Thinking about how, at the end of the day, at the fatal moment, the sunset of the Republic, it wasn’t Yoda, or Obi-Wan, or even the Chosen One himself standing in the way of Palpatine. It was Mace Windu.
Mace Windu, the inventor of Vaapad and Master of Form VII, the Jedi's strongest duelist, the only person to ever defeat Palpatine in combat. Mace Windu, Master of the Jedi Council and the youngest Master ever appointed to it, the revered leader of the Order. Mace Windu, who forgave even those who tried to kill him, who risked his life over and over again for his troops, who, after 3 years of desperate war, tried to negotiate with battle droids. Mace Windu, who knew the clones were created by the Sith and chose to trust them, who saw every Shatterpoint in the Republic, and loved it still, and fought for it until his last breath, until he was betrayed by Anakin, who he believed in and trusted despite everything.
Mace Windu, High General and hero of the Republic, the embodiment of the Light, the last and greatest champion of the Order, the best Jedi to ever live.
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suicide cw
look i have been in this area before mentally. it sucks and i wouldn’t wish this on anyone. but, and this is going to sound callous, but i don’t feel any sympathy for james somerton. even if i hope he’s like. not dead. But thats all the amount of goodwill im willing to give him. The more i think about this really, the more angry i am.
ngl this entire situation is another example of how white people weaponize their mental illness to avoid consequences. Im seeing it in real time.
this man has a continuous habit of using self-harm as a get-out-of-jail-for-free card. in both of his apologies, he has worded his supposed attempts in ways that were clearly meant to guilt people who displayed his plagiarism and overall horrendous history of racism and misogyny. i say supposed because, while i’m not saying those are lies and this would he such a fucked up thing to lie about that i don’t want to think he has, unfortunately, it’s been proven again and again that his word can’t be trusted, as he’s known to lie to try get out of consequences. Hes a proven liar. him lying about this is actually the best case scenario, because no one should go through this entire situation, wouldnt wish this on anyone, but you can only do this so often before people stop sympathizing with you. is this callous? Yeah, but like. I’m actually fucking angry he cant straight up take no as an answer. that this is how he reacts realizing he cant be one of the Cool Kidz™️ on youtube anymore. he acts like he DESERVES a career, like its not a privilege hes lost due to his own actions.
He lied about apologizing and forgiving people, he lied about giving the money to hbomberguy to give to ppl he ripped off (yknow, instead of doing it himself), he lied about the jessie gender situation and rewrote the narrative to make it so he isnt the bad guy, and hes the victim all along actually!
you can’t tell me that supposed last message of his isn’t meant to be a 13 reasons why esq attempt to deflect the blame “look i’m going to kill myself and it’s all YOUR PEOPLES FAULT for not letting me achieve my DREAM of being filmmaker IN PEACE!!! I just wanted Nick’s (the guy who I have thrown under the bus again and again) portfolio up!! Im just being a good friend dont you all FEEL BAD” he refuses to take ANY ACCOUNTABILITY of any of his actions and he IS STILL trying to shove the blame over to other people again.
it’s also pretty ironic people are like “uhhh well hbomber’s fans harassed him!!!” like hbomber outright told people NOT to HARASS JAMES!!! ALSO acting as if james doesn’t have a very real documented history of STRAIGHT UP sending his fans to harass and threaten smaller creators, more notably women, trans, and bipoc creators. especially after he’s stolen typically very personal anecdotes so he could profit from them. so why can he do it but the second people are like “hey this guys an actual piece of shit.” and he can’t handle it suddenly people are trying to white knight his shit? like no he doesn’t get that. he doesn’t get that at all just because he couldn’t handle the consequences of his actions.
what? were supposed to stay quiet about a man profiting off of other minorities because he wanted to be the spokesman for all gay people? people tried to solve this on a smaller, more private scales for YEARS and he kept doing it. it was clear that the giant public video was the ONLY way to get people to notice. HE WOULDVE GOTTEN AWAY WITH STEALING 87 FUCKING THOUSANDS WORTH OF DOLLARS. HE CANT HANDLE THE FACT HE CANT GET AWAY WITH IT.
am i supposed to feel bad for the guy who basically threatened a trans woman with the police? i don’t care what anyone says, it’s so fucking obvious that he threatened jessie by implying he was getting the police involved in their conflict. what am i supposed to act like that didn’t happen? are we supposed to pretend like he didn’t glorify nazi’s and outright said that gay people made up a good chunk of the nazis? That he didnt say america joined ww2 bc they were jealous of the NAZIS. WHAT WOULD POSSESS YOU TO FUCKING SAY THAT. but then? He gives women (not even women most of the time, he misgenders nonbinary ppl constantly) shit for writing mlm. are we supposed to act like he doesn’t straight-up sees himself superior and better than people of color and steals their works to put himself on a pedestal? Are we supposed to act like he didnt spit on our elders by saying “only the boring gays survived aids” like man! Fuck you! He BLANTANTLY MAKES UP HISTORY TO PUT HIMSELF ON A PEDESTAL!! HE ACTIVELY TRIED TO REWRITE LGBT HISTORY TO SUIT HIS FUCKED UP NARRATIVES!
yes this sucks ! no one deserves this but no one should be making him a martyr. Thats what he fucking WANTS! He wants to be immortalized as a victim!! (again, supposedly, it was reported hes alive but its not confirmed).
The shit he got isnt near the amount of fucking callous behavior hes done again and again. Again, to drill this point, EVEN IF HE DIDNT CALL THE POLICE HE THREATENED A TRANS WOMAN INTO THINKING HE DID!!! The fact he tried to use a head injury to justify years of the outright ghoulish shit fucking astounds me. Why the fuck did anyone in his life thought it was a good idea to let him TRY to come back. in the end, he had options. he didn’t need to try to make a comeback. HE DIDNT NEED TO FUCKING LIE OR IGNORE THE SHIT HE WAS CALLED OUT ON the reality is, he wanted to come back thinking he could shove it under the rug, was told that no dude, you’re not allowed to be a youtuber anymore. you’re done. you need to move on and went full nuclear. it’s not on anyone’s hands but his own. HES BEEN DOING THIS TO HIMSELF!! But nah man we cant call his shit out bc hell may or may not kill himself. Fuck the other minorities who have the same issues but worse and sometimes BECAUSE of him. This is going to SUCKKKK so bad when other ppl, specifically white gays, are going to weaponize this shit to get away with their stuff.
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PLEASE DO NOT TAG AS YOUR OWN OC OR PAIRING.
Nathan and Ruben share a bond more powerful than most; mutual understanding through past experiences no one should ever have to go through, and through past actions so horrible they cannot be spoken of. Their grief and the blood on their hands binds them to the STEM technology they created, which has alienated them from the rest of the world— but they give each other the comfort they have both longed for so desperately for years, and that is all they need.
They are each other's counterpart; you cannot imagine one without the other, like two sides of the same coin. Through their pain, their grief, their desire, and their regret, they have become one.
anna akhmatova, the guest // bones; equinox // 'i won't become' by kim jakobsson // agustín gómez-arcos, the carnivorous lamb // by oxy // achilles come down; gang of youths // czeslaw milosz, from 'new and collected poems: 1931-2001' // 'extended ambience portrait from a resonant biostructure' and 'migraine tenfold times ten' by daniel vega // a little death; the neighbourhood // marina tsvetaeva, from 'poem of the end' // by drummnist // katie maria, winter // 'nocturne in black and gold the falling rocket' by james abbott mcneill whistler // micah nemerever, these violent delights // body language; we are fury // 'the penitent' by emil melmoth // chelsea dingman, from 'of those who can't afford to be gentle'
taglist (opt in/out)
@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;
@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;
@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;
@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree
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I know it’s not a question but i can’t help but appreciate the fact that you draw adult Steven as a chubby guy! We big boys need some positive representation in here. Also, i’ve been following you for almost a year now!
Btw sorry for my English lol.
Hi! It's very pleasing to know you've been around for as long! 😁😁😁 I absolutely appreciate the appreciation! And no worries, your English is super fine! 😁
(Relatable actually. I am also apologizing in advance if I can't exactly have my point clearly across because I'm not well at English myself! lmao)
It took me quite some time to learn how to draw chubby characters but it's so satisfying to have eventually. ( *`u*) (I mean, there's still so much to learn, but still.)
Having a chubby main protagonist is so wonderful to have. And a good kid at that. (Ngl I'm attracted to kindness. haha So of course it's very important to me that he's fat AND kind.)
Also design-wise, I personally think it fits his character so well. Soft and huggable, shaped like a friend. Thick arms to hug people with snuggly. Body wide like a shield. etc. ¯\_(ツ)_/¯
And I just really like to capture these elements when I draw him as an adult. Also that it's just fun to draw.
Simply personal thoughts about it, nothing against any other ways he's being portrayed by others of course.
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nah but like
they're "seiros lapdogs" because they're fighting back against the people who attacked them completely unprovoked??? also because it so happens that thales is at garreg mach so they have to go there to reclaim the area to defeat him???
i just hate this because it's just perpetuating things about faerghus and its people that just aren't true. it frames it like they jumped into the war willingly for the church and that they're only here for the church. like nah buddy, it's not faerghus' fault you're out here fighting to protect thales and ludwig.
it also is batshit to me how he and leopold are fighting to stop faerghus from advancing but like... they know what's happening to the empire and that edelgard isn't even calling the shots anymore, yet they still stupidly fight for the very person who is literally razing their country and burning their villages. they know the empire is in shambles and that the kingdom isn't targeting them and is specifically aiming for gm to get it back from who? thales; who, mind, at this point is in his real form and not posing as arundel anymore. everything is laid out plainly, but they still act like faerghus is the bad guy.
but yeah, okay. faerghus BaD for defending themselves, fighting back, finding out who is behind all the puppeteering and heading to take him out. sure, that makes them seiros lapdogs. like what are you, an agarthan mouthpiece??? may as well be like yeah you go retreat and leave you agarthan lapdog. if they don't realize it's Someone Else in charge of course, then ludwig lapdog works fine too.
and it sucks because other than this shit, i like waldemar just fine as a character. it's just like, it feels like they forced someone to have to stick in that final faerghus BaD insult before the grand finale so they just randomly picked someone to remind us that faerghus is Always Wrong as long as they continue to fight back and prevent being attacked in the future.
waldemar here is just basically ag caspar. fighting and risking his life for thales, who is destroying the empire and basically holding the emperor hostage. if the writing here had any decent plot points, they would've all stopped and have been like hey wait, shouldn't we be fighting to get our emperor back? why are we stopping these guys from killing the people who are destroying this country?
and like, they literally went from siding with ludwig during the insurrection to siding with edelgard in this timeline to... jumping immediately back to ludwig as soon as he was at the top of the food chain (thales notwithstanding). as soon as the person in charge changes, they jump ship immediately; then of course get mad that the people they attacked are coming after them... and fighting them as they defend the very people who are letting adrestia become a literal, physical ruin.
it really just tells me that these people don't care about adrestia itself, but status, power and wealth. they don't care about the country itself as long as they're doing well. that's like, the only thing i can get from still fighting with/for ludwig/thales. the fact that they just fight for ludwig again as soon as edelgard is out of commission is also pretty gross to me. they have no loyalty at all.
and it's like, i want to like waldermar and leopold, but they come across as just selfish, entitled and only there for their own asses to be covered. and i get that - that is a realistic take on politicians, but the fact that the game regularly loops back around to faerghus BaD despite that and despite portraying these people as opportunistically selfish is like... what are they even trying to write??
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someone cold emailed me to ask if i was going to a writer's conference in los angeles and was putting together a panel or caucus for queer poets or if i knew anyone who was...buddy you are severely overestimating how much i network with other poets (i don't) and how often i attend writer's conferences (never) 😭
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WoL Think Thonkers
#1 Where is your Warrior of Light from? What was their home like growing up and what set them out on their journey?
Tsuna was born sometime in 1545, 7 years before the fall of Doma. Once she was old enough, she often helped her mother in the shop due to her father being away on sea voyages more often than not.
Her mother was kind but strict-- guilty of imparting onto her child the ideals of her people who shunned the outside world, and avoided conflict at all cost. Tsuna grew up on her bedtime stories of the world beneath the waves, and of the Ruby Prince-- a half-Au Ra man who was born without scales. Their village in Yanxia was fond of her mother, and helped her raise her only child.
When Doma fell, and the Court was dissolved, its servants and the surrounding villagers were displaced or taken as conscripts.
Left without a mother, and her father missing, Tsuna was smuggled into Kugane by a family friend where she would be taken in by an Okiya inside the Sanjo Hanamachi as a perceived orphan. For thirteen years she trained as a maiko, and graduated at twenty.
She threw it all away after being asked to entertain a couple of Garlean soldiers from the embassy. Sometime during the evening, she received her first Echo-- flashing back to the day her mother was taken away. The same soldier who broke into their village home was sitting next to her.
She killed him in a crime of passion. The second life she took was self-defense. The crime forced her to flee or face persecution, (not to mention the political implications of a citizen of the neutral facing Kugane committing a crime against the embassy) and so she fled onto the first boat that would take her-- to Eorzea.
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I feel like it's maybe pointing out the obvious but I can't stop thinking about how important the "be my bodyguard" scene (or "red scene" as Mile and Apo fondly call it) is. It's a scene that I think has been coming for a long time; something that we have needed for a long time, and I really loved how they did it.
Things they haven't said to each other, and secrets they've kept—and the trust issues created by association—have been at heart of their conflicts throughout the entire series: in episode 5, Kinn is not honest with his feelings for Porsche, resulting in disaster; in episode 7, the fact that Kinn hasn't told Porsche about Tawan creates a rift between the two of them, pushing Porsche further towards Vegas and affecting Kinn's trust issues; in episode 9, Porsche listening in on Kinn because he doesn't trust him is the reason why Kinn has to lock him up—and Kinn's failure to communicate his plan with him both in ep 9 and early in episode 10 add to this conflict. Even in episode 12, that argument about the fact that Kinn hadn't been honest with Porsche about why he hired him is rooted in the same issue: honesty, or the failure to share it, with each other.
And this secret in particular—one so alarming that it made Porsche throw up a physical touch boundary between the two of them, eliminating their main form of communication—is key, because it has affected Porsche's entire life, and Chay's life by association. It has been lurking throughout their entire relationship, as yet unresolved. But Kinn's character growth, and their relationship growth, means that they can now resolve it—through words rather than sex, and the promise of honesty, and the clear signal that Kinn is sending of choosing Porsche by moving out of the main family house to live with him.
And so I love that they chose—that Kinn chose—to give us this scene here, back where it all started. Back where that first lie stemmed from. In episode 6, we saw them fall into a river, which washed away their hostility towards each other, creating a fresh slate for them to build their relationship on in the freedom of the woods: here, Kinn is intentionally making that choice to wipe things clean himself, rather than being nudged into it by circumstance. And just like they found freedom in that ability to be themselves in the woods, this is also bringing them freedom—the freedom of not having to hide anything from each other anymore.
Kinn's line "there will be no more secrets between us" sums up this scene—and everything that has been building up to it—perfectly. (Also, in the trailer this line is layered over a shot of them in the woods—following what I said above: nice!) I actually think that, in hindsight, trust has not been as much of an issue since they resolved it in the episode 7 bathroom scene as communication has been—they have had conflict, yes, but most of it has been around not telling each other things, rather than not trusting each other (I have more thoughts on this if anyone is interested!). So this line about no more secrets is not only about trusting each other, but more importantly about communication and total honesty—of their feelings, and of their selves.
In my mirrors and reflections meta I've often talked about how the fact that we still see them reflected together has been a clue that they still have yet had to resolve this honesty issue—that there have still been things lurking below the surface. In episode 10, I pointed out that their reflection in the pool was small, blurry: they were getting closer to that resolution.
There are still two episodes left, but I think they've reached it. They've broken down that final barrier, and started being fully open and honest with each other—and now when they have the Pool Scene we will see them in the place where they were once reflected, breaking up those reflections and any lingering doubts with their real, true selves. (And if we do get more reflections of them together, then I will simply be wrong, and that's okay! Also I know we still have the "I'm on your side" scene coming but I am feeling more and more like that might be a misdirect from the trailer and will be largely external and not related to their honesty issues. But watch this series prove me wrong as it has time and time again!)
So when Kinn asks Porsche, "Be my bodyguard," he's not only starting over again with the same words he used all the way back in episode one: he's also asking for them to be each other's, for complete two-way transparency and honesty and trust, and to stay with him—to choose him. And Porsche responds by affirming the love they have for each other, cementing that promise. It's nothing short of a marriage proposal. I can understand why it was Mile's favourite scene, because I think it might be one of mine too.
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been looking in tags for a few days now to see if anyone else found the whole high cloud quintet and related story to be a bit.....poorly written, nonsensical, contradictory, full of plot holes and loose ends, etc. apparently i'm not the only one. (and i'm not even talking about shipping stuff, because any time I saw someone mad about bad writing, someone always replies to be homophobic and laugh about failed ships. weirdos.) it could have been so good but was thrown into the garbage for the most part (IF you noticed all the plot holes and contradiction. if not, then it's a fine enough story tbh. I expect most people to see it on surface level and not read all the little hidden lore bits and try to piece it together like my autistic brain did. which is ok! enjoy it if you liked it and ignore me 😆)
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yeah yeah i got recommended that Henry Cooldown analysis video whatever. i am still not over people comparing Henry to a medieval knight, NOT even taking the time to unpack that said mental image of a knight is 'mostly' associated with the British Monarchy*, an extension of its Empire that *checks notes* did a long list of atrocities like imperialism and colonialism, and also (multiple) genocides.
Henry is NOT British, he is Irish. Although considering the history of Ireland and how poorly the British Empire has treated them (amongst SO MANY OTHER COUNTRIES AND DIASPORAS), yeah it's NOT surprising that an Irish man like Henry is essentially forced to adopt quote on quote 'British sensibilities' to 'survive'. <- intentional imagery or not, the implications are not lost on me.
Like okay, calling out the comparison is cool but it sure would be nice if people went further to unpack what that means and implies in the long term. you know, like ACTUAL CRITICAL ANALYSIS?!
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JUSTICE FOR DAVINA CLAIRE I'M SO FUCKING SERIOUS FUCK OFF OH MY FUCKING GOD
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saw a post about dads and now I'm SAD
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ffxiv garlemald discourse is so funny because people will go "ugh people just cant stand it when things aren't black and white" and then you look at how the empire are portrayed in stormblood and shadowbringers and its like hm. that seems like a pretty intense and accurate display of violent imperialism to me! Wow I wonder why people in this day and age may find it hard to feel sympathy for them or even hate them on principal. god its such a mystery.
the games like 50/50 to me on how it tackles these themes because I actually like the garlemald arc in EW, I think it has a lot of horrific and powerful scenes depicting how self destructive fascist propaganda and beliefs are, but I also think it doesn't go far enough on some fronts. the garleans' xenophobia is most notably and obstacle to getting them to accept the contingent's help, which is what they're there to do,
but there's never an admission of harm from any garleans on the uuuuuuuuh massive amount of war crimes the nations around them are still suffering from they're just kind of like "we misjudged you...but you actually wanted to help us all along" like yeah thats great now can we get you all some deprogramming because you keep talking about returning to your prime and glory days and I think we need to unpack some stuff you really SHOULDNT return to. im not even really talking about EW proper but the patches where things are a bit more chilled out and people are recovering.
It feels like they wanted to have their critique of imperialism and also have things end with the beauty of human connection and reaching out and these things just don't mesh well because hey a lot of your modern day audience is not gonna like having to treat people yelling xenophobic things at the cast and your character with kid gloves after you showed them hours and hours of the awful things these people's beliefs have done. especially in the present day hoo boy.
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thinking about the safe ending again, ready 2 scream
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