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#tumblr layout is something else
hah-studios · 2 months
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This comic is so messy but everyone is still liking/reblogging my other two damsel pieces I just wanted to be nice. Rest of comic under the read more:
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mrsarcadian · 7 months
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"THE MONKEES" by the monkees (1966)
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kalynscryptic · 9 months
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ahahaha what if i got back into inscryption wouldn't that be crazy. ahahaha what if
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moonsidesong · 9 months
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that dashboard fix script isnt working for me and im not sure why...
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ponett · 9 months
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i get the point of the polls informally showing that the vast majority of tumblr users have been here for years and barely anyone is new. the problem is that the suits don't look at that kind of data and go "ah, we understand. the majority of our users are oldheads who want things to stay the same. we misunderstood our audience." they absolutely have hard numbers on these things. they surely know most active users have been here forever. but they look at these stats and go "wow, our growth rate really IS shit. we're still relying on an ever-dwindling pool of users who have been here since they were teenagers in the early 2010s. we need to be working even harder to make this place appeal to new users"
the higher ups and investors on sites like this want infinite growth forever. this is why they keep changing the layout to make it look like other, more popular sites, even though we hate it. this is why they try out shit like tumblr live that doesn't appeal to the established core userbase in the slightest. it's not for us. it's also not for the ~5% of active users (if the poll going around is to be believed) who signed up within the last year. no, they're chasing after the hundreds of millions of people who use twitter and the BILLIONS of people who use tiktok, hoping to appeal to them and make tumblr more popular again
this is, of course, deeply stupid. nobody is leaving tiktok to hop on tumblr live. they already have tiktok. and we're on tumblr because we like tumblr, not because we want it to morph into something else. but i'm sure automattic's got venture capital investors breathing down their necks going "why isn't tumblr more like twitter or tiktok or facebook or instagram or" etc. etc., and so here we are
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dewarism · 6 months
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feeling like changing my theme....
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walleeli · 9 months
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filling out job applications while listening to Unreal Unearth (so I don't start ripping my hair teeth and nails out) is making my body feel like a liminal space.
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fuckspezwithacactus · 11 months
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Hi, r/CuratedTumblr!
I know we've been sharing usernames on Reddit, but I have friends using this idea for something else, so I'm going to steal it.
If you want to find other people from r/CuratedTumblr, look at the notes of this post. If you want other people from r/CuratedTumblr to find you, like, comment, or reblog, so you'll be visible in the notes.
Please steal this idea for other subreddits, and @ me if you do.
Edit: It's been a few weeks, so here's what I've learned:
Follow this account: Only I will be able to see this. I'll follow back with my main account, but people coming to this post won't see it. Great option for lurkers. Also, having it in your followed tumblrs functions like a bookmark.
Reply to this post: People coming to this post will be able to mouse over your username and then click "follow" on a hover menu. Good, but liking it is more convenient for people looking for people to follow.
Reblog this post: People coming to this post will be able to mouse over your username and then click "follow" on a hover menu. People who follow you will see this post, and more of our Curated brothers, sisters, and siblings will know where to find us.
Reblog this post with #curatedtumblr or #r/curatedtumblr: People coming to this post will be able to mouse over your username and then click "follow" on a hover menu. People who follow you will see this post. People who search for curatedtumblr will see this post. More of our Curated brothers, sisters, and siblings will know where to find us.
Like this post: Your username goes on the likes list, with "follow" next to it. I recommend this, because it's faster to go down that list clicking "follow" than the "mouseover then follow." Some Tumblr layouts show the things you've liked, so replies might be a better option for lurkers.
Link this post or this account on r/curatedtumblr while the admins are forcing the mods to keep it open: People on r/curatedtumblr will see this post, and more of our brothers, sisters, and siblings will know where to find us.
Link this post on r/tumblr: I don't know, but let's try it.
Fuck u/spez with a cactus: I don't know, but let's try it.
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powdermelonkeg · 9 months
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Something websites (*cough* Tumblr *cough*) need to learn is that what retains an audience isn't an abundance of new bells and whistles to play with, it's a coherent experience overall.
When someone joins a website, you don't need to grab their attention and hold it. They're already testing the waters. They've agreed to sign up. You've won on that front, and they're there for something specific you already have that they're hoping works well.
What drives them away is frustration.
Frustration, frustration, frustration.
Learning curves are going to be a part of any new website experience; they're something the user comes to terms with, in their own time. But broken or bad features are going to make them jump sites.
On top of that, constantly adding new features makes them feel like all the hard work they've put in to learning what you have isn't worth it; your website looks unstable and your staff looks incompetent, because it gives the impression that you don't know what you're doing.
You are floundering. It makes your new users nervous. It makes your old users hesitate to bring anyone else on board. And why should they? Why should they put effort into it if you're going to throw that effort away next Tuesday? Why get used to a UI that you're not going to bother to keep? Why customize anything if you're going to whittle that customization away?
Between that and the broken, unattended features of this site—the tag organization failing, the inability to look up posts word-for-word, the video player either refusing to play or yanking you to the top of the dashboard, images taking forever to load, advertisements blaring at full volume when you scroll past, you have your problem.
You have the reason why your numbers are failing.
It's not that you're not interesting enough.
It's not that you're too difficult to understand.
It's that you aren't improving what you have, yet you keep adding more half-broken things and unwanted copycat features to the pile.
It's that you're losing your identity in pursuit of a hypothetical perfect customer.
It's that you are actively telling your user base that you prefer those hypothetical customers over them. And your user base, your real people who make you happen, are smart enough to know where your priorities lie.
The bulk of this post talks about Tumblr, but other sites have gone the same way. Twitter is dead and its corpse is decaying in the street. Reddit has sabotaged any trust its users had in its management. If you'd like a really old example—I used to use Fanfiction Net. It's not the most intuitive website in the world, but it was the first one I called home.
I used it to host my works. The adware now on it makes it a hassle to navigate. The bots make comment sections and private messages a dread rather than a joy. So I moved on.
I also used to use it to collaborate on stories with my now-roommate. The message limit was 300 a day. When you're writing dialogue between characters, that's nothing.
So I moved on. We started messaging on Facebook. It was better, it didn't have a limit. But then I learned Discord existed, and I could edit messages, make dedicated channels, etc. So I moved on from Facebook to Discord. And Discord had a steep learning curve, especially if you're trying to make your own server rather than contribute to one. But, most importantly, the payoff was worth it.
If Discord changed its layout every other month while I was learning it, and broke how its reactions worked, and kept shifting what it meant to create a channel? If it opted me into servers I didn't sign up for, in hopes of engagement? If its text never formatted correctly, or its search function only went back a day or two?
I would have gone right back to Facebook. Even if it's a more basic experience, basic is always preferable to unstable.
Figure out what you want, websites.
Slow growth, or a gamble?
You're paying for your magic slot machine in users.
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fouldays · 6 days
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Heyo, I'm Bambi, formerly known as Rella / Puffy and I recently created this blog of mine, so I was wondering if I could get a promo?
I make graphics, layouts aswell as psds occasionally && I run a suggestion based blog. (Basically, If you ' request ' something I might not do it && I don't reply to the asks themselves so I don't burn myself out.)
I have some examples up on my account already && I also used to run a fairly popular tumblr account on here.
tagging : @kiochisato @cannibettes @qherufrill @w-andahoi @robinsrae @roguefort @rosendoru @rrozeta @iv-ry @sanguisettes @skyhighdream @demeurel @frillara @firstgf @herrscherofmemories @honeystarcamper @lavendergalactic @yukinahina @cherhonor @cherryshh @cherishzomb @vvirtuallycute @battampria @necromii @necroangelz @mikosye @minipuppygirl @mysterialss @manicpixie-edits @mischiefesse ++ anyone else. tell me if you'd like to be removed
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hi derin! i’ve been following you for a little while, and also bemoaning the nature of publishing fiction (indie or trad) for a little bit longer than that, and i only just realized today that…of course web serials are a thing i can also do!
i really love the idea of publishing serially (though i’m not totally sure i CAN, i’d like to try), so while i add this to my list of potential paths, do you have any advice for getting started? building an audience? marketing? figuring out if writing/publishing this way will work for you to begin with?
i know that’s a lot of questions, and you don’t have to answer all of them! i’m throwing spaghetti at a wall out here. i hope you have a good day though, and thanks in advance!
Getting started in web serial writing
Web serial writing has the lowest barrier of entry of any major method of publishing your story. You can literally just start. There are two steps:
start writing your story
decide how/where you want to publish it
The writing part, I assume you have handled. The important thing to note here is that you gotta see the project through. Start and don't stop until you're done. For publishing, you have a few options:
1. Publish on a website designed for web serial novels
There are a few of these around, they're usually free to publish on (although most offer a paid account to give you ad space or boost you int he algorithm or whatever), and your best choice generally depends on which one happens to gravitate to a niche that best suits your kind of work. The big names in this industry are Royal Road and Scribblehub, which, last I checked up on them (about a year ago) tended towards isekai and light erotica respectively. (You absolutely can publish outside these niches on these sites, it's just much harder to get traction.) Publishing somewhere like this comes with multiple advantages. Firstly, there's a writing community right there to talk to; there's usually a forum or something where people gather to talk about reading or writing on the site. Second, the site itself is designed specifically to publish web serials, and will come with a good layout and hit trackers and 'where you left off' buttons for the reader and all that; generally all you have to do is copy-paste the text of a chapter into the page and the site will do everything else for you. Third, there's an audience sitting right there, browsing the 'latest arrivals' or 'most popular' page of the site; if you can get high in the algorithm, you have to do little if any marketing.
The downsides of such places usually come down to the same things as the advantages. Such sites are a flooded market. Your story absolutely will drown in a sea of other stories, a great many of them terrible, and most of them with the advantage of catering to the site's niche. Gaining an audience there is often a matter of trying to game an algorithm, and the community can be... variable. Some of these places are nice but most of them are a bunch of authors trying to tear down everyone around them to make their own work look better by comparison int he hopes of poaching audiences for their story instead. If you go this route, I'd recommend shopping around for a site that fits you personality and writing style (or just posting on many sites at once; you can also do that).
These places also tend to get targeted by scrapers who will steal your story and sell it as an ebook, which is very annoying.
2. publish on another site
Plenty of people publish web serials here on Tumblr. I do not know why. This site is TERRIBLY set up for that. It makes tracking stories and updates a pain in the arse (people end up having to *manually tag every reader whenever they post an update*), building and maintaining archives are annoying, community building is surprisingly difficult for a social media site, and it's just generally far more work for both writer and reader than it needs to be. You often do have a ready-made audience, though.
This does tend to work better on other sites. Reddit has multiple communities for reading and writing various types of fiction; publishing on these is a bit more work than somewhere like Royal Road, but not very much, and many of these communities are very active. There aren't as many forums around as there used to be, but you might be able to find fiction hosting forums, if that's what you prefer. And of course, many writers who simply want to write and don't mind not being paid choose to write on AO3.
These sites are a good middle ground compromise for people who want a ready-made community and don't mind putting in a bit of extra work.
3. make your own site
This is what I did. You can make a website for free, giving people a hub to find you and all your work, designed however you like. You can also pay for a website if you want it to be a little bit nicer. This option is the most work, but gives you the most control and leaves you free of having to worry about any algorithm.
The obvious downside of this is that there's no community there. If you host your work on your own website, you need to bring people to it. You need to build an audience on your own. This is not an easy thing to do.
Building an audience (general advice)
Here is some general advice about building an audience:
1. Consistency. Consistency. Consistency.
If you want people to read your writing, the best piece of advice I can possibly give you is have an update schedule and update on time, always. If you need to take a break, give people as much warning as possible and tell them exactly when you will be back, and come back then. Do not take unnecessary breaks because you don't feel like writing. (Do take breaks if you get carpal tunnel or need time off for a major life event or something -- your health is more important than the story.) If you're taking a lot of breaks to avoid burnout, you're doing it wrong -- you need to rework your whole schedule from the start and slow down updates to make these breaks unnecessary. Two chapters a month with no breaks is a billion times better than four chapters a month with frequent burnout breaks.
Consistency. Consistency. Consistency.
A reliable schedule is the #1 factor in audience retention. If readers need to randomly check in or wait for notifications from you to check if there's an update, guess what? Most of them won't! They'll read something else. You want your audience to be able to anticipate each release and fit it in their own schedule. I cannot overstate the importance of this.
2. If you can, try to make your story good.
We writers would love to live in a world where this is the most important thing, but it actually isn't. Plenty of people out there are perfectly happy to read hot garbage. How do I define 'hot garbage'? It doesn't matter. Think of what you would consider to be just a terrible, no-effort, pointless garbage story that the world would be better off without. Someone is out there writing that right now, making US$2,500/month on Patreon.
It is, however, a real advantage if you can make your story good. At the very least, it should be worth your audience's time. Preferably, it should also be worth their money, and make them enthusiastic enough to try to get their friends into it. Managing this is massively advantageous.
3. Accept that you're not going to get a big audience for a really long time. Write consistently and update on schedule every time anyway.
It took me over a year to get my second patron. For the first year, I updated Curse Words every single week, on schedule, for over a year, and had maybe... four readers. One of them was a regular commenter. One of them was my first patron. There was no one else.
My audience has grown pretty rapidly, for this industry.
You're not gonna start publishing chapters for a big, vibrant community. You're just not. And you have to keep going anyway. These days, I have a pretty good readership, and those couple of loyal readers (who I appreciate beyond words) have grown into a much larger community, who hang out and debate theories with each other and liveblog and drag in new readers and make fanart. My discord has over 550 members, with volunteer moderators and regular fan artists and its own little in-jokes and games and readers who make a point of welcoming newcomers and helping them navigate the discord, all with very little input from me. I start crying when I think about these people, who do the bulk of my social and marketing work for me just because they want to help, and my patrons who, after writing for over 4.5 years, have recently helped me pass an important threshold -- my web serial (via patreon) now pays my mortgage repayments. I can't live off my writing alone, but boy is that a massive fucking step.
You're not gonna have that when you start. You're gonna have a couple of friends. And that's it. Maybe for a year. Maybe less, if you're good at marketing and lucky. Maybe longer.
You have to update on schedule, every time, anyway.
Building an audience (more specific advice)
"Yeah, that's great, Derin, but where can I find my fucking audience?" Well, if you publish on a web serial site, then the audience is there and you jsut need to grab their affention using the tools and social norms offered to you by the site. I utterly failed at this and cannot help you there. You can still use these other tips to bring in readers from off-site.
1. Paid ads
I've never paid for ads so I can't offer advice on how to do it. I've Blazed a couple of posts on Tumblr; they weren't helpful. This is, however, an option for you.
2. Actually tell people that your story exists and where they can find it.
I used to have a lot of trouble with this. I didn't want to bother people on Tumblr and soforth by telling them about my personal project. Unfortunately you kind of have to just get over that. Now I figure that if people don't want TTOU spam, they can just unfollow me. If you're like me and want to just politely keep your story to yourself... don't. You're shooting yourself in the foot doing that.
You need to mention your story. Link your story in your bio on whatever social media sites you use. Put it in your banner on forums. Make posts and memes about it. Eventually, if you're lucky, extremely valuable readers will start to talk about your story and meme and fanart it for you, but first, you need to let them know it exists.
It will always feel weird to do this. Just accept that people can unfollow you if they want, and do it anyway.
3. Leverage existing audiences and communities
Before I started doing this web serial thing, I used to write a lot of fanfic. The original audience that trickled in for Curse Words comes from AO3, where I was doing a full series rationalist rewrite of Animorphs. They knew how I wrote and wanted more of it. Nowadays, I still occasionally pull in readers through this route. Most of my new readers these days come from a different community -- people who follow me on Tumblr. Occasionally I bring in people who don't follow me because we'll be talking about how one of my stories relates to something different, and fans of that thing might decide they want to check my stories out.
Your first readers will come from communities that you're already in and that are already interested in something similar to what you're doing (people reading my fanfic on AO3 were already there for my writing, for instance). Keep these people in mind when you start out.
One additional critical source of existing communities is your readers themselves. A huge number of my readers are people I've never been in any group with -- they were pulled in by their friends, relatives, or community members who were reading my stories and wanted them to read them too. This is an absolutely invaluable source of 'advertising' and it is critically important to look after these people. enthusiastic readers, word-of-mouth advertisers, and fan artists are the people who will bring in those outside your immediate bubble.
4. Your "where to find me" hub
If you're publishing on your own website, you can simply link everything else to your homepage, and put all relevant links there. For example, I can link people to derinstories.com , which links out to all my stories, social media I want people to find me on (you don't have to link all your social media), patreon, discord, et cetera. If you don't have your own website, you're going to have to create a hub like this in the bios of every site where you garner audiences from. This is the main advantage of publishing on your own website.
Monetisation
There are a few different kinds of monetisation for web serials, but most of them boil down to 'use a web serial format to market your ebook', which to be honest I find pretty shady. These authors will start a web serial, put in enough to hook an audience for free, and then stop posting and release an ebook, with the intention of making readers pay for the ending. Now, to be clear, I am absolutely not against publishing and selling your web serial -- I'm doing exactly that, with Curse Words. I am against intentionally and knowingly setting up the start of a web serial as a 'demo' without telling your audience that that is what you are doing, soliciting Patreon money for it, and then later yanking it away unfinished and demanding money for the ending.
Monetisation of these sorts of stories is really just monetisation for normal indie publishing with the web serial acting as an ad, and I have no advice for how to do that successfully.
Your options of monetisation for a web serial as a web serial are a bit more limited. They essentially come down to merchandise (including ebooks or print books) or ongoing support (patreon, ko-fi, etc.) Of these, the only one I have experience with is the patreon model.
This model of monetisation involves setting up an account with a regular-donation site such as patreon, providing the base story for free, and providing bonuses to patrons. You can offer all kinds of bonuses for patrons. Many patrons don't actually care what the bonus is, they're donating to support you so that you can keep writing the story, but they still like to receive something. But some patrons do donate specifically for the bonuses, so it's worth choosing them with care.
The most common and most effective bonus for web serials is advance chapters -- if people are giving you money, give them the chapters early. You can also offer various bonus materials, merchandise, or voting rights on decisions you need to make in the future. 'Get your character put in the story' is a popular high-tier reward. If you're looking for reward ideas, you can see the ones I use on my patreon.
Patreon used to offer the ability to set donation goals, where you could offer something when you were making a certain amount total or had a certain number of subscribers. They recently removed this feature because Patreon hates me personally and doesn't want me to be happy, so you kind of have to advertise it yourself now if you want to use these goals. I release chapters of unrelated stories at donation goals, and I found this to be far more effective than I thought it would be.
The important factor for this kind of monetisation is that it's ongoing. The main advantage of this is that it makes your income far more regular and predictable than normal indie publishing -- your pledges will go up or down over a month, but not by nearly as much as book sales can. The main thing to keep in mind is that it's not a one-time sale, which means that however you organise things, you want to make sure that donating keeps on being worth it, month after month. Offering bonuses that aren't just one-time bonuses, but things that the patron can experience every month, helps here. So does making sure that you have a good community where patrons can hang out with other patrons. (Offering advance chapters does both of these things -- the patron can stay ahead in the story and discuss stuff with other patrons that non-patrons haven't seen. I've found that a lot of my patrons enjoy reading an emotionally devastating chapter ahead of time, discussing it, and then all gathering a week or two later to watch the unsuspecting non-patrons experience it for the first time.)
Whatever method you use for monetisation, rule #1 is (in the words of Moist Von Lipwig): always make it easy for people to give you money. The process of finding out how to give you money should be easy, as should the process of actually doing it. And, most importantly, the spender should feel like it's worth it to give you money. This is a big part of making it easy to give you money. Make your story worth it, make your bonuses worth it, make sure that they're happy to be part of your community and that they enjoy reading and supporting you. And remember that support comes in many forms -- the fan artist, the word-of-mouth enthuser, the person who makes your social hub a great place to be, the patron, all of these people are vital components in the life support system that keeps your story going. And you're going to have to find them, give them a story, and build them a community, word by word and brick by brick.
It's a long process.
Good luck.
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changes · 1 year
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Friday, May 26th, 2023
🌟 New
We’ve added a star next to themes in the Theme Garden and in Customize on web for themes that are NPF-compatible. Use these themes to ensure your posts look pixel-perfect when using the new editor on web.
On web, clicking anywhere in a post’s header now opens that post. Previously, you had to click specifically on the blog name.
We’ve added better screen reader support for the “Popular Tags” dropdown menu when searching on a blog on web.
Also on web, the shortcut to change the current color palette has been updated to Shift + P.
🛠 Fixed
Fixed an issue that was preventing activity items from being created when a post’s original author liked someone else’s reblog.
Fixed a gnarly issue with the post form on web, where typing any uppercase character into the tags field would hide any suggestions for tags you’ve used before on your blog, leaving only “Popular” tag suggestions.
Tumblr posts embedded on other sites now have the “notes” label again, not just the note count number.
On web, we’ve removed the ability to add a Read More to an ask, as it could cause broken post layouts.
Also on web, we’ve fixed various inconsistencies with compacted / shortened numbers (i.e. “10K”).
🚧 Ongoing
Nothing to report here today.
🌱 Upcoming
🎤 🐸 🎵
Also, Tumblr Labs is becoming something new, stay tuned!
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1moreff-creator · 10 months
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Trying to figure out the DRDT chapter 2 murder method, with evidence! (Theory)
CW: Murder, mentions of suicide, hanging, general brutality.
So, I’ve noticed a lot of people have given their predictions for the second case murderer, the motives and all that. This is obviously what most people care about, and I love reading predictions for it!
However, I am not most people. I also am really curious about the exact murder method.
You see, DRDT has consumed my brain mercilessly, and thus I have decided I can’t wait for the hiatus to end, and want to see if I can figure out the murder mystery with the clues we have. As a warning, this doesn’t actually help much with the culprit, but I will give my thoughts on that at the end.
I think a decent job! It’s not perfect, and I’m fully expecting to get a lot if not most of this wrong. I will be happy regardless of whether I’m right or wrong, so what matters is that I had fun thinking about it! Right? :D
This took me hours.
Spoilers up until Chapter 2 ep 11, and… further? Maybe? It’s just a prediction, but with evidence, so, you decide if you wanna read it.
Where we left off
The cliffhanger currently consuming me, as you may recall, happened just after David started his Tumblr sexyman arc, with Charles cutting in with just a fantastic line (“You’re out of your element!”). He says that, while trying to prove David’s innocence, he realized something bigger, before proclaiming he and Teruko fucked up.
As many have pointed out, Charles cuts in when David mentions the time of death, meaning he’s likely realized something about that.
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What Charles has probably noticed is that the note Arei received never mentioned if she was supposed to go to the playground at 7:30 PM, as the characters had assumed because of the fish and the nighttime rule for the Relaxation Room, or AM. The fish could have easily been kept in the water jugs found outside in a trash can, so it’s pretty feasible that the murder actually happened at 7:30 AM. Unfortunately, Nico, the only one keeping track of the fish, likely fed them before David went there, and thus before 7:30 PM, so we can’t tell for sure when they were taken.
(This is because Nico mentions they fed the fish after dinner, and they likely ate before David. Whit mentions having a ‘late dinner’ when he and the gang meet with Suspenders Man in the kitchen and send him to the fish, David even mentioning he wasn’t expecting anyone else to be there. Assuming Nico ate dinner with most of the class, they would have eaten before David went to the Relaxation Room, which we know was around 7:30 PM)
However, if Charles is only bringing the possibility up now, it’s likely the right answer. Also, as you’re gonna see, the murder method I believe was used requires quite a bit of setup that would have been easier to do at nighttime, without potential witnesses showing up out of nowhere.
Now, this is where I’ve seen most people stop. Content with knowing what the cliffhanger itself is about, they don’t think further into the murder method. But I will, because my life is extremely empty.
Let’s get to the evidence!
“Truth Bullets” (let’s pretend)
-First, the layout of the scene.
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(Ultimate Artist coming through-)
The exact position of things doesn’t matter, but it helps to visualize. The seesaw, to the dismay of Korekiyo stans, is unimportant and can be disregarded. Here are the takeaways:
•The ground near the entrance is scuffed. This heavily implies something went down in the playground, and we probably aren’t dealing with a crime scene switch.
•The fish, you should be acquainted with.
•The spinny thing will be important.
•Not pictured is a sand pit without sand. This isn’t important, but I do find it funny.
•Then, the swing set. I’d like to point out that the rope attached on one end to Arei has nothing on the other end, and rather remains there via a knot at the top of the swing set. This is important because of:
-Broken Neck: Arei’s neck is broken, alongside:
-Veronika’s Account: Although a hanging can cause someone’s neck to break, it wouldn’t happen to Arei if she were to be hung from that height. She would either need to weigh more, or fall from higher. Because the rope Arei’s corpse hangs from is tied with a knot, it can’t extend further than what we see, meaning she was likely hung from somewhere else (if that’s even her cause of death).
-Bound Wrists: Arei’s wrists were bound with duct tape at some point.
-Duct Tape on Spinny Thing: There is duct tape covering every handlebar the spinny thing has.
-Longer Rope: There was a longer piece of rope bundled up below the spinny thing. Teruko claims it’s a couple yards long. I don’t use that unit of measurement, but it sounds like it’s large.
-Flickering Lights: According to MonoTV, one of the lights in the playground was flickering. The way he acts when inquired implies this had something to do with the murder.
Going away from the playground now, we have the trash can.
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-The note: You know this one.
-Eating utensils, food, painting tools. Unimportant.
-Water Jugs: Likely where the fish were kept overnight. Notably, the handles are snapped in the middle.
-Needle and thread?: I’ve seen some people mention there’s a needle with a bit of black thread that none of the characters address when dealing with the trash. Personally, I think this isn’t going to be important, but I do have a place for it if it ends up coming up. That is:
-Ball of clothes: Charles takes this from the dress-up room. It’s apparently held together with starch (not an adhesive, just sticky, but sure), though I wouldn’t be surprised if it was actually created with the needle and thread. Again, I don’t think it’s important, but you can choose to believe it was used here if you want. It’ll make sense later.
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-The gym. I’ll be honest, this is the one thing I don’t know how to fit in. During the investigation, Teruko makes memory to how the gym looked before and after the Nico incident. I’m not great at Spot the Difference, but for the life of me the only thing I could see change was the missing fan and the missing ‘grippy thing’ on the pull-up bar. I don’t know how that would fit with the mystery, so I’ll be glad if anyone can figure something out.
-The motives: Not important for the method, obviously important for other reasons.
So, with the evidence laid out, what can we figure out?
Theory Time
When I said I spent hours thinking about this, I mostly meant running through several theories at once, trying to see which one made the most sense. I went to some weird places: from a crime of passion disguised as a suicide, to drowning her in the Relaxation Room, to somehow getting from the Movie Screening Room to the Playground (MonoTV had mentioned punching through the wall would get you there), to Arei herself being the one originally trying to murder…
But in the end, it was simpler. There are three important facts which help narrow down the options.
-Arei’s neck was broken. This eliminates simpler killing methods such as strangulation. Something happened which broke her neck, yet:
-Her wrists were bound. A broken neck is instant death, but Arei’s bound wrists imply the killer feared she would struggle. This eliminates a crime of passion. This thing was premeditated.
-The murder happened in the playground. The scuffed floor, broken light, duct tape on spinny thing and the other rope all make it clear. There’s no crime scene switching here. This eliminates stuff like the drowning in the Relaxation Room I mentioned.
All of this makes me believe that Arei was hung from somewhere in the playground, likely after the killer bound her wrists to stop her from struggling. The scuffed ground serves as evidence of an initial struggle. It doesn’t quite look like that, but frankly I just don’t know what could have caused the exact shape in the ground, so a struggle it is.
However, how? If Arei’s neck broke from her hanging, as per Veronika’s Account, she would need to be hung from somewhere else first, in a way that she either weighed more or fell from higher. Now, at first, you might assume that she had to be simply hung from higher, since it’s impossible to make Arei weigh more than she does. But what if I told you, there is a way to achieve that?
Enter: the water jugs.
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I don’t know about you, but the way those handles are broken looks to me like they were snapped too cleanly for human hands. It almost looks… like someone tied a knot around them, then exerted a bunch of force on the rope.
(WARNING: Geometric depiction of a hanging a bit below)
We know for a fact there are at least two pieces of rope: one longer, one shorter. It would be possible to tie the two ends of the shorter one around the handles of the water jugs, then tie the middle around Arei. Water’s pretty heavy, so the extra pull of the water jugs would exert an additional force to her body once she stopped falling, one which could serve as one of the reasons her neck broke.
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…Now’s probably a good time to mention, I have no idea why the killer did half the shit they did. I cannot explain to you why they would do this with water jugs. I’m just telling you how my brain’s interpreting this evidence.
However, this doesn’t exactly solve the height problem. You still can’t hang Arei from the swing set directly, as the jugs would hit the ground. It’s still necessary to hang her from higher up, although thankfully it’s easy to see where that would happen.
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Yeah, the railings of the playground. The problem, naturally, is how to get there. Or rather, how to get the rope there.
Well, here’s a question. How would you do something like that if it was lower down, but still unreachable? One answer is to try to throw the rope over the railing, so that one end stays near you, and the other, on the other side of the railing. Of course, that’s impossible with a rope of this length and a railing of this height, but the concept can still be used in conjunction with something else. Thinking about the other pieces of evidence we have, there is one that stands out as particularly strange, doesn’t it?
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Exactly. The ball of clothes. Because throwing a ball, especially one as light as this one would be, is much easier than throwing a rope, you can set up the hanging spot by tying one end of the rope to the ball, and throwing that over the railing.
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You might think it’s still too far up, but think of it like this. How far can you throw a basketball straight up? Probably enough to clear two floors, at least given enough attempts. The ball of clothes would have more drag, yes, but it would be lighter. Keep in mind the killer had all night to get this right, and they could have even climbed on the swing set if they needed a bit more height. It’d be awkward, but possible.
There is one more piece of evidence that makes me think this is the case. That is, the flickering lights.
The lights weren’t broken, but they did get fucked up. This is by far the clue which gave me the most trouble when thinking about this, since it just seemed so impossible to achieve. However, this ‘ball of clothes’ theory gives us a solid answer. On the way up, the ball of clothes may have hit the lights:
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This wouldn’t break the light, but it could displace it, causing it to flicker… or something like that. I’m sorta banking on J giving a proper explanation with her pre-established expertise, since I’m no electrical engineer. However, I see no other way this could have happened, so it’s the answer I’m giving for now.
So now we have the long rope on both ends, all that’s left is actually pulling Arei up. Except, that’s still quite complicated, isn’t it? Already pulling her up would take quite a bit of strength, but the main problem is the ‘going down’ part.
For Arei’s neck to break, she needs to enter free fall, then abruptly stop halfway. That would mean you need to stop the rope from moving on the way down, but how? Just using your hands is impossible, because you’d get burnt.
Enter: spinny thing.
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The duct tape tipped me off that this thing was important, and once the use of rope is factored in, my first instinct was to use it for a sort of pulley system.
Weave the rope through a few of the handlebars, then tie a knot around one of them. That way, if you make the thing spin, it will drag the rope with it, sort of like a roll of film in reverse.
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Then, once Arei reaches an appropriate height, you spin the thing the other way, letting her fall at full speed for a bit. When you want to stop her, you would just need to stop the carousel from spinning, which may take a bit of strength, but it’s perfectly doable.
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Now, this explains how the murder could have been done, but where does the duct tape come into play?
Yeah, good question. My best answer is that the rope somehow burnt a friction mark into the spinny thing, which the killer feared would give away their trick. After all, even if the duct tape is more noticeable, it’s harder to make a connection between that and the murder than a friction burn, which while harder to notice, would point more directly to the pulley idea.
Yeah, it’s not a great answer, and it’s frankly the part which still puzzles me the most, but it’s an answer, so I’m going with it for now. Open to change, though.
Notably, this is also the part of the crime where I feel the gym may come into play. Again, I have no idea what the relevance is, but if it has something to do with this crime and not just the Ace - Nico incident, perhaps the grippy strap of the pull up bar was somehow used to better grip the spinny thing’s handlebars for the pulley trick? Again, this is one piece of evidence where I could use the help.
And so, we’re done! Practically all of the important evidence was used, and I can’t find any contradictions in the reasoning!
Closing Argument
The killer first put water from the Relaxation Room, fish and all, in some water jugs before nighttime.
At nighttime, they stuck together Teruko’s and Hu’s old clothes with either starch or the black string. Going to the playground, they tied a long rope they got from storage around the ball of clothes. They repeatedly threw it up, until they managed to get the rope over one of the railings in the playground. However, on the way up, the ball of clothes hit a light and displaced it, causing it to flicker. MonoTV would later remove this light.
After that, they tied one of the ends of the rope to one of the carousel’s handlebars, possibly looping it around some of the other handlebars to make sure it would work as a pulley. The killer left the water jugs in the room, first tying a shorter piece of rope around their handles, and took the ball of clothes back to the dressing room.
After that, the killer wrote a note. They had overheard the Eden-Arturo-Arei situation, and used that to lure Arei out to the playground at 7:30 AM. She potentially arrived just before the killer, based on the scuffed ground being a bit far from the door, but the killer got there just a moment after, before Arei could understand the situation.
The killer overpowered Arei, scuffing the ground near the seesaw in the process. They eventually bound her wrists together, and wrapped the middle of the rope attached to the water jugs to Arei’s lower body. Possibly around her waist, as to prevent rope burn injuries from giving the trick away.
After that, they tied the unused end of the longer rope around Arei’s neck, and moved to the spinny thing. Using the grippy strap they got from the gym (maybe), they grabbed one of the handlebars and spun the spinny thing so that the rope was pulled in and around its handlebars. This also had the effect of pulling Arei up towards the ceiling.
Once Arei was high enough, the killer quickly spun the carousel the opposite way, then abruptly stopped it just a few moments later. This caused Arei to free fall shortly, before suddenly stopping. The force of that stopping broke both Arei’s neck and the handles of the water jugs. Arei died here, if she hadn’t already asphyxiated beforehand.
All that was left for the killer to do was cleanup. Retrieve the longer rope and hide it under the spinny thing; set up Arei’s body to look vaguely like a suicide; empty the water jugs on the ground; throw them away, alongside the duct tape and the note. The killer’s trick had also left marks on the carousel, which they decided to cover up with duct tape. Finally, the killer reconvened with everyone at around 8 AM for the motive announcement.
And with that, all questions are answered. Well, except for:
What the fuck
Like, why would the killer do this? It’s so unnecessary cruel, when they could have just hung her. I was honestly worried, as I thought about the method, that the killer would end up being Veronika, just because it’s so fucked I genuinely can’t see anyone else doing this. But Veronika doesn’t have a motive to do this: she’s talked about wanting to enjoy the trials for as long as possible, and it’s been set up if she murders, it would be of boredom. Doing that before a motive announcement which would make things interesting doesn’t fit her at all. Or maybe I’m coping.
The answer to the question of why the killer chose this method is only part of a larger question, though. So, knowing the method, how does that change the final question?
Who did it?
EDIT: DISCLAIMER: The following part of this blog is outdated. Go here to read a revised version of the method, with a different culprit. It's a reblog of thebadjoe's reblog of this post, as they pointed out a lot of flaws in my original theory (adult content warning for Arei's corpse). I'm leaving the rest of my original post up, but just know I now believe the killer to be Eden, with an accomplice.
Let me start by saying that I can’t definitively say anything about anyone, even knowing the murder method. However, this *does* paint some of the theories in a different light.
Smaller theories
I’ve seen a few people suggest everyone from Charles to J or even Arturo. A lot of these theories are decent, but some rely too much on certain assumptions which may or may not be disproven if this method is accurate.
Charles is ruled out. The murder required moving the corpse around postmortem, and while there wasn’t any blood around, Charles’ necrophobia would make it impossible for him.
A theory I saw was that J may have used her remote to open secret trapdoors and move around rooms, taking advantage of the placement of the playground in relation to the Movie Screening Room. However, while that theory is interesting, the murder is perfectly possible without these trapdoors, so the main argument kinda goes out the window. Although I guess it’s possible her remote could be used to make the carousel go spin, but that’s kinda ridiculous if you ask me.
Arturo was ruled out from the beginning because the handwriting in the note is too pretty to be a doctor’s. That’s a joke, and Arturo would actually be quite capable of the crime. In fact, he’s sort of become my second most likely culprit, even if he was accused early in the trial.
Hu / David manipulation, in shambles
A popular theory states that the killer was manipulated by David to do the deed. The most common victim of this manipulation theory seems to be Hu Jing. However, in my opinion, the sheer brutality of the method pretty much rules this out. David may be a good enough manipulator to get somehow to kill Arei, but I really doubt he’d be able to convince them to do… all this.
Especially since he has no reason to order the specific method, which would imply it was born from the killer’s own mind. So, even if David actually told them to kill Arei, they decided to use this insanely elaborate method all on their own. And, listen, I don’t care how you feel about Hu, she wouldn’t do this.
Is it still possible? Sure, I guess. Does it look a lot weaker under this method? Absolutely.
The surprisingly strong Whit/Eden allegations
I didn’t make this theory considering these two the killer, I really didn’t. I still don’t think they are. And yet, they are the only ones who could benefit from this method. How? The BDA.
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You see that loophole, right? I noticed the moment I saw the rule. The way it’s written seems to imply the BDA only plays when three ‘spotless’ see the body, ruling them out as the murderer. Except, that’s not how it’s worded. It doesn’t say ‘three non-murderers’, it says ‘three people who didn’t witness the murder’.
So, pray tell, what happens if the culprit has their back to the victim when they die? Simple; they didn’t witness the murder, so their eyes count for the BDA.
How does this help? Well, imagine if Teruko had been the one to kill Arei. By making a contraption where she can be sure Arei dies instantly upon something happening (in this case, abruptly stopping the spin of the carousel), she can make sure her back is turned the moment Arei dies. Of course, the moment she turns around, the count for the BDA goes up to one, but it doesn’t trigger, since you need three.
Then, when Teruko ‘discovers’ the body alongside Eden and Whit, the BDA plays; one person (Teruko) had already ‘discovered the body’, so Eden and Whit seeing it would increase the BDA count by two. That makes three, BDA plays.
And yet, during the trial, if the murder method hasn’t been found out, Teruko could claim she isn’t the murderer because of the trickily worded BDA rule.
Now, we obviously know Teruko didn’t do it, but Eden and especially Whit are common theories. This could be used as evidence, except…
There’s a pretty obvious problem there. It’s not them, but Teruko who asks to team up in a group of three for the BDA, and it’s also her who suggests going to the second floor. Then, the playground is the last place they check, and Whit even questions Teruko when she suggests going there (the infamous ‘hanging out there’ line).
I wouldn’t rule out Teruko’s bad luck making her pick the absolute worst possible partner possible, but that doesn’t take away from the fact that neither Eden nor Whit were proactive in the search method, which goes against this potential ‘BDA alibi’ plan.
As for the rest of the theories, I don’t quite believe them. Yes, Whit definitely has more issues than he lets on, but he has no motive to do this (remember; he asked an entire group of people to reveal his secret if they had it, so the only reason his secret lasted until the trial was Rose throwing it away). Eden even less so.
And in the end, it really is the motives which points us to what I believe to be the killer.
Yeah, it’s Levi
As does what I believe is most of the fandom by this point, I think Levi is probably the killer.
Many have already theorized about the remaining motives, so I’ll spare you the ordeal and tell you: Just with the information all the characters have access to, it’s possible to narrow down Levi’s secret to ‘murdered someone’, ‘poisoned competition’ and ‘dead family’ (I know the last one’s Xander’s, but the characters don’t really have access to the Bonus Episode).
However, Eden can eliminate the ‘dead family’ one, as Levi has talked about his family with her, and they’re not dead (He also mentioned having brothers in the present tense during the trial, but just in case).
Min’s Bonus Episode makes it likely her secret is the ‘poison competition’ one, though how the characters are gonna figure that one out is beyond me. The point is, Levi’s secret is the ‘murdered someone’ one, the one Arei had. And, listen, in-game logic aside, you don’t just give that secret to the victim of the case and then have it mean nothing for the murder.
Other suspicious behavior has been noted, such as him wanting to start voting time quickly when David did his thing, him quickly checking the motives when they became public (keep in mind, as some characters mentioned, it’s possible the killer thought just killing someone before the motive reveal would be enough to prevent it), etc. Also possible foreshadowing such as Ace claiming Levi could ‘snap [his] neck with his bare hands’ and Levi promising to protect Eden in the trial, which is exactly what Arei did before dying.
However, something I feel people overlook is that not only did Arei get Levi’s secret, but it was also Levi who got Arei’s secret. A secret which, keep in mind, wasn’t public knowledge until the trial, when Levi finally revealed it. Sure, David and Teruko knew, maybe Eden at best, but other than that, only Levi knew of that secret.
And this is where the murder method may come in. I’m still unsure. Because the only reason I can find for this amount of elaborate planning and brutality, beyond the BDA thing which I mentioned likely isn’t important, is the killer having a deep grudge against Arei.
Levi is a guy who cares about his family. Sure, he was disowned, but he claims it was good, because he and his family were ‘bad influences on each other’. He seems like he genuinely wants the best for his brothers, it just so happened that the best thing was going their separate ways.
So, how do you think he feels when he learns that Arei, someone who had already insulted and belittled him, calling him a pushover and stuff, did horrible things to her sisters? If he doesn’t have the full picture, it’s not impossible to see how that may make him angry at her, especially with his already established anger issues.
Not to mention, keep in mind the setup for the crime was done one night after the Nico - Ace incident, one which ends with Levi grumbling ‘why do I even bother?’ as he locks himself in his room. This could imply a complete loss of faith in the group in general, which could lead to him deciding to kill.
Of course, that theory has more holes in it than Swiss cheese. Levi’s outbursts of anger don’t really last long enough for it to explain such a long and elaborate murder scheme. Not to mention, if he really did react negatively to the motive, he’d have done it the moment he received it, not several days later. He has murdered without remorse before, if his secret is to be believed, but until we get the specifics, we can’t know for sure how okay he’d be doing something like this.
However, the important question Levi as the culprit answers isn’t the ‘why?’, but the ‘how?’.
I’ve sorta glossed over it until now, but it would take quite a bit of strength to stop the spinny thing in the trick. I don’t think Levi’s the only one capable of it, but he’s certainly the most capable, if that makes sense. Not to mention, actually overpowering Arei in the first place wouldn’t exactly be easy. Plus, the ball of clothes being involved implicates him in a meta-sense, as it could technically count as his talent being involved in the murder.
The problem, of course, is that I have no definitive evidence. His custom weapon, brass knuckles, wasn’t involved at all, and there’s no way to place him at any of the important scenes. No one has an alibi for nighttime, no one has an alibi for 7:30 AM, and pretty much no one has an alibi for the Eden - Arturo - Arei incident (afternoon of the day of Nico’s attempted murder, when for now we only know Hu, David, Nico and Teruko where talking in the Relaxation Room. Though of course, the exact time is impossible to know).
I suspect he’s going to be suspected for the motive and the strength thing, and either someone will come up with something incriminating, or he’ll make a slip-up a la Mondo. I have no idea.
So… what did we learn?
Kinda nothing. As you can see, the murder method doesn’t really point to a killer in any definitive way, so we’re just back where we started, basically. But hey! It was fun! I guess.
Now, back to crying over the hiatus. See you!
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andscene-if · 3 months
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Hi, I just found this and the game sounds so interesting 👀 I did have two questions that I'm not sure have been answered (curse you Tumblr search function)
1: did MC really just get handed the role in this movie, or did they/could they have auditioned for it?
2: is there a general size/layout for MC's apartment? For, uh, Sims 4 purposes 🤭
Tysm in advance, looking forward to the demo release!
hii!
MC auditioned for the role like everyone else!
very much headcanon haha, but might go back and add a choice between small and cozy or excessively large if it's something ppl would like...? i'll try to remember🤣
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Text
Vox N$FW Alphabet
AN: yeah i never thought i would actually post on tumblr but boom here i am. sorry for shitty layout because i just want to pump my hcs out and get it done w/ kekw also i think i made him a bit more of an asshole than ppl usually do so sorrryyy maybe idk Pairing: Vox x GN! Reader Warnings: Sexual content, Top! Vox, Mild degradation, not sure what else idk A = Aftercare (what they’re like after sex) Lets be honest, this dude would NOT do aftercare whatsoever. He'll just go take a shower or something (yes he's waterproof if you say otherwise you're wrong L + Ratio) and when you blankly stare at him like 'wtf bro' this dude will not catch on until you straight up tell him to help you out. Once you successfully got the dude to consistently do aftercare, he'll get you a towel and clean you up and shit.
B = Body part (their favorite body part of theirs and also their partner’s) This man is a raging narcissist. Probably looks in the mirror, fixes his ugly ass bowtie and does twelve different practiced poses every morning to make sure the public knows he's fucking sexy. He probably loves every part of him besides his side profile, or maybe he would like it because it's 'sleek, modern, state of the art' or some technology bullshit. Loves his claws though. He'd probably be really into ass. Thighs too, but slightly less. I have no clue why but I am convinced he fucking loves legs and all of that. I think he'd like your expression too, mainly because he feels like a god knowing that he makes you feel like that. Don't do mirror sex if you want him to focus on you though, because he's looking at himself more than he's looking at you.
C = Cum (anything to do with cum, basically) It glows blue. Same shade as his claws and is electric. Don't put it next to fire, it'll burn the fuckin' tower down. Tastes mildly salty and has the same effect as pineapples where it feels like it's biting back. For body parts he likes to cum on, he probably would do it literally anywhere. Inside, on the stomach, on your face, ANYWHERE. Maybe not bukkake because he doesn't want it to get too messy and have to clean it up, that's too much work for a quick jizz.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs) Secretly finds you attractive romantically. Is it even a dirty secret? He'd just be too scared to do anything besides flirting and sex and shit for a long time. Maybe appeal to him enough and he'll take you on a completely romantic and sweet date that doesn't involve him blowing your back out afterwards. Christ, why the fuck is that somehow more appealing than having a one-nighter with him? Maybe I'm tweaking. Ignore this if you want. Go on and live your life with sweet husband Voxxy dookers buddy, I'm not judging too hard. Probably.
E = Experience (how experienced are they? do they know what they’re doing?) Pretty experienced. Unless you have some wild ass kink, chances are, he's probably smooth as fuck with it. Go wild.
F = Favorite position (this goes without saying) Mating press. I originally thought I was just biased as fuck since I love the whole thought of mating press and shit, but apparently a good amount of people agree with me. He probably loves being close to you and mating press lets him fuck your brains out. Wants to be as deep as physically possible in you, and you're vulnerable to him and he's looooving it.
G = Goofy (are they more serious in the moment? are they humorous? etc.) Definitely is leaning on the more serious side. If he's joking around, it wouldn't be in a 'haha funny' way, it'd be more of a condescending way where he's making fun of how pathetic you are. Or horny, or something along the lines of that. I feel like he'd do makeup sex, so if that's the case, I can assure you he is not cracking jokes. Maybe cracking your legs apart though. Fuck, that wasn't funny.
H = Hair (how well groomed are they? does the carpet match the drapes? etc.) No hair. No hair. No hair. No hair. No hair. No hair. No hair. No hair. No hair. No hair. No hair. He wouldn't grow hair there. Uh. Anyway, I don't want to have so little shit written here, so when he was alive, he probably was pretty well taken care of down there. I think a bit more hair than trimmed, but not the whole ass Amazon forest, ya get what I mean? Why the fuck did I say that? Okay. Regardless, I think of him being like dark brown hair when he was alive. Probably was a few shades darker on his dicky wicky cocky okay seriously I have to stop wtf
I = Intimacy (how are they during the moment? the romantic aspect) He'd be physically close to you, but if you're a one night stand, expect NOTHING emotional from him. Nada. Nothin'. On the other hand, if he was dating you or married or whatever your delusional ahh comes up with, he'd be just hardcore fucking you with a ton of horny ass compliments, but you'd be able to look into his eyes and just kinda tell he really loves you past all that horndog shit. Not really intimate sex for the most part imo, but if the both of you guys are in a shitty mood and it's not hate sex, he might say a few really sweet compliments and all that jazz. Fuuuuckkk I read that and he sounds kinda assholey (he is one though cope seethe /j don't get mad at me pwease) so if you're upset I half meant that in the 'he won't be bawling his eyes out during sex out of sheer love' way. Boom
J = Jack off (masturbation headcanon) He has cameras everywhere in Hell. Did you even think of the mere possibility that he's not jerking that shit constantly? Kidding. I feel like he'd be busy working a lot, but if you're not there to help him out after work and shit, he'd jerk it. Maybe a few times a week normally. If he had time and he was lonely though... Bro's going ham on his poor footlong. He has a lot of videos and whatever to look at. I think he'd thrive just off his imagination too.
K = Kink (one or more of their kinks) Dry humping (receiving), Mild degradation (giving), Voyeurism, Shock play (giving, duh), Hypnosis (gee i sure wonder if it's giving or receiving woahhhhh /s), Power dynamic, I definitely have a lot more but it depends heavily on your relationship to him :p
L = Location (favorite places to do the do) Desk. Now. Besides that though, he's probably fine with a lot of places. I feel like he'd be somewhat against public or semi-public sex because it could make his reputation worse, but anywhere else is fine. His office isn't really risky because he knows when people are about to enter using his lil' cameras.
M = Motivation (what turns them on, gets them going) A lot of things. Many, many things. For the most part though, if you tease him by wearing some revealing shit or acting like a bitch, he's getting a hard on.
N = No (something they wouldn’t do, turn offs) Anything that puts him in a situation where he has little to no control. He's not willing to show that much vulnerability, no matter how well you know him. You can try domming, sure, but just know he has the full ability to do a 360.
O = Oral (preference in giving or receiving, skill, etc.) Receiving. He'll occasionally do giving, but if you start calling him your submissive bitch or something, he'll spit and fucking leave. But regardless, he shoving his dick down your throat. Face-fucking is probably his favorite. Solid 6-7/10 in terms of skill, bonus points since his tongue is long.
P = Pace (are they fast and rough? slow and sensual? etc.) Definitely rough like a good 90% of the time. The pace depends on his mood, but he'd go with medium to fast for the most part. Maybe slow if he magically has a break (That'll almost never happen. Poor dude loves his work so much, probably chronically online just because of how much time he has to spend with computers). Don't piss him off though, he doesn't have a speed cap on this type of shit. Random thing I wanted to add in, his typing speed is fucking insane. 300 something and higher when he's arguing on the internet. Would definitely participate in those arguments of who's the goat of sports or whatever. Also random flex but my typing speeds at like 200 wow I'm so cool everyone clap
Q = Quickie (their opinions on quickies, how often, etc.) He barely has time to do anything, so quickies a lot of times end up being the only option he has to get off. Hella often. He enjoys an occasional slow sesh, but speedruns are his go-to.
R = Risk (are they game to experiment? do they take risks? etc.) Hell fucking yes. Always willing to try new shit out as long as it's not too risky. If it won't destroy his company, he's down for it.
S = Stamina (how many rounds can they go for? how long do they last?) This dude consumes more caffeine than humanely possible. He could probably go forever if it wasn't for his job, but he'd probably settle for 4~ rounds on a normal workday. If he's feeling excited though, expect more.
T = Toys (do they own toys? do they use them? on a partner or themselves?) Definitely owns quite a bit. Probably only his company's products though, he wouldn't want to support other businesses. I don't think he's one to use them all that often since he'll normally just call you over to suck his dick, but piss him off and he'll shove a dildo in you and leave for a few hours, just to see how long you'll last.
U = Unfair (how much they like to tease) He's such a brat. Taunts and makes fun of you constantly. Poor you, he loves to see you overstimulated and sobbing your eyes out.
V = Volume (how loud they are, what sounds they make, etc.) I feel like he wouldn't be that loud himself, definitely some breathy groans and shit, but on the other hand... If you're not loud enough, he'll make sure you're screaming out his name until he's satisfied. Maybe a little glitchy sounds. Before he comes, he probably becomes a little staticky.
W = Wild card (a random headcanon for the character) Willing to fuck you with his aux cords. Would find it fun as hell, especially he can shock you easier.
X = X-ray (let’s see what’s going on under those clothes) I think some of you guys don't remember that this man is 7ft. If he was human, it'd probably be around 7 inches, but he's tall as fuck. Expect it to be 9 inches minimum and probably larger. Average girth with thick veins running down the side. Pretty sure I said a good amount about it earlier.
Y = Yearning (how high is their sex drive?) Insanely high because he's always pent-up while working. Gets hard from the slightest bit of teasing. I have no clue what to write, but I want to write more so he's the type to get hard when he's comfortable. Cuddle with him and he's probably hard just because he's feeling cozy and shit.
Z = Zzz (how quickly they fall asleep afterwards) He'd sleep a few minutes later, depending on how much he trusts you. If he doesn't trust you much, he's leaving to a different room. If he likes you though, he'd just go nighty-night. AN: hope you enjoyed thanks like and follow for more banger content /hj
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beekeeperspicnic · 9 months
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What I've been getting up to without my computer
Since I don't have any game updates at the moment I thought I'd give you a look at my very analogue Sherlock Holmes related project!
As you probably know, the Sherlock Holmes stories were mostly originally published in the Strand Magazine which came out as floppy monthly magazines with hardback collections every six months.
A while ago I spotted a really beaten up copy of the July to December 1893 book on eBay for £8. This book can sometimes go for £200 in good condition because it's the one with...
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I immediately decided to make repairing it a Project!
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You can see here that the text block has totally come away from the boards.
Along the spine I was really excited to see something a little familiar being used to give some structural support! My initial thought was that this had to be a slice of a cover of one of the floppy Strand magazines.
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But when I got it loose and studied it, although the paper and ink colour is the same, it doesn't actually follow the layout format of the Strand covers. It's lots of little ads, and they run off the bottom like this is part of a larger document.
Scrap of paper on left, a Strand Magazine on the right:
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So yeah, that's still a bit of a mystery, but it's cool to see this scrap of paper the printers had lying around. I had to remove it, but I'm going to keep it safe.
I did some gentle cleaning of the cover using a putty eraser, just gently pressing and rolling, never rubbing. It picked up a little of the grime.
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The cover had got some paint splotches on at some point in the past, and I tried to gently remove these. Part of me wishes I'd left them as I think I was starting to effect the blue colour in the area.
(Original on the right, my attempt at cleaning on the left!)
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I also reinforced some of the parts of the bookcloth around the spine that were very worn with Japanese tissue, which is very thin but very, very difficult to tear.
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Now here's a fun part, with some help from my cat Miss Malkin!
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The spine of the book had a few problems.
The fabric which wraps around it and helps attach it to the cover/boards which is called scrim (or mull, I've seen it called both!) had totally decayed and turned into gross dust, I knew I'd need to replace it.
Although the sewn binding was sound, I could tell that the glue wasn't doing its job anymore. It was old 'animal glue' that had turned hard and brittle. I knew I'd need to replace it with something else, like PVA.
I needed to get that glue off, so I tried out a trick I saw online. I made a paste/gel out of methycellulose, which is a substance that gets used as a thickener in lots of food products. Of course I keep mine in a fancy little jar:
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The gel softens the old glue without getting it dangerously damp, allowing you to gently scrape it away. I have a really satisfying video of me doing it, but Tumblr only lets you upload one video per post, boo.
Look at all this gnarly gunk!
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But look at how good the text block looks with its new scrim and glue!
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I got the black paper from Shepherd's in London which is a specialist Art & Conservation Paper shop (they have a book bindery too but it's closed at the weekends.) Buying it was so fun, I got to look through lots of samples and pick something which matched the original paper.
I then had to get it home half way across the country on public transport. Yaaaaay.
I was trying to think what I was going to use to replace the Strand Magazine page on the spine. In the end I decided to leave a little note, for some future person who might take the binding apart someday!
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So, here it is!
I have to admit that this whole project has been a real challenge, emotionally more than anything! It's required me to be brave about messing with an old book, and to acknowledge that even where I've made mistakes, at least it's better off then it was when It arrived at my house.
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