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#timeline: judgement day
wishing4nuclearwinter · 8 months
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footage taken moments after general oliver and legate lanius were thrown over the dam on live television
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thorinsbeard · 10 months
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Don't mind me. I'm just sitting here thinking about how in Terminator (assuming multiple timelines) that maybe there's no way Kyle doesn't die and that Sarah experiences that one night with him and loves him and somehow that moment is fixed in time but maybe, (fic writers help) there's a timeline where he lives and she gets to experience life with him.
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comediakaidanovsky · 7 months
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so do we think tony khan is petty enough to put edge in house of black
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Bunny wow it worked now akira is absolutely in my command well akira if you tell us what Solomon is planning usagi will pet you head so can you tell us
Akira: Ngh... He's planning to merge the two universes together... And create an army of Shadows alongside his angels... In order to destroy a "corrupted" city and rebuild it... Once that day comes, the sky will be frozen in an eclipse... And the only way to reverse it is...
*He points his finger at Asriel, who looks back in surprise.*
Asriel: Me?
Akira: Solomon plans to face off against you during the Day of Judgment, to prove which side is superior... If you can defeat him, your shadows will disappear, and you will be able to return everything to normal... But only a demon can stop an angel playing God, so it has to be you, and no one else... And if someone were to kill Solomon... The Corrupted Angels would no longer exist...
*Before he can say any more, he collapses to the ground in exhaustion. One of his angels lifts him up and disappears along with him.*
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paperultra · 7 months
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the liminal space.
Pairing: OPLA!Roronoa Zoro x Reader Word Count: 1,575 words Warnings: Swearing, mentions of alcohol use [A/N: written with the cooper!reader from mise en rose in mind. i don't know where in the timeline this occurs, though. lol.]
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cingulomania (noun): a strong desire to hold a person in your arms
Living in close quarters can really change how you see a person.
Roronoa Zoro, for instance, had always struck you as rather aloof, having traveled alone for some time before you joined him, and unused to physical affection. He never gave any indication that he was one to enjoy it, and he never sought it out from anyone. That certainly wasn’t odd. You respected his tendency towards personal space, subsequently believing that it extended to his sleeping habits as well.
So when you wake up, hardly able to breathe underneath the hulking mass of a snoring swordsman, you are more surprised than anything.
“Zoro,” you wheeze, patting his back with the hand that isn’t crushed between his chest and yours. Nothing happens, so you swat harder. “Zoro. You’re crushing me.”
His arms squeeze around you as he stirs, inhaling sharply next to your ear. You stop moving as he lifts his head and opens his eyes just wide enough to register you beneath him.
He pauses.
Good morning, sunshine is what you want to say in a cheeky tone. You want to prove that you’re unaffected by the warmth of his body pressing yours into the mattress, the sensation of his breath across your cheekbone and the way his gaze transitions from something bleary into something sharp.
The greeting refuses to leave your mouth. All you can do is blink.
The next thing you know, Zoro’s rolling off of you and out of bed with nary an apology, mumbling something about going to the bathroom.
You hum distantly in response and stare up at the ceiling as he shuffles to the door. Once he closes it behind him, you reach up and fold your hands over your eyes, cheeks hot.
Great.
It all started because you and Zoro could only afford a single bed at the inn.
(You use the term “afford” loosely here. The truth of the matter is that you grossly underestimated how much a room would cost, and the owner of the one place willing to lend you a room for half the usual rate demanded physical labor to make up for the rest. Given that Zoro would be spending most of his time hunting down a bounty, the majority of the unpaid labor fell on your shoulders.)
(But you digress.)
The room is small and bare, which is fine, because you and Zoro don’t have much between the two of you anyway. The only problem is that there is only one bed. Zoro had expressed no qualms about sharing so long as you didn’t disturb his sleep, and you had readily agreed, not wanting either of you to sleep on the floor.
After the first morning, you’re not sure if that was a lapse of judgement on your part or not.
Zoro doesn’t mention it at all before he leaves for the day, and you don’t, either. However, when he comes back in the middle of the night and you’re already in bed, squinting and shielding yourself from the bright hallway light as he takes his slippers off and walks in, he sits on the carpet just a few feet away from your side.
“What are you doing?” you ask as he proceeds to lay down.
“Sleeping.”
He closes his eyes and folds his arms behind his head. You frown.
“Why aren’t you sleeping up here?” No answer. You lift your head from your pillow, indignant. “Hey, don’t ignore me! I know you’re still awake.”
“I’ve had a long day,” he grumbles, “so I’d like some quiet so I can sleep. Thanks.”
You huff.
The thought that Zoro might actually be just as embarrassed flits briefly through your mind, but you extinguish it just as quickly. He’s never seemed like the kind of guy to be self-conscious about those kinds of things. A more likely reason is that he’s decided that he wants his own separate space after all and can’t be bothered to kick you off the bed.
So, you kick yourself off instead.
“What are you doing?” The phrase now comes from Zoro as you throw the covers off and grab your pillow, kneeling on the ground beside him. His eyes open and his brow furrows.
“Take the bed. I feel guilty.”
“I don’t want the bed.”
“Everybody wants the bed.” You lie down on the carpet and cross your arms over your chest, stubborn. “I’ve already slept in it. Now it’s your turn.”
“You’re an idiot,” Zoro says.
Neither of you budge.
The next morning, you decide that the first morning was in fact not a fluke, as you awake with your face smushed against his chest and the smell of steel in your nose once again. He’s not on top of you, at least, but the way he clutches you while you’re lying on your side, one ankle hooked over yours, is somehow ten times more mortifying. You wake him up in the midst of untangling yourself and pretend like nothing happened.
Who’s the idiot now? (The answer is both of you. Both of you are idiots.)
The third night, you and Zoro flop onto the hard mattress with twin groans, heads spinning and feeling overall miserable.
“That was the shittiest booze I’ve ever had,” Zoro slurs next to you, face down in his pillow.
“But you got a lead, right?” you mumble.
“Yeah …”
You had been there in the bar when he’d gotten that lead, but you can’t remember what it was for the life of you. Another inn? Another bar? Ugh, you’re never drinking there again.
“I’m cold.”
There are blankets on the bed. Unfortunately, getting underneath them would require a lot of moving, and you are physically incapable of exerting yourself that much right now.
You shiver and turn onto your side to curl up. You’ll fall asleep at some point, anyway.
Zoro murmurs your name.
“Hm,” you groan, eyes screwed shut.
He doesn’t say anything in reply. But you hear the mattress squeak, the bedsheets rustle as he shifts closer, and your breath catches when the small distance between you closes. He does not wrap his arms around you, no, but your knees touch, and the heat from his skin melds into yours. You hear his breathing slow to a crawl.
Through your drunken haze breaks through a sudden need to draw him into you, to tuck your face into his neck and keep it there forever. You want – you want. But you’re exhausted, and your head aches, so you find yourself slipping into a deep slumber instead.
He’s already gone when you wake up.
A suspiciously lumpy gunnysack in the corner of the room catches your eye once you enter, hand over your mouth to stifle a yawn.
“What’s in the bag?”
“Eight million beri,” Zoro says from his seat on the bed. Cleaning supplies for his swords are strewn around him, and he sheathes the Wado Ichimonji as you close the door. “I ran into another bounty on the way back.”
“Eight mill –” You clear your throat. “Wow. That was pretty lucky.” Eight million beri. Sometimes you wonder if you’ll ever get used to how much bounty hunters can make. (God, that would’ve been more than enough to pay for the room.) “We’re heading out to a marine base tomorrow morning, then?”
“That’s the plan.”
He puts away his supplies, setting them and his swords against the wall near his pillow before standing up to pull down the sheets on his side. You turn off the bedside lamp and do the same, crawling in with a sigh.
The two of you simply lie side-by-side until you decide to break the silence with your big mouth again.
“Am I a burden to you?” you ask.
“No.” The plainness of Zoro’s tone is a small comfort, you suppose. “Why are you asking?”
“Well …” You already regret bringing this topic up as you trail off, biting your bottom lip. “I feel like I haven’t really done much. I mean, I help with navigating and searching crowds and stuff, and I’ve been getting better at fighting, but I can’t help you, you know?” You fiddle with your fingers. “You don’t actually need me.”
There’s a gap between you and Zoro that you’ll likely never be able to close. You had always known that, and so had Zoro; in fact, he had told you at the start that going with him was a bad idea, given your inexperience in bounty hunting and traveling in general. And although you’d like to think that your ability to read a map and fix things convinced him of your usefulness, there are times when you think Zoro regrets bringing you along. Like now.
Zoro grunts, turning to lay on his back. His shoulder nearly lands on your hands, and you draw them to yourself as you wait for his answer.
It is brief and straightforward.
“I’m not forcing you to go with me,” he says. “And if you were a burden, I would’ve told you a long time ago.”
“Oh.”
It is brief and straightforward, and yet, there’s a strange lump in your throat. You swallow it and nod, even though he cannot see you do so.
Nothing more is said. However, as the night goes on, you reach out, and you find him, and Zoro finds you, and the space between your arms fills up with warmth and an unspoken promise. And you sleep very well.
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hypewinter · 7 months
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After Danny had officially moved in with Clockwork, he decided to do some dimension hoping. That's how he found himself in the DC universe and more importantly, how he met the Teen Titans.
It was meant to be a temporary friendship. He'd tag along with them on a few missions and then move on. But Danny found himself getting attached to this team. They quickly became like a second family to him and against his better judgement ended up joining the Teen Titans full time.
He was there during their many fights with Deathstroke. He helped them with the Judas Contract. He even played a critical role in beating back Trigon. Danny grew up alongside his friends and was more than happy to continue on the team when they reformed as the Titans. Danny truly loved his new life with his new family friends. But then the reset happened.
According to Clockwork, every so often, a reset happens within this universe. Origins get changed. Relationships get redefined. The timeline gets restarted. Everyone within the universe is given a new place. Sometimes even a new purpose. Everyone except for Danny, who was never a part of that world.
His friends had forgotten him. His spot on their team easily replaced by another hero. Danny was devastated. Clockwork had tried to comfort his ward, but Danny brushed him off every time. He assured Clockwork that he would be fine with time. After all, he'd already lost a family before, what was one more? Yet the ancient could see the boy withdraw more and more in on himself with each passing day. He couldn't bear it. So he made a rash decision.
The Titans had been suddenly transported to a weird domain. They found themselves standing before a massive clocktower. A vast expanse of swirling green surrounded them. They didn't even have time to process what was going on before the door in front of them was opening. A young man, around their age, stepped out. There was something familiar about him. No one could quite place it but it felt like they had all seen that stylized hazmat suit before.
The man's toxic green eyes widened in surprise. Then his form flickered into a small version of himself, a look of pain evident on his face. This form felt even more familiar, like the team was being bashed over the head with deja vu. The teen flickered back into a young man and this time, he was angry.
He yelled out for someone by the name of "Clockwork" and it wasn't long until a new figure appeared. He was older than the young man and wore a purple cloak. The Titans could see where he got his name from considering the giant clock in his chest.
The older man- Clockwork- went to speak but was quickly cut off by furious yelling. The young man was accusing him of doing something unnecessary as he pointed at the team. He hissed to send them back. Clockwork's form flickered to that of a baby who looked like he'd been scolded before settling on the form of an old man with a long beard. He wore a face of great sadness as he attempted to explain he was only trying to help but the young man would hear none of it.
The young man - Danny is what the team hears Clockwork refer to him as - repeated that Clockwork must fix his mistake and send the Titans back before turning and leaving without another word. The old man let out a feeble sigh as he watched the other leave. Then he turned back to the Titans.
"Would you like a cup of tea?" he asked.
It had certainly not been what the team was expecting him to ask them but if sitting down for some tea would give them some answers and better yet, get them home, then why not?
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disneyprincemuke · 5 months
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midnights, 9 * mv1
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max finds out you'd gone to the club with alexandra, making him wonder if it’s really over when pictures of you and another man leak
pairings: max verstappen x fem!reader
warnings:
notes: nah when i finish this, i WILL be milking the whole series because this is my only breakup outlet left like damN
(series masterlist)
(prev) // (next)
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max could not stop thinking of you all day - all week, in fact. ever since a rumour had started going around that he's moving on with another woman, he could only have imagined what it's like for you to see that.
it sucks because he'd just been doing nelson piquet a favour - bringing kelly into the paddocks for a race under his pass. but nothing more ever went down between them.
he could only think of how your hands go cold at the rumour and heart absolutely shattering. he admits that he thought of sending you a text that night, but cowered away at the fear of your rejection for his explanation. maybe you no longer cared about what he's doing with his life.
he knows that because you unfollowed him on instagram and every other social media platform alike. you have even taken it upon yourself to unfollow his private account, his profile riddled with pictures and memories of the two of you together that he has not had the courage to delete just yet.
the only reason that he is aware of your sudden decision to distance yourself from him after the breakup is when he was confused about the notable lack of you on his timeline. when he checked, you were just another account he is now a stranger to.
he believes it was brought about by the dating rumours. because he used to stalk you all the time.
all. the. time.
"max, mate," daniel's voice makes him lift his head, eyebrows raising as a response. daniel's lips carve into a smile before it quickly disappears without anyone else noticing. "i said do you wanna grab some drinks at the bar? charles is already there."
max hesitates. the urge to be alone in his hotel room is real; curling up in bed while he listened to his mellow playlist while he debates once more if he should reach out. but against his better judgement, he nods with a small smile on his face as he starts to follow behind the older man.
"so, how are you feeling?" daniel asks, turning to him with a polite smile as they walk. "better, hopefully?"
with a halfhearted smile, max shrugs. "a little."
"progress is still progress," daniel reassures him with a pat on his shoulder, "it will still get better from here. you know that."
max nods. but there's still a yearning for you that he can't explain or get over. while he can understand that time is needed apart from you, things are not seemingly going towards his favour, or at least the way he wants it to go.
his chances of getting back together with you are slim. he really wants to, but he cannot bear the thought you having to say goodbye to you a second time.
but if he had the chance to do it all over again with you, he’d try to change the course of time if it meant having you back in his arms.
he tries to get you off his mind by moving on to other topics of conversation. but all he can think about is how you could have been here, arm around his waist as you leaned into his body while giggling over something daniel said to you.
you should have been at parc ferme following every race finish with your arms opened wide, welcoming him in for a wide smile and a tight hug.
but you never are.
and it doesn't help that now he's at the bar, there's charles and alexandra exchanging loud conversation about an event she attended back home.
"oh yeah," alexandra laughs unknowingly as they approach, "she was wild that night! she took body tequila shots from this guy! and we'd just met him that night. it was insane."
daniel pops his head between the couple with a lazy smile on his face. "who took body shots from a random guy they met at the bar?"
alexandra whips her head around, locking eyes with max. she laughs nervously as charles puts his hand over her knee. "just my friend back home."
max looks at her knowingly, taking his seat in the opposite booth. "it's (y/n), isn't it?" he asks, looking at the menu. everyone falls silent as he scans the menu for something to drink, prompting him to look up, slightly annoyed. "else, why wouldn't you elaborate to daniel when he asked?"
"hey," charles says, exchanging a glance with alexandra next to him. he squeezes her hand and sits up, leaning towards max. "what's your problem?"
"nothing," max answers in the calmest tone he can find within himself, "it's just odd that she tried to cover it up when it's so obvious." he turns to daniel. "wasn't it?"
daniel stares at him, visibly gulping and then glancing at the couple that sits across them.
"i didn't know you were already here," alexandra explains, dropping her head low. "i would have stopped way earlier."
"why would you?" max smiles, albeit halfheartedly, then looks down at the menu again. "we've broken up, right? she can do what she wants - i'm not her problem anymore."
"right," alexandra nods, pressing her lips together and sinking into her seat. she gives daniel a small smile before taking a sip of her cocktail. "sorry."
"hey," charles says again, putting both hands on the table. "you fucked up. don't take it out on alex that you're upset (y/n) is no longer with you. weren't you the one who let her walk out?"
max looks up immediately, mouth agape as he tries to process the words that charles just spoke. it's true that max let you walk out, which is what hurt the most. and it's, in fact, unfair that he is being like this.
max just sighs. "you're right." he turns to alexandra. "i'm sorry, alex. i shouldn't have taken it out on you."
alexandra just smiles, nodding understandingly. "it's okay. breakups are hard, max. i shouldn't have been talking about it knowing you'd be here any second, anyway."
"okay," daniel finally speaks, hands held up between the three of them. "let's just have a peaceful dinner, alright? no more breakup talks - this is an enjoyable evening."
they murmur in agreement with a nod. but the tension is the air never lightens up, and neither does the churning in max's stomach which is increasingly getting harder to ignore.
there's something about the phone in max's pocket that's making him itch to check it.
so after they send their orders in, his friends immediately fall into a conversation and he fishes for his phone in his back pocket. there's only one notification.
one that told him he's justified for feeling sick.
don't react
they're just pictures
it's from victoria. he opens the message, received about 10 minutes ago when he left the paddocks with the older alpha tauri driver. he can almost imagine the pictures, even if victoria hadn't taken the liberty to curse him with the pleasure of seeing them.
so he opens instagram.
just as fate would have it, you're at the top of his timeline from some f1 gossip page that he had no idea he followed. in the first one, your face can be barely made out, crouched down as you step out of the backseat of a car with alexandra still in the car. but he recognises the dress - it's one that he got you a couple of years ago, after winning his first race with you as his girlfriend.
the sheer will you've got to be on a night out in a dress that he got you is something he has to give to you. that's absolutely one way to get back at him after the pictures of him and kelly.
something tells him it's about to get worse. and it does, because when he swipes to the next picture, it's you visibly looking intoxicated, he assumes from all the body shots you took. and his heart skips a beat in his chest as his mouth runs dry.
there it is, some guy holding the car door open for you. in the next, he's seen scooching in with you in that backseat.
"are you alright, mate?" charles' voice makes him look up as he drops his phone into his lap.
max takes a deep breath, unable to force a smile to his face. he just nods, swallowing the lump in his throat.
charles' stare on him lingers before he nods hesitantly and resumes the conversation with daniel. max's eyes shift to alexandra, now staring at her phone with parted lips.
she looks up, meeting his eyes with a worried stare.
max just shakes his head before she can say anything. he just leans back into the seat and folds his arms over his chest.
guess it's really over now between you.
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somehow-a-human · 30 days
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Whose POV is it anyway?
An Introduction
DO NOT ASK NEIL ABOUT FAN THEORY
Cracking down on the storytelling of Good Omens season 2 through the lens of a changing narrator.
If you haven't read this interview with Good Omens cinematographer Gavin Finney, and you're interested in the fantastic dedication and detail that went into this TV show, definitely give it a read. Not only is it lovely, but Neil also posted the article with a caption mentioning that it's got so many secrets in it. Obviously that made me take a closer look.
I have already gone into a fair bit of detail about the different Lens Filters that Finney mentions in the article in a separate post and I will be referring to them quite a bit so if you aren't familiar with them I would suggest reading that first!
This first post is going to cover the basics of changing narrator/POV's and I'll be writing additional posts for separate episodes/minisodes/scenes since there's obviously way too much to cover in a single go. So shall we take our first look?
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It's no secret that something's a *bit weird* with season two, and there are SO many theories about it. I love to read speculation, metas, theories, and opinions, it's definitely fun but my personal ideas align more with the idea that we're simply being shown the events of season 2 through the memories of multiple narrators, different POV's, and it slightly skews the story, sometimes within one continuous scene.
I am also a sucker for a good multiple timeline theory but that isn't this post.
Lens Filters
As I stated above, I wrote a post about each of these individual filters earlier. What I didn't go into in that post was speculation about the filters. While I think they're pretty straightforward, especially the filter for hell (Black Pro-Mist ((BPM)), I think the other two have a bit more room for speculation.
Bronze Glimmer Glass
BGG was described by Finney as being used for 'bookshop scenes', but after S2 back numerous times and paying as much attention as I could to the lighting and colouring of the scenes, I think this is generally true but not always true. There are times when bookshop scenes seem to use a different filter, and other locations also seem to be shot with the BGG filter as well. I think BGG aligns with Aziraphale's POV. Or if Not Aziraphale, an outside-of-Crowley narrator? Based on the scenes (which we'll specifically get into in other posts) which BGG seems to be used, context clues, character behavior, etc, I think BGG clues us in that we're seeing, if you will, through Aziraphale's eyes.
Black Diffusion FX
BDFX was described as being used for 'Crowley's present day storyline' and fuck me, that's not ominous or weirdly phrased at all Mr. Finney! This filter definitely aligns with Crowley. Most of the time he's separate from Aziraphale it seems that this is the filter being used, and certain scenes switch filters mid-scene when he begins to go off on snarky Crowley-centric commentary.
Catch-22 & Herzog
The books on Gabriels bookshelf, great books obviously, but I think books that are also meant to give us context about the story. Pride and Prejudice is a love story about making snap judgements on someone's character, and coming to recognize somebody might be good despite their title or appearance. The Crow Road is a story about life, death, love, morality, mystery, and God. 1984 details the tragedy of Julia and Winston's attempt at falling in love while living under in a police state. You see my point?
That's why I wanted to touch a bit more on Catch-22 and Herzog specifically when talking about the possibility of changing narrators/POV's in Good Omens 2.
Catch-22 frequently switches narrator and the events described are often not necessarily sequential. This way you're getting information about previous scenes as the story continues, so while you're reading the book you're forming a more complete image of the events as the story continues from different characters POV's and iterations of the story. Sound relevant?
Herzog is the other book I wanted to talk about. To be fair I haven't read Herzog in full like I have Catch-22 but I pulled out my copy to reference and flip through a bit to remind myself. Herzog unlike Catch-22 doesn't switch narrators but the narration by the main character, Herzog himself, switches between first and third person throughout. When he is narrating through his letters, you get a deeper look at his thought processes and emotions. It also relies on flashbacks to bring context to the life of Herzog.
While these books touch on other elements that are relevant to the Good Omens story, namely Yossarian's relationship and views of God in Catch-22, the way these stories are told intrigued me for this context.
Crowley's Hair
Yeah I'm gonna mention the hair, because I think the hair is linked. Crowley's shorter sideburns, trimmed mutton chops in the 1827 flashback, and shorter Job wig seem to be clearly aligned with the BDFX filter/Crowley's POV as far as I can tell. I don't know if this means it's just another way to denote POV, but it seems way too consistent not to mention it. The longer sideburns, fuller mutton chops, and longer Job wig all match up with Aziraphale's POV or the BGG filter. My thoughts here are that his hair is another hint of who may be relaying the information to us, AKA is it internal or external. I am making my best guesses though and there are still some situations that I feel less sure about. For example, when Aziraphale takes the Bentley to Edinburgh and Crowley is in the Bookshop with Jim his sideburns are long, is it because he's remembering these scenes unreliably? Is Aziraphale imagining the events? Is it because Jim is present? A brief fluttering thought I toy with from time to time is the fact that in the before-the-beginning scene they are long, and what that means in context of the rest of the season.
S2 Promo Posters
Finally this set of season 2 promo posters showing the characters thoughtfully considering scenes in their heads just gives me a lot of these POV vibes.
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I'm planning on doing individual posts for specific scenes, episodes, and minisodes that require detailed breakdowns. I'll update this list with links as the posts are finished!
POV "Your 'Something's Wrong' Voice"
POV a Trip to Hell and a 25 Lazarii Miracle
POV a Companion to Owls
POV The Dirty Donkey & I think I Found a *Clue*!
POV Bodysnatchers & Cosplaying a bookseller
POV 1941
POV The Ball
POV The End?
Whose POV is it Anyway - a Conclusion
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Talk. || baby daddy!Kyle "Gaz" Garrick
[MASTERLIST]
Rating: M Words: 2.2K~ Pairing: dad!gaz x mother!reader CW: canon-typical violence, events of MW2019 (references), CHILD DEATH (mentioned), pregnancy, underage!! pregnancy, some cultural/religious judgements regarding underage/out-of-wedlock pregnancy, birth (references). Tags: you/your pronouns, (reader implied female because 'mum', 'mama' and other nicknames are used + mentions of pregnant!user), hurt/comfort, fluff?, military inaccuracies I'm sure. Summary: Gaz and the reader are co-parents of a 10-year-old girl (the result of a teen pregnancy). Gaz calls home to talk to his family and he's having a bit of a breakdown after a mission. a/n: This happens in the MW2019 game timeline, somewhere after the Butcher's interrogation. NOT PROOFREAD, NO BETA WE DIE LIKE MEN.
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“SIMISOLA RUBY GARRICK, I WILL NOT CALL YOU AGAIN, GET DOWN HERE!” You shout at the top of your lungs, your voice reverberating all the way to the upper floor of your small townhouse.
“IN A MINUTE!” The girl’s voice calls out from upstairs for the… umpteenth time in the last 10 minutes.
“I swear, Kyle, this girl will be the death of me one of these days.” You tell him. “I’m not well-equipped to deal with a teenager.” You grumble as you look at Kyle’s face on the phone screen.
“She’s not a teen yet, lovie.” He retorts with a little smile. “She’s only 10.” He reminds you.
“She’s teenager enough for my taste. Bloody ignoring me whenever I call her!” You reply with a bit of a huff.
“She’s gettin’ older.” He says simply. “You tellin’ me you obeyed your mum every day at her age?” He asks.
“No, but…” You trail off and sigh, dejectedly. “I hate when you make sense, you know that?” You retort, glaring right at him with your best attempt at the ‘mum stare’, but it’s not as effective through the phone.
“Sorry, mama. One of us has to.” She adds with a mischievous smirk on his full lips. He knows how much you like it when he calls you that.
“Shut it, Garrick, I don’t want to hear it.” You retort and you can hear, and see, him giggling on the other side.
From the way the area around him has gotten progressively darker as you spoke for the last 30 minutes, you can tell he’s somewhere out East, somewhere where the sun is starting to set, since in Birmingham it’s only 3 P.M. and still fully bright outside.
“How’s the OP goin’?” You ask despite knowing that he’s not allowed to say anything about it so he simply shoots you a look before raising his fingers to bring a cigarette to his lips, taking a good long drag.
“It’s goin’ fine enough.” He adds and shrugs, before looking off to the distance just off-camera. He’s… lying. You can tell from the way his eyes furrow and his scarred cheek scrunches in frustration.
Turning your head back up, you aim your eyes at the stairs. “BLOODY FUCKIN’ HELL, SIMI, DAD’S ON THE PHONE FOR YOU!” You announce to what, at this point, has to be the ghosts that kidnapped your daughter because she refuses to come downstairs.
Your ears pick up on the sound of her bedroom door flying open and her feet taking her through the carpeted hall and down the steps.
You watch her coming through the vintage, little pass-through window in your kitchen. “Did’ya say dad?!” The dark-skinned girl says as she comes sliding around the corner and into the room.
“Oh, THAT lights a fire under your arse, innit? But not all those other times I told you to come down? What if I was dying, huh?” You scold her and she immediately smiles the same impish smile your baby daddy is sporting on the phone screen. He loves seeing you be maternal.
“Sorry, Mamsie.” She says while showing absolutely no regret at all in her young features. Shaking your head, you pass the phone over to Simi, whose face lights up at the sight of Kyle. “Dad!”
“Oi, kiddo!” You hear Kyle say through the phone as Simisola takes the phone with her down to the sitting room and parks herself on the sofa, talking about all sorts of things with her dad.
You watch her for a moment through the pass-through window. She’s bouncing excitedly, talking about school, her mates, her grades… It’s not often she gets to talk to Gaz, less even that she gets to see him.
Sometimes you wonder if the unpredictability of his job is going to mess her up one day. I mean, her chances of that are already high enough considering the two of you are merely 28 and have been raising her since you were still kids yourselves… But the fact he’s more gone than around in her day-to-day life is bound to mess her up too…
Maybe you should get her into some therapy, just in case.
But then again, she seems surprisingly unaffected by all of this. She’s healthy, smart, sweet… a bit of a smartass (she takes after her dad in that)... And above all else, she seems... happy.
All things considered, of all the blokes that could’ve gotten you knocked up at seventeen, Kyle Garrick was the best option… And your daughter was the best outcome possible.
Sure, you weren’t official or anything back then (nor are you now, really... though you share a bed and a home and you kiss and-), the pregnancy had been an unforeseen consequence of a tryst in the back of a car after drinking at the local pub… But looking back, you got lucky.
Either way, you were both too young, too eager, too needy, too… stupid. Neither of you thought of condoms, hoping the ‘trusty’ pull-out method would suffice.
It didn’t.
You still remember the way you had a panic attack in a toilet stall at school, you and a girlfriend skipping class to pop over to Tesco and buy a box of pregnancy tests… She took one with you, just to ease your worries… And then yours came out positive.
The fear and absolute dread you felt was paralyzing, the way you stayed holed up in the loo while your friend tried to console you and used her fuschia Motorola Razr to text your other friends to come to the toilets after class.
From there, your girlfriends texted his mates, and by the time you noticed, Kyle was elbowing his way into the bathroom, past the group of waiting students, all of them mutual friends of you both. He spotted you sitting on the dirty tile floor in the corner, eyes glued on the pregnancy test in your hand. You were ugly crying, snot all over, and hyperventilating.
Even back then, Kyle was already years ahead of any other teen you knew. He was mature and calm, collected… He sat beside you, rubbed your back, and told you it’d all be okay. You know deep down that he only held it together to calm you down but once he was alone he probably cried like a baby too.
His parents are Nigerian immigrants. In their minds, there was an order of doing things and their only son getting a girl pregnant before marriage (or before hitting maturity, really) was NOT it.
And your parents, well… They weren’t very happy about it either. Not that any parent ever is when their daughter comes home and drops the bomb that she’s expecting.
That was a bad moment for your lives… You both lived with your parents and you had to go back and forth between school and baby appointments… Kyle was by your side the whole time (or as much as he could, considering he had enlisted as soon as he hit 18) and both your parents tried their best to be supportive… But you never quite earned Mr. and Mrs. Garrick’s affection. Not even now, 10 years later.
At first, they didn’t even want to believe the baby was Kyle’s. Your father ended up having some very heated choice words with Mr. Garrick, defending your honor, and almost bringing the house down screaming that you weren’t a slag.
You were on edge and depressed back then. Once the news spread, most of your friends stopped hanging out with you out of pressure put on by their own parents… They still smiled at you and showed encouragement to you whenever you saw each other… But they didn’t come over anymore, barely spoke to you in the halls… 
People stared in the streets… Whenever you went into a baby shop or the diaper aisle at the supermarket… You were stared at. The whispers of “Look at her, such a slag”, “So young and already up the duff…” never came, at least not that you heard them, but you found yourself clutching your mum’s arm particularly hard whenever she managed to drag you out of the flat and to the shops.
You don’t like looking back on the pictures of that year in sixth form. As much as you love your child, seeing the way your face became hollow and sad, your eyes weighed down by dark circles as your belly grew consistently until nothing you wore fit you right… It still stung.
You wonder how you managed to retain enough mental faculties to not earn yourself a post-partum depression diagnosis. Whatever your brain did, it did it well...
With her skin all wrinkly and red and screaming at the top of her lungs, her little fists shaking, eyes all glossy, and a little clump of dark hair on her head slicked back by the amniotic fluid… You fell in love with Simi the moment the nurses set her against your bare chest.
And Kyle did too. You could see it in the way his eyes softened, his lip trembled and his nose and chin scrunched up to contain a wail. As soon as he held her in his arms for the first time, so small against his chest, her little body wrapped in a blanket against his fatigues... you started openly weeping at the sight, blaming the hormones, but the fact of the matter was that she was so small, so tender, so… perfect.
You tune out most of your daughter’s conversation with her father as you go about preparing dinner for the two of you, moving about the kitchen, lost in your own thoughts.
Your ears perk up when you hear Kyle ask Simi if she can pass the phone back to you and let the two of you have a conversation. The girl complains a bit about how much she misses him but ends up acquiescing to him. Daddy’s girl, she is.
She rushes over, her mini twists bouncing with each step as she drops the phone onto your hand and then waves an exaggerated “See you soon, dad!”. You watch her bounce away and trot back up the stairs before you look down at the phone.
Putting on your earpods, you set the phone down on the counter, propped up by the flour container so you can still be in frame as you go about breading some thin chicken cutlets. 
“What is it, Kyle?” You ask him softly and raise your brows at him. His face is a lot more grim and he lights a second cigarette.
“We lost a kid.” He replies softly. “A little boy in Urzikstan.” He adds and sighs loudly. Your whole face twists lightly into sadness. “Some… fuckin’ plonker of a terrorist…” He trails off.
“Did you kill him?” You ask him and he nods his head solemnly. You’ve learned long ago not to give your input too much on these topics… He’s chosen to keep you and your daughter away from it all… 
He once mentioned that asking to be let in would be like 'dipping your pinkie toe in a pond, never knowing if something would be reaching up to pull you in'. You swore he got that quote from a John Wick movie, and then you both laughed… But you knew he meant the sentiment of it.
“I had to stoop down to his level first.” He tells you as he takes another drag os his new cigarette. “Threatened his wife… his son… to get him to talk.” He trails off and sucks in a sharp breath.
Even with the progressive darkness that has set in now, wherever he is, you can still spot the way his nose scrunches as he tries to hold in his crying… His voice is still steady, but his eyes… Always so expressive… You’ve learned to read them in 10 years of co-parenting.
“Every time that bloody barrel even went slightly near that kid’s face I-” Kyle trembles out a breath and rolls his shoulders. Then, he goes quite.
“Anyways…” He says, trying to deflect his feelings away from the things he’s had to do. “I… I miss Simi… And I miss you.” He adds.
“We miss you too, Kyle.” You reply, trying your best to be positive for him. He needs it. “She can’t stop talking about you, counting down the days ‘till you walk through that door and come wrap her in one of those alledgedly ‘annoying’ bear hugs of yours.” You quip and a genuine smirk forms on his lips.
He nods and you notice him through away his cigarette and move somewhere else. As he walks you notice the space is brighter, the camera is facing upwards, and you can see the ceiling and ceiling lights… But above all else, you see his handsome face, the light wisp of a mustache and a goatee, the scar on his left cheek, his tired eyes, and disheveled hair.
He crosses a threshold into another darkened space, but this one is much quieter. You hear some shuffling sounds and even though now you really can’t see shit, you know he’s there, staring at you… And you know he’s lying down.
“Lovie… Can I ask you a favour?” He says as he sighs deeply and slowly.
“Yeah, what is it?” You end up saying as you set aside the breaded cutlets and wash your hands.
“Tell me everything I’m missing. Tell me everything that Simisola did and said… Tell me about your day… about work… share all the gossip you’ve got…” He requests. 
“Just… Just talk my bloody ear off.” He pleads. “I just need to hear your voice.” He adds, his tone a lot more gentler. “Please…”.
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Yeehawgust 10 & 11: A Dark Horse & Blood Moon
Cowboy, change your ways today Or with us you will ride Trying to catch the devil's herd Across these endless skies
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punkshort · 5 months
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look what we've become - ch.3
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Chapter Summary: Joel joins Tommy to meet the Fireflies and set up a trade agreement. They come back to Jackson with more than they expected.
Chapter Warnings: language, angst, mentions of slavery
WC: 5.4K
Series masterlist | Previous Chapter | Next Chapter
A/N: a reminder this story follows a slightly different timeline. Ellie was born pre-outbreak, but she was little when it happened.
Joel couldn't believe the past day and a half really happened. The rollercoaster of emotions you put him through left him stunned and shaken, wondering how he could read everything so fucking wrong. He found himself questioning everything now, replaying conversations, wondering if you had ever alluded to your feelings about marriage and a family that maybe he misread, misconstrued. Twisted and built up in his mind to fit into his stupid fantasy. One, he acknowledged, wasn't even in the forefront of his mind until his brother brought it back up to the surface. And suddenly, he wanted it, too. Like some resentful child who saw another playing with a toy he hadn't paid attention to in months, then demanded it for himself.
But he had thought about it, well before Tommy decided to man up first. He had the ring, but he never did anything with it. Why? Deep down, had he known you wouldn't want that? Was he subconsciously protecting himself by never acting on it? Or was he truly just waiting for the right time?
Even with Tommy's news, he still hadn't come up with a plan to actually ask you to marry him. He just allowed the fantasy to play out between your legs while he continued to make up excuses as to why he was holding off. Maybe it just turned him on to have a secret. Maybe he just wanted to have you, mark you, claim you. He knew he had a bad jealous streak, but would he have let his possessiveness lead him this far off track?
No. There were real reasons why he wanted you to be his wife. You made him want to be a better man. The way you made him feel was unlike anything he had ever experienced before. You brought out sides of him that others, including himself, never knew existed. Good things. You made him believe in happiness again, after his heart had been stomped on, making him treat everyone around him so poorly, even his own family. At a time when he felt so undeserving, you made him feel like the only person in the world. Even back then, he had a hard time believing you could actually care for him, but you saw through his bullshit to the man he was underneath, and you loved him for being him.
You had this way of looking at him like he was capable of anything. And with you by his side, he felt like he really was capable of anything. He did things he never thought possible to keep you both safe, as did you. You killed for each other. Not many people can say that. That meant something. The trauma and pain you both endured for one another had to mean something more. There was no doubt you both had proven what you were willing to do for the other, so it was only natural he wanted to commit himself to you. Say the words, vow to you in front of everyone you knew and loved that he would happily devote himself to you for the rest of his life.
So why didn't you want the same?
Ages ago, when the pair of you stumbled into the hellscape that was Kansas City, his ex, Amy, had mentioned offhandedly that you were only with him for protection. At the time, he shrugged it off, knowing full well it was bullshit just to get under his skin. But now, against his better judgement, he was rethinking those words. Rolling them around in his head, wondering if there was any truth to it.
"You been real quiet," Tommy said, pulling Joel out of his misery, surprised to suddenly find his brother next to him as they made their way on horseback down the mountains. Joel shrugged, averting his gaze ahead to the three other men leading the way.
"You mad at me for puttin' you on patrol yesterday? I'm sorry, Carl got sick and I didn't have anyone else," Tommy continued.
"Nah, it's not that," Joel replied, still staring straight ahead. "Didn't sleep well, is all."
"Ah," Tommy said, a playful smile pulling across his lips. "She send you off with somethin' to remember her by?"
Joel huffed and rolled his shoulders, his anger bubbling below the surface as he thought once again about the night before.
"Not exactly," Joel responded, trying to keep the bitterness from his voice.
Tommy hummed in response but remained quiet, trying to read his brother from the corner of his eye.
"Everythin' alright at home?" he asked, unknowingly hitting the nail on the head, causing Joel to clench the muscles in his stomach, like he was bracing for a punch to the gut.
"It's fine. What's the plan for when we get to this place?" Joel asked, quickly sidestepping the subject, something that was certainly not lost on his younger brother, but Tommy allowed for the change in conversation, anyway.
"We're gonna meet up with their leader, woman named Marlene. They're lookin' mostly for weapons, but they need other stuff, too. They got lots of medicine and first aid to swap. Bill's been runnin' real low on antibiotics, considerin' how fast the town is growin'," Tommy said with a sigh, readjusting in his saddle. "Girls sent me with a list of inventory, highlighted all the stuff we have a surplus of and all the stuff we could use more of. Remind me to thank her for helpin' when we get home," he said, keeping a close eye on Joel's reaction when he referred to you.
"Sure," was all Joel said in response, refusing to let him drudge up the topic. The wound was still too fresh, and he needed time. For the first time in a long time, he had no idea what was going through your head, and it scared the shit out of him.
Was it marriage and kids in general you didn't want, or was it marriage and kids with him?
He should have asked. He should have stayed instead of storming out that night. Instead, he let his emotions get the better of him and left you all alone, likely crying until you fell asleep if your swollen eyes the next morning was any indication. When he saw you, saw the distress etched in your perfect features, he wanted to pull you into his arms and never leave for this fucking trip. And he damn near did just that, until you confirmed it was a false alarm, and his heart was torn all over again. It was then he realized he had been hoping you were pregnant with his child, and there would be no choice but to face the next challenge together. Then he would be able to prove to you that it was a good thing, that you could, in fact, do it. And so could he.
Now, instead, he wasn't even sure where you two stood. You had said you still wanted him before he left, and that gave him hope. Hope that maybe not all was lost, that you could repair the damage that was done and come out stronger in the end for it. That maybe he could, in time, prove to you that he would be a good husband, a good father.
But then, Amy's words crept up in the back of his mind since he left. Somehow, years and years later, the woman still managed to torment him, making him believe he wasn't worthy or good enough to possibly have someone like you. The same way she manipulated him into thinking he deserved to be betrayed by her when they were engaged, that he didn't give enough of himself, that she warned him she needed more and he refused.
He shouldn't have gone on this trip.
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"Alright, we're losin' daylight, let's set up camp and get an early start tomorrow," Tommy announced, much to Joel's relief. He didn't want to admit that, just a mere few weeks away from his fortieth birthday, his back and knees were aching like he was a much older man. He slid down from his saddle with an audible groan, then tied his reins around a tree trunk before giving his mare a few loving pats along the crooked white blaze that split her face.
He unbuckled his sleeping bag from the saddle and shouldered his backpack, dropping his belongings unceremoniously to the ground before he and Jake headed out with a couple hatchets to collect some firewood.
He didn't mind Jake so much anymore. He was quiet, kept to himself and, fortunately, didn't seem to harbor any resentment towards him from the time Joel put him in the infirmary for kissing you. His bad temper mixed with his jealousy nearly killed the man.
Afterwards, he thought he lost you.
You left him, asking for time to process what happened, upset that he didn't take your word for it when you promised him the kiss was a misunderstanding, that you handled it. You viewed it as distrust, he viewed it as protection. It wasn't until later that he realized he was harboring his own trauma from failing to protect you from a past sexual assault.
As he carried an armful of firewood back, he reflected on everything you had been through together. The outbreak, your parents, the time you were stabbed, the assault, the breakup, the accident that nearly killed him. Not to mention all the infected and raiders that threatened you both at every turn. Was your relationship strong enough to endure one more massive hurdle?
They were deep in the woods, the terrain favorable. The trees hid the fire well, and the vast, empty land kept infected away. Still, each man took a quick turn overnight to keep watch. It hardly mattered when Eugene gently shook his shoulder, alerting him it was his turn to watch. He can never sleep well when he's away from you, anyway.
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Joel was almost grateful when they reached the hospital late in the afternoon the next day. It was the first time in two days he was able to stop thinking about you, his mind swirling with images of your trembling lip and your tear stained cheeks. He frequently wondered what you were doing, if you told Maria or Carrie about your argument. Were you packing up your things? Would he come home to an empty house? He wasn't sure his heart could handle it again.
You said you still wanted him.
You said you loved him.
But he didn't say those things back, and he left.
Even if you were fighting, even if it was the most significant disagreement you've ever had, he still wanted you near. He could never silence that driving force inside him since the outbreak that screamed keep her safe.
When they approached the hospital, they were all searched, weapons confiscated, as expected, before being ushered inside to meet the leader of the strange group called the Fireflies.
Marlene was a taller woman, with a firm jaw and eyes that could look right through you. He could tell right away she was not to be trifled with, that she took her role seriously in this little revolution she was spearheading. Although the people they had met since arriving seemed very intense, he didn't feel threatened. And he usually had a good instinct for those things. Usually.
They were in the hospital cafeteria, the five men, Marlene, plus a few others seated around a large, circular table as Tommy and Marlene exchanged pleasantries, both parties trying to make the other more comfortable. Joel hadn't really been listening. He was scanning the room, watching the guards pace by the doors regularly, the sentries standing watch with their hands resting on their rifles as they watched the exchange from a distance.
A small group of women entered from the door behind him, heading towards the kitchen to begin food preparations. Joel's eyes glanced over the group of four, three middle aged looking women who kept their eyes pinned to the ground, and a young girl with brown hair, tied back away from her face. She didn't look to be a day over thirteen, and she was the only one who looked around the room, her eyes locking with Joel's. He stared at her, his brow slightly furrowed as he tried to assess the situation. She continued to hold his gaze as she followed the other women, and although her body language gave nothing away, Joel felt the hairs on the back of his neck stand up. Something seemed off.
"Isn't that right, Joel?" Tommy was saying, snapping his attention away from the girl, who he saw in his peripheral disappear behind a door into the kitchen.
"I'm sorry?" he replied, leaning forward and lacing his fingers together on top of the table, trying to look focused.
"I was just sayin' how we know of a few police stations in some small towns that have barely been touched. Wouldn't be much effort for us to get a group together when we get home and go ransack 'em, take just a few days to hit 'em all," Tommy said, his eyes flicking from Joel to Marlene, then back again.
Another trip. More days away from you.
"Yeah," Joel replied, nodding his head and ignoring the pit in his stomach. "It's not enough for an army, but I reckon any little bit helps."
"In the meantime, lemme show you our inventory list. See if anything jumps out at you, and we can work on gettin' those guns," said Tommy as he pulled the list out of his coat pocket and smoothing it out on the table.
Marlene reviewed the list, her dark eyes flicking over the paper quickly with a few hums here and there as she took notes.
"Looks good, but we mostly need weapons," she said, leaning back in her chair. "I could probably do with some fresh vegetables, I think everyone's getting sick of the canned shit. And shampoo. But that hardly is a match for antibiotics." Her eyes shifted back and forth between Joel and Tommy, and the corner of her mouth turned up as an idea hit her.
"I do have another offer, though," she said, leaning forward. "It's not what we discussed, but if you're willing, I could send you home with half a box of penicillin now, and the other half after."
"After... what?" Tommy asked a little hesitantly.
"I'm lacking manpower at the moment. My guys are stretched thin, we're planning a hit on the soldiers at the Boise QZ. I need you to take someone to the hospital base we have in Salt Lake City. It should only take two days to get there, and I just need you to make sure she gets there alive," Marlene said, pressing her pointer finger into the table on the last word for emphasis.
Tommy glanced at the other four men, clearly not expecting to run errands for these people in exchange for medicine. Joel could see the wheels turning in his brother's head before Tommy spoke.
"Show me the meds first," he said to Marlene, and she quickly lifted two fingers up from the table, blindly addressing someone behind her to exit and do as he asked.
"What's the catch?" Joel asked, his defenses going up.
"No catch. Just need to get her out of here and with my other group, and I don't have the time to do it myself," she said with a shrug, but Joel knew better. She was trying to act casual, but he saw her knee bouncing under the table.
He shouldn't have come on his trip.
Once Tommy laid eyes on the unopened vials of medicine, medicine Jackson could really use since Bill, the town doctor, had been rationing enough as it is, Joel knew his decision was made.
"Done," Tommy said with a nod, extending his arm to shake Marlene's hand, which she eagerly reached out to do.
"Tommy," Joel said quietly, annoyed his brother didn't run the decision by the group first.
"Give me a little bit. I'll go talk to her so you can hit the road right away. John, please give these gentleman half the box of penicillin," Marlene said as she pushed her chair back, the legs making an awful screech against the dirty, linoleum floor. "Dinner is about to be served, please help yourselves as my guests," she added over her shoulder, leaving the dining hall.
"Tommy," Joel tried again, finally pulling his brother's attention. "A word?"
He led Tommy a ways away from the table so their conversation couldn't be overheard.
"What're you thinkin'?" Joel asked him, hands on his hips. "We don't do things like this."
"I know, Joel, but we're already out here, what's the harm? It's just a few more days," he said.
"I can't do a few more days, I need to get home," Joel replied, raking his fingers through his hair anxiously.
"I'll send Jesse and Jake back to let the girls know we'll be a little longer-"
"Goddamnit, Tommy, no!" Joel said, louder than he anticipated, a few heads from the table turning to glance his way.
"Jackson needs this medicine, what the hell's gotten into you?" Tommy asked with a frown, shifting his weight as he tried to read his brother's face.
Before he could reply, Marlene reentered the room alone, motioning for the two brothers to join her back at the table.
"Ellie's working in the kitchen, once dinner is over I'll send her to change and gather her things," Marlene said.
"Not a problem," said Tommy as he sat back down.
"Is that true?" Marlene asked, her lips pressed in a thin line as she held Joel's gaze, waiting for him to answer. He took a deep breath through his nose and crossed his arms.
"Yeah, not a problem," Joel replied bitterly.
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Joel ate his meal quickly, desperate to finish this ridiculous task so he could get home. The longer he was away from you, the stronger his paranoia became. With each passing hour, he could almost feel the chasm between you growing, and he was beginning to convince himself there was no repairing the damage that was done. On both sides. Communication had never been his strong suit, but he thought he was getting better at it the past few years. Why did he go on this trip?
His eyes flicked up from his empty plate to see Marlene heading their way with the young girl he saw earlier in tow. His anger flared deep in his belly again, and he elbowed Tommy in the ribs to mutter angrily "she didn't mention it was a fuckin' kid" before Marlene could overhear.
"Ellie, these are the men I told you about. They're going to take you to Salt Lake City like we discussed," Marlene said, her hand resting on the girl's back. Joel eyed her carefully, noticing how tense her shoulders looked as she regarded the five men in front of her. His eyes drifted back to Marlene, wondering why on earth she was willing to leave this young girl with five strange men without a second thought. He decided she either was very desperate, or didn't care much for the girl.
Ellie readjusted her backpack on her shoulders and yanked on the edges of her long sleeved shirt, squaring her jaw as she stared them all down. Marlene crouched down to the girl's level and rested her hands on her shoulders.
"Remember what I told you. Listen to them, and everything will be fine," Marlene said, narrowing her eyes at Ellie. Ellie nodded, nostrils flaring before Marlene stood up to address Tommy.
"You need a map?"
"Nah, we got maps," Tommy said with a shake of his head. "This group know when we get there to give us the rest of the payment?"
"I'll radio the leader over there once you leave, let her know the deal," Marlene replied, stretching her arm out again to shake Tommy's hand.
"Alright, then," said Tommy, looking back down at Ellie and shooting her a small smile, trying to make her feel more comfortable. "You ready?"
"Yeah," she said, taking a deep breath and following Tommy out of the cafeteria.
They collected their weapons at the entrance before heading out, Ellie joining Tommy on the back of his horse. They didn't make it very far before the sun began to dip behind the trees and a quiet place was found to make camp for the night.
After getting a fire going, Tommy sat down in the dirt next to Joel, who had been leaning against a small oak tree, sipping from his flask and staring into the flames. The other three men were quietly playing a game of poker across from them, the occasional laugh or taunt floating in the air, while Ellie busied herself with a worn, paperback book further away from the rest.
"You wanna tell me what's goin' on yet?" Tommy asked, taking out his own flask.
"Nothin's goin' on," Joel replied gruffly, eyes trained on the fire.
"What's makin' you feel like you need to get home so bad?" he pressed. Joel felt that anger swelling inside him again, up his stomach and through his chest, and for a moment he wondered if Tommy knew. That maybe you told Maria and she let something slip.
"I told you, it's nothin'," he snarled, taking another sip from his flask and letting his eyes drift over to the girl. "Just wish I knew you were signin' me up to be a goddamn babysitter before comin' on this fuckin' trip."
"I can hear you, you know," Ellie said, her eyes never leaving the pages of her book.
"Good," Joel said, jutting his chin towards her, finally finding something to take his anger out on. "What's your deal, anyway?"
"You wouldn't believe me if I told you," she said, sitting upright and letting her book fall to her lap, a flash of stubbornness not unlike his own reflecting in her eyes.
"Try me," Joel argued, his jaw clenching. Ellie glared at him, silence falling over the camp as everyone waited for her to speak. She opened her mouth, then thought better of it, clamping it shut and casting her eyes down. Joel scoffed, not ready to let the topic go just yet. Angry that this child was keeping him from home, from you. Angry that his brother agreed to it, like a fool.
"C'mon now, let's hear it. What makes you so fuckin' special?"
"Joel," Tommy said under his breath, a warning, reminding him to watch his language, that she was just a kid.
"Why should I bother? You're all the same, anyway! No one ever listens to me, 'cause I'm just some kid, right? No one-" she cut herself off, stopping herself before she said too much.
"Who's all the same?" Tommy asked gently, trying to coax the information out of her. She shrugged and huffed, crossing her arms over her chest defiantly.
"The people Marlene hires. Dragging me all over the country like I'm... whatever," she said, stopping herself yet again.
"So this ain't the first time Marlene sent you off with a bunch of strange men?" Joel asked, the edge still in his tone but he could feel his resolve softening, somehow feeling bad for this little girl despite his own problems.
"No," was all she offered, glaring at Joel again.
"Are you in some sort of trouble, kid?" Eugene's voice asked from across the fire. The silence that followed was deafening, only the crackle from the fire filling the air. Ellie's eyes shot over to Eugene, looking him up and down, trying to keep up her steely resolve before giving up and turning her back on the group, announcing she was going to bed, and burying herself in the sleeping bag that was way too big for her.
Joel stared at the back of her head, trying to connect the dots with the context he had available to him, but he couldn't figure it out. Tommy shifted next to him, clearly lost in his own thoughts, as well. Wondering for the first time if he had gotten them all in over their heads.
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The following morning, Tommy sent Jake and Jesse back home to let everyone know they were going to be a few days late. The three remaining men and Ellie packed up their supplies early, hitting the trail as soon as possible, ready to make a dent in the long road ahead. Eugene led the way, followed by Tommy, then Joel brought up the rear, his eyes burning holes in the back of Ellie's head as she clung to Tommy's denim jacket to keep her balance on the back of his horse.
Joel chewed the inside of his cheek, still feeling bitter, about everything. You, Tommy, Ellie. All of it. Since he couldn't get to you, and Tommy already got him in too deep, he chose to direct his energy towards Ellie when they took a break midday.
"Marlene send you with any food, or are you takin' that from us, too?" Joel asked, sitting down on a fallen tree trunk with a groan.
"I have food. And what else could I have possibly taken from you?" Ellie replied curtly, sitting further down the log as she opened her pack to fish out some granola bars.
"Time," Joel snapped. "And we don't even know why we're doin' it."
"Isn't Marlene paying you guys?" she replied with a huff. Tommy's eyes toggled back and forth between Joel and Ellie, becoming exasperated with the constant bickering.
"Can you just drop it, Joel?" Tommy asked. "Who cares? It's an easy gig, and we get meds out of it."
"Oh, she's giving you meds? Wow, she must be really desperate," Ellie chimed in.
"Alright, I've had enough," Joel said, standing up to tower over the girl. "Spit it out. What're we doin' here?"
"Fine, Joel," she said, stretching out each syllable before standing up, fists clenched at her sides. The way she said his name set his teeth on edge. "You wanna know how you're helping slavers move cargo? That the answer you're looking for?"
The three men froze, clearly not expecting that. Tommy stood up now, his head swiveling between Eugene and Joel as he processed the information just dropped on them.
"Wait-" Tommy said, stretching his arm out to Ellie, but she cut him off.
"Yeah, that's right. You still think this is a pain for you?" she snapped, glaring at Joel even though Tommy was the one who spoke.
"Stop!" Joel shouted, holding his hands up in the air as silence fell over the camp. He pointed his finger to Ellie.
"You. Explain. Now."
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Joel pinched the bridge of his nose as he silently listened to Ellie tell her story. Her parents were dead. She was taken from her aunt and uncle's house at a young age, forced into slavery for the past few years: laundry, cooking, cleaning. Sometimes for twelve hours a day. Said she's been with the Fireflies a long time, that they keep moving her from base to base but she claimed she didn't know why. Joel had to wonder how much of what she was saying was the truth. There was no doubt something was happening at that hospital, but slaves? Something just didn't add up.
When she finished her story, she nervously glanced around at the men, waiting for one of them to say something. Tommy sighed and motioned to the woods.
"We need to talk about this. Privately," Tommy said, narrowing his eyes at Ellie. "You stay here."
"Fine. Not like I can make it on my own out there, anyway," she said with a snort. She picked up a stick from the ground and began drawing into the loose dirt at her feet.
"We're takin' her back, givin' back the meds, and goin' home," Joel said the moment they were out of earshot. Tommy shook his head.
"Joel-"
"This is enough, Tommy! This ain't our business. Any other option here puts the whole town at risk, puts Maria at risk, puts-" he stopped himself, biting his tongue before saying your name. He hadn't thought about you for the past half hour. A new record.
Tommy wasn't an idiot. He knew something was going on, but he couldn't focus on it, having a much bigger problem to sort out.
"She's a kid. We can't take her back, and we can't take her to Salt Lake City. It ain't right," said Tommy gently, hoping he would make his brother see through whatever was plaguing his mind and look at the bigger picture. Joel frowned and glared at the grass below his boots, clenching and unclenching his jaw as his mind struggled to wrap itself around the situation.
"Eugene?" Tommy said, turning to raise his eyebrows at the older, and suspiciously quiet, man. Eugene sighed, dropping his shoulders like he was carrying an enormous weight.
"I agree with Tommy," he said, and Joel spun on his heel, angrily pacing a few feet away to take some deep breaths.
"So, what? We take her to Jackson? We don't show people where we live for a fuckin' reason," Joel reminded them, his back still turned on the two men.
"We take her back, just a bit, til we can find where her aunt and uncle were livin', and we'll take her back home," Tommy said, the gears in his head turning as he formulated the plan on the spot. "In the meantime, we tell the Fireflies she ran off in the middle of the night. Maybe if we can get those guns to 'em, we can still keep the antibiotics."
Joel scoffed and shook his head, turning around to glare at his younger brother.
"This is stupid and risky. Lyin' to those people don't seem like a good move to me."
"Yeah, well, it's the only move we got, Joel. Otherwise, we're just as bad as them," said Tommy, his eyes drifting through the trees to make sure Ellie was still perched on the log where they left her. "I won't ask you to help take her back to her family."
"Damn right, you won't," Joel muttered, rolling his shoulders angrily. He stared off in the direction of Ellie, his jaw ticking off to the side with his hands on his hips, lost in thought.
He shouldn't have gone on this trip.
"Alright, is it settled, then? Can we hit the road, go back home?" Eugene asked, clearly tired of the bickering. Joel glared at the other two men before stomping back over to Ellie, who stood when she heard the men approaching, eyes flicking to each of their faces. Joel brushed past her to scoop up his bag from the ground and jumped back up on his horse with a grunt. At least he won't have to be away from you any longer. Not that he was sure what to even say, he just knew he needed to see you.
"C'mon, kid. We're takin' you to our town," Tommy said, motioning for her to grab her things and follow him to his horse.
"Really?" she asked excitedly, a small smile playing on her face for the first time.
"'Til we can get you back to your family, yeah," he replied, holding an arm out to help her scramble up the back of his horse.
Joel remained quiet the next day and a half, inwardly brooding about the potential blowback from taking this kid, which then morphed into nerves when he realized he was a few hours away from seeing you again.
When they arrived through the gates of Jackson, he didn't watch Ellie's eyes light up when she first saw the town, the people, the animals, kids her age playing. Maybe if he wasn't so focused on searching for your face in the small crowd that welcomed them back, then he would have seen how happy Ellie was. How, for maybe the first time in years, she felt a spark of hope. Maybe if he wasn't so focused on the ache in his chest when he didn't see you, it wouldn't have come as a surprise when Ellie snuck off the first chance she got, bobbing and weaving down the busy street, eager to see what the town had to offer.
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Tag List @nana90azevedo @ninaminaromina @untamedheart81 @taz-97 @nastiasnow @amyispxnk @plz-be-solo - lmk if I missed anyone or if you want to be removed
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drchucktingle · 1 year
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(You may get this question several times - sorry!)
You mentioned being fine with people gathering to read your books aloud, passing the book when they laugh. That's very Eye of Argon of you. Is that purposeful? Are you familiar with that particular fannish tradition? Do you like it?
thank you good question bud. had to look up what EYE OF ARGON was but i have now read a summary and i will say maybe PART of the same tradition, maybe not. i think difference is most seem to think 'eye of argon' is bad book and tinglers are not bad they are very good. (i will not pass judgement on eye of argon personally i have not read it but i am sure it is fine. someone probably really captured a moment writing that book because it has clearly resonated across timelines and i reject the idea of that somehow being BAD ART. sounds like amazing art to me)
mostly i like tradition of buckaroos reading tinglers and passing book when they laugh because it brings buckaroos together and creates joy. there is really nothing better than that. whether they are laughing AT or WITH chuck does not matter to me (easy LITTLE sacrifice from me to create a LOT of joy) and i think vast majority of time they are laughing WITH anyway.
point is, i do not write my tinglers to be a funny jokerman, i write them because i believe in their message and think that sexual art can be joyful and fun not just dark and brooding. there are JOKES within these books sure but entire concept is not a joke or parody or some goofball 'satire of romance'. THAT BEING SAID, buds also just happen to laugh nervously when sex happens that is human nature on this timeline. chuck does not do this, but most others are not writing erotica every day so it can be shocking to them.
anyway there is whole host of reasons why buds would laugh reading tinglers and i think they all prove love is real. gathering up some buds for a 'read tinglers aloud and pass when you laugh' party is only going to create more layers of reality where LOVE IS REAL and spark joy so i highly support it.
it is not because 'tinglers are bad' it is because 'tinglers are so dang good they will tear open space and time with tidal waves of joy'. i say go for it bud
LOVE IS REAL
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jackiehicks · 8 months
Text
‘Best Kept Secret’
Wyatt Lykensen x Reader
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request: wyatt x wells!reader with a secret relationship? they're just always sneaking away from friends during school to meet up.
A/N: my first request and it’s a wyatt x reader?? the stars literally aligned for me on this. i hope you guys like it!! this is set after the events of zombies 2 for timeline reasons. don’t get sick of wyatt just yet though, there might be some more content coming your way…
words: 1.6k
content warning: light swearing
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y/n smiled at her phone and sighed. she had been dating wyatt for a few months now, but they had decided to keep it secret due to the fact that she was human and he was a werewolf. she knew seabrook was integrated now and the human/zombie/werewolf student body was becoming more familiar by the day, but it was just easier to keep her relationship with wyatt a secret.
she didn’t really know why they kept hush about it. perhaps it was so the two of them would be somewhat left alone by bucky and his aceys who found every opportunity to say something snide and cruel about y/n and her friends. maybe it was the fear of wyatt being shunned by his wolf pack - this was the first time a wolf and a human had started a relationship in well over a century. maybe it was the judgement she would get from her family.
to cut a long story short, y/n was burdened with the surname ‘wells’. not only was her mother the mayor and her father a well-respected zombie patrolman, but she was the twin sister of star cheerleader and monster-activism trailblazer addison wells.
it’s not that addison and y/n didn’t get along, they had been best friends since the day they were born - they practically came out of the womb holding hands - it’s just that y/n had seen everything that addison had gone through last year with her zombie boyfriend zed, and she did not want that for herself and wyatt. zombies were one thing, but werewolves were still a whole other story in seabrook.
on top of all that, y/n was simply never as popular as addison. she always felt like an outsider. where addison hid her natural hair with a blonde wig, y/n always wore her white locks proudly and defiantly. this got her in a lot of trouble with her parents and the school (seriously, being dress-coded for having naturally white hair was a joke) but she didn’t care. she wasn’t like all the other kids at seabrook, why try to fit in?
that’s how y/n and wyatt met, actually. y/n noticed how all of the wolves had streaks of white in their hair, and she was curious. maybe this was why she felt as though she was different from the others? she talked to wyatt about it, learned some interesting things about wolves, learned some interesting things about wyatt, and shared some interesting things about herself. the rest, as they say, is history.
so, y/n and wyatt were seabrook’s best kept secret. when they weren’t miserably hiding their relationship, it was sort of fun. y/n liked the danger of sneaking around with her “scary” boyfriend, and the thought of doing so was more than appealing as she stared down at her chemistry textbook on the table.
she closed the book and picked it up, making her way out of the library, when all of a sudden she felt a hand on her arm and was being pulled round the corner. she yelped just as she came face to face with her boyfriend.
“miss me?”
“wyatt, you frightened me!” she smacked him playfully on the arm.
“come on, i’ll walk you to your locker. you’re not gonna need any books next period.” he grinned as the two of them walked down the hall.
y/n placed the chemistry textbook in her locker as wyatt leaned nonchalant on the lockers next to her.
“where are we even going for our… free period?” he asked in a hushed voice. she smirked at him and shook her head. the halls were completely empty, everyone was already in their next classes.
“this was your idea, honey. i figured you would have a plan.”
“when do i ever have a plan for anything? you’ve been at this school far longer than i have, surely you know some good hiding spots.”
“i don’t know if you remember this, but i’m a wells. i have to be on my best behaviour at all times.”
“god, that’s pitiful. thank god you have me, you’d be so bored otherwise.”
y/n closed her locker and kissed wyatt on the cheek.
“thank god indeed. come on, i think the football field is unoccupied this period.” she grabbed wyatt’s hand as she started to run towards the school’s exit. he laughed loudly as he ran with her, and she shushed him.
y/n and wyatt sat on the bleachers, looking out over the seabrook football field. it was a warm day, as it usually was in their perfect town. wyatt and y/n enjoyed deep conversations in moments like this, no one around them to interrupt them, simply sitting and chatting. wyatt had his fingers interlocked with y/n’s as they spoke.
“you’d think the school would be more monster-friendly” wyatt sighed.
“yeah, i mean eliza was campaigning for zombie language classes which would have been dope, but there’s not much accommodation for zombies outside of what zed’s presidential campaign was going for.”
“and for werewolves… shit, people still won’t look us in the eye half the time.”
y/n smiled softly and squeezed wyatt’s hand. he leaned over and kissed her on the cheek.
“sometimes i think you’re the only one outside of the pack who understands me, sweetheart.” he said. he was only inches away from y/n’s face, it would be so easy to just grab his cheeks and kiss him. so that’s exactly what she did.
y/n’s hands gripped wyatt’s face firmly and she kissed him square on the mouth - only briefly, but it left them both grinning. wyatt returned the favour, kissing her with such force that almost knocked y/n backwards. they laughed against each other’s lips until wyatt pulled away. he had a concerned look on his face, and y/n immediately worried.
“wy, what’s up?”
“not to panic you or anything, but i got a scent.”
“oh god, what is it?”
“smells like jock.”
“oh shit” y/n exclaimed, looking at her phone. there was 5 minutes left of their ‘free period’ and she had totally forgot that the football players and cheerleading squad start their practises early. this wouldn’t be much of an emergency, except for the fact that y/n’s sister was on the cheer team.
“we need to hide, right? if addison or zed sees us-“
wyatt finished her sentence for her. “we won’t be much of a secret anymore, i know. come on, let’s go.”
they made their way down the steps of the bleachers as fast as they could - why the hell did they sit all the way at the top?! - and began to make their way around the corner of the field when they saw the football team and cheer squad about to turn the same corner, with addison and zed leading the crowd.
“under the bleachers!” y/n whisper-shouted and grabbed wyatt’s hand, running to hide under the metal bleachers from her sister’s line of sight. the two were out of breath, quietly laughing with relief.
“you’re almost too good at this ‘keeping secrets’ thing, you know that?” wyatt asked, wrapping his arms around y/n’s waist. she put her arms on his shoulders and began fussing with the soft hair on the nape of his neck.
“oh please, this is a team effort.”
wyatt hummed in agreement as he leaned in for another kiss, but the two were interrupted by the sound of a throat clearing.
“you guys good under there?” zed grinned. addison was standing next to him, trying to hide her smile.
“i don’t know what shocks me more: the fact that you hid your boyfriend from us, or the fact that you skipped class, y/n.” she laughed.
“please don’t tell mom and dad.”
“about your truancy or your secret werewolf boyfriend?” zed interjected. y/n scowled at him.
“if you don’t want me to, i won’t.” addison reassured her. y/n breathed a sigh of relief.
“thank you.”
zed sauntered over to wyatt, putting him in a headlock.
“skipping class, huh? remember what i said about doing it like the zombies do?”
wyatt smacked his arm playfully. “yeah, right. like no zombie has ever cut class before.”
“we follow rules here at seabrook. come on, furball, can’t be missing two classes in a row.”
wyatt sighed as zed let him out of the headlock. he was still getting used to being so buddy-buddy with people outside of the pack, and zed really could be extra sometimes.
“he’s right, actually,” wyatt said to y/n, “we probably should get to our next classes. don’t wanna get caught by anyone else.”
“yeah, you’re right. you go ahead, i’ll catch up.”
wyatt winked at his girlfriend before he began to walk away. y/n turned to her sister, engulfing her in a hug.
“i’m so sorry i didn’t tell you, addy. you have no idea how badly i wanted to. we were just worried what everyone would think. wyatt hasn’t even told his sister either and she’s the alpha werewolf and she’s, like, actually scary.” y/n blabbered, squeezing addison tight. addison laughed.
“sis, it’s okay. i was nervous to tell you about zed and i when we first started dating. don’t stress.”
“ugh, i love you. i really should go though, i don’t wanna be late and i know for a fact wyatt is waiting for me a few feet away.”
addison untangled herself from her sister’s tight squeeze of a hug.
“i love you too, now go!” she spun y/n around by her shoulders and gave her a shove. y/n waved goodbye before she jogged to catch up with wyatt.
zed wiped a fake tear from his eye, “ah, young love.”
“come on, casanova, you’ve got football practise.”
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saintsenara · 8 months
Note
are you still doing ur asks abt the ships? if u are what r ur thoughts on wolfstar? if not have a very good day!
thank you very much for the ask anon - and thank you in particular for leading me into danger...
my answer to this is going to be - and wolfstar shippers keep calm please - similar to my jegulus one, which means the tldr is: write what you want, but i’m unlikely to read it, especially if you don’t acknowledge the difference between canon and fanon.
i have no aversion to wolfstar coming up as a background ship (let them be happy while harry/anyone are having drama, i’m all for it) but i generally don’t search out fics in which wolfstar is (one of) the central pairing(s) and tend only to read wolfstar-centric stuff if it’s written or recommended by someone whose opinion i trust. 
this isn’t because i think the pairing is unfeasible (the canonical sirius and remus very much have the vibes of people who have enjoyed each other’s bodies…) but because the community which has built up around wolfstar, both among ‘original wolfstar, y’know, like in canon’ fans and their sworn enemies ‘marauders fandom, canon who?’ fans, largely expects certain tropes and characterisations which divorce the characters from what i personally think is interesting about them.
the most egregious of these tropes, in my opinion, is the fact that wolfstar which purports to be canon-compliant or which follows the canon timeline deals so infrequently with the fact that both remus and sirius have such little trust in each other that they believed utterly sincerely that the other was a death eater.
it’s crucial that we understand the profundity of this suspicion and - therefore - what it says about the fragility of the loyalty between them prior to 1980-81. this is not a brief flash of distrust in a high-pressure couple of days at the end of october. the evidence of canon is that we’re talking about a period of months - if not a full year - in which remus and sirius not only think it justifiable to doubt the other’s loyalties, but also seem to be acting on that doubt to try to get the other in trouble.
harry is born in july 1980, at a point when voldemort has all but won the war. severus snape defects to the order at some point relatively soon after this, when voldemort decides that the potters are the family referred to in the prophecy. peter pettigrew then defects to the death eaters in the autumn of 1980 (sirius says in prisoner of azkaban that he was spying for a full year before voldemort’s fall).
snape then evidently tells dumbledore that there is a spy in the order - although he clearly doesn’t, despite a common accusation levelled against him, know this is pettigrew, since the voldemort of the first war has apparently heard of operational security, unlike his resurrected counterpart - and this leads dumbledore to demand a restriction on james and lily’s movements until - by august 1981 (the plausible date of lily’s letter to sirius) - they are basically under house arrest. the implication of canon is that, by this summer at the very latest, james and lily are aware they’re being spied on, from which i think it’s reasonable to infer three things: that dumbledore has begun to suspect that sirius is the spy over the opening half of 1981; that remus, who canonically always trusts dumbledore’s judgements, uses this to confirm his own suspicions about sirius; and that sirius, whose canonical relationship with dumbledore has an undercurrent of unease, especially in order of the phoenix, picks up on this and assumes remus is briefing dumbledore against him. i think it’s also reasonable to infer that the only person convinced there isn’t a spy among his close friends is james.
peter visits the potters’ safe-house and is aware of its address, so we can assume remus and sirius are the same. by october 1981, however, there are clearly concerns that james and lily’s whereabouts are known to the death eaters - perhaps also accompanied by information from snape that voldemort, who loves a bit of symbolism, has selected halloween as the day he will strike - which trigger dumbledore’s advice that they perform the fidelius charm. dumbledore’s unease when james picks sirius as secret keeper is confirmation that he had identified sirius as the spy. that remus is never suggested as a potential candidate is confirmation that sirius believes him to be the spy - and possibly also that james is beginning to think his best friend might be onto something (i always wonder if remus’ bitterness when accusing james of being too trusting in deathly hallows is a flash of self-loathing about the fact that james didn’t trust him). sirius then persuades james to use peter and, within a week of the charm being performed, james and lily are dead, peter has disappeared, and sirius is in azkaban.
[as an aside here, i don’t love the amount of dumbledore bashing in wolfstar, and i think it’s worth doing some dumbledore defence: sirius’ internment in azkaban without trial - a reference to an actual historical event, if you were thinking it sounded far-fetched - is not dumbledore’s fault. the wizengamot acts on dumbledore’s credible belief that sirius was the secret keeper, while sirius - who is cackling his head off the whole time - refuses to speak in his own defence. similarly, dumbledore does not deny sirius access to harry (via hagrid) when he arrives, distraught, in godric’s hollow because he’s contrived a machiavellian plan to keep harry alone and unloved with the dursleys instead of with his true family, but because all the evidence he has available to him is that harry’s life is in danger at sirius’ hands.]
so sirius spends the next twelve years in azkaban, with remus clearly nowhere near his mind. that he stays in prison, and only escapes when he has an unimpeachable chance to get his revenge and protect harry, is because he - like his narrative mirror, snape - is so haunted by his role (indirect, but he canonically thinks that he essentially cast the killing curse himself) in the death of someone he fiercely loved that he considers azkaban a punishment he deserves. 
this links to the next issue i have with a lot of wolfstar: that the defining force in both remus and sirius’ lives is james, not each other. the dynamic of the marauders is frequently reduced to the following: wolfstar, who are best friends and lovers it would take the heat-death of the universe to pull apart; james and whatever romantic partner the story wishes to pair him with, who are the same; and peter, who is either there and completely futile, or is replaced with a fanonised female character (dorcas, marlene, alice etc. - none of whom, may i say, it makes sense to have in the same school year as the marauders, dumbledore is not actually running the order as a gang of child soldiers) or a woobiefied death eater (regulus black, barty crouch jr., evan rosier etc.).
but in canon, a different dynamic is clear. james is the lynchpin of the marauders’ world, the anchoring point to all their sense of self; and the moment he is out of the picture no bonds of loyalty remain among the other three. (it’s tempting to think that remus always harbours a belief that sirius is innocent, but i think that this would be less due to an unconditional affection for his friend and more due to the fact that his own self-loathing needs to believe that he couldn’t have stopped james and lily dying; which he should have done if sirius really was the culprit, since he clearly suspected he was a death eater). 
if you asked remus, sirius, and peter, clearly each of them would describe james as their best friend (even though james’ eyes are only for sirius - he only has one best man, and harry only has one godfather), but their relationships with each other outside of james are less clearly defined, at least before sirius and remus are the only two left.
this doesn’t prevent pre-1981 (or james lives au) wolfstar - your boyfriend and your best friend being different people is fine, obviously - but it is going to change the dynamic between them in ways i think are significant and which i would like to see explored more, particularly in ways which acknowledge that - for remus and sirius - this dynamic might not lead to the healthiest relationship…
for example, during their schooldays, wolfstar are likely to talk to each other through james, rather than james being surplus to the flirtatious dynamic between them; remus is likely to feel awkward or insecure about the fact that sirius - whose personality is closer to james’ than his - is so happy and gregarious in james’ company; sirius is likely to resent remus’ tendency to stay out of the action, since the fact that he and james mutually encourage each other in their exploits is key to their relationship; remus is likely to resent the fact that sirius is treated by the potters as a second son, while he isn’t, and so on.
during the first war, even if we remove the fact they suspect each other of spying from the equation, they will clash over how to protect james, and remus will undoubtedly take this to mean that sirius cares more for james than for him. during the second war, the long shadow of james - so painful that remus can still barely talk about him, while sirius wants to do nothing but - will hover over everything.
and this leads on to the third reason i generally don’t enjoy wolfstar: that the complicated threads of their canon personalities are removed or reduced to irrelevance to make them fit fanon which has no basis in the books.
now, i’m not going to get into appearance discourse here, although yes, i prefer a tall sirius who tends to wear wizarding clothing and has never heard a single cool piece of muggle music in his life, and i prefer a hollowed and world-weary remus who doesn’t have visible scars. i think background discourse is slightly more important: a great deal of sirius is lost if he is turned into someone who likes being pureblood, who feels more comfortable around his ‘own kind’, or who aspires to sit on the hereditary wizengamot; a great deal of remus is lost if he is turned into someone who didn’t grow up in a loving home with parents who did their best, but whose inability to give him the childhood he really deserved in the face of the prejudice against werewolves in the wizarding world encouraged his absurd gratitude towards anyone who made even a half-hearted effort to act in his interests.
all of my preferred aspects of characterisation are canon-compliant. but deviating from total canon compliance is not a moral failing. the term is more flexible than some of its defenders acknowledge, and people are at perfect liberty to imagine that characters look, identify, or behave differently than they do in the canon narrative without that automatically bringing accusations of writing them out-of-character (after all, it’s clear in the books that both harry and hermione are white, but art and fics which portray them as a different race can still meaningfully be described as canon-compliant if that's an aim they're written to have). 
similarly, rejecting canon compliance entirely is just as fine - i think you should indicate to your readers if you’re doing that, but i’m capable of using the back button and moving on with my life if you don’t.
the only hard and fast rule is don’t seek out people who do things differently to you and insult them directly, although i would also suggest that it’s worthwhile to spend a bit of time in introspection about how lots of popular wolfstar and the fandom around it - like the fandom around all slash ships - portrays queerness in ways which are heteronormative (i.e. exclusively equating bottoming with femininity) and portrays women in ways which are misogynistic (i.e. how tonks is often treated in wolfstar discourse).
however, with this said, i think there is a difference between rejecting canon compliance and yet still writing the characters in ways which feel connected in interesting ways to their complex canon selves, and just writing original characters named sirius black and remus lupin. 
because i just cannot get on board with a remus who is written as the cleverest one of the four, as assertive and direct instead of avoidant and passive-aggressive, as anything other than incredibly selfish, as anything other than an extreme people-pleaser, as being soft and sensitive (his mild manner hides the fact that he is incredibly cold and calculating - this is a man who is prepared to execute wormtail in front of three children mere minutes after learning he’s still alive), as majorly regretting the snape-versus-werewolf incident (he loves it! snape is terrified of him! he downplays it constantly!), or as functioning as the moral heart of the marauders (when sirius says in order of the phoenix that remus tried to restrain their bullying of snape, he is doing it to make remus - who is incapable of self-criticism - feel better in the face of harry’s anger) when he is in fact quite morally cowardly.
and i cannot get on board with a sirius who is written as a goofy himbo, as a constant flirt and womaniser (more grey-ace sirius, i would like to see it), as the world’s wokest king (a man who’s upset his slave isn’t sufficiently deferential to him isn’t someone who’s going to speak in queer theory buzzwords - this, of course, doesn’t prevent sirius being written as queer, non-binary, trans, femme, and so on, it just means that authors have to deal with the fact that sirius’ way of existing as any of these things will be human, rather than perfect), as a small bean unable to take care of himself (he escapes from prison and swims across the north sea! he charges into danger at the drop of a hat!), as anything other than incandescently loyal to james and harry, as - after james’ death - anything other than completely wrecked by guilt over the fact he caused it, as best friends with his brother and his gang of slytherins, or as lacking the fundamental arrogance and cruelty which make him so interesting.
and wolfstar can work, absolutely, when these things are taken into account. i find the idea of second war remus and sirius, stuck in grimmauld place together, buying harry a joint christmas present, the last survivors in a generation completely hollowed out by loss, incredibly moving. remus' choice to self-destruct in half-blood prince - having lost sirius so soon after having found him again - does, i think, justifiably indicate a change in their relationship during order of the phoenix which can be seen as romantic. i find the idea of first war remus and sirius, each in love with a man they think is a spy, wonderfully bittersweet. i find the idea of school-aged remus pining desperately for a friend who is head-over-heels in love with james to be, quite frankly, canon. 
and i also think that two original characters called sirius black and remus lupin can do whatever they want - i’ll just be closing my eyes, pretending i cannot see, and leaving them to it.
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lilsedge · 8 months
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Tjd x y/n where they meet y/n little sisters it can be from the series tjd girl
Be good
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TJDG Short Story
Warnings: doesn’t follow story timeline 
“Hey Y/N, sweetie, can the girls stay over at your place tonight?” Beth asks.
“Oh yes, of course mom, drop them off now,” Y/N replies.
“Okay, I’ll see you in a bit,” Beth says.
“Alright bye,” Y/N replies.
A knock sounds throughout the apartment. How the heck did they get to her house so fast? Lyric and Ruby don’t move that fast; they get distracted. Y/N walks to the door and opens it.
“What are you guys doing here?” Y/N says, confused.
“We were bored,” Dominik replies.
“Can we come in?” Finn asks.
“Well, I kinda have-” Y/N was cut off by all of them just walking in. 
“Okay, yeah, come on in, guys. Gosh, no one waits for an answer these days,” the young girl says to herself.
Y/N walks up to her room. She makes the bed all nice and ready for her sisters. The toys were already set out at her house. They never put away the toys. There was another knock on the door, but Y/N didn’t get to the door fast enough. Damian was already opening the door.
Beth was just standing there in shock. Y/N comes running to the door, pushing Damian out of the way. Beth looks at Y/N, confused.
“They just walked. I don’t even know, mom,” Y/N says. 
“And they won’t leave,” Beth asks.
“Well, I haven’t tried, but that’s going to be hard now with the girls,” Y/N says.
“That’s okay, I won’t tell your dad,” Beth replies.
“Okay, goodbye my girls. Be good to your sister. I love you,” Beth says, walking away.
“Love you too,” the girl’s reply.
Y/N closes the door.
“Okay, I’m going to put your things in my room, do what you want,” Y/N tells her sisters. 
The girl ran to her room quickly and put her sister’s bags on her bed. The sound of feet hitting the floor sounded in the hall. The door opens fast. Ruby and Lyric come running in.
“What’s going on?” Y/N questions her sisters.
“There are scary people in your living room,” Lyric says, holding her younger sister’s hand.
“Scary peop- oh them. It’s okay, those people aren’t going to hurt you.” Y/N reassures her sisters. 
“Come, let’s meet them. I’ll hold your guy’s hands,” Y/N says.
The younger girls grab their older sister’s hand. Y/N leads the girls out to the living room where the Judgement Day sat. They were on their phones, not paying attention. Lyric and Ruby were holding on to their sister’s hand still, but they were hidden behind her.
Dominik looks up and sees the girls. He knows Lyric and Ruby well, but ever since he joined the Judgement Day they’ve been scared of him.
“Hey girls,” Dominik says, to the two little ones. That causes the rest of them to look up and the two young girls try to get further behind their sister.
“You girls remember Dom right,” Y/N asks, turning around to face the girls. They nod. 
“Okay, so now there is Rhea, Damian and Finn,” Y/N says, pointing at them. They all wave to the girls. Lyric and Ruby shyly wave back. 
“What do you girls want to do?” Y/N asks them.
Ruby looks at Lyric, then asks, “Can you play with us?”
“Of course I can! Can they play, too?” Y/N asks.
“If they want to, I really want to play with dolls with Dommy,” Ruby says.
Dominik gets up from the couch and sits on the floor, waiting for the girls to get their toys out. Y/N smiles at Dom and sits next to him. The girls pull out their toys as the rest of the group sits on the floor. 
Lyric was a little more hesitant to play dolls with Rhea, Damian, and Finn than Ruby was. She ended up enjoying it, though. Y/N looks at the time and it’s almost time for supper time. 
“Hey, what do you girls want for supper?” Y/N asks.
“Spaghetti!!” Borge girls shout.
“Are you guys fine with that?” Y/N asks the Judgement Day. They all nod.
“Let me help you,” Rhea says.
“Okay, come on. Girls don’t be so hard on the boys now.” Y/N says, walking away to the kitchen. 
Rhea is right behind Y/N. The shorter girl gets a pot out from her cabinet and hands it to Rhea so she could fill it with water. Y/N gets out the pasta, sauce and ground beef. (Sorry if you are vegan or vegetarian)
She then grabs a pan, puts it on the stovetop, and puts the meat inside the pan. Turning on the stove, Rhea grabs a fork and mashes up the meat. While Y/N puts the water on the stove too.
The meat is now cooked, so they can pour the sauce in. They boiled the water and poured the spaghetti noodles in. 
It all finishes cooking at the same time. Y/N grabs plates for everyone. She is going to get her and her sister’s plate ready while Rhea is going to get hers and her boys plate ready because she knows how much they’d want.
“Alright, you little ducklings, it’s time to eat,” Rhea shouts.
Sits at the table, while Y/N brings out forks for everyone and Rhea starts bringing out the plates full of food. The girls happily chomp into their plates as soon as they get them. 
By now, everyone has finished their food and is just sitting around at the table. Y/N finally looks over at her sisters and sees their faces are a mess. She laughs to herself and gets up to get a wet cloth. When she gets back, the girls were not even at the table anymore.
“Girls, come here please,” Y/N shouts at her sisters. 
When they arrive, Y/N hands them their wash cloths and says, “Clean your faces, please.”
The girls clean their faces, hand Y/N their wash cloths and go running back to the living room. Y/N collects everyone’s dishes off the table and goes to the kitchen sink. She turns around and jumps.
“Oh sorry, me and Finn can do the dishes, though. Don’t worry about them,” Damian says.
“Alright, are you sure? Like I don’t mind doing them,” Y/N replies. 
“Go hangout with Dom and Rhea in the living room, we’ll be fine,” Finn reassures her.
Y/N nods, walking back to the living room where the girls are now cuddling up to Dominik. Ruby had her feet on Rhea’s lap. Y/N started smiling at the sight of that. The girls finally weren’t afraid of Dominik and they let some others into their life. 
Y/N sat on the couch next to Rhea. Rhea puts her arm around Y/N. The younger girl cuddles more into the older girl’s side. Finn and Damian come back from the kitchen and also sit on the couch, but they cuddle each other. 
Lyric and Ruby wanted to watch a movie, so Y/N told them to get into their PJs and then they could watch the movie. Y/N had to get up from Rhea’s grasp to get the remote for the girls. 
When they came back, they immediately grabbed the remote and sat back down where they were sitting, but this time, Ruby sat right in Rhea’s lap. Y/N smiles to herself, knowing her sisters are going to want to see these ‘scary people’ again. They spent the rest of the night watching the movie and sleeping.
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