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#uisin
toshipaku · 2 months
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nishicchikouchi · 25 days
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Okay, okay. Something funny that I really think drives me crazy a lot is how I keep getting fooled by unreliable narrators.
The cycle goes a lot like this:
MC does something > They downplay it > I believe them when they say its not much > some chapters later a character expresses that what MC did or experienced was just so out of the normal > I realise that MC did and experienced somethinv absurd
I CANT KEEP GETTING FOOLED BY THIS BUT I STILL DO LMAO ㅋㅋㅋㅋㅋㅋ
Anyway, to cut myself some slack, they sound so convinving at first ㅠㅠ but then further to the story I just realise "oh my gosh, this guys' an unreliable narrator" and when I re-read the story with that perspective...
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morethansalad · 1 year
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Cashew Butter Kinako Mochi with Chestnut Filling (Vegan & Gluten-Free)
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noturfang · 4 months
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After everything and Euishin talk about the clothes lol
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greatshell-rider · 2 years
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oh i like them. these three are fun
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agnezluf · 10 months
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The Twins and Me
Plot: 7/10
The yandere: 7/10
Artwork: 7/10
Artist and author: So Il
Plot, what plot? It is a basic short smutty yaoi yandere read with not only one but two identical twins obsessive boys.
Rather “lucky” for our main character, Seojin, he can easily differentiate both twins, even when their closest family had a hard time doing so. Uimin and Uisin are drawn towards Seojin who gave them unique individuality. They started to become obsessed.
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Although expected, the jump towards yandere madness was rather abrupt. I was hoping to getting a bit of warm up before the confinement ensued. Haha. As I mentioned, do not expect too much out of the plot. At some point there was an absurd plot development which was quite incoherent and I stopped thinking too hard of the story and just enjoyed the rush coming out from reading a male yandere story. Although the basic premise was quite interesting even if not new/unique.
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The smut was quite good, the usual noncon trigger warning, so mind yourself. Artwork is alright although not the best. This manhwa is completed at 7 chapters. If you need a quick yandere rush without complicated plot, it can be a quick fix.
If you want a better male yandere short read, check out Seuseu’s work. They are high quality in my opinion, and I can’t get enough!
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rjalker · 1 year
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"I can't not eat for two days." "Well, you can," said Captain Uisine. "As long as you have water.'
Rich people are funny.
also I like this captain.
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candacehughesworld · 4 months
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clouu-ds, akkkes, baills with zippers plated uisines/everages/isines/verages deliveries voicedrestaurants plateings ukilitings sent and receive cleansings voicedrinbilities must return to candace marie hughes. on. paid. must remove cover, covers, covering, coverings, covered. on. paid.
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irradiate-space · 3 years
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Headcanon about spaceship and space station construction in the Imperial Radch novels
Let us start with an observation about what is depicted of the Ships and Stations shown in Ann Leckie’s Imperial Radch novels: people living on them observe a consensus “up” and “down”, and walk around as if there is gravity holding their feet to the floor. They don’t bounce, or jump, or glide; they walk or run or sprint. When shot, they fall to the floor. A lake in a station’s garden is not a ball of water held together by surface tension, but instead a recognizably-Terrestrial puddle of water. The artificial-gravity systems that provide this effect can be instantaneously disabled, and other than a sudden loss of gravity, the loss does not result in catastrophe.
I can think of three general methods of creating a gravity-like force, for use in holding people’s non-magnetic boots to the floor of an object in space. This graphic shows those three:
centripetal force, also known as as the “spin” gravity of O’Neill Island-type space stations as depicted in the Gundam TV series
a point mass, also known as gravitational attraction or just plain “gravity” seen on planets such as Earth
acceleration, also known as “thrust” gravity, which is seen in the spaceships of scifi TV series The Expanse
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Notably, the spin gravity of O’Neill colonies cannot be disabled instantaneously. Shutting off the centripetal acceleration requires slowing down the spin of the station, and it can’t be turned off instantaneously. If the cylinder suddenly stopped, everything inside it would continue moving, resulting in a catastrophic sideways movement of the station’s contents relative to the station itself. Cleanup crews would be chiseling corpses out of bulkheads.
Large masses, with an apparent single point of attraction, are similarly hard to get rid of. Have you ever tried to eliminate a lump of something massy? Either you’re going to disperse the mass across a large area, or you’re going to convert it to pure energy, which is quite energetic and generally not a survivable event. If we assume that an Earth-like gravity requires an Earth-like mass, and that “turning off” that gravity requires eliminating that mass, a layman’s E=mc^2 will give you 5.27x10^41 jourles, which is 78% of the amount of energy required to disperse the Sun’s gravitational attraction to itself. You would not want to be near the Earth when “turning off” its gravity via this effect.
Thrust gravity is much simpler to turn off: it’s caused by accelerating the ship or station’s reference frame in one direction, causing the floor to push into people’s feet at a set acceleration. Turn the engine off, and everyone goes on the float. It’s a great way to maintain gravity while going someplace, but it is hard to remain in orbit around a planet while constantly accelerating.
But there are effects which can seem similar-enough.
The trade fleets in Scalzi’s Collapsing Empire novels used “push fields” to push things towards the floor, rather than pushing the floor towards things.
The New Republic capital ship Lord Vanek in Stross’ Singularity Sky used a small black hole, of approximately the mass of Mount Everest, to provide a gravitational point source, which was manipulated using gravitics to provide habitable gravity within the ship, as well as a gravitational lens around the ship for shielding against certain types of kinetic projectiles. When needed, gravity could be shut off throughout the ship and around it. And in extreme cases, that black hole can be dumped out of the ship for use as a weapon itself.
It is this last source which I think most closely matches Ann Leckie’s description of Radchaai technology. She describes a Radchaai warship’s drive as its most powerful weapon. A warship cas the ability to form its own “gates”, being wormholes or similar things between two distant systems. And, if breached, the engine of a warship will quickly consume it.
What might a Radchaai ship look like as a result?
A ship that operates in thrust gravity will have decks perpendicular to its axis of thrust:
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I propose that Radchaai ships’ decks are concentric, located perpendicularly to the ship’s center, which means that “lower” decks are increasingly sharply curved. Leckie notes that the highest decks are officer country; I propose that this is to limit the “Little Prince” effect of exceedingly short horizons among the officers. Ancillaries and enlisted people can have lower decks; they’re less important.
Now, Leckie also seems to describes ships has having a central access shaft, wherein is housed the computers and the AI core and all the important mechanicals. It runs vertically through the ship, much like the main elevators and central logistics shaft of a Radchaai space station. Radchaai space stations are also controlled by AIs; the AI core technology of both is described in similar language. Radchaai space stations also have artificial gravity.
The parallels of construction and requirements between a ship and a station make me think that the Radch has a common architecture for both ships and stations, which I shall now outline:
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Keeping the central accesses, and the drive core, the Radchaai station expands circumferentially around its engine. The engine serves as a power source for the station, and as an object of gravitic manipulation to provide pseudogravity for the populace. A lower-deck framework provides docks for civilian ships without gravitic-manipulation technology, and for the shuttles of ships with. You wouldn’t want competition over gravitic manipulation; that’s likely to make people seasick or paste.
The highest deck of the station is reserved for the “garden” biome; the undergarden decks are for maintenance of that garden. But still high in deck order is the “promenade”, a walking deck lined with temples and shops and eateries and the offices and apartments of important people. The functionaries live and work in the lower, more-tightly-curved decks.
I’ve shown you one cross-section of a station, but this is just a minor slice of a small station. How do you add wedges onto a three-dimensional pie-slice of a sphere? A soccer ball is illustrative.
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Add hexagons or pentagons to your station structure as necessary.
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This is a growing, four-segment station. You can see the “reference” framework layer of the docks floating just above the core, with a green ship docked and a white Radchaai ship coming in to dock. The black pentagons are left basically open all the say down to the station’s core (and yes I messed up transparency by accidentally merging a layer in a way that couldn’t be reversed) while leaving the hexagon blocks for industry, offices, habitation space, stores, and the promenade. The top of each hexal block is a domed garden, here shown with an angled light.
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This post builds upon an idea developed in conversation in Radchdome 3.0 on October 14, 2020.
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shipburner · 6 years
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I’ve been kind of dead here but I’m slowly getting back into it and also @annleckie I’m so so sorry for memeing on your boy
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toshipaku · 5 months
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nishicchikouchi · 5 months
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THEY ALL LOOK SO GORGEOUS HERE IM GONNA SUFFOCATE
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source
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artaline · 7 years
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i mean thats basically what happened
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noturfang · 4 months
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Euishin always protective towards his Playable Characters (and NPCs around him)
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greatshell-rider · 2 years
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me noticing similarities between breq and captain uisine:
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A spidermech riding a roomba carrying tea cakes and fish sauce.
Tea Cuisine.
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