly written with far less respect in my eyes.

The Sorrows are being actively converted by a White Savior in Daniel, who sees it as his burden to show these "innocent savages" the true faith and demands that they give up their home so that they are not "tainted" by the harshness of reality. Where they have no other visible leaders then this Foreign Priest calling their faith and interpretation of his teachings through their own cultural lens as wrong-headed.

Where Joshua Graham, the butcher who helped Caesar commit cultural genocide on dozens of tribes alone, is elected War Leader by the Dead Horses and in some endings becomes worshiped by them. Even he warns Follows-Chalk to stay in Zion lest he be corrupted by the dangers of the wider wasteland.

Now you sound like Joshua. He always tells me the tribal life is better, that I should stay here and forget the outside world.

And the White-Legs are treated as nothing but a people wholly existing of hate that deserve to be destroyed because they have been fooled by Ulysses and Caesar. Never humanized, never given a chance to learn the truth for themselves, they are written and treated almost like generic Orcs in many fantasy settings. No matter what this tribe and people are consigned to doom and slaughter.

-][-

And I say all this because I find it deeply weird how disparate these ideas and depictions are between the main game of New Vegas and it's Honest Hearts DLC.

Why are the Great Khans given so much dignity and pathos, when the Honest Hearts tribes feel almost like caricatures?

Why is Honest Hearts the way it is? And why is the writing so disparate between the two sections of the game?

#fallout #fallout new vegas #great khans #honest hearts #fonv #fallout nv #new vegas #discussion #comments welcome

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zipadeea · 4 months

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Leah Jeffries is playing Annabeth like she's one thousand years old in the body of a twelve-year-old and she is so correct.

#pjo #percy jackson #annabeth chase #disney #disney plus #leah jeffries #she's so good #i love it #love her #what a great interpretation of the character #i love this show so much

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taralen · 6 months

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I love that Spamton is simultaneously:

Funny

Scary

Hideous

Handsome

Tiny

Gigantic

Angelic

Demonic

Villain

Anti-Hero

Piece of @#$%

Lovable Weirdo

Disgusting

Sexy

Silly

Angsty

Manic

Depressed

Chubby

Thin

Buff

Dirty

Clean

Ball-jointed

No jointed

Badass

Loser

WINRAR

He's like the perfect poster boy. He fits into so many categories, and yet, most of them fit him anyway. Want an ad for something horrific? SPAMTON G. SPAMTON. Need a model for the latest lingerie? SPAMTON G. SPAMTON. Looking to advertise good dental care? SPAMTON G. SPAMTON. Need a scapegoat for all the city's problems? SPAMTON G. SPAMT—

#musings #deltarune #deltarune chapter 2 #spamton #spamton g spamton #hidden headcanons #All his depictions are so creative #I might draw him one way but I love the way other people interpret him too #I might be biased but dammit there has to be some truth in what I say!#Hallmarks of a great character IMO. We all know it's him and yet there are still variations.#A good character has multiple layers of depth IMO #If artists can express different layers of the same character then that character is pretty damn interesting

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erytherion · 1 month

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Reading the webtoon and…

Does this imply that Kim Dokja also tried to write a questionnaire for her to fill in since she wouldn’t speak to him, that either he 1) never gave her in the end (especially if he couldn’t find her after she was released) or 2) gave it to her and she STILL refused to answer?

Because that is so so so so awful. It was already bad but if he tried so many ways to get her to speak and she still gave him no response, regardless of her reasoning… isn’t that still directly choosing to cut herself fully out of his life? Why in the hell did she lie for his sake and allow him to visit her if she wanted to never speak to him again?

I know everyone claims Kim Dokja is just like her in sacrificing himself for loved ones, but at least he tries his best to stay with them and to keep them in his life. He still chooses sacrifice, but it’s not because he intends to never return. He always returns (even if much later than planned).

The only time this differs is with 51%, when he STILL tried his best to stay with them - at least as much as he could.

I sometimes like Lee Sookyung, but I am mostly still SO mad at her for completely ignoring her child since he was 8 years old. Especially when he must have looked like shit any number of times from being mistreated and bullied by family, friends, army, employers.

But maybe that’s just the fragment in me being eternally pissed with her. She DOES love him, but like he says in the webtoon in this chapter - maybe such truths are painful enough to be false anyways, because they’re just SUCH bullshit. That’s not how affection should work, if you actually care about someone and want them to be happy.

#RAWWRGHHH I WANT TO SHAKE HER SO MUCH #LOOK AFTER YOUR KID #and if you can’t do that because of circumstances at least ACKNOWLEDGE HIM #yes I do know she cared and it’s just that she mistakenly believes he’s better off this way without her but like #then WHY does she still insert herself back into his life when he’s finally stopped trying to get her to speak?#yes yes others have great analyses on her and their relationship and I usually agree with their logic but it’s still. So. Hard. to like her #but then I remember that this story was the little Dream’s wishful thinking to cope back then on his own #and so maybe in his world Lee Sookyung never ever would speak to him again #he just wished she would so he wrote it down as happening for This older version of him #and that’s somehow worse because like #even in the story where he got her to speak to him again she still won’t speak so he has to force the words out some way (via outer god)#and if that’s true then it’s still just his interpretation of her actions and choices #and not her own since she never told him #so like ARGGHHH #but I like to believe that characters have autonomy despite their respective author’s efforts in documenting them #so she still chose to speak all of this too and he would have accurately interpreted her this way because she controls what she says #even if he (little Dream Kim Dokja) is the one writing it down as wish fulfilment fix-it fic #a fix-it for himself and not just for the other people he loves #😭😭😭#orv #orv spoilers #omniscient reader’s viewpoint #lee sookyung #kim dokja

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