Cute pics of my favourite punk house by my photographer friend @yvrpunks on instagram. These are story screenshots i liked :3 first photos me showing off my sketchbook! Shows are happening in the basement instead of backyard until the summer. The bone mobile with the sunglasses is epic, and im obsessed with the fridges.

Heres some of my own photos of the first floor interior. Punk kitchen, more bone decor and some mounted wings under the front door.

HCL is my favourite movie ever ever ever for exactly 3 reasons

1. set and filmed in Vancouver

2. authentically punk rock

3. Legitimate gay subtext thruout

hey i just want to let you know that the closest thing to objective fact in the history of western philosophy is that the canadian city most deserving of hate is calgary. no art no music no love nothing interesting just miles and miles and miles of suburban dreams and nightmares, a city where the closest thing to intelligent discussion you can find is talking about whether you would like to move to kelowna or Abbotsford. the other 4 prairie cites dump unfiltered shit into their rivers with more culture than the city of calgary. like all miserable north american hell holes, the only positive things whatsoever about calgary are the density of highway exit ramps, chain restaurants, and hardcore punk, all though in a true to calgary sense the scene is completely over run with miserable white men named derek wearing pants that are too small for them. vancouver sucks, don’t get me wrong, it is absolutely soul crushing and an enormously depressing place to live for an extended period of time, but it’s not calgary.

Thank's

Every Record I Own - Day 813: Nomeansno Mama

I'm only home from tour for a few days before heading back out on the road, but I figured I'd try to squeeze one of these out before life gets hectic again. I just finished reading Nomeansno: From Obscurity to Oblivion, so I've been on a bit of a Nomeansno bender these last few days. So it feels like a good time to dive into discussing one of my favorite bands of all time.

Nomeansno originated in Victoria, British Columbia in 1979 as a two piece comprised of brothers Rob Wright (bass, vocals) and John Wright (drums, keyboards). After recording a couple of 7"s and gigging around Victoria and Vancouver, the brothers gathered up their resources and self-released 500 copies of their debut album Mama.

It's difficult to imagine what audiences thought of Nomeansno in those initial three years. The brothers had played music from an early age, giving them a musical adroitness more on par with prog bands than punks. But it was the tail end of the '70s and they'd been exposed to The Ramones, Devo, The Residents, and, perhaps most importantly, Vancouver's hardcore legends DOA. The power and DIY spirit of those artists spoke more to the brothers than the excess and panache of arena rock. But there's little on Mama that's reminiscent of punk and/or hardcore, even if the band would later come to be affiliated with those scenes. Maybe there's a little of Gang of Four's dance-punk leanings or Minutemen's jerking and skronking rhythm section and there's certainly some of Devo's spirit in their angularities and art-rock leanings. But if you're looking for distortion, three-chord anthems, and unmitigated rage, Mama is not for you.

According to the liner notes, the pressing plant who manufactured Mama went out of business and lost track of the masters, meaning that it wasn't possible to reprint more copies after those 500 initial copies sold out. Perhaps it was for the best---by the time the band returned with their next record, 1985's You Kill Me EP, they were a markedly different beast. The master tapes for Mama would be rediscovered nearly 30 years later, yielding this repress. Far from being some sort of classic in the band's canon, Mama became more of an interesting insight into how this pair of brothers from a small and sleepy town in Western Canada managed to morph into a pummeling, heady, sardonic, bass-driven force of nature that were one of the primary movers and shakers in the pre-Nevermind groundswell of the international underground.

This is where Nomeansno began, but it might not be the best entry point for the uninitiated.

oliver with friend and costar françois arnaud in vancouver behind the scenes of surface, wearing stickers under their costumes in support of the queer vancouver punk band, the blackwood renegades. (x)

148: Neko Case & Her Boyfriends // Furnace Room Lullaby

Furnace Room Lullaby Neko Case & Her Boyfriends 2000, Mint (Bandcamp)

2000s indie rock had plenty of intelligent, unusual singers who knew how to maximize what gifts nature had allotted to them but there was always a sort of unconscious deference when people talked about Neko Case’s voice—like the one student in an art school class of postmodernist pranksters who can really paint. It’s easy to slag off the old notions of beauty till someone shows up with a vast, grain-gold whipcrack of a voice who wants to put it to good use. Case came of age in Pacific Northwest (Seattle/Vancouver) punk scenes, and she carried its spiky but communitarian DIY attitude with her, even as she gradually transitioned into the countrified sounds on which she’d make her name. Her breakthrough LP Furnace Room Lullaby turns away from contemporary pop-country, but it’s not the refined country-folk of a Gillian Welch or an Alison Krauss either. Despite her lyrical chops, she’s more of an update on a Loretta Lynn or a Tanya Tucker, full of fierce underclass pride and melodrama.

Case was always well-reviewed, but you can detect notes of pessimism in the notices from American East Coast critics. I was stumped at the time by this polite but slightly chilly reception, but in retrospect, I understand it better. When I hear Orville Peck’s music, or Shakey Graves’, I think it’s mostly fine but also phony as hell, and in the late ‘90s and early ‘00s a lot of critics had their hackles up about anything you could call alt-country. Too many urban hipsters affecting a twang and singing about rural alienation, the contention went, and indeed the conversation around alt-country’s inauthenticity presaged a lot of today’s discourse about appropriation. (And a lot of alt-country turns out in retrospect to have indeed been corny as hell!)

But I think as we approach the 25 anniversary of Furnace Room Lullaby, it has become clear those reservations about her music were unfounded. Its fusion of classic honky tonk country with the ‘90s Canadian roots rock of bands like Blue Rodeo and the Sadies (the latter of whom frequently backed up Case during the period) has aged such that there are few visible seams between the traditional and the modern. Case and her collaborators deliver one of her strongest sets of songs—less overtly poetic than the imagistic fables of follow-ups Blacklisted and Fox Confessor Brings the Flood, but in some ways better for it. It’s still the best introduction to her catalogue and, depending on who you’re recommending it too, a fine introduction to country as a genre. Start with “Set Off Running,” and you never need to stop.

148/365

4 Cool Gay / queer artists and for pride this year (2023)

I wanted to help some queer and ally musicians boost their songs. As a trans-woman I think its important to understand that pride is important as much as change. Focusing on the hardships we have faced is very important but our victories are much more. So here are some (4) artists I (rose) recommend for pride.

Mikie mayo (any/all pronouns).

Mikie mayo (aka bunny boy) is a definitely hard to pin down Philly musician and occasional roller-coaster content creator. Mikie can be seen dabbling anything from indie pop, easycore, scene metalcore with bay area and internet rapper legend Lil B, scene electropop hyperpop, eurodance and dance pop about roller coasters and go karts, to beach pop, generally being pretty much a banger machine. Mikie's music is like ice cream w/ your favorite toppings on a warm summer day, very good and sugary sweet.

(photos by cam.i.z on ig)

these are my favorite songs / music videos by mikie mayo

Mikie has requested I let you know they have a new song about their partner and the couch they have.

click here to pre-save.

(photo by @ h0t_t0xiic on IG, couch and art by mikie's partner @ HoneyHatCompositions on IG )

FFO: eichlers, falloutboy, I set my friends on fire, dynasticc, dreamrats, cedar point amusement park, glaive, 100 gecs, etc.

(photos by rae mystic)

We Are The Union

I'm gonna cut to the chase on this one. If you want an emotional experience as a trans woman / transfemme or really any trans person to make you not feel alone and like ska / ska punk listen to Ordinary Life by we are the union. the first time I heard morbid obsessions I was working a part time (as full time really) at home depot in my small hometown in pa. I felt like as a trans woman and generally depressed person I couldn't be myself and go back to school. My boss there was the most transphobic piece of shit, and he always misgendered me and but me down. it wasn't until I quit that job and when I shifted to being myself inspired by my thoughts at the time that I accepted that I was fully a trans woman. I really related and still relate to Miss Reade Wolcott and her struggles with gender identity and be a trans woman in a transphobic world but also like her I am who I am. I would also could relate to jer and their struggles of being boxed in music genres and having what they love constantly undermined and diminished / not taken what I have to say seriously as a queer person.

FFO: New Tone, hoity toity, catbite, Eichlers, Bad operation, Kill Lincoln, etc.

Genres: ska pop, ska punk, alternative ska.

(photo by jtphotos)

Jisei (leda xo its/its and alexis she/they)

Jisei are the best queergrind band I have ever heard. the most raw queer emotions I have ever heard. Some of the best riffs I have ever heard. Imagine deathcore for the girls and the gays. The duo also make the most real lyrics I have heard in a while. For example one of I think the most topical songs they have had is "Pull Yrself Up by Your Pleasers". Pull Yrself Up by Your Pleasers being about christian nationalism and the alt-right abusing and tearing away the seperation of church and state without seeing a hint of irony. I hate the "Just asking questions" transphobia , and even though that might seem like solely a usa proving that Jisei hailing from vancouver proves that transphobia is a worldwide issue and if so called "cis allies" aren't for us 100+ %, fuck 'em.

FFO: Thotcrime, Sissy xo, hopscotch battlescars, Suicide Silence, and a lovely day for bloodshed.

Genres: Cybergrind, cyberdeath, deathgrind, deathcore, queercore and queergrind

seeyouspacecowboy.

(band photo by shutter happy jose)

last on the list here we have the one of the most popular queer scenecore bands ever. see you space cowboy. the most gay and hard band at the same time they well as sass as much as hardcore. Picture if saosin, the devil wears prada, or thrice, and/or attack attack! were queer and trans and say exclaimed faggot as fun mosh call. That would be see you space cowboy, started by brother and sister connie and ethan, seeyouspacecowboy is one of the most popular bands in screamo, metalcore and hardcore, and scenecore all at the same time. will excellent songwriting and angsty queer lyrics complimented with crushing riffs and piercing panic chords, seeyouspacecowboy will worm your way into your heart and crush your rib-cage at the same time. As a fan of vocalist connie sgarbossa, she was one of the people who helped me come out as a trans woman in the first place. The fact that a queer trans woman who screamed and force herself to the front inspirational. Yeah the fact we have to be forced to be heard kinda sucks, but it can be done and her presence in the scene made that very well known. Also it kinda helps that they spread the word on trans liberation and mental health from and trans and queer perspective and what can be done to combat transphobia in a very passionate and heartfelt way. I highly recommend their whole catolgue from their sass/whitebelt eras, to their metallic hardcore stuff, to mall scenecore era currently.

Genres: Scenecore, sasscore, whitebelt, queercore, "screamo", mall screamo, metalcore, scene metalcore, hardcore, metallic hardcore.

FFO: attack attack!, tdwp, i set my friends on fire, lacerated, thrice, norma jean, and underoath etc.

pride should be celebrated.

one last thing from a trans woman,

gender doesn't always equal sex.

gendered pronouns / pronouns in general have existed since the beginning of time.

drag queens aren't always trans.

trans people don't care about where you pee and where you are, they just wanna pee in their gendered bathroom.

cis isn't a slur.

terf isn't a slur.

leave trans people alone.

CONCERT REVIEW: MACHINE GUN KELLY W/ AVRIL LAVIGNE AND WILLOW AT ROGERS ARENA - JULY 23RD, 2022

Golden light poured over industrial structures in the heart of Downtown Vancouver. On an event-filled Saturday evening, concertgoers at Rogers Arena experienced an exquisite indie punk rock performance from WILLOW, who joined Avril Lavigne and Machine Gun Kelly on the latter’s Mainstream Sellout tour.

WILLOW always maintains a balance between ethereal vocals and striking instrumentals. Whether she cranks out indie-pop hits or forays into punk rock, WILLOW’s art always feels new, fascinating, magnetic–and genuine. To hold such an authentic appeal whilst landing multiple viral hits on TikTok is no easy feat.

A massive white tarp hung behind the stage with a symbol etched in sharp black marker. The symbol, contained within a circle, housed a symmetrical floral design. In the foreground, a giant “W” cleverly enclosed the remaining letters of the singer’s name. Carved silver trash cans lined the stage, luminous light shining from inside.

WILLOW was accompanied by a full-fledged rock band: steely electric guitars, deep bass, and fierce drums. She dispersed her setlist, drawing from albums lately I feel EVERYTHING, ARDIPITHECUS, and THE ANXIETY.

“I knew a boy just like you / He’s a snake just like you / Such a fake, just like you / But I can see the truth.”

WILLOW’s vocals were light, full, and powerful. Beautiful vibrato circulated throughout the arena: a venue known for being sonically difficult to master. The performance was full of wonderful contrasts and passionate lyrical stings. WILLOW moved loosely and with poise across the stage. A rainbow knitted beanie bounced around on her head and played off nicely with the black t-shirt and pants adorned with warm colourful patches.

“I really love this next song cause it’s very ugly out here on earth–but sometimes it can be kinda really, really beautiful,” said WILLOW before launching into “Lipstick.” Booming vocals cascaded and harmonized over shredded guitar and heavy drums. “And I’m looking at pain like my old close friend / Open arms for her when I see her again.”

The pace simmered with “Come Home,” a pristine pleading for love. “I’m tired of this feeling, I feel so alone / I need you right now, baby / won’t you come home?” WILLOW’s nuanced melodies and radiant runs weaving into a dramatic chorus.

“It’s kinda cliche,” said WILLOW leading into the song, her soft and kind tone putting the crowd at ease. “But the next song is about being in love.”

“I know we all kinda like being in love, right? Some of us maybe hate it…”

“Meet Me At Our Spot” brought trendy timelessness. The audience erupted in excitement after the first few beat drops and started bobbing along with WILLOW’s heartfelt vocals. “Caught a vibe / Baby, are you coming for the ride? / I just wanna look into your eyes / I just wanna stay for the night.”

Wavy guitars paved a scenic detour away from punk rock with “Wait a Minute!” – WILLOW’s dynamic vocals adding a bold flair compared to the studio recording. “Hold on, wait a minute / Feel my heart’s intention, oh / Hold on, wait a minute / I left my consciousness in the sixth dimension.” To end off the beachy psychedelic rock tone, WILLOW strapped on an electric guitar and played a rich solo melody.

“<maybe> it’s my fault” was a strong end to a captivating performance. Luscious, soft vocals blended into enthusiastic electric strums during the verses, while tension built with a thundering tempo change during the chorus of the track. Screamo vocals cut an intense, cathartic edge.

“It’s all on my mind, it’s all on my mind / I try to rewind / And all of the while / I’m hurting inside / It’s your fault / Maybe it’s my fault.”

Up next, Avril Lavigne. An icon in the punk rock world and Canadian music scene. Lavigne played classics like “Girlfriend,” “Complicated,” “Sk8er Boi,” and “I’m with You.” She also played some tracks off her new album, including “Bite Me” and “Love It When You Hate Me.” Lavigne was energetic and joyous, soaking in the audience’s adoration who knew much of the words to the songs she played.

Machine Gun Kelly (MGK) took the stage from a life-size pink helicopter attached to the arena’s ceiling. He played through most of Mainstream Sellout, including “born with horns,” “god save me,” “make up sex,” “emo girl,” and “die in california.” He also played some tracks off Tickets To My Downfall, including “kiss kiss,” “drunk face,” “bloody valentine,” and “my ex’s best friend.” MGK even performed “el Diablo,” a track from his rap days.

MGK’s stage was a giant optical illusion. A “slanted” checkered circle platformed the band. He wore a glittery tank top and pants with his pastel pink hair. His performance was vibrant and lively. MGK seemed comfortable with the crowd, complimenting the city’s water, donning a purple Vancouver Canucks Hockey Fights Cancer jersey, and walking through the floor crowd during multiple songs. The Mainstream Sellout tour revolved around defeating the internet, which was personified as a giant human figure with a television on its head.

MGK was charismatic and lively, clearly bringing out all the stops for the tour. It was impressive to see old and new guards of punk rock come together for a nostalgic and unique event. Fresh, skilled sounds collided with extraordinary spectacles in a jam-packed concert.

Written by: Jenna Keeble Photographed by: Timothy Nguyen

Toxic Shock

The Assassin of Mediocrity

Book Review

Stephen Jay Morris

4/2/2024

©Scientific Morality.

Recorded history must be correct and precise. Otherwise, why bother to study it? There are thousands of years of lives that existed before you were born. Some people don’t care about the past. Then, there are the curious and those who want to change history to fit their political or religious biases. My generation has received the most criticism from authors who want to discredit every rebellious generation that ever lived in the towns and cities across the USA. From the Beatniks of the 50’s, to the Hippies/Yippies of the 60’s and 70’s, all the way to the Punks of the 80’s. Most of that has come primarily from reactionary conservatives. A lot of suckers believed the propaganda and stereotypes that the political right wing utilized in their books, so as to mischaracterize the culture rebels and artists of those times. I’m not even going to mention their names. All of it was to say that the so-called woke and Left are evil.

This book, the subject of my review, is crucial within the rank and file of the cultural revolutions of the past. It sets the record straight about the punk movement. Critics who stereotyped leftists as lazy bums who lived off government programs and bought pot with their welfare checks blatantly lied.

There is what’s known as the Anarchist work ethic. One subject of that ethic is this book’s author, Bill Sassenberger. He was a Yippie who became a supporter of garage bands and the punk culture. He went from being homeless in 1977 and working in various low paying jobs, like being an apple picker in Washington state. He drove an ice cream truck in Orange County. Somehow, he ended up in Pomona, California and took over a headshop, converted it into a record shop/clothing shop, and sold fanzines for the “Blank Generation.” It got to the point where he released records on his own independent label.

This book is anchored throughout by reminiscences of his beloved wife, Julianna, and her fight to recover from a debilitating stroke. I recall meeting her casually, but never really got to know her. Bill writes about her in detail and in admiration. I’m sorry that I never got to know her.

The original punks were art school drops-out in Hollywood, California. They were elitists creeps. However, the punk scene eventually spread to suburbia, which energized the scene in the 80’s. Kids were starting bands left and right. Bill nurtured the suburban movement by putting on concerts and releasing records. He even had his own radio show on a college radio station.

In this book there is never a dull moment. Bill’s story includes the shakers and the movers of the punk scene. It’s part autobiographical, part travel log. It contains American history, suspense, compassion, and music. Bill clearly describes his moments with the trials and tribulations of a Baby Boomer. Perseverance became the order of the day. He struggled with poverty, crime, reprobates, the mentally ill, and a sick wife. Fortunately for all, he lived to write about it.

Bill’s writing style is unlike that of Jack Kerouac, with the lyrical poetic props that permeate the novel, “On the Road.” On the contrary, Bill’s style is comprehensible and gets to the point. His recollections are a light-hearted romp through experiences and other anecdotes.

The book is filled with historic photos, band fliers, and fantastic artwork, all of which is printed on glossy paper stock. I must protest, though: my failing eyesight struggled with the small font. Luckily, my trusty reading glasses served me well. Also, Bill includes comments about his book by people he knew.

I hope to Buddha that more books like this are produced. I have a friend named David Spaner who is writing a book about the Yippies. He is a Canadian living in Vancouver. No publishing date has materialized. I do hope he gets published. We need more books about the New Left, starting with the 60’s. Bill’s book is the first shot into the 1980’s American suburban youth atmosphere.

This book was so compelling! I finished it in just four days. I hope “Toxic Shock” by Bill Sassenberger, becomes an underground success.

Buy this book!  If you value history like I do.

For more info on this book, go to:

toxicshockrecords.com

Punk Rock | Destroy Boys Share New Single “Plucked” + Tour Dates

Destroy Boys, a band that has been making waves in the punk rock scene, has garnered positive reviews for their energetic performances, honest songwriting, and the ability to connect deeply with their fans. Their music, often described as a bridge between classic punk sounds and contemporary themes, showcases their growth both musically and in terms of popularity. According to SPIN, Destroy Boys shared insights about their experiences touring, their fan base’s reaction to new singles, and the band’s evolution over the years. The members reflected on how their music has remained “viciously honest,” which resonates well with their audience. They compared their relationship with their fans to growing up with Harry Potter characters, emphasizing the deep, evolving connection they share . Third Coast Review’s coverage of Destroy Fest 2023 highlighted the band’s ability to bring together a compelling lineup of punk bands, showcasing their influence in the punk rock community. The festival was praised for its vibrant energy and the band’s knack for creating an inclusive, spirited environment . A live review from S.L.R. Magazine on Destroy Fest 2023 in NYC elaborated on the band’s live performance charm. Despite mixed feelings upon initially hearing their music, the reviewer found the live performance to seal the deal, particularly noting the band’s great energy and diverse setlist. Their latest offering “Plucked” is a raucous and melodic track that embodies the spirt of this incredibly effectual punk band. DESTROY BOYS HEADLINE DATES Saturday 3/16/2024 - Los Angeles - The Bellwether (Destroyfest) Friday - 5/10/2024 - Tampa, FL - Jannus Live Saturday - 5/11/2024 - Daytona Beach, FL - Welcome to Rockville Monday - 5/13/2024 - Raleigh, NC - Cat's Cradle Tuesday - 5/14/2024 - Asheville, NC - Orange Peel Thursday - 5/16/2024 - Birmingham, AL - Zydeco Friday - 5/17/2024 - Nashville, TN - Eastside Bowl Saturday - 5/18/2024 - Columbus, OH - Sonic Temple CAVETOWN SUPPORT DATES Friday - 6/7/2024 - Phoenix, AZ - Arizona Financial Theatre Saturday - 6/8/2024 - Los Angeles, CA - Torch Sunday - 6/9/2024 - San Diego, CA - Petco Park Tuesday - 6/11/2024 - Berkley, CA - The Greek Friday - 6/14/2024 - Troutdale, OR - Edgefield Saturday - 6/15/2024 Canada Vancouver, BC - Rogers Arena Sunday - 6/16/2024 - Seattle, WA - Seattle Zoo Tuesday - 6/18/2024 - Salt Lake City, UT - Granary Live Thursday - 6/20/2024 - Denver, CO - Red Rocks Saturday - 6/22/2024 - Dallas, TX - South Side Ballroom Sunday - 6/23/2024 - Austin, TX - Moody Amp Tuesday - 6/25/2024 - Houston, TX - 713 Music Hall Friday - 6/28/2024 - Miami, FL - FPL Solar Amp Saturday - 6/29/2024 - Orlando, FL - Orlando Amphitheater Sunday - 6/30/2024 - Atlanta, GA - Coca Cola Roxy Tuesday - 7/2/2024 - Washington, DC - Anthem Wednesday - 7/3/2024 - Philadelphia, PA - Skyline Stage @ The Mann Friday - 7/5/2024 - Canada Toronto, ON - Budweiser Stage Sunday - 7/7/2024 - Boston, MA - MGM Music Hall Tuesday - 7/9/2024 - New York, NY - Pier 17 Wednesday - 7/10/2024 - New York, NY - Pier 17 Friday - 7/12/2024 - Detroit, MI - The Fillmore Saturday - 7/13/2024 - Chicago, IL - Salt Shed Outdoors Read the full article

video of my friend zoe performing in her band kidz help fone in the punk house basement. start of this song ruby lit zoe a cigarette cause basements allowed only one cig at a time so they passed it around :3 i thought it was a funny little interaction thing to follow

January 24, 2024

Visited the Richmond Public Market today, with Cali—who is just recently back from a cross-continental train journey—on this the day the busses came back into service. It was my first time in there. Even after working a block away for five and a half years, I had managed to never go inside. It had become a sort of legend. 

Half of the shops on the first floor was shuttered, half or more, and we walked past this and a number of groceries stalls on our way to the stairs going up to the second level, which was lined with food dispensaries. We toured the choices, got lunch, and then sat down to talk publishing. We’ve both been trying to get published; we’re both looking into self pub this year. She’s putting out her book on punks in Vancouver very soon, and I’m looking forward to holding it in my hands. I’ve read this and that here and there, and I want to know the full flow of the thing. 

I have been away from this project for too long, so the scene above is too easily escaping me. There’s so much more from it that I’d like to put down. But, as usual, it is late—and I’m even getting up early—so I will keep it brief. But that image of us sitting there in the semi-mythical public market is crystallized in my mind, so I couldn’t bring myself to leave it behind. It was a holy moment.

Nothing is as cringy as the Vancouver punk scene....

Some notes:

Longest season, insane amount of outfits.

Season 2 wigs were the best, because they left Liv's side down fully (and that helped to "blend" the wig).

The iconic three pocket jeans appear for the first time. It gives a simple, functional, comfortable look that has a lot of combinations. I just love the three pocket jeans. Such a pity it will dissapear mid season 3.

I love Bro!Liv crime scene dress. It's such a good Halloween costume.

All outfits worn on 2x03 (Seattle's housewife) are a #look. It's also the first time she stilized her zombie hair.

I also dig a lot the Country Singer, for some reason.

Liv's ID on 2x03 is clearly fake. Noone looks that good on an ID.

Probably this is the only actual show in which sexting are used for tasteful reasons and not for revenge. Nice.

The magician's looks (2x07) are among my favourites.

The blue/black leather jacket was cute. Never seen of a leather jacket like this one.

It's no wonder why Major freaked out while watching Liv performing an ouija scene.

Liv should have roamed the city with her superhero costume more.

Liv + Christmas hat. Awww.

The Fifty Shades of Grey episode (2x11) was a gem to watch little details of the character's costumes. Also, nice looks Liv.

Rose McIver's ass because reasons.

You can spot when is really winter in Vancouver Seattle because of the clothes and the actors' breath in exteriors.

Liv in flannel because she was dating Drake. LOL.

The reddish shirt has a sparkly butterfly in her back. Awww.

I loved the blue/black stripped shirt with a black top underneath. Punk vibes.

Scientist!Liv with glasses kinda look like the protagonist of a porn movie. LOL. Also she was ditched in a place called Heave Ho's.

Liv's wears a blue nightgown with matching slippers. LOL.

Stripper!Liv was also the best and lives rent free in my mind.

Liv wears the same dress for Coach!Liv and HighAchieverStudent!Liv but with different shirts. I remark this one because is one of the most distinctive dresses of the show.

Liv is the cutest SWAT ever. She can tackle me anytime.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

iZombie fashion masterpost here

My other metas here

La maldición de las cuatro brujas here

Una novela romántica de esas con un macizorro sin camiseta en la portada here

Un romanzo rosa di quelli con un fusto a petto nudo in copertina here

Buy me a ko-fi!

NEW CDM PODCAST EPISODE OUT NOW!!!

We sit down with Vancouver based graphic artist and musician Tommy Wilson to talk about his visual work, his politics, his ongoing involvement in the powerviolence scene and his band Noose Sweat. We discuss the highly political and aggressively confronting nature of this work, his influences and inspirations and his love of fast angry music. We talk about his books 'I'D LIKE MY LIFE BACK' and 'Painful Existence', his zine Homicide Report and his art work for bands like Infest, Fit For An Autopsy, Domestic Terror, as well as for us at CDM. We also discuss the concept of billionaire deathmatches, the mental gymnastics of conservative punk, the backlash against Tommy's work and we go to town for about 5 minutes ripping on Mark Zuckerberg.

Spotify:

Apple Podcasts:

YouTube:

Soundcloud:

Coming Soon

Release Year: 1999

My rating: 🇨🇦 🇨🇦

Our first glimpse at how good Ryan Reynolds is in the RomCom genre.

This "romantic comedy" is kind of neither of those things. The guys are mostly jerks, the girls are mildly annoying, and there's not much comedy throughout, except for the scenes Ryan Reynolds is featured.

We're only three movies into Ryan's discography but he is already hitting his stride in this one. Likable, laughable, goofy, and the character you most want to win.

Ryan plays Henry Lipschitz aka Henry Rockefeller. We never see any of his family members, as they must be off playing in all of their oil.

At one point we watch Ryan's high school band (Oedipus Wreck 😂) playing a gig. The song is kind of trash, but this scene makes me think Ryan would be a great frontman for a Vancouver pop-punk band. Or Sugar Ray, either one.

This movie tries to do too much. There are about nine plot threads running throughout, some of which do end up weaving together at the end while others are completely ignored (did Jen ever get a boyfriend? WE'LL NEVER KNOW?!)

This was Ashton Kutcher's first movie. He appears for about 12 seconds.

This movie had such little impact that: 1. The IMDB Storyline is incorrect 2. It grossed $5400 WORLDWIDE LOL 3. Appropriately, it is not available on any streaming platforms, but you can watch in its entirety on Youtube!