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#watch this get flagged
wiha-jun · 2 years
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QUEER AS FOLK Babylon
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aleprouswitch · 1 year
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Diamanda Galas by Annie Leibovitz, 1991.
This photo is meant to bring attention to the genocide against Greeks and Armenians committed by the Ottoman Empire during World War I, where many victims were crucified on a cross to mimic the crucifixion of Jesus.
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awkwardwhims · 2 months
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Nova had met Dirk Dreamer while at work; they hit it off. So after her & Lewis had their argument, she decided to go to his place to let off some steam... or create steam.
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letskeepwalking · 1 year
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The kids are all right
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God bless the woodworking class and SGA for putting this in the girls bathroom at work.
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barbatos-boon · 1 year
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Visually Venti or how I imagine a sexual relationship looks with Venti.
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slusheeduck · 2 years
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There's one post out there that sums up MCR as "It's okay to be sad sometimes" *sickest guitar solo you've ever heard* and while not wholly wrong, it's also not accurate. The correct progression is:
I Brought You My Bullets, You Brought Me Your Love: "I'm gonna kill myself (and also vampires are cool)"
Three Cheers For Sweet Revenge: "I'm gonna kill everyone else"
The Black Parade: "We got ourselves killed"
Danger Days: "Let's kill the government (and also vampires are cool)"
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brokenpiecesshine · 1 month
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Taylor Momsen on Instagram, 14/03/2024.
10 years… #GoingtoHell #Fuckedupworld
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listen whether you like it or not they are all holding the memory of stede like a talisman against all hurt and fear, izzy trying to remind ed of his love so he'll come back to himself, fang can't stop crying so jim starts telling him Pinocchio and doing the little voice like stede does, 'talk it through as a crew.' is uttered like an anti-curse, like a magic spell that will keep them from harm.
stede gives them hope, if you even care.
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bizarrelittlemew · 7 months
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Our Flag Means Death 2x2 | Run from me, baby (for @hes-a-merman)
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bookshelfdreams · 6 months
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That is certainly - a statement.
What about Jim, who both metaphorically and literally discovers a path for themself beyond what they were raised to be? What about Pete, who learns to overcome his toxic masculinity, his posturing and self-importance? What about Ed, whose entire story is about deconstructing the performance that is expected of him?
What about, oh, idk, our main fucking character Stede Bonnet, whose arc starts with him literally breaking out from the hetero marriage he was forced into despite never fitting in? Who tries (and initially fails) to build a community where he can be himself? Whose entire story is about discovering his own queerness! He starts out not even able to put a finger on WHY his marriage made him feel so suffocated, and then journeys through s1 until he reaches the emotional climax - "His name is Ed"!
Contrast that with Izzy, who has to be dragged into a supportive community kicking and screaming. Who rejects care and compassion, even at his worst, who has to be forced to accept help. He receives the leg and calls the crew a homophobic slur for it, ffs. Only after that, only when people refuse to let him push them away, is he able to poke his nose into something approaching positive human connections. And that's a powerful narrative, sure, in it's own way; but it's hardly the Ultimate Queer Experience, and it's definitely not the "only queer arc".
And Izzy never lets go of the old ways. He never abandons the Blackbeard-era pirate lifestyle for something more positive, not fully. And that's okay, because ultimately, his arc isn't even about himself.
It's about Ed.
Ed keeps repeating toxic relationship patterns, and Izzy is a part of that. He's linked (on purpose, and I wish it had been done more explicitly) to Ed's father; because Izzy represents the poison that was instilled in Ed from a young age, and that has become so entrenched in his system that he can't imagine a life without it. He keeps Izzy around despite being hurt by him because Izzy is predictable, and in that, is safe, even though he hurts Ed; at least it's a hurt Ed is familiar with and can rely on.
When Izzy slowly changes it's to show that Ed is growing beyond the little voice in his head telling him to reject softness, that he can never be loved, that We're just not these kinds of people. If Izzy can evolve from someone spitting boyfriend at Ed like it's a slur to someone congratulating him on getting laid by that same person, Ed can overcome his inner demons telling him the same thing.
That's the point of Izzy's arc. And this is why he has to die, because Ed can never be truly free as long as Izzy is around. So Izzy goes, quietly, peacefully, and releases Ed of the poison; apologizes to him, tells him I was so wrong, and I am so sorry, because that's what Ed needs to hear to move forward.
And that's such a kind, positive way to end the story of Izzy Hands.
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girlbossblackbeard · 6 months
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how are we feeling besties
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whiskingskin · 6 months
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No because yall... Izzy spent most of his life at sea. Hating, loving, learning, yearning. Repressing and expressing, losing himself and finding himself, accepting that his existence can be good, he can be good, and safe, at the same time. He was always the first to throw himself into needlessly dangerous situations- the ships protector. The ships unicorn. Living his life physically and emotionally getting tossed around by life changing waves and tides.
And they buried him on fucking land
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apllecrash · 1 year
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A dollop of milk and seven sugars! Wouldn’t be the same with six
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le-brah · 7 months
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Can't believe, poor little meow meow confirmed
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koszmarnybudyn · 2 months
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They were right this would make a pretty sick cover.
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cottoncandysprite · 9 months
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I keep seeing ppl watch the other shadowflagomens shows to recover from the first of the 3 they watched knowing full well it will only make it worse but I can't interfere bc its a canon event
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