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#today is not the day.
carouselcometh · 7 months
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Devastating! Art museum gift shop doesn’t sell prints of specific and unpopular painting that struck a cord with you!
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obsob · 4 months
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i am a being capable of immeasurable love and whimsy
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oobbbear · 2 months
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do you love the color of the sky
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nighthawkes · 6 months
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your daily walks wrapped
you soaked up 10,985 minutes of sunshine, rain, and other weather
you walked past 4,073 individuals you would describe as the most beautiful person in the world
you bore witness to 23% more of your local area than last year—good job!
you saw 3 of the weirdest dogs you will ever see in your life
you noticed 18 people visibly, tenderly in love with each other
you smelled 243 flowering plants & shrubs
you drank 267 delicious beverages
you were kissed invisibly and imperceptibly by 117 bumble bees and butterflies
you were witness to 87,441,289 gorgeous leaves
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satanicdollx · 7 months
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they should invent friends that do not live so fucking far
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sga-owns-my-soul · 9 months
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reblog to give ur mutuals a soft lil kissy on the head
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buttersteps · 9 months
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bye to a real one… add your favourite smash mouth tweet
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fandom-trash-goblin · 3 months
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i beg you to love me, say that i'm enough, but you tell me— why are you like this? i think there's something wrong with you.
for @shestrying
thanks to @acelania for finding the unknowns!
in image / desperation sits heavy on my tongue, tumblr user tullipsink / mary oliver, ‘north country’ / virginia woolf, letter to violet dickinson / in image / blythe baird, from if my body could speak / Alice in Bed: A Play' by Susan Sontag (link in comment) / lynee rae perkins, criss cross / elena ferrante, Those Who Leave and Those Who Stay' (trans. Ann Goldstein) / rainer maria rilke, from rilke’s book of hours / in image/ in image
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keymintt · 10 months
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a comic/zine about coyotes
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alex51324 · 10 days
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So, the NDA signed by producers of The Apprentice just expired, and one of them has published a tell-all article. Most of the article is about how they used standard reality-TV tricks to portray Trump as being wealthy and intelligent, when in reality he was, and is, a deeply indebted buffoon.
The money shot, however, comes when Trump and the producers are preparing for climax of the final episode, when the winner will be decided.
Per the FCC's rules for game shows, producers could not be involved in deciding who would be fired each week, or who would ultimately win: it had to be Trump's decision alone, like contestants and viewers were told it was. The producers could, and did, give him a presentation about the strengths and weaknesses of the contestants each time he had to make a decision. These were recorded, in case questions ever arose about whether the producers had crossed the line.
So, for the final episode, there were two contestants remaining. Both were men, one white, the other Black. They'd both done well in the final challenge of the competition. As the producers were summarizing the points for an against each candidate, this happened:
“Yeah,” he says to no one in particular, “but, I mean, would America buy a n— winning?” Kepcher’s pale skin goes bright red. I turn my gaze toward Trump. He continues to wince. He is serious, and he is adamant about not hiring Jackson.
In the finished program, Trump chose the white contestant as the winner.
(Four years later, Trump would propagate the baseless conspiracy theory that Barack Obama was not a native-born US citizen and therefore had not legitimately won the presidency.)
The article also describes how women working on the production faced discrimination based on whether or not Trump wanted to look at them while they did their jobs:
While leering at a female camera assistant or assessing the physical attributes of a female contestant for whoever is listening, he orders a female camera operator off an elevator on which she is about to film him. “She’s too heavy,” I hear him say. Another female camera operator, who happens to have blond hair and blue eyes, draws from Trump comparisons to his own Ivanka Trump. “There’s a beautiful woman behind that camera,” he says toward a line of 10 different operators set up in the foyer of Trump Tower one day. “That’s all I want to look at.”
And there's a third anecdote where he pressures a woman producer to break the FCC rules, while being casually misogynistic toward a contestant:
Trump corners a female producer and asks her whom he should fire. She demurs, saying something about how one of the contestants blamed another for their team losing. Trump then raises his hands, cupping them to his chest: “You mean the one with the …?” He doesn’t know the contestant’s name. Trump eventually fires her.
This information is pretty unlikely to persuade anyone who wasn't already persuaded by any of the other things Trump has done and said, which would for anyone else be a career-defining scandal. But it is a useful reminder of who we're dealing with.
(Link is to Slate, an x-number-of-free-articles-a-month site, but the incognito window trick works.)
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softwaring · 7 months
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🙏🏼🙏🏼🙏🏼hope he dies painfully and slowly!
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geezmarty · 10 months
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why so glum mr crowley have a cupperty
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elizabro · 3 months
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please consider how you engage with aaron bushnell's death. you may react to it as you will, but it's crucial to remember that his death was specifically a call to action. it was not meant solely to shock but to draw attention to a vast moral hypocrisy: that to many, a soldier dying in a campaign backed by the U.S. government is noble, even if the soldier kills innocents to do so, even if the cause is morally bankrupt--but this? this is insanity. a man taking his own life, on his own terms, in an attempt to help others while hurting nobody else, is somehow less rational and more horrifying than the mass killing of civilians.
of course aaron's death was horrific. but as he said beforehand, it is realistically no more horrific than what's happening in gaza. if we can't stomach this, then why can we stomach children being bombed? thousands being starved? for all that self immolation is, it brings death in a matter of minutes. it is a fraction of the amount of pain, fear, and grief that people in gaza are experiencing. it's just that we are able to quantify it. and this tiny, quantifiable sliver of horror is still so unbelievably awful. how can anyone bear to think about anything else when this horror is happening a millionfold in palestine? this is the question aaron bushnell was asking. and he wanted you to face it, head-on, watching him burn to death.
I've been seeing people make fanart. minimalist graphics to sell on t-shirts. to commodify his death, to mythologize it not a day afterwards, is not only in poor taste but a hindrance to his message. the answer is not commodification, nor is it defeatism, nor is it rejoicing in his death. if you want to honor aaron's legacy, take action. channel your horror and your outrage into making a material change. this wasn't about him. this was about palestine. remember that it was always about palestine.
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Beautiful from Ordinary Days
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swedenis-h · 1 year
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Idk how they’re getting outta this one (X)
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misterradio · 5 months
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🍪🐜🐜🐜🐜🐜🐜🐜🐜🐜🐜🐜🐜
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my coogie
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