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phoenix-downer · 1 year

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KH3 Retrospective

I can’t believe it’s been four years already since KH3 came out. It both feels like it came out ages ago and just last month. Above was the very first screenshot I took as I started my playthrough. I was so awed by how good the textures for the stained glass on the Station of Awakening looked.

Something I did while I was playing KH3 was create a little Google doc of my first reactions/impressions (as well as spamming the screenshot button lol). Here was from the first page:

New version of Dearly Beloved is gorgeous - sounds similar to DDD version a little

Sora’s opening line is so good - Kairi is his home

Opening - Kairi and Sora’s chess pieces by each other

Kairi’s piece is the paopu piece

Riku looks gorgeous

Everyone looks beautiful

The door opening to save everyone there at the end

Seven hearts to save

Sora’s holding Xehanort’s piece at the end - checkmate?

Station of Awakening is GORGEOUS - looks like actual stained glass now

Showing Sora’s memories

Wisdom, vitality, balance - which one?!

I chose balance (yay SDG!)

Guardian, Warrior, Mystic

I chose Guardian (yay Namine!)

Tidal wave, then Sora ended up in cloud world

Destati sounds awesome

Sora’s opening lines are so good

Mysterious Tower music sounds so good

Cable Town looked gorgeous - Land of Departure?

Sora’s theme sounds kickass

Ending scenes from 0.2 played again to catch you up to speed on SDG

Next year for the fifth anniversary I want to share more of the document, perhaps in a more organized fashion (I also had a reaction document for ReMind and Melody of Memory that I might share excerpts from in the future). It’s just such a neat little time capsule of my immediate first reactions to everything, and while I had to use the pause button a lot, it’s fun to look back on what I was thinking in the moment before my later thoughts/perceptions took over. Definitely worth the time it took to record everything.

For KH4 I want to continue the trend, as it also makes for a fun way to share the first playthrough experience with my friends and it makes it easier to write analysis posts later on.

Summarizing my thoughts now on KH3:

The good: Beautiful graphics, world environments were a huge upgrade, the music was amazing, the humor in the Disney worlds was really good, Olympus Coliseum, Kingdom of Corona (the dancing minigame!), The Caribbean, San Fransokyo, Wayfinder Trio Reunion, Xion’s return, Roxas’s return, all the heartfelt Sora and Kairi moments, Young Xehanort, the Keyblade transformations, having more than two people in your party at a time now, the Luxu reveal.

The bad: No true midpoint to the game, no FF characters, the climax was rushed, wish Naminé was more involved, the way Kairi got “killed” was super bleh, and I’m still not a fan of the original ending (the secret ending excluding Kairi also made me ehhhhhh).

And this leads me into another part of the document. When I consume a piece of media, I like to think about what worked well and why. It’s just really fun to celebrate good writing and learn from it, you know? Hence all the translation/analysis posts I’ve done of certain scenes from KH3. I also like to figure out how I would “fix” anything that didn’t land for me because it’s also a good learning experience, and at the end of my initial thoughts document, I actually included a list of things I thought would improve the writing of KH3. Of course, this is all based on my own personal feelings/interpretations, and as it stands, ReMind fixed a number of them anyway. But I thought I’d share my initial “fixes” in bold and then my thoughts about them now.

Writing Changes:

Have Sora think about Kairi a la KH2 - Flynn/Rapunzel, Will/Elizabeth… - this isn’t really going to be changed at this point for obvious reasons, but I missed the little moments where Sora was thinking of Kairi in KH2 (like when Will and Elizabeth hugged, when he saw Jack and Sally dancing, etc.) and thought those would have strengthened the romantic plotline of KH3.

Sora’s reunion with Riku was anticlimactic - ditto, not gonna be updated at this point, but I remember thinking oh that’s it lol when technically we hadn’t seen them onscreen together since 2012 (trailers notwithstanding). In universe it makes sense though because it hasn’t been that long since they’ve seen each other. Plus, I assume their reunion in KH4 will be good, so I’m looking forward to that.

Sora’s reunion with Kairi was also anticlimactic - see above, not gonna get changed at this point, but I wish they’d gotten a moment together before the big group meetup or at least him reacting to seeing her again. We hadn’t seen them talk directly since Blank Points I think? (trailers notwithstanding). So yeah I was a little disappointed there wasn’t more to their reunion, and again I think a little moment or brief scene that could’ve built up to the paopu fruit more. And at this point in the game I definitely got the feeling that Nomura was rushing to finish before deadlines hit + the burnout was setting in and he couldn’t spare any time to extras like this, just the core scenes that had to be there (group meetup, Aqua and Ven convo about Terra, Riku and Repliku scene, Kairi and Sora paopu sharing scene). He might have also had to do a bunch of last minute rewrites, who knows.

Have Kairi actually send her letter to Sora - I assume this will happen at a later date, looking back now it feels like foreshadowing, so I’m not sure why I complained about this lol. I do think at some point Sora will read the letter because why go to all that trouble of showing Kairi writing it + having her read it to the audience if it won’t be significant down the line? The focus on Sora’s smile makes me think he might get the letter when he’s feeling really down and needs to be cheered up, but we’ll see.

Have Sora have some way of contacting her like he can contact Riku - Yeah idk Square acts allergic sometimes to the love interests contacting the main character (see FFXV...), and in universe she was training with Merlin and Axel in a place where time flowed differently etc. so I get why she didn’t. Again I was just thinking of ways the paopu scene could’ve been built up to more effectively within KH3 itself (obviously the paopu scene has been foreshadowed since KH1 so that wasn’t my issue, more that I wanted more buildup within KH3 that built on the buildup we saw in KH1 and KH2 and Blank Points).

Keep Kairi getting killed… but have it be because she was protecting Sora of her own free volition - Yeah I’m still not happy about how this was handled. ReMind helped make this more tolerable because she did get to fight Xehanort by Sora’s side, but I still think her “death” could’ve been handled a lot better. And that’s all I’ll say about that lol, it’s a topic that’s been discussed to death at this point.

Go into more depth about what YX said - I think this was about all of Young Xehanort’s cryptic foreshadowing to Sora, I honestly can’t remember lol. But I do think, now that I’ve replayed the game, the foreshadowing works well, so I think this was more of an initial reaction on my part.

Show Sora going to rescue her - This was one of my biggest issues with how KH3 originally ended, and I remember feeling robbed that we didn’t get to see Sora’s rescue mission of Kairi, but little did I know what Nomura had in store lol. ReMind more than fixed this, and I will be forever grateful to it and to Nomura for knowing how important this was and making sure it was added to the story. ReMind elevated KH3 so much for me, and looking back, I really do think Nomura was making the best of a bad situation (engine switch a year into development, tight deadlines, Disney being strict, serious burnout, sky high expectations...) with vanilla KH3, and I hope he gets the development time he needs to tell the story he wants to tell with KH4. I just remember reading some of his interviews post-KH3 and you could tell how exhausted and burnt out he was, and I really hope he doesn’t go through that again.

End things on a less gutpunch of an ending - I know some people loved KH3′s ending so this is subjective, but I did not lol. Thankfully, ReMind fixed this and made the ending more bittersweet now that we’ve seen Sora rescuing Kairi. It feels much better knowing he got those moments with her traveling the worlds before he disappeared.

Roxas and Sora barely interacted - ReMind fixed this too (noticing a pattern here?) I was really happy with the additional screentime they got in ReMind together because honestly, their relationship is one of my favorites in the entire series.

Sora still hasn’t thanked Namine - I assume this will happen at a later date, I just remember thinking poor Naminé hadn’t gotten thanked yet. But I do think Nomura has something specific in mind for this scene and we will see it at some future date. So less of a “this should’ve been in KH3″ thing and more “oh bummer I’ll have to wait a while yet to see this.”

Xehanort got off easy - I think this whole plot point was a victim of the rushed pacing that impacted both the climax and ending of KH3. I remember thinking to myself that Xehanort should not have gotten to die and go to Keyblade Heaven with Eraqus in the same game where he “killed” the protagonist’s girlfriend (which resulted in the protagonist’s “death”) especially not so soon after it happened. But in a way it’s also kind of realistic? The bad guy doesn’t always get what he deserves in real life, so I can see why Nomura took this angle here (though I would argue that in stories you can show good triumphing over evil and in fact people tend to want that more than realism due to the escapist nature of fiction). Then again, I’m kind of biased because I’m not a fan in general of turning Xehanort from a main villain to a misunderstood guy with an angsty backstory who was manipulated by the True Big Bad. I get the feeling we haven’t seen the last of him given that art of his younger self with an umbrella that came out for Dark Road’s ending, so I’m bracing myself for him to show up in Quadratum and team up with Sora, and meh, I just wish the series would move past him at this point, you know?

Destiny Trio still not a trio :( - fix that - I do hope that we get more Destiny Trio interactions in KH4, but looking back, I kinda get why there wasn’t a whole lot of them in KH3. The focus was more on Sora and Kairi’s relationship since that played such a key role in the climax and ending of the story, and there will be time in the future for the three to interact more. Nomura had that quote about how KH3 would feature relationships changing etc., and we did see that with the focus more on Sora and Kairi’s relationship (plus Melody of Memory gave us some Riku and Kairi interactions, and KH4 is probably gonna feature some good Sora and Riku interactions given how they’ll probably reunite before Sora and Kairi do. And then Kairi and Sora’s reunion will be important given how they were separated, and I imagine there will be at least one meaningful scene of the three of them together).

Have Kairi fight back while she’s being taken - in her defense, it was very realistic for a short, petite fifteen-year old girl to have trouble fighting back against a grown ass man who 1) towers over her and most of the rest of the cast, and 2) is wrenching her arm back in a way that meant she’d likely dislocate her own arm if she tried to fight back. I just still wish this entire plot point had been handled differently, but it’s in the past now, not much more to be said about it.

Roxas and Xion were freed maybe when Sora “died”? - I think I had this on there because I thought the story would’ve benefited from the rescues being spread out more, giving time to focus on each one and allowing some longer soft/quiet moments with the character reunions.

Anyway, thanks for reading all this. It was interesting going back and looking at my initial reactions to KH3 and how my thoughts and feelings have changed over time. I think the big factors in the shift are that ReMind really added so much to the story and fixed most of my major issues with it, and I have a better picture now of all the stressors Nomura had to deal with to get the game out the door. Honestly it’s probably a small miracle the vanilla game turned out as well as it did given all the factors he was working against, and for that I have a lot of respect for him. And it was clear he was aware of the issues, you know? Otherwise he wouldn’t have released ReMind. He wanted KH3 to be good and he wanted to make the fans happy, so he did what he could to improve on the base game. And there are some truly fantastic moments in the base game and ReMind alike that I loved analyzing every single piece of.

How about you guys? How have your thoughts/feelings towards KH3 changed over time if at all? I’d love to hear your thoughts!

#kingdom hearts #kh3 #kingdom hearts 3 #kh analysis #kh meta #kh retrospective #kh #retrospective #long post

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ladditt · 2 years

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Well, seeing as I've had a few hours to process what the fuck just happened at the end of chapter 5 let's have some thoughts! While also ignoring N for the most part because.... oh boy he's probably gonna need his own post.

oh yeah and spoilers ahoy!

1) it's hilarious that you can bring heros that aren't riku and menana into the agnian prison camp. I realized just slightly too late that none of the classes I had set (and really wanted to level up on) had any break arts, which is an issue when you just know that this prison break is gonna go tits-up and you're gonna end up with some boss fights. the thought of tion phoning up alexandria and trying to convince her to break into prison with him is golden. she’s just sitting in the background for half of these scenes, imagine being asked by your buddies to help them break a guy out of prison and all of that shit ends up happening.

2) I hate gohndor with the entirety of my being. gohndor and shenia both like kids, kids, kids you both suck. There's no point fighting over who sucks the most because it’s both of you, grow up. I gave them the benefit of the doubt and assumed that they were both like, 14. But no, they're 18. They're the same age as the party.

3) continuing on from point 2, if you check the affinity chart, Morgan's only 33. And unless it's mentioned in a side quest that I haven't gotten to yet it's never mentioned that she had a partner. So yeah it sort of does explain gohndor's behavior, having a single teenage mother with family issues of her own and responsibilities in the army probably doesn't make for a smooth upbringing or respect for your parent. But she still needs a smack upside the head.

4) “quest accepted: first day of prison” made me cackle out loud i wish i had screenshoted it.

5) “the food sent out to the colonies is harvested by prisoners of war” isn’t the answer to a question that i’d even asked but god does it make the “salvaging supply drops” mechanic bleak.

7) i had assumed that the variant of the mobius theme that played during the consul M boss fight was going to be an N and M specific thing, including the flutes because they’re alternate selves of noah and mio. so when the N fight started and we were back to the usual mobius fare i was a bit confused. but knowing what we now know it’s actually really clever that M gets mio and noah’s musical moteif in her boss theme because well, that’s mio. it’s a clever clue as to what was really going on that went STRAIGHT over my thick skull. it also just happens to slap hard.

youtube

8) Speaking of M it’s the most aweful thing in the world that, the entire time we knew her she was just this emotionless joyless husk. the only time we every heard any shred of life in her voice is when it was mio doing her best mobius impression to try and get on N’s good side, or when she was talking about her own impending death. fuck me.

9) you’ve also got the fact that M’s entire plan hinged on the knowledge that there is no way that N would pass up on an opportunity to torture himself. that the ecstasy of driving his young, hopeful self to the same despair that broke him would be too much.

10) on a lighter note the fact that mio a) kicked the shit out of her friends without hesitation and b) took joy in kicking the shit out of her friends without hesitation just proves that she’s just as much of a chaos kitty as nia was, she just hides it better.

11) the fact that in the colony 11 quest-line ashara is like “suicide is based actually, dying on my own terms doing something spectacular is all i ever wanted from my life” and sena’s like “huh, she’s got a point” hits a little different now....

12) oh god mio was stuck pretending to be that creep’s wife for a MONTH

#xenoblade chronicles spoilers #xenoblade chronicles 3 #xenoblade chronicles 3 spoilers

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notasapleasure · 1 year

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Doctors season 10 run (2008) - Part 1/3

Warning! Long post...

We're here for Matt Brown, Joplin's third appearance on the long, long, long running series Doctors. He's in seven episodes, so fingers crossed he's got fun things to do!

Episode 8: Light Fingers, Loose Tongues

Lurking in a bar looking unshaven and moody! With a spectacular eye roll when his sexist acquaintance brings along a guy who's only drinking water...

"A top man, loyal as the day is long." And apparently reminds the sexist businessman of himself as a kid, though he still hasn't had any lines.

His boss is an absolute wrong-un doing a lot of Crime I am sure and I suspect dear Matt is there to do the leg-breaking his boss is so fond of joking about.

Oooh his boss is a cop-killer. Hopes of Joplin actually having something interesting to do in his run of episodes hmm....fading.

He did just get to mumble a line or two though! I'm rooting for Hired Muscle with a Heart who will dob his boss in because he fancies Jess the undercover barmaid or something.

Anyway. Pretty in leather, though the haircut's a bit nerdy. Just ignore the fact he's laughing at his boss's sexist jokes.

Uh oh is he onto Jill the undercover cop barmaid? Or is "Enjoy yer fag?" his idea of a chat-up line?

Hhhhhdhdgdgdhffff 🥵 smoulder smoulder

Undercover police lady bartender: "What's a nice lad like you doing hanging about with someone like him?"

Matt, sounding like language is a foreign concept: "I work for ‘im. So do you."

Undercover police lady bartender who’s decided she’s going to have to flirt her way out of this with the only attractive man at the table: "Well just make sure you don't pick up any of his bad habits..."

Episode 9: Walking on Sunshine

I wonder if there will be any actual doctors in this episode?

Ah Matt's sexist boss is called Jack, and also gets to have a few digs at 'the Lithuanians'. And Matt is on car-driving for the obnoxious business-school son duty.

Ooh, bb doesn't like drugs and he doesn't like Jack's spoilt son Callum and he doesn't like the idea of giving the spoilt son a fancy car. It's about respect (for the car).

Apologies that I can't report much on this episode it features some amateur comic and I had to mute all his scenes because he drove me insane. Stand up comedy plus toddlers plus the miserable self-pitying doctor eurghh.

Ooh no, Matt's a good judge of character even among the criminal underworld - Jack's son is unhinged in a very unsubtle way. Luckily, Matt is good at first aid. Man with bloodied face lying behind the bins? "Bad."

He was quite sweet and gentle getting the injured guy up and is now on 'subtly drop off the broken-nosed drug dealer at A&E duty'.

I almost gave up at the end of this because y i k e s was it dull but THEN the doctor that was annoying me got. Literally flattened by a massive truck and it was the funniest thing I've seen in ages. Solid ten-minute gut-busting laugh. On that endorphin high I will continue in the knowledge that the annoying doctor won't be back!

Episode 12: Hunger Strike

The university is selling out to ASDA (well, Walmart. Well "Novo-Mart") because it's broke. A student is on hunger strike. "Oh go and have some breakfast!" Sick burn, Treasurer.

Matt's still around, but he's lost the jacket. Joplin aficionados: I am trying to get a good look at the arm that has a scar in Death in Paradise.

Inconclusive. More research needed.

Damn he has a hoodie on now. And continues to be suspicious/vaguely threatening/maybe creeping on Jill the undercover bartender. Naughty naughty, hiding guns.

Took me an age to get these screenshots, it was like the director told him to chew his gum as obnoxiously as possible crol

Episode 14: Wooden Heart

Whatever happened in episode 13 at the bar I suppose I'll just have to figure out as best I can - Matt wasn't involved so I don't care! Basically, Jack is manipulative and controlling, his son is a psycho, and Jill the undercover policewoman had to pretend she was seeing the solicitor who knows who she is.

Boo, hiss, Jack is contemplating using a baby and its pram to smuggle Bad Things! Matt isn't present.

This is so weird. The dentist is Elvis.

Oh HAI Matt! Costumes continue to become fluffier. More greys than blacks. Does it mean anything? He's openly snarking at the boss' psycho son and the teen mum who wants work running drugs in her pram...

"She's ok...if you're into gym slips."

"Might let you have a little go in her buggy an' all."

Well at least he gets to be a little bitch :')

Ohhhhhhh my god is he gonna make his move on the undercover copper bar lady? SUCH a creep but still. Fucking would in a heartbeat.

He did not make a move :’) just Loomed.

Oh "don't you do anything but skulk?" but he's so good at it...

Those were like...the most lines he's had in this? Initiative and all that! Still menacing as fuck in a quiet way, still unclear if he's hitting on Jill, looking out for her, or threatening her.

"If I were you, I'd worry about your own back..."

---

TBC: This post is already way too long and the last four episodes he’s in (16, 17, 18, 19) are a run, so presumably link together more closely. I’ll try to do a part 2 tomorrow, for anyone who, like me, is simply dying to know what side Matt’s going to be on, and just how bonkers the denouement of this whole thing is going to be :))

#adventures in joplin sibtain's imdb page #joplin sibtain #bbc doctors #liveblogging daytime soaps #i will concede that it's interesting thinking about the work the dialogue and script have to do #when there are so many one-off/minor characters and they bring their stories with them #thank u joplin for that interview about eastenders that made me think a bit more about the genre #i still wouldn't choose to watch them without making it a little project with treats (screencaps)

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balillee · 3 years

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tommy's character gets far too much shit.

hi tumblr. i'm gonna need a few bitches to spread this post everywhere, essentially because i want someone, or just tommy really, to see it. so if you really want, you can screenshot it and post it on twitter, reddit, link it everywhere - go absolutely buck wild. i know he reads the VODS comments a lot, but they're chock full of people just insulting him, his character, his writing and everything about his story in the dream smp simply because they don't understand it and because they refuse to acknowledge his character's perspective (mainly because they only care about the pig). reading that many critical comments on something you've created can only make you feel worse about it eventually, and in light of all the awful techno apologist takes on his character, i wanted to basically just word vomit about how wonderfully crafted c!tommy is, as well as compile some other tumblr posts about his character.

there is a massive fuckin community of people who enjoy the character of tommy, because the character is incredible. i myself have made post after post after post commenting on and analysing tommy's character because i find that there's so much to pick apart. but that enthusiasm for his character only seems to be found on tumblr. reddit and twitter seem to hate his character, the VODS seem to be filled with comments from people who only care about techno's perspective (and treat techno as a reliable narrator, which, is the furthest thing from the truth - that guy lies through his teeth all the time), and the smp wiki is a hellscape of godawful takes and mistruths, not even on just tommy's character.

c!tommy is brilliantly acted and brilliantly written, and almost everything he does is either justifiable or has been rectified or admitted as a mistake. you can clearly make connections as to where he got his conclusions from. you feel what his character experiences, as a member of the audience, vividly.

if you look in the more objective sense, c!tommy, and this is especially in the context of him being the youngest character, is a scapegoat. people claim he's awful and destructive when in reality he's a lot less destructive than most characters on the server. a moment that comes to mind is where he diverts schlatt and quackity's attention from pogtopia by breaking part of the flag in manberg, and then replacing it so as to buy tubbo some time - he literally monologues after it about how he doesn't want to destroy but instead rebuild, and how he feels as if nobody else seems to understand that.

his arc in season two was incredible. it was very character driven, and it gave a spotlight to his motivations. at the start we see him in new l'manberg, and he's enjoying his time there, he's skeptical of his friend's presidency, but his main goal is to get back the discs so that he can stop dream and eliminate that threat. he made one screw up that didn't even matter to george, and he paid for it tenfold, even after dream had spent a while with puffy griefing the server and framing it on tommy - what tommy and ranboo did was convinient. then, in exile, we see c!tommy straight up get abused. he's gaslit and conditioned into being c!dream's friend, and in his brain he teaches himself that those acts of abuse are moments of bonding, and it eventually brings him to the point of wanting to end his own life - he's been torn away from his friends and his support system, and nobody will visit him consistently anymore because they only showed him pity, and all he had left was dream, who had hurt him.

but he doesn't die there, because while he didn't understand the full gravity of it back then like he does now, he recognises that dying isn't an escape, and he can beat dream, even if he doesn't know how. so this is where he goes to techno's place, and here's where the fandom starts to misinterpret the situation wildly.

it's the problem similar to when your parents tell you that they're owed something back because you put a roof over their head, despite that being Not How It Works. techno took tommy in and severely mistreated him emotionally. sure, and i understand this, c!techno is a bad communicator who isn't really that empathetic to anyone who isn't phil or wilbur, but that doesn't excuse the blatant lying to c!tommy's face, the guilt tripping, the friendship buying and the degrading. the day before the festival, tommy finally does something violent in his interrogation of fundy, and only then does techno tell him,,,,

that tommy's not equal to him, that techno doesn't respect him all that much, and that they're not friends.

from techno's perspective, and at the time, this was viewed as a positive development in their relationship. oh, he's starting to warm up to tommy! this friendship could really blossom!

no. from a more objective standpoint, what techno has just said to tommy is : 'i respect you only a little bit more now, because while you're starting to act more like me, you're still annoying and a burden.'

and i haven't even touched on the whole 'erasing the words 'Destroy L'manberg' from techno's to-do list' thing, because that instantly refutes the point of 'techno was upfront with his intentions the whole time' - because he wasn't! he may have said it the first time, but you also know what else he did? he repeatedly told tommy that they'd 'air the details out later' whenever the discs were brought up, and from a tommy viewer's perspective at the time, it was framed as if techno was no longer going to do that.

and i also haven't dared touch the 'i would have fought them all for you', because that's major guilt tripping if ever i've seen it.

so, the day of the festival comes, and here's where c!techno and his apologists completely misread c!tommy's thought process, and why he makes the decision he does.

tommy instantly regrets valuing the discs over tubbo, and it's framed as the culmination of tommy having become all the people he said he would never want to be like. and what does he immediately do? he tells tubbo to give up the disc, and he sides with tubbo. he puts his value in his friends, and, by proxy, l'manberg. and when he betrays techno, he tells him 'i'm sorry'.

from a more objective standpoint, tommy's time with techno is him valuing the discs over almost anything else. so, in leaving techno to be with tubbo again, he is valuing people above the discs. so when, on doomsday, techno says his 'discs aren't people' line, what he doesn't realise is that he himself fueled tommy's valuing of discs above people when attempting to fuel tommy's vengeance against tubbo and l'manberg. techno doesn't realise that he was an unhealthy presence for tommy, and an even worse influence.

what techno also doesn't seem to understand is that tommy never hated tubbo or l'manberg - tommy recognises, now at least, that his exile wasn't a product of tubbo, but a product of dream's manipulation, likely in part because at the time, especially with dream lying about tommy blowing up the community house, tommy was the only one who could see it because he had experienced it firsthand. so when techno sides with dream, it's like kicking tommy in the teeth.

and i want to mention that betraying someone doesn't necessarily make the person who was betrayed good, or in the right, or even justified, because tommy was entirely justified to leave techno. you know who else was betrayed? schlatt. but i don't see many schlatt apologists around angry at quackity for joining the rebellion.

tommy stole the axe of peace? good. it was a moment of tommy defining his self-worth, instead of having it defined by others. gone is the age of c!techno belittling him and deciding how much c!tommy should be respected. NEXT!

here's a moment i wanted to talk about that will forever be funny to me.

'i am a person.'

techno's very famous line from doomsday. techno says to tommy that discs aren't people, and that tommy should value people, despite not understanding that by leaving techno, he did just that. and what does tommy say in return, which has been omitted from every c!tommy-critical analysis, and every animatic?

'yes you are, but so are we.'

an acknowledgement of techno's hurt, to which tommy has already apologised for. a statement that says 'your hurt does not excuse, nor justify, the hurt you have inflicted onto us.' an acknowledgement that tommy has already learnt the lesson techno seems to be trying to 'teach' him. but you can't teach him anything by destroying.

c!tommy has had almost everything he has ever owned or built either taken from him or destroyed. ranboo even points out that the only two things of tommy's left standing are his house and his hotel, and if i'm honest, his house is dissheveled. it's a labyrinth of terror due only to how many times it's been torn apart. l'manberg being blown up didn't teach anyone anything about anarchy, or about valuing people over possessions. logstedshire being blown up didn't teach tommy to be obedient.

i could honestly ramble for ages about how nuanced tommy's character is and how much depth and complexity there is to his character's process and his relationship with others, but more than that, c!tommy is forgiving. he invites almost everyone who hates him to the grand opening of his hotel - if that isn't an indicator that he just wants friends, and not to be treated like the embodiment of evil, then i don't know what is. he holds grudges, but he doesn't really actively hate anyone, other than c!dream. but, we'll let him. c!dream deserves nothing but to be pummeled into the floor.

tommy doesn't spoonfeed his character nuance, and he doesn't really spell it out for his audience. he'll mention things like trauma and triggers in passing, but a lot of analysis on his motivations has to be picked up from what is said in passing or from what can be seen in between the lines.

i'd be here for hours if i were to talk about everything i love about c!tommy, because honestly he's one of my favourite characters, and there are so many angles you can look at his character from in terms of his age, his relationships with others, his motivations, his personality, his character arcs etc etc. so instead of doing that, i'm going to compile some much more specific analysis posts below to skim through because they highlight so many good aspects of his character.

^^ A thread about the 'yes you are, but so are we' line.

^^ About how shit the VODS comments are.

^^ A comment on how c!Tommy is actually pretty peaceful, and is actually less destructive than most characters on the server.

^^ Possibly the best c!Tommy analysis thread I've ever seen in relation to his trauma, which gives multiple perspectives.

^^ About how c!Tommy is treated as a scapegoat, and how, from an objective standpoint, he is no more violent than any other character, it's just that the little violence that is committed is blown far out of proportion.

^^ Tumblr user flypaw being a bad bitch, as per usual.

^^ c!Tommy being incredibly intelligent, and talking about wanting to rebuild and not destroy. A very underrated monologue of his.

^^ Something short about c!Tommy and c!Wilbur's relationship in Pogtopia.

^^ Less about c!Tommy, more a meta on L'Manberg. Really interesting to think about.

^^ A take on Doomsday.

I'll add some more posts in a reblog in the notes, but if anyone's post(s) is on this and they want me to take it off, let me know and I'll do that for you! Feel free to add your own banger c!Tommy takes or ones that you've found.

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the-hot-zone · 3 years

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Too Old To Play With Toys: The Sad Truth Behind Sokka's Boomerang

This is Sokka’s boomerang:

[ID: a screenshot of Sokka’s boomerang from Avatar: The Last Airbender. It has just been thrown, and it whips through the air in a rapid, whirling motion. End ID.]

And as we all know, it always comes back. This characteristic makes Sokka’s boomerang a returning boomerang, rather than a hunting boomerang. This is an important distinction to make, and it’s where the heart of this headcanon lays. Let me explain.

Accuracy: What’s the Difference Between Hunting and Throwing Boomerangs?

There are three types of boomerangs: the hunting boomerang, the returning boomerang, and the cross boomerang. We’re only going to be discussing hunting and throwing boomerangs, but feel free to learn about cross boomerangs and their construction--they’re really cool. As a general note: the following sources and information pertain to Aboriginal Australian cultures. Boomerangs were used elsewhere, but mainly as throwing sticks, not returning boomerangs.

So, hunting boomerangs, also known as throwing sticks or kylies, have this basic shape:

[ID: a black silhouette of a hunting boomerang. It is shaped like a skinny tear drop, with a slight curve along its form, and it widens asymmetrically at its ends. End ID.]

[ID: an overhead shot of three hunting boomerangs. They are carved from glossy, light-brown wood. End ID.]

Artist: Aboriginal Elder, Joe Skeen Snr. Buy here.

The hunting boomerang is straighter, larger, longer, and deadlier than the returning boomerang. “With it,” states the Britannica, “animals were maimed and killed, while in warfare it caused serious injuries and death.” This is due to its shape, which allows it to travel in a relatively straight line. With its capability for distance and force, the hunting boomerang is a very powerful tool.

According to Boomerang: Behind an Australian Icon by Philip Jones, a hunting boomerang can travel around 100 meters. If the boomerang is heavy enough, and the throw forceful enough, large prey, like kangaroos, can be killed. If you want to see a hunting boomerang in action, watch sections of this Youtube video. The range and accuracy of this tool are amazing.

The returning boomerang, which was used in eastern and western parts of Australia, is very different:

[ID: a black silhouette of a returning boomerang. It has two arms that widen towards the middle and connect, forming an angled shape, like a triangle with two sides. End ID.]

[ID: a painted returning boomerang. The base is formed from a smooth, light-colored wood. Designs are painted at the end of its wings, in the middle of its wings, and towards its center. At the center is a stylized turtle. End ID.]

Artist: unknown, but sold by Aboriginal-owned business Murra Wolka. Website here.

As you can see, the returning boomerang is shorter, smaller, and angled sharply. The shape of it allows it to trace an elliptical path, thus returning to the thrower. But this property is not without its drawbacks:

“A hunting boomerang needs to fly well and nearly straight to strike prey some 200 metres away. The trouble is that the best-flying boomerangs tend to return, rarely departing beyond fifty metres from the thrower. With the returning form ‘there is no certainty of hitting the mark. It may come back too quickly and may hit your own friends standing near you.’ While recognising that the best-flying boomerangs do return, Aborigines defined a technological problem. They needed to strike a compromise between flying ability and hunting requirements...” (Australian Museum).

Now, the returning boomerang could still be used to hunt, but not to kill or maim prey. Its application was craftier:

“When hunting ducks, for example, nets were set up at either ends of a creek or river. A boomerang was then thrown out over the ducks which gave them a scare so that they took off up the river and flew directly into the nets. From there they were collected. At other times during the hunting of birds the returning boomerang was thrown horizontally along the ground into a flock, and, as they took off the boomerang would follow them into the air. This may or may not kill the bird and a harder way to hunt” (murruppi.com).

Still, this wasn’t the main application of the returning boomerang. In actuality, it was used as a toy:

“The returning boomerang was not primarily designed for hunting as it is too light and wouldn't guarantee a kill. Rather, it was designed as a toy for young aboriginal boys. The toy would allow a youngster to practice throwing skills but still make it fun” (murrippi.com).

So, Sokka’s boomerang? A plaything.

Let’s Bring It Back to ATLA: What Does This Mean?

With the above information, Sokka’s use of his boomerang in canon becomes almost tragic. His boomerang was probably given to him by Hakoda when he was very young. He used it to learn how to throw; one day, when he was older, he would have carved his own throwing stick, and used it to hunt alongside his dad and the other adults of his tribe.

Instead, Sokka’s boomerang is another aspect of his childhood that was twisted by the war. His boomerang is--should have been--nothing more than a toy. He shouldn’t have had to use it to fend off Zuko, attack Azula, and defeat Combustion Man. Regardless, it did become a tool he used to help defeat the Fire Nation, and that’s pretty fitting when it comes to ATLA’s ideas of childhood and war: Sokka spent years acting as his tribe’s protector; Katara spent longer acting as a mother. Thus, his use of his boomerang throughout the show displays how Sokka was forced into a war-torn world at an incredibly, unfairly young age. As a result, he was forced to adapt in ways that took from him.

And we’ve all seen Sokka’s boomerang in action. Here’s a video of his greatest hits--literally. His accuracy is insane, and he catches his boomerang every time. He’s more than ready to have a hunting boomerang, yet we see him use his returning boomerang throughout the show, and long after he earns his ice dodging mark. Tbh? I think that Sokka didn’t want to carve a hunting boomerang without his dad guiding his hands.

So, you might be wondering, what happens post-war?

Eventually, I think Sokka retires his returning boomerang and carves his own hunting boomerang, but the shape of it is particular:

“Some scientists argue that a throwing-stick, commonly used by indigenous hunters around the world, is the precursor of the boomerang... Through trial-and-error the boomerang was refined to a point where the most desirable size, proportions and curvature were established. This refinement brought one serious problem: any improvement in flying resulted in a tendency to return. There is little doubt that indigenous hunters brought this experiment to its ultimate conclusion, by producing the perfect returning boomerang” (Australian Museum).

In short, making a good hunting boomerang is hard. Lots of trial and error, and still, hunting boomerangs come in a wide array of shapes. Thus, I headcanon that Sokka carves his hunting boomerang differently, as compared to the other members of his tribe--it’s more curved. This would show that although he's grown up and is in a post-war world, he's changed in some ways that can't be completely undone.

In other words, Sokka eventually moves on, but the way he throws and uses his boomerang is going to be a little different.

Conclusion

TL;DR: Sokka’s boomerang is a plaything, and this has sad implications. But also? He never should have had one in the first place. Firstly, boomerangs were traditionally made from green hardwood, which I don’t believe can be found in the South Pole. I on god can’t find any authentic sources for bone or metal boomerangs. To be more accurate and still keep with the trend of throwing weapons, I would’ve given Sokka a nuqaq and darts or a bola.

Also, as far as I can tell, Sokka’s boomerang is the only aspect of Aboriginal Australian culture Bryke used in ATLA (I can’t get a confirmation on Hakoda’s name). This is cherry-picking to the max, and it perpetuates the harmful ideas of pan-indigeneity wrt one large, singular culture.

So, if you enjoyed this, please consider supporting aboriginal artists and charities. You can buy aboriginal art from murrippi.com and Murra Wolka. This article here provides a list of charities as well as active GoFundMe’s for families affected by police brutality against Aboriginal Australians. Thank you.

Sources

“Hunting Boomerang - Extreme Range - The Aboriginal Karli” by Throwsticks Channel

“Boomerang Information“ by Murruppi, Djirrbal/Ngadjonji Tribe

“Boomerang” by the Encyclopaedia Britannica's editors for the Encyclopaedia Britannica

“It Comes Back ... What a Nuisance!“ by Stan Florek for Australian Museum

Boomerang: Behind an Australian Icon by Philip Jones from Wikipedia

Murra Wolka

Gonna tag @atlaculture because I think this is of your interest. <3

#atla #avatar the last airbender #sokka #atla meta #atla headcanons #atla hc #YES this is angsty shhhhhhh #am I doing meta right?

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gildedmuse · 3 years

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Hey, everyone.

So recently I've (predictably) very not well. Actually, whenever I don't post for long periods, just assume my body is trying to kill me. But I've gotten messages from three people asking if I. Okay, which is super sweet. I am actually trying to work on the next All Hearts, a really long ZoLaw post and two request fics, but mixing chronic kidney pain and capitalist society's mandate to work 40+ hours is not recommended.

But to prove I'm okay and still me, here is some Shanks antics with him being a total slut while Mihawk and Beckman just roll their eyes and go along with it. [Shout out to @jhaernyl who not only listens to me ramble about this stuff, but actively encourages it]. I also have many thoughts on the latest episodes and so many screenshots it's embarrassing. Hopefully, when I'm in less pain, I'll get around to actually posting those. Otherwise I just look like an insane person who literally takes by the second frame shots every time Zoro is on screen.

.... What is that? I look like that anyway? Fair.

Shanks Is A Bad Influence

It feels like Buggy and Shanks split up after Roger's death (the crew was told to, and they are the only ones who went to his execution) and I find it impossible to think Shanks didn't immediately set out and find a crew; like, pirating is the only thing this kid knows in life. This means two things:

He set out from East Blue. Also, he seemed at ease and familiar with the East so it's possible he spent like a year there getting everything together. Maybe he even played around in the other blues for a while before heading back to the Grand Line. I say this because his crew is from all over so either he found and recruited them in the Grand Line or visited various blues. Either way, I'm gonna say it took him about two years before getting a 'proper' start. In that case, he would have started out properly at the age of 17 and we know One Piece likes it's parallels.

That still puts Shanks at 17 to Benn Beckmen's 28. How the fuck did Shanks manage that? I'd call it grave robbing, but let's face it, the little tyke probably got up to some actual robbing of graves as well.

My point being everytime Shanks teases Mihawk about keeping this 19 year old kid on his personal island, mostly shirtless, Benn Beckmen just lifts an eyebrow.

Excuse me, captain, who had prefected the 'opps still don't have my sea legs' trip-and-fall into their first mates lap by the age of 17?

Shanks: Beckmen, you caught me! *Shamelessly nuzzles up* Thank goodness! I could be a devil's fruit user after all and - Ahh!

Benn: *Drops Shanks straight over the side of the ship into the water*

Shanks: *Sputtering* What what that!?

Benn: Checking to see if you had eaten a devil's fruit on us, Capatin.

Benn: You didn't.

Smart ass. But he can't resist Shanks forever. Shanks will wear him down eventually.

Next time Mihawk tracks him down for another match - because you know he gets bored way quicker than he'll ever admit and Shanks is at least amusing a challenge - Shanks makes a big deal out of how Mihawk follows him around, "accidentally" revealing they slept together, sighing about how it's so hard to resist him.

Benn Beckmen is just leaning against the side of the ship, sipping his booze.

Shanks: -and I can't stay for hours like last time!!

Mihawk: Are you quite done?

Shanks: *whispering* Does Benn look jealous?

Mihawk: He looks bored. Much like I am. Is this some strange attempt to get out of my challenge, Akagami?

Shanks: What? No, come on I told you I was game. But, hey, could you do me a favor? Maybe like try and kiss me or something? Like take a swing like your going to hit me but then stop shot and grab me by the waist instead.

Mihawk: .... Trickery is beneath you. Besides, you're absolute rubbish at it.

Shanks: Oh, come on, I would totally help you get laid if you asked!

Mihawk: .... *Sigh* I want a proper match afterwards.

Mihawk: *In a forced, monotone voice* After this I will take you to my lair and have my way with you, Akagami.

Mihawk: ... My lair? Really?

Shanks: *Holding up cue card with quickly scribbled line* What? That is how you talk.

Mihawk: I can't believe I wasted precious hours of light tracking you to this atrociously rural port.

Shanks: See? Now, read the next one.

Benn: Captain? If this is going to take all night, I am going to go join the rest of the men in the tavern.

Shanks: Huh? Wait! Benn! What if Miha really stabs me this time!?

Benn: *Salutes Shanks with his bottle* Sounds like that is his plan captain. Have a good 'challenge'.

Shanks: What? No... *Reaching out hand, like he might die if Benn leaves, looking completely devastated* Not even a little jealous...

Mihawk: You couldn't have thought that pantomime would actually work.

Shanks: Benny, don't leave me.... *Turns to Mihawk, immediately brightening* Oh, well, there's always tomorrow. Hey, Miha, guess whose free all night and horny as a pirate in the calm belt?

Mihawk: .... *Sigh* Very well.

Mihawk might as well get something for the trip he made. Although, he's reconsidering if the sex was actually worth the trouble after he ends up listening to Shanks worry half the night that Benn is shacking up with someone else (after a couple hours of rough and raw fucking, admittedly).

Is it the hat? He likes his captain's hat. Miha, you think his captain's hat is sexy, don't you?

Mihawk: It's utterly ridiculous.

Shanks: ....

Shanks: *Smile* Ahh, Miha, I knew you liked the hat!

Shanks: What do you old Northerns find sexy?

Mihawk: I am only four years older than you.

Mihawk: And silence.

Trying to convince Mihawk to go spy on Beckman for him. Shanks doesn't actually care if he does sleep with someone else, it's more that Beckman didn't immediately turn angry and jealous like Buggy would have that has him paranoid.

Mihawk is going to fuck this annoying red head again just to shut him up.

Mihawk: Maybe he doesn't like red haired boys who don't know when to be quiet?

The next morning Shanks is pacing among his poor crew that's gotten stuck listening to Shanks obsess about Beckman again. IS IT REALLY THE HAIR!?

It's not even a matter of Shanks's age (or obvious immaturity). I mean, Beckman got on board and stayed, didn't he? Beckman just enjoys watching Shanks try so hard to get his attention. Like Benn's attention isn't constantly on Shanks. He had to when his captain is always one step away from disaster.

He only left him with Mihawk because it was clear Dracule is not a real danger to Beckman's captain.

Except maybe insulting him to death. But Beckman is pretty sure Shanks can handle it. He's met Buggy. He's suspects Shanks LIKES it if anything.

It gets to the point where when they dock somewhere and see Mihawk waiting, or come back to the ship and spot his familiar silhouette, most of the crew goes off somewhere for another drink (sometimes the newer kids will stay to watch such an awesome fight, everyone else is like... Look, you'll have plenty of opportunities later. This is not a one off.)

Benn just takes a look around, nods to Mihawk (a silent signal for, "he's all yours, do with him as you please, if anything happens to him I will track you down and make sure your last few hours on this blue world are as painful as humanly possible") and heads off.

Oh, it's just the Hawk boy.

That's fine then.

Benn use to be a sailor on a trade ship between the North, East, West and Grand Line. He's seen it all.

They called him The Gun Slinger BEFORE he joined Shanks's crew and became a pirate.

So this young, broke ass kid from the streets of some near artic northern island trying to pass himself off as a Lower North rich type has a thing for his captain? Not really enough to keep Beckman up at night, no matter how good at swords he's supposed to be

Besides, he's pretty sure for the kid to keep tracking down Shanks, he must be bored out of his skull. He's not going to do anything to endanger their captain.

Not if Shanks is the only thing he can find to keep him entertained.

One day, Mihawk is going to be waiting on the dock when a bunch of Red Haired pirates are stumbling home, laughing and chattering amongst themselves (Shanks's crew always seems to be in a good mood). One of them will catch sight if Mihawk and walk by with a smile, patting him on the shoulder.

The captain's occupied. Seems likely he'll be 'occupied' for a good while, too.

Mihawk won't smile, but he will think "So you finally warmed him up to you, Akagami?" and snort lightly.

Poor Benn, though. Mihawk could never imagine being with someone so much younger than him. Shanks is only four years his junior and already it strains Mihawk to put up with his occasional moments of "youthful whimsy" (aka being an annoying, immature child)

"A young, cocky pirate with strangely colored bright hair"

Mihawk just putting that on his Not To Do List.

That lasted until Roronoa.

(Mihawk just looking at Zoro knowing this is bad news.)

Mihawk: *Takes list from Benn*

*Cross out, scribbles*

*Hands back to Benn*

Do Not Do:

- A young, cocky pirate with strangely colored bright hair a silly hat, who is overly dramatic and in any way, shape or form related to Gol D Rogers.

Ace: Hey what's up?

Mihawk: *Takes list from Benn*

Go ahead, Benn, laugh it up. Mihawk is aware he has a type. Young, pretty, and utterly insane.

After that night where Shanks was otherwise 'occupied', it's over six months before Mihawk sees his friend his rival again. He is, as expected, far too smug and proud looking.

Shanks: Oh, Miha, so sorry you came all this way, I'm-

Benn: Well, I'm off, captain.

Shanks: What!? But we, you, I... Benn, hessoeexyarentyouworriedforyourcaptain?

Benn: *patting Mihawk on the shoulder* Have fun with him. Don't forget to return him by noon tomorrow, we have a schedule. Oh, but if you can babysit him for at least four hours? That would be great.

Shanks: BABYSIT!?

Mihawk: I suppose I can be troubled to do so.

Shanks: TROUBLED!?

Benn: Thanks, Hawkeyes. I owe you.

Shanks: *Fake tears clinging to his lashes* You two are so mean!

No, don't feel bad for him. Shanks is just trying to guilt the two of them into bed at the same time, and they both know it.

Thanks no thanks, they're not into that. But Shanks can be pretty cute when he's trying so hard (Benn) and at least he's not as boring as everything else in this world (Mihawk) so they allow him to keep up the act

Shanks: *looking at Zoro's wanted poster over Mihawk's shoulder* But I feel like you'd gladly go to bed with him and his captain if he asked. That doesn't seem fair to me. You'd never go that far with me and Benn.

Mihawk: *Eyes Benn*

Mihawk: *DEAD. ONLY.*

Mihawk: I have my reasons.

They can and do agree on plenty of things, including reciprocally not being that attracted to each other.

Shanks: Sounds fake to me

Shanks: But guys!

Shanks: This isn't about you

He's gonna need you guys to drop the egos and focus on what HE wants. I.E., being in the middle of two sexy Northern men.

Honestly, so mean to poor Shanks!

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white-tulips · 3 years

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I spent most of this morning continuing playing through the hikikomori route, more of my thoughts below!! (major spoilers ahead!!!!!)

if you haven’t but want to read my first post on my hikikomori playthrough, you can see it [here]!! it’s been a month since I last played any, aha...

I played for quite a few hours earlier but I don’t think I really progressed all that much aha. most of my time went towards grinding and wandering around and seeing little things. oh, and also playing through Orange Oasis. I never actually did that in my first run of the game. it was okay.

I really love how many little details and things to go back to that there are, but I’m still a little bitter at just. how long everything is. I talked about this a lot in my previous post, but it irritates me that the first 15-20 hours (give or take depending on how fast you’re able to blast through this game) is just. exactly the same as what you experience in the main route. especially since now my hikikomori save file is even longer than my main story file, and I think I still have a decent ways to go until I finish. I don’t actually know! I haven’t been spoiled for this route, thankfully, so I don’t really know how much is left. I have a vague idea of a couple areas I need to go to, but that’s about it.

ok, on to my thoughts!! this post is probably just going to be me rambling about tiny details I found interesting since I didn’t progress through much plot stuff, I think.

when I opened up my save file, I. completely forgot what I had been doing a month ago and what I wanted to do next, so I decided to go back to the Last Resort. I don’t know what compelled me to go, but there was a lot of fun stuff there so I’m glad that I did!

I had never tried to use Aubrey to go into the girls’ bathroom before? it was very cute, I liked it. I don’t know why, but as soon as I walked in it really reminded me of Basil. I think it’s all the flowers, photos hanging from the wall, and general soft cutesy vibe. I’m not really sure what to make of that, but it was just my general impression. hmmmm.

I have no words for this other than it just made me amused. go get your vacation, king.

also:

I didn’t know Hero had a confirmed age!! all this time I had been assuming he and Mari were 16 years old, so it’s nice to have something set in stone!

I have no words for these, either. seeing all of the Hero pictures just made me laugh out loud a little I loved it.

when I was standing in Jawsum’s office, I noticed that the elevator behind his desk was shaking. I went to examine it, and was surprised when this was where I ended up.

the black space elevator.

something I completely forgot to mention in my last hikikomori post was black space!! it had completely took me by surprise so I can’t believe I forgot to talk about it.

last time I played and went back to Last Resort, there was a completely black car on the highway and it had really freaked me out. as soon as I clicked on it, instead of giving me some kind of prompt Omori just got in and it drove off. I was so shocked because I wasn’t expecting it fhgjdfhgj. it ended up taking Omori back to one of the black space rooms, and I had no clue what to make of it. I wandered around for a little while, and ended up finding this... friend?

I’m... not sure! who are you......

anyways, so I got in the elevator and we’re back here, now with more spiders.

the spider wasn’t interactable. not sure whether to be upset or relieved.

aaaand then there was this guy in the treehouse. I want to know what these black space NPCs are!!! as soon as I tried to interact with it, the screen glitched out (intentionally) and then it was gone. one day I’ll know what it means.

oh, another thing I spent quite a bit of time doing at the Last Resort-

getting statues made of everyone!! RIP to all of my clams, but these are so cute.

cuuute.

I really liked the comment on Mari’s! it made me happy that it highlighted her playful side.

after I was done reexploring Last Resort, I wanted to go back to Sweetheart’s castle. I was walking through Pyrefly Forest, and I noticed one of the picnic blankets had a cooler open (signaling that you can see a new picnic cutscene) so I went to go sit down and have a picnic.

so, when I was going around earlier and doing some stuff, there were a few picnics that I think I had skipped for some reason so I was doing them and mindlessly skipping through the text for no reason other than it would bother be if I just left them. nothing about the conversations was different even though Basil is here now, so I didn’t think anything would be different for the one in Pyrefly Forest, but I was wrong!! I almost completely skipped through everything aha.

it started off the same, with Hero being scared of the spiders, and then Kel prompted Basil to say something positive to try and make him less scared.

it’s pretty insignificant, but I thought it was interesting that he said pretty much the exact same thing he says in the spider room in black space.

when I got to the castle, I went straight to the library. something about the pattern of going to black space, plus being able to go into the barn in Otherworld, just made me feel like there would be something there. and oh boy was I right. the entire place was crawling with Something.

very good.....

I wasn’t able to get screenshots of them, but there were a couple text popups that really stood out to me. my memory is so bad I can’t remember all of them even though it was only this morning,,, but I’m pretty sure one of them had a popup that was just “Liar.” and I was like HM....

it just really had me thinking....

in my previous post, I mentioned that I had a gut feeling that the Something in the barn was supposed to represent Basil, not Mari. this kind of added fuel to that thought!

the barn in Otherworld was only used in the main route in reference to Basil, with it literally showing Omori a vision of him, and also having Stranger walking into it. now, the library also has a lot of connection to Basil! after picking up one of the keys, it shows us another vision of him, and it’s also littered with egret orchids. I don’t think choosing to have all of these Somethings in both of these places is just a coincidence.

now, about the “Liar.” line. in any fight with Something, if there’s a text popup meant to be Something speaking, it’s always done like this-

with the “???:” to indicate character speech. but the “Liar.” popup was just a standalone line. and it instantly reminded me of this room in black space-

and this just kept making my brain whirl.

in this room, there were all of these popups with “Liar.” and then of course there was-

see here how there also weren’t indications of who was saying ‘liar”, but there was for Something? my idea for this room was always that it was Omori repeating it to himself. because we all know by now that Something is Mari, and her saying “I love you”, especially in this form, is nothing but pure torment. and I think here, we have Omori unwilling to believe it. there’s no way Mari could love him/Sunny. she has to be lying.

soooo then, this brings me back to the library. having the “Liar.” popup there, keeping in consideration that the Somethings there might represent Basil, what could that mean?? it could be in reference to Basil’s words “Everything is going to be okay” because clearly everything is not okay. if all of these Somethings are meant to be Basil, it could fit!!!

... so there’s my long winded theory. idk! I think it makes sense, but I could be wrong!! that’s just my first impressions right now, maybe my thoughts will change when I play more!

moving onto the piano room-

this was when I thought “ohhhh so that’s why the wall always felt hallow. it all makes sense now”

and then I spent the next 30 or so minutes fighting all of the Somethings

I LOVED this. this was the first time a fight was put on a time limit, and since Something was so much more powerful, it felt actually stressful. I was stressed! but I managed to make it with 2-3 turns left, and I didn’t die. I did die about 1 or 2 times to arachnophobia and thalassophobia though F. but it’s okay because I got an achievement and also Omori’s suffocate skill is really good.

anyways I did some more mindless walking around (I had to kill time waiting for all my statues to be built, you know!)

this made me really happy. Big Molio I love you you’re the mvp and you deserve the world.

... looking through my screenshots I wish I could forget this one-

,, do I need to even explain it.

I remember a while ago, I saw someone on twitter post this and iirc the caption was something like “isn’t it a bit morbid to have the jumprope there” and, at the time, I had never gone through Orange Oasis, so seeing that tweet I had the wind knocked out of me. I was just sitting there like “fuuuuuuuuck”. and then I went through Orange Oasis today, saw it again, went “fuuuuuuuuck” and then forgot I screenshot it. it’s just a lot.

okay who knows how I filled the rest of the 6 hours I played because I didn’t take many screenshots of the downtime and running around completing sidequests I never did. the last point of interest today was I had went back to Humphrey.

I didn’t do too much, but I did fight Mutantheart.

I adore her!!!! so cute!!! Mutantheart my beloved.

I lost to her once, because I was a bit confused, but once I caught on to the gimmick of her fight, it was actually pretty easy. rest in peace, queen, I love you...

and then, uh. Her-

I tried 3 times. I didn’t win... all of the characters are maxed leveled at 50, but this is so difficult... well, the first half of the fight I found to be pretty easy, actually. but once she switches into full power mode it’s over. I don’t know how I’m supposed to win. farewell my dream of completing the foe facts book, it was a nice goal while it was realistic.

and then I stopped for the day! I think I needed that month of not playing, because coming back into the game after a lot of my rage and burnout settled was probably best, and I had a lot of fun playing! hopefully it doesn’t take me another month to continue.

if you made it all the way through this post, thank you for reading! I hope you like my thoughts~

I’ll leave on this note-

king shit

#text #omori #omori spoilers

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miraculouscontent · 3 years

Text

Ask Explo--

...you know what, you’re right. Name change effective immediately.

Askplosion #10:

(unrelated to everything by the way but I DEMAND THE ANON WHO MENTIONED “REMARRIED EMPRESS” A WHILE BACK COME FORTH AND ANSWER FOR THEIR CRIMES. IT’S SO GOOD BUT IT’S UNFINISHED AND I’M HOOKED, HOW DARE YOU)

Asks responding to previous posts:

It’s okay! I figured that was what it was but it’s been so loooong.

Ah, wow.

Um, that’s definitely not a part 2; I think that’s more like a four-parter/five-parter or something.

Sorry! No can do!

That’s totally fair!

I think the reason I so quickly agreed with it is like--

I’ve been watching the Inuyasha sequel and it’s not like I don’t think the narrative’s apparent punching bag Moroha (who is fourteen years old) shouldn’t be punished when she does something wrong/sneaky/manipulative, but they punish her as if she’s Miroku (who was eighteen years old).

Basically, I want the punishment to take the age into account, or at least only affect Marinette on a more personal level and not be “Heart Hunter” where they take totally understandable feelings of heartache (remember, it wouldn’t have mattered which miraculous she took because Hawk Moth got the Miracle Box and Fu regardless; even beyond her emotions, I feel like she chose the best option available to her considering which temps she knew the location of) and then punish her for them by memory wiping Fu and taking away all of her temps and giving Hawk Moth the grimoire translation.

Yes!! I really wanted to respond to this one, thank you! (It’s this one and then there was another one talking about Luka and Adrien, then talked to me about how I refer to Luka as “soft” but not in a bad way; I unfortunately don’t remember the whole thing.)

Ahaha, and yeah, I feel you. Anti-salters are a very strange conundrum I still haven’t figured out; like, I get not liking salt, but...

I mean, when I don’t like certain content, I just blacklist it. If I end up seeing it anyway due to cross-tagging or a lack of tagging, then I just blacklist the person themself. You won’t see me going after people for that very reason; I only see what people send/ask me if it’s content I don’t like.

I’m glad you’ve found some peace in this blog! Hopefully it continues to be that way for you in the future!

(and yay, a fellow INTJ!!)

New Asks:

There are female writers? ;P I just assumed they were all locked in a closet until the male ones were like, “okay, pretend to help us here, we need one female writer to claim girl power.”

As for Ladybug all like, “Cute, isn’t she?” I think it was rhetorical (she could also be messing with him but “Glaciator” tells us that she didn’t know he crushed on her so who knows). The writers do this thing where Marinette is all panic-y and occasionally self-conscious as herself, but then as Ladybug, she suddenly gets a bit of an ego. I think it’s meant to be there in order to make Chat Noir look less... idk, “obnoxious” when he starts boosting his own ego; trying to balance the two by giving them both big heads, so to speak.

Honestly, I feel like Adrien needs less screen time. :|

Even when he’s not on-screen, characters are usually talking about him, or you see his face in Marinette’s room/somewhere in Paris. I’m become so jaded by the guy that I don’t even think it’d matter if they remade the series and gave it a “totally good and interesting Adrien.” That’s how badly the show has made him out for me; “Adrien Agreste” the character is just... sigh, I’m so done with him.

And yeah, this whole idea about, “Marinette is [x], we need more AAAAAADRIEN!” comes off really bad, lol, especially when Adrien has very little going for him.

(this ask ends off like there should be a part 2 but there isn’t one in my inbox, so sorry if there’s meant to be something else!)

The exact lyrics according to the wiki:

My wish for a cat who's in love, with our own Ladybug. Is that he'll get what he's always wanted! She doesn't know she loves him, only sees Adrien, But Christmas miracles always happen!

Yeah, especially nowadays, those lines bothers me. Not only does it imply “true selves,” but that it’s Chat who should be getting what he always wanted and Ladybug is the one with a problem.

Like, excuse me?

Probably Stormy Weather, even in the first episode. Ladybug and Chat Noir couldn’t even touch her until they arrived on top of the TV station.

+ With all those effects and shots, it made it feel more action-y than typical episodes.

Marinette, Aurore, Luka, Anarka, Jagged...

basically any name that I haven’t really heard before (”Luka” makes me think of Vocaloid but the Luka there was female), or a name that relates a lot to the character (like “Aurore” for “aurora” since she loves weather things).

dfjbghfkdgfdgnjfdg this anon really like, “I NEED ANSWERS!!!”

It’s as if these characters hit 18 or something and just grow overnight, I swear. I’m hypothetically fine with some more variety in character height (it’s not like the show tries to be realistic, after all), but maybe don’t give us official heights if they’re gonna be this weird/inaccurate.

Especially when they change it just for the sake of a shot anyway. If you watch “Simon Says” when Ladybug and Adrien stand next to each other while looking at the picture of Adrien’s mother, the very next close-up has an obvious difference in their heights from what you just saw.

They’re 3D models!!! This shouldn’t happen!

I... honestly never thought of the “less threatening” thing! Dang!

And yeah, Marinette isn’t helpless or incompetent, but because of the Adrien crush, it makes her that way at times since she’s always falling on him and--

...ugh, actually, yeah, don’t wanna think about those implications. Hard pass.

Gross.

I’m not familiar with that one, though Astruc deletes his tweets all the time (there was one tweet where he confirmed that Luka was poor and it only exists in screenshots now because it didn’t get archived and he deleted it almost like he realized that he was pointing out the blatant classism in the show, oops).

Yeah though, I haven’t seen anything like what you’re describing. Sorry!

It’s okay! Sorry for having you clarify but him choosing and Marinette deciding to never give it back are very different things.

I don’t recall Chat Noir having much purpose in the final fight (in terms of both contributing and actual fighting; I know Cataclysm broke the object to release the akuma but was it needed?) so Marinette might either go cat-less or get a temp. Plagg could also be helpful in his own right because he’s small and blends in with the night, so he could hypothetically sneak up on the bad guy.

Afterwards, there’d need to be a new cat, but Adrien would also have to reconsider his actions and really think about what happened. I could also see Plagg going to Adrien’s house, half to apologize for giving the idea to Adrien that Adrien leave without telling Ladybug, but also half to call him out for giving up without consulting anyone. Adrien is a lot of conflicting things (see Adrien’s passivity compared to Chat Noir’s recklessness) so he’d have to find a middle ground within himself.

Marinette might carry Plagg around in her purse for a while and let Plagg have a say in who he goes to. Plagg might grieve for a bit over not having Adrien around (even if Adrien was flawed, Plagg didn’t ask for any of this so Marinette is doing her best here).

O-oh.

That’s always the rough patch with “endgame ships.” Once it’s obvious to the audience that they’re endgame, no more effort needs to be put into them.

The other thing too is how Kagami, for example, is friends with Marinette. Even once Adrimi sinks, she’ll presumably stay friends with her. Luka, meanwhile, is Juleka’s brother.

They have lives outside of their love interests. Adrien is so into Ladybug that he doesn’t have that; I mean, Nino is Adrien’s best friend like once in a blue moon.

The entire class is just watching an episode and then calling on raised hands to answer what was wrong with what they just watched.

“Everything?”

“I mean, yes, but I’m sorry, you have to be more specific to get credit.”

I think Aeon herself is fine. It’s mostly just her transformed and that transformed name that I have a problem with (she doesn’t even look uncanny so I don’t get it). I heard there was something wrong with the name “Aeon” but searching the name doesn’t give me anything I would qualify as such so I have no idea. I just wish she was given a little less “I’m programmed to--” (makes her seem less sentient) and more “[anything that doesn’t have to do with pushing the love square]” because I feel like they might’ve done the latter to make her more “likable”? I think fans of anything usually like the “matchmaker” character provided it’s for a ship they like. Also strange that they make her a robot but Max and Markov don’t extensively interact with her, but that’s a nitpick and not a criticism of her character.

...I’m rambling, my bad lol.

(Ohhh, she was supposed to be a mummy? Like, foreshadowing her “dying”?? That went right over my head but I guess that’d be where the name Uncanny Valley came from? No clue.)

Best case scenario is probably the middle or the end of Season 4.

And yeah, it really doesn’t matter to me what they do with the love square. Marinette had gone through too much suffering and the show goes out of its way to show how much stress Marinette is being put under (and also keeping Luka away during episodes like “Gamer 2.0″ even when it makes sense for them to be there, as if trying to make sure Marinette doesn’t have enough moments with him to forget Adrien).

Like, ah, yes, I totally believe that Marinette is in a position where she can make reasonable decisions about her love life while all circles of her life are on fire.

If the Sonic movie of all things can have an interracial couple, there’s no reason why this show can’t, just saying.

And, even with Marinette, she’s white-passing (according to what basically everyone says, I’m really awful about recognizing race so this isn’t my field; I wasn’t aware that Ondine was Asian, for example).

Does Nadja count? Manon’s dark-skinned (I’m still not over the fact that all the kids in this show are dark-skinned; it’s not like it’s a problem from a representation standpoint - though all the kids are also all generically bratty/whiny so there’s that - but the percentages in this show are weird) while Nadja is really light-skinned, meaning either a dark-skinned husband or Manon is adopted.

Though I guess the problem then is that we don’t know, so there’s no established couple there.

Non-Miraculous Asks:

w-who gave you the right to say such things????

Uhhhh, that might be too broad of a question, I’m sorry!

I know this isn’t satisfactory, but I will say that my favorite genre is Fantasy/Romance (it’s why I adore Red Shoes so much; by the way, an anon asked for my opinion on that a while back and I will get to it! I’d need to watch it again to get screenshots) and my least favorite is probably Tragedy/Horror.

I don’t think I’ve watched enough to really be able to say? I’ve kind of been all over but I’ve never fully gone through any of them outside of Miraculous. I’ve seen bits of Sailor Moon, Tokyo Mew Mew, Star VS the Forces of Evil (don’t know if that counts), and I meant to watch Yuki Yuna is a Hero but never got around to it. I saw the entirety of Puella Magi Madoka Magica but you guys know how I feel about that one.

Maybe Cardcaptor Sakura by default then? It was definitely not perfect but I liked some of the character dynamics (I also have a clipcut of it - basically where I go through a series/movie and cut out parts I don’t like so it’s only good stuff - so I’m cheating a little) and the male love interest was a tsundere type that I actually ended up liking, which is really rare.

!!! That sounds sweet~ I know Sailor Moon is popular so I’ll definitely take your word for it on that one.

I would also accept a “reincarnated”/”destined lovers” trope if maybe the ship themselves are the one who set it up in the first place. I have a Lukanette AU, for example, where they basically got together and then prayed to the shrine of the renewal god that they’d “always be together,” which ended up allowing them to reincarnate over and over (as if they set up their own soulmate AU ;P) and continuously find each other.

Though I guess that’s not technically a “meant to be trope,” but still, it’s a form of it but where it was totally consensual on both sides.

Also, I finally thought of a show that ended with the ship I wanted: Gargoyles. I didn’t see the entire series, mind you, but I saw most of it and Goliath and Elisa were just... quality, I adored them.

+ With Beauty and the Beast being my favorite Disney movie, they fit right in with my tastes.

I forget that AangToph (I think the “official” name for the ship is Taang, but don’t quote me on that) exists sometimes, maybe because I’ve never shipped Aang with anyone; I’ve got no problems with the ship though.

Ugh, and this is what I mean when I talk about people who set up these reasons behind people shipping something based on what they saw a few people do. It’s like, “you only ship Adrimi/Lukanette to spite Adrienette!!”

Meanwhile, me having shipped all three at one point and then dropped off the love square.

Also, me shipping Zutara has nothing to do with it being dark/edgy because I’ve never seen it that way (intriguing, sure but dark and edgy? lol) and also avoid dark/edgy ships like the plague.

I still laugh at people who are like, “you can’t ship it because it’s not endgaaaaame!” as if shows can dictate how and why I enjoy something. Like sure, if you want to let a show/movie spoonfeed you how you’re supposed to feel, then by all means, go ahead.

I suppose people may be theoretically happier that way, but it doesn’t make for an analytic mind.

I legitimately thought that “AssClass” must’ve been the actual name for something until it registered with me what it actually meant.

And eh, I guess it depends on the comparison and how accurate the comparison actually is? Like, comparing Puella Magic Madoka Magica to Miraculous... they’re not really close at all, but comparing... idk, Bunnyx to Homura or the concept behind “backfiring wishes”... maybe?

(note that the rest of this post is more Puella Magi Madoka Magica salt so you can stop reading here if you’re not interested in that; I’m not sure if this is all the same anon but I don’t mind letting people vent so I let them go off~)

why can’t we just have nice things

I agree, and I give a little eyeroll every time it’s like, “oh, this person had [miraculous]”

+ even just in general, I feel weird about any show that mentions/implies that real world famous people are [x] or [y] in their show. It breaks my immersion; real world locations are one thing but when it’s specific people (unless they’re made up characters like Santa Claus) or games just--break me.

I also don’t know what to think when there aren’t magical boys but you have these magical girls in this frilly outfits/skirts. The demographic is girls so I presume the reason must be like, “you can look pretty and still beat people up” (;P) but having so many magical girl shows without a hint of a magical boy makes me suspicious that it’s for fanservice. Sailor Moon has Tuxedo Mask but I also don’t know what that guy did outside of the meme of him doing nothing so I’ve got no clue.

(edit: I should correct myself that I’m not talking about Sailor Moon specifically; I don’t know magical girls that well, though I do know there are ones clearly intended for fanservice (you could say that for anything, to be fair, but still). It’s just that I see things like super short skirts or very “questionable” shots and I’m just like, “hm”)

Hmmm, good question. I feel like there has to be a lot but I’m also the type who doesn’t watch a lot of TV lol. I’m just familiar with cliches and tropes and such.

The reason I try not to use “ism”s of any kind is mostly because it’s too broad. Like, you know how the English language only has one way of saying, “I love you,” but other languages like Spanish have multiple?

It’s like that, and sometimes I think it’s too easy to throw those words out there. A “small” (possibly completely unintentional/misunderstood) offense is sexism, and then a “large” offense is called the exact same thing. I’d rather go into why something is sexist than just call it that, y’know? The only exception I make is “classism” because I feel like that’s not as... I dunno, divisive?

Anyway, for that same reason, I can’t answer firmly that, “Madoka Magica is sexist.” I will however say that it makes me uncomfortable with how the show makes out the girls being emotional because they’re young and female and then proceeds to make their life a living hell before they’re old enough to properly answer to it (I know that’s the point but that kind of makes it worse?). It doesn’t help with how all the girls have different personalities, so it’s not like you have only “crybaby girls” who are being taken advantage of; it’s basically like... all girls.

Not helped is the fact that their soul gem not only deteriorates naturally, but it can also do so faster if the girl falls into despair, which then turns them into a monster (and I know it’s kind of like an akuma thing, but the fact that it’s only girls is... I dunno, it comes off wrong?). It seems cheap that the soul gem deteriorates no matter what so it constantly needs fed even if the girl is consistently happy.

I would probably opt for the show being centered more around Kyubey being new to this or something - like, magical girls are a new thing - and then have Kyubey being surprised because they presumed that the soul gem would deteriorate naturally since “emotions are powerful but destructive to the person having them,” but then all the girls team up and help each other work out their problems. Maybe the reason magical girls are usually alone isn’t even because of the grief seed (I think that’s what it’s called?) thing not being able to be shared, but because Kyubey intentionally separates magical girls so they can’t do what the main group is doing, but Madoka is so into the idea that, “We shouldn’t have to be alone,” and so she’s constantly pulling all the girls together, which keeps them healthy.

Maybe Homura’s backstory could be that Madoka originally was more sheepish and more afraid to put herself out there, especially since she was a magical girl (who are encouraged to go it alone), which is why their soul gems were both deteriorating; they were friends but kept more of a distance, or maybe they were a team but that’s all they were. Then Madoka gives Homura the last grief seed to save her and that’s what inspires Homura and makes her see Madoka as something more than a teammate, which is why Homura actively tries to save Madoka specifically (which then encourages Madoka to want to keep everyone together as friends).

In the case that Kyubey doesn’t separate them out of concern of fRiEnDsHiP, but for another reason altogether, and then it’s ultimately their own downfall when they allow the girls to hang out and realize that it’s doing a lot of good for them.

“cute and innocent”

That was exactly it. It’s on Kyubey’s trivia section on the Puella Magi Madoka Magica Wiki.

Before the anime's first dark plot twist aired, head writer Gen Urobuchi said on his Twitter account that the "Kyu" in Kyubey's name comes from the English word "cute". This was a lie meant to further mislead fans into thinking that Madoka Magica is an innocent happy show. In a later episode, it was revealed that "Kyubey" is, in fact, short for "incubator".

In my personal opinion, a spoiled plot can’t be “ruined” if it’s a good plot. If you told me that Kagome was trapped in the Modern era for three years and then decided to stay with Inuyasha at the end of Inuyasha, it wouldn’t/shouldn’t decrease the value when I finally see it for myself because it’s good. That’s not to say that everything should just be spoiled right out of the gate, but it’s saying that maybe your plot isn’t good if you have to rely on shock value to make it work??

I FEEL THAT “ASSIGNING IT TO THE WHOLE GENDER” THING SO BAD. It just adds to my “the girls all have varying personalities so it’s not like Kyubey’s only after emotional crybabies or anything” salt.

I have no idea about any of the stuff about the writers so I can’t confirm or deny them. I will very much agree on the target audience thing though, especially with the whole “keeping the dark plot a secret” because really? Who is this for then? Like, the first two and a half episodes are for one demographic and then the others are--???

I dunno. Me personally, I just like feel good stories. I do like some good conflict and drama (for context, Remarried Empress is basically a webtoon that gives you things to feel salty about and then makes its own salt fic as its plot, allowing for endless streams of feels and catharsis, so I’m definitely not against drama), but there are other times where I just want to feel good watching something.

I feel like the show expects the characters to be selfless/perfect and then punishes them even though it’s their writing that’s causing them to act out. I can’t really talking about “out-of-character” but sometimes it’s just obvious where “we did this because we needed a plot/conflict.”

Like, hello? We don’t need the main characters screwing up; why can’t we just have some feel good thing where they take the day for themselves (seriously, imagine a Miraculous episode where Chat Noir actually tells Ladybug to take a couple days for herself, like maybe someone else gets the earrings for a few days as a temp while Marinette gets to breathe; IMAGINE IT). Not everything needs to be high-stakes to be interesting and you need those calmer moments so that the action-packed ones feel more intense.

SAYAKA DESERVES BETTER.

I feel like the magical girl genre as a whole can be way more complex than it’s made out to be. I think people hear the word “magical girl” and think “cute girls in short skirts talk about girl problems and fight evil with the power of friendship and accessories.”

Ugh, just the mention of Rebellion makes me sigh internally.

Congrats on working on your own magical girl story! I hope it goes well for you!

I know it’s not technically a magical girl show, but there was also Totally Spies that Astruc worked on to some degree (I think there was some characters who were based on/a loose reference to the mains from that show but I don’t remember exactly).

The thing about the female characters suffering is that they could make for good lessons on positively directing one’s emotions (like Usagi from Sailor Moon, for example, maybe having a problem with taking her anger out on her friends, but learns that she can save that rage for the bad guys; “Gamer 2.0″ from Miraculous could’ve done that, honestly, by having Ladybug absolutely WRECK all of her gaming opponents in “violent” (cartoon violence obviously) fashion). It’s just a shame that it’s not taken advantage of.

Sayaka??? Selfish???????

*does not compute*

(Also, I wasn’t tired of them, don’t worry! It was a little overwhelming in my inbox but it’s me who’s allowing all the asks to flow in so the blame isn’t on you lol.)

I’m not sure where this obsession came from with, “you have to be selfless and you’re not allowed to use your powers for yourself.” It’s like the world’s going to end if a character leaves to go Self-Care or something. I think what happened is that shows got this idea that promoting only the giving of others is great and it’s not important to take time for yourself (even with “Gamer 2.0,” it was still Marinette playing games with everyone else, and they treated her dedication and seriousness like a bad thing when she literally did not have time to waste and they didn’t give a reason why it was good for her to take a break, only that she should).

This usually leads to the “demonization” of characters who sport a lot of self-confidence or any sort of ego. It works on both sides; Marinette is a punching bag because of her anxiety and occasional lack of confidence, but if she had an ego as Ladybug, there are parts of the fandom who deem her “obnoxious” (i.e: “Reflekdoll”). There’s a delicate balance between “be confident” and “be humble” and it’s a tightrope act.

#((Yes! This strategy works for not losing asks.))#((In other news--))#((I gotta test out this new microphone so I wanna do a ''Voiced Askplosion'' where I record my answers instead of writing them))#((Anyone who sends me a 🎤 alongside their asks will get a voiced response next time!))#((I probably can't answer everything but you know how it is~))#(((i swear that someone is going to do it just to see if they can get me to swear when I read out their asks)))#((or... like--))#((''ok i don't actually have a question''))#((''but plz say the words 'adrien and marinette are meant to be' because i want to hear how much u struggle to say it''))#category: salt #other: non ml talk #category: ramble #character: Marinette Dupain Cheng #category: fandom #episode: Evillustrator #character: Chat Noir #character: Ladybug #character: Adrien Agreste #character: Stormy Weather #category: me myself and i #category: staff #relationship: Adrien Agreste & Marinette Dupain Cheng #character: Aeon #character: Uncanny Valley #relationship: love square #MC's Renders #render: persona

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ayuuria · 3 years

Text

Yashahime Translation: Da Vinci Magazine December 2020 Edition

Please do not repost this translation without my consent! This includes screenshots. If you wish to share this translation, simply link to this post.

“Hanyou No Yashahime” Tripartite Cast Talk

Matsumoto Sara X Komatsu Mikako X Tadokoro Azusa

Inuyasha and Kagome’s daughter and Sesshomaru’s two daughters play an active role in “Hanyou No Yashahime”. As an original anime with no original work (translator’s note: As in not an adaptation of something like a manga or light novel), the subject is the next generation of “Inuyasha” done in the same style. Being “Inuyasha” fans themselves, we had the three lead voice actresses talk about the charm of the series.

The main character design was done by Takahashi Rumiko!

Towa

A 14-year-old middle school girl. 10 years ago, she time traveled from the Feudal Era to the Modern Era and became the adopted daughter of Kagome’s little brother, Souta. Upon reuniting with her younger twin sister, Setsuna, after she time travels to the Modern Era with Moroha, Towa decides to return to the Feudal Era. She is Sesshomaru’s daughter.

Setsuna

14 years old. Towa’s younger twin sister. A member of the demon slayers led by Kohaku. She has lost her memories of her childhood and is unable to fall asleep. She has the gold rainbow pearl in her left eye. While she does not believe Towa is her older twin sister, she travels with her as she tries to take back Setsuna’s memories and sleep.

The 3 of you reacted shocked with “What you mean daughters?!”

Moroha

Commonly known as “Monster Killer Moroha”. A 14-year-old bounty hunter. When she puts on rouge stored in a shell with the red rainbow pearl on it, she becomes “The Country Destroying Beniyasha” and goes on a rampage. While she is Inuyasha and Kagome’s daughter, she does not know her parents and has lived mostly on her own apparently.

Komatsu: When the work was announced, the world was shocked like “Sesshomaru has a daughter?!” and we were the same. When I opened the audition documents, it was written that the setting takes place over 10 years after the conclusion of the original work and that Setsuna, who I was auditioning for, is Sesshomaru’s daughter. I thought “What does this mean?” and reflexively grabbed the last volume of the manga.

Matsumoto: I was handed Takahashi Rumiko-sensei’s character design and a simple correlation diagram. In regards to Towa, who I auditioned for, it was also written that all that was known was that she is Sesshomaru’s daughter. I was given lines without knowing the context or anything so I wondered what to do. However, at the same time, I was so happy to the point that I was like “The “Inuyasha” world is coming back!”

Tadokoro: I completely freaked out (laughs). Also, my manager knew I was big fan of “Inuyasha” and calmly told me before I looked at the audition documents “Azusa, you absolutely can’t miss out on this. This a huge opportunity.”

Komatsu: A lot of pressure!

Tadokoro: Then when I looked at the documents, I saw that Moroha, who I was auditioning for, was the daughter of Inuyasha and Kagome. After getting excited like “They had a child~!”, I saw Towa and Setsuna and screamed “I will be upset if they’re not XX’s children!” (translator’s note: they’re referring to the mother)

Komatsu and Matsumoto: I know!

Tadokoro: As a fan, I worried endlessly but as a voice actress, I thought I couldn’t miss out on this. However, when I went to the studio audition, I was told “Keep the base but try to say these lines a little more like a middle-aged man”. I became flustered like “Even though she’s a 14-year-old girl?” … I felt like I didn’t respond properly and was really down going home.

Komatsu: Me too. Maybe it was because I was pulling too strongly from Sesshomaru’s image but I was told “Not only coolness but we would also like for you to show the cuteness of a 14-year-old” and I couldn’t make the switch the very well. I didn’t get the reaction that I got the part at all.

Matsumoto: I over considered the setting of (Towa) wearing a boy’s uniform and I was told “Don’t make her a boy”. After that no matter how many retries I did, the direction I took didn’t match up… I cried a lot when I got home like “I totally bombed it”. That moment, I realized that I had really wanted the part and was surprised. “Inuyasha” was a work that was more special to me than I thought.

Overcoming different boundaries, their feelings melt together

Komatsu: For me, “Inuyasha” was also a textbook on love. Especially the relationship between Inuyasha, Kagome, and Kikyou. It’s a little hard for kids to understand and I thought, “Why does Kikyou always get in the way?” and “Inuyasha too, make up your mind” but in a certain scene, Kagome asks Inuyasha “I… What exactly am I to you?”. In between the feelings of it can’t be helped that he overlaps her face with Kikyou’s and this has nothing to do with her, she properly checked what her existence meant to him. Seeing that, I realized. Not only in love but that’s important in life in general as well.

Tadokoro: It’s so cool isn’t it? She acknowledged all her feelings of jealousy and hate towards Kikyou and still saved her on top of that. She showed us her resolve to properly face her heart and Kikyou and accept them. It was so cool that I cried. Then when I became an adult, I came to understand Kikyou’s feelings and it hurt.

Matsumoto: Well she was also a victim… I think when you read “Inuyasha”, you become emotionally attached to each individual character because depictions that give you a sense that they’re “alive” are inlaid in all sorts of places. For example, the scene in volume 1 where Kagome offers food to Inuyasha whom she had just met. While Inuyasha makes his wariness known, he takes a bite of the radish in the next frame. I always laugh like “Even though you say it’s annoying, you’re still eating it!” but at the same time I feel that it’s really “like” him. From those ordinary depictions, over time we accept “something” without realizing it. That accumulation turns into a big emotion that overflows when you get to the important scenes.

Komatsu: At times when those complexly wrapped emotions sublimate, even sad endings become beautiful. For example, Kagura. Even though she was born from Naraku, she was guided to good through Inuyasha and the others who were supposed to be her enemy. Kagome and Kikyou’s relationship too but ally or enemy, good or evil, all sorts of borders are crossed and seeing drawings of humans and demons coming together I think is the charm of “Inuyasha”.

We haven’t been told the answers to the mysteries

Matsumoto: Continuing onward to “Hanyou no Yashahime”, the character I play, Towa, passed through space-time and got sent to the Modern Era at age 4. However, possibly because she was raised by Kagome’s little brother, Souta, even though she is Sesshomaru’s daughter, I feel like she’s also similar to Kagome.

Komatsu: While blood inheritance is important, the person who raised you has a big influence as well. Also, what environment you were raised in. Setsuna lost her childhood memories due to certain circumstances. So of course, she doesn’t remember her older twin sister, Towa, whom she got separated from at 4 years old. Due to that hole and being raised in an environment where you could be killed by anyone at any time, she gives off an air of not allowing others to get close to her. But just when you think that, there are times where you can feel that she’s actually kind and that makes it heartrending.

Matsumoto: Feeling she (Towa) needs to fill in the 10-year void with Setsuna who became like that, the highlight is seeing their relationship change as Towa closes the gap between them. Add Moroha in and there’s a lot of chattering.

Tadokoro: Moroha speaks in a vulgar manner (translator’s note: it actually translates to abusive language but abusive didn’t sound right to me) but in reality, I have a feeling that she truly enjoys traveling with the two of them. To her, those two are probably the first friends she has ever had. That form is so precious and I feel lonely when I wonder what sort of environment she grew up in. I wonder why she’s desperately earning money by slaying demons. We were only told who she was raised by but at this time, we have not been told things like happened to Inuyasha and Kagome.

Matsumoto: This includes who Towa and Setsuna’s mother is. This is something fans have been wondering the most but the answers will be revealed eventually and I have faith that this work will properly continue on what was drawn in “Inuyasha”.

Tadokoro: That’s why we would like everyone to watch over them until the very end and love the 3 Yashahimes as they survive with each of their individual strengths.

Komatsu: While there are a lot of cheerful episodes, there will be times when the inlaid depictions within those episodes will be collected in an instant which I think people will enjoy. For that, we will give it our all!

We Asked Takahashi-sensei!

Q: What did you especially focus on when doing the character design?

A: Series composition writer Sumisawa (Katsuyuki) requested me to draw the image of Towa as a white Sesshomaru and Setsuna as a black Sesshomaru. Upon reading the scenario, I designed them incorporating their father’s facial look. Moroha was the same, being Inuyasha and Kagome’s child. As such, I made it so that Inuyasha’s mischievousness came through.

#Yashahime #Hanyou No Yashahime #yashahime: princess half-demon #translation

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b-mydarling · 4 years

Text

[01] MASCARA

I am still dwelling in self pity over a break up with my super hot ex-boyfriend, Sehun when my best friend decided to give me a replacement mascara to make up for all the loss that I've had from crying over that jackass (as referred by Byun Baekhyun himself) for the past one week. It was a normal gift to be quite honest, but little did I know, that one normal gift is the thing that made me realize just how drop dead gorgeous my best friend is. And to Baekhyun, that three boxes of Fenty Beauty mascara are the same exact thing that have made him realized that even after years, he has never lost his feelings for me.

🍰 pairing: baekhyun x OC

🍰 characters: baekhyun, OC, sehun, yeri, irene

🍰 genre: what else if not FLUFF 😭

🍰 aus: university student! baekhyun, best friends to lovers.

🍰 contains: Playing with makeup with some cute music as the bgm but definitely not in this chapter :>

🍰 word count: 3K

― note: this is my first time cross-posting my fictional work on this platform. (I guess), posting this chapter will help me to understand Tumblr's algorithm better 😔✋ oh and fyi, the main idea of this oneshot was actually inspired by my dream 😭😭 Yes, I dreamt of Baekhyun in the midst of a pandemic and during an online semester like I’ve had nothing better to do :)

p/s: let me know if you want to be tagged for the next chapter.

Best friends.

That is the perfect term to describe and explain my relationship with Baekhyun. We used to live in the same apartment complex and his mother used to babysit me while my parents went to work. The babysitting lasted for almost six years (from when I was still a wee child at the age of 7 and until I turned 13) before his family moved to Incheon from Seoul. Even though we didn’t get to meet as often as we used to, our friendship is still intact and growing strong until now, when we are both a university students.

It was fun and easy being friends with Baekhyun. He may be older than me by two years, but I have never mind the fact because befriending Baekhyun was so, so much easier than befriending his little sister, Yeri. Although we are of the same age, I’m not close with Yeri because she used to think that my presence was a nuisance to her family; stealing her one and only brother from her, stealing her mom’s love and affection away from her, and she hated it when her dad brought back matching toys or playset for us to play together. And yes, of course we didn’t play together. To conclude my relationship with Yeri, we don’t hate or loathe each other but we have come to agree with the fact that we just don’t click with each other very well.

Presently, it is a Friday evening and I am laying on the couch at my family house’s living room. I am beat from living off from only few hours of sleep and a lot of coffee for the past two days because I was trying to perfect my assignment that holds 30% weightage for one of the subjects that I’m currently taking as a second year university student majoring in Beauty and Hairdressing studies. And now that I have submitted the assignment, it feels like all the burdens have been lifted from my shoulders and all that I want to do is sleep. I shift a few times on the long couch, trying to find a comfortable position to take a nap. I don’t want to sleep in my room just yet, afraid that my parents might forget to take the house key with them and I don’t hear their knockings if I sleep in my room. That, and I’m just too scared to sleep in my room knowing that I’m all alone in this house. It only feels like a few minutes have passed since I fell asleep before the incessant ringing of my phone wake me up. I grumble in my hazy state and reach for my phone on the coffee table.

“Hello?” I mutter into the phone without even looking at the caller id or even opening my eyes, sleep already calling back to me.

There’s a small chuckle coming from the other side of the line, the caller’s voice so deep and warm; alarming me about who he is. My lips automatically curl to form a smile just by hearing his velvet voice. There’s a few beat of silence before he starts to speak to me. “Did I wake you up from your nap?”

“Yes, yes you did.” I jokingly say with a pout while putting the call on speaker before I put my phone down to sit up from my laying position. “I’m so tired, Sehun. Mrs. Kwon has finally approved of my dreamy makeup look sketching after the fourth consultation. I’ve just submitted the assignment too. But anyway, why are you calling me? Are you done with labs?”

Sehun fakes a cry and says “My poor baby. But hey, at least you’re done with it now, right?” I hum, enjoying the comfort that my boyfriend is giving me. “And yes, I’m done with lab and my basketball practice too.” Sehun says with a teasing voice. “Can you come down for a while, princess? I need to talk to you about something.”

I look at the wall clock and frown. It’s nearly 7pm now and I’m too lazy to change out from my comfortable lounge wear. “Now?”

“Yes, now. I’m already waiting in front of your apartment complex.”

Still feeling lazy to change my clothes, I try my luck again. “Can you come upstairs then, Sehun? My parents are not home yet. They went out to have dinner with my father’s colleague.”

There’s another beat of silence coming from the other side of the line before Sehun sighs into his phone. I couldn’t decipher whether his sigh is rather affectionate or because he’s just tired from a long day at university. But I guess whatever that he’s going to talk to me about is pretty serious from the way he responds to my invitation.

“I can’t do that, baby. I need to tell you something without having to face the possibility of your parents walking in on us and disrupting our privacy. I’m also kinda in a rush to meet my friends later.”

I pout. “Okay, I’ll be down in a few minutes. See you, Sehun.” I say and after receiving a hum from him, I end the call while getting up from the couch and walk to my room to get change into something more appropriate to wear. I choose to wear Sehun’s grey hoodie that he has given me before and a legging. The hoodie is two times bigger than my own size so it’s really comfortable too. I grab my phone and lock the door before going down. Once I arrive down at the lobby, I can already see Sehun’s parked car a few metres from the apartment’s entrance. I walk closer to his Audi and knock softly on the window. Sehun is busy playing game on his phone that he gets startled by my soft knocking. He then unlocks his car and I get into the passenger seat next to him.

“Hi,” Sehun smiles at me and scans my face, his head tilting bit by bit the more he spends his time analyzing my countenance. Sehun then crinkles his nose. “Damn baby, you really look super exhausted. I’m sorry for waking you up.”

“It’s okay since I need to wait for my parents to come home too.” My reply is cut short because my mind is being clouded with the smell of freshly baked dessert in his car. I turn half of my body in Sehun’s direction before I turn my head to look at his back seat. I see that there’s a white transparent box of brownies from the bakery that I frequently go to and a big bouquet of my favourite red and pink roses. I turn my head back to look at Sehun and grin up at him. “Are those for me?”

Sehun grins back at me before he takes my hand into his big one. “Of course those are for my favourite girl. You can even share the brownies with your parents too.” His other hand stretches behind him to grab both the flower bouquet and the box of brownies before he places them in my lap.

“These are my present for you because you have been such an amazing girlfriend for me for the past six months. Now, let me talk about the thing that I have wanted to tell you.”

Sehun has broken up with me.

Before this, it only took him 15 minutes to gather his courage to express and explain his feelings for me and now, it only took him 10 minutes to tell me that he wants to break up with me. Because apparently, his basketball coach has strictly forbidden him and the rest of his teammates from dating to ensure that their performance will not be affected if anything were to happen to the relationship. It was an absurd reasoning, I know that. But how can I not agree when Sehun has reasoned with me so well. He is on a full basketball scholarship so he must give his very best to basketball and to his major studies too. So yes, I agreed to break things up with him (although a part of me is hoping that we could still work things out).

After I went back to my house, I just sat idly on the couch thinking about what have just happened. There are three thoughts that are currently running through my minds and I could not just brush away this three facts:

My hot and athletic boyfriend has broken up with me.

I still love him

Should I wait for the both of us to graduate so we can be together again? But that will take two more years.

My parents came home at half past nine in the evening with take-out food for me. I only thanked my parents and proceed to eat my dinner in silence before asking for their permission so that I can leave for my room first. I even told them that they can eat the brownies on the coffee table because I don’t feel like eating it. As a result, my parents got worried over me because they could sense that something is wrong with me and Sehun from looking at the abandoned bouquet of roses and the box of brownies on the coffee table.

Now that I’m all alone in my bedroom, the realization just hit me like a bullet train. I feel suffocated. I feel restless. I feel like there is nothing else that is worse than this breakup. But boy I was wrong, there is something that is even worse than this shitty feeling that I’m having right now.

Because at half past 10 pm, my phone gets bombarded with a lot of messages and screenshots from my close friends in university. And the content of the messages were all the same, two screenshots of Irene’s latest instagram stories with one of it being a picture of hers and a man’s legs on a bed, watching Netflix together and the other picture being the same exact white box of brownies and a bouquet of red and pink roses like what I have gotten earlier. The caption in the story was:

“First date. Thank you, my sweet boy @oohsehun”

And that was the exact moment when I feel like the world has crashed on me. I feel like I could not breathe with all this new information that I just get. I need to save my sanity and I need to see the person who understands me better than anyone else. I hurriedly change my clothes before telling my parents that I need to see that person because of an emergency. My parents allowed me to go out despite it being so late at night, partly because they’ve seen how shocked and restless I am, and partly because the person that I’m going out to see is my best friend.

Byun Baekhyun.

Baekhyun has just returned home from his daily night run when he saw me standing in front of his door. He was shocked, of course. Because I have never really went to his apartment without noticing him beforehand. But upon seeing my blood-drained face, he ushered me inside before he rushed through his shower so that he can talk to me. After he’s done showering, he brought me to sit across of him at the small dining table that’s just enough for two people. And when he was seated too, he only crossed his arms and placed them on table. He doesn’t open his mouth, but his eyes are demanding me to open up. And I was right because in the next second, Baekhyun is ready to be on his best friend’s duty.

“Okay, spill it now. Every single thing.”

“You know what? Just cry.”

“Why are you asking me to cry?” I ask, annoyed that Baekhyun has been telling me the same thing ever since I was done telling him what happened. Baekhyun was also shocked to know just how much of an asshole Oh Sehun was. But he then said that I should have at least expected this since Sehun is a popular guy at university.

“Because,” Baekhyun uncrosses his arms on the table and leans back on the chair. He closes his eyes before continuing. “It’s not healthy for your mental health, you know? You don’t have to put on a strong facade in front of me. Acting like this when you’re hurting deep inside will only hurt you even more. I’ve seen you cry before. Multiple of times too, if I may add.”

I brush his words off and only stay silent. My eyes roam around his grey and red themed apartment, taking in the minimalistic interior of the house that belongs to the 24 year old man sitting across of me. He has a grey coloured two-seater sofa, his coffee table is full with his macbook, ipad, some of his still opened law text books, some documents and stationaries. His television that was originally brought from his family home is connected to the internet and his playstation 4 is still plugged into the television too.

When was the last time I visited his house? I couldn’t recall the memory but I know that it has been quite a while. Ever since I started dating Sehun, I only met Baekhyun at our university or anywhere else that is not his house because Baekhyun thought it was a little inappropriate for me to go to his house since I have a boyfriend. My little inspection of his house was interrupted after a short while when Baekhyun sighs a little loudly. I focus my eyes on him now and shrug my shoulder.

“Are you even listening to what I’m saying?” Baekhyun asks. “I don’t want you to get anymore hurt by whatever that jackass is doing or about to be doing after this. I know how much you like him and how much you cherish the relationship that you’ve had with him. It’s completely normal to be hurting by this news and it’s definitely okay to cry too. Cry until your eyes get swollen, cry until you fall asleep and wake up feeling a lot better than tonight.”

I bite my inner cheek and shake my head. Although I admit that I am hurt deep inside, I refuse to cry. Not because I have too much pride in me but because of these mixed feelings bubbling inside. Hurt from being lied and cheated on by the person whom I thought I was going to have a long lasting relationship with. Confused because out of all people, I didn’t expect Sehun and Irene to be together. Irene was my seatmate and one of my assignment group mates throughout the whole of last semester where I had taken an elective subject not related to my major. Appalled because this would have not happened if I hadn’t asked Sehun to join our group celebration dinner for getting an A last semester. These feelings just keep on brewing inside me and it was too much to comprehend, leaving me to not be able to even shed a tear.

“I don’t know, Baekhyun.” I say while standing up from the dining chair.“I thought I should tell you about this and feel better, but I still feel like I have just gotten hit by a car. I guess breakup really sucks.” I laugh soullessly. “Hey, do you mind if I crash here tonight? I’m too tired to drive again.” I don’t wait for Baekhyun to respond because I straight away walk to his couch, not realizing that Baekhyun has also stand up from his chair to follow me.

I’m only a few steps away from the couch when I feel a soft tug on my left hand, turning me around before I am being pulled into a bear hug. My eyes widen in shock because my best friend has never hugged me so closely and so tightly like this. But his embrace is just so perfect and warm and very much comforting that I can feel all these mixed emotions inside of me are swirling all over the place before I feel something triggering the most wanted reaction from me. And just like his warm embrace, my dams of tears exploded.

“I really like him, Baekhyun.” I say with tears streaming down my face. Baekhyun doesn’t say anything but lets me cry on his shoulder. I take a long time to stop crying and when I am slowly sniffling, that is when Baekhyun starts speaking.

“That wasn’t so hard, wasn’t it?” He asks while stroking my long hair. “You silly girl, you’ll feel a lot better after this. And oppa will make sure that jackass will regret doing what he did to you.”

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isazulabaeorwhat · 4 years

Note

Spill the tea, what's the deal with you and the BSG group (avatar-chang and her squad in particular)?

Ok anon, sorry for taking so long! I wanted to get everything right and honestly collecting the posts took a longass time xD

Anyways, the only ones I have a problem there are avatar-chang, hexful/dykesia/bizukos, catrademption, cardboardseagulls (never seen interacted b4) and bizulas (also never interacted b4).

I’m going to be really transparent about this whole thing so it’s gonna be long as there’s gonna be several links and I’ve included the dates so it’ll be easier to understand. Since I’ll be fully transparent about this, i’ll probably get hate or whatever. Honestly, I just want to put everything out there without being biased or hiding anything. I’m going to disclose everything here.

So, the whole thing between me and avatar-chang started off with this post I made last year on 10 March 2019. Afterwards, she PMed me on the same day and this was the conversation:

After that, I thought the argument was over because she blocked me lmao. The only ones I spoke to about this was nbw and my real life friends (who had nothing to do with ATLA lmao I just ranted to them).

And then the next incident I think was on 16 March 2019 when I made this post about Azula’s abuse of her friends. I was new and 16. I genuinely wanted to know why people labeled Azula as an abuser. It was dykesia who responded to me at the time.

Now, unlike avatar-chang, I had a few conversations with dykesia (who was bizukos then) that was generally civil. I first interacted with her when she made a post calling out Zucest shippers or something?? I was very new. Like fresh newbie baby ATLA tumblr fan new lmao so I thought what she said was too aggressive. I didn’t realize that there were actual Zucest shippers until after some time. And then she PMed me on 13 March 2019, saying that she doesn’t always agree on characters with me but I do write some interesting pieces on Azula— that she’s a huge fan of Azula but she just tends to stay away from her fandom. I apologized about the previous incident of the Zucest thing and it was fine after then. We talked about zuko, the fandom, the comics, Mai etc etc. I thought we were on fine terms.

And then I made a post about the cliff scene in the comics on 16 March 2019. Avatar-Chang made a post that was pretty directed at the post but it seems like she’s deleted it.

On 17 March 2019, I received an anon mail telling me that avatar-chang was talking shit about me behind my back. I censored her name then because I didn’t want to believe without any evidence. No one sent me any screenshots about it so I just dismissed it.

On the same day, avatar-chang answered an anon and talked about the 13 child post theory I made on 9 March.

On 23 April 2019, I received another anon mail about avatar-chang, asking if I’d seen the post she made about Azula. I censored her name again cuz I didn’t want to start any shit over having differing opinions. I’m assuming this is the post the anon was referring to.

On 28 April 2019, dykesia/hexful/bizukos PMed me to ask if I was talking shit about other people behind their backs, and her. I denied this because I hadn’t. This was how the conversation went:

Yes, I didn’t censor any name because as I said, full transparency. I have afp blocked because we’ve clashed several times and he’d still come for my posts last year despite already being blocked. If you’ve followed me long enough, you probably would’ve rmbered that time lmao

Anyways during then, I don’t think I realized that dykesia was actually being passive aggressive. It’d been barely a year since I started the blog and I just didn’t want to full out make enemies. Reading the messages now tho lmao she really was passive aggressive. But yeah then she said this in bsg so I don’t even know why she bothered to ask me if she wasn’t even going to consider believing me.

The 9th of June 2019 was the last time she messaged and it was to ask if I mind her discoursing this Zuko post while ‘hard and drunk’. It was the first time she could apparently agree with me so it was I quote a ‘Yay??’. Afterwards I don’t know when she did it but she blocked me lmao

On 17 July 2019, I received another anon mail telling me that avatar-chang publicly called me a bitch when she was answering an anon about me posting the scans of the EK Chronicles. She mentioned this in bsg again on 19 April 2020 lmao (she’s that petty) it seems:

On November 8 2019, an anon (one of avatar-chang’s friends actually) asked about my thoughts towards the allegations against Aaron Ehasz. I still believe in the system of ‘Innocent before proven guilty’, so I didn’t side with anyone. I tried to be as objective as possible. When I said that I hoped men would also come forward, I said that because I don’t want men to just sit on the sidelines and let the women get the heat if they were telling the truth. At the end of this whole thing, I concluded that Ehasz was a dick of a boss to the girls. Being called an abuser carries more weight than just being a dick. Everyone has been a dick at one point, but being an abuser is something else. Just because Ehasz was a dick doesn’t mean I’m going to stop watching TDP or dismiss his involvement in ATLA.

The next day, BSG brought the issue up despite both avatar-chang having already blocked me by then lmao

On 5 February 2020, after Legacy of the Fire Nation came out, I made a post calling out Iroh’s bs to Azula (guy literally blames Azula for everything that happened to Zuko (something which avatar-chang agrees with apparently, and Iroh even sees Ozai in a better light).

That’s so far what I’ve remembered that involved avatar-chang and dykesia.

Moving on to the next three attackers: catrademption, cardboardseagulls and bizulas.

I’ve seen catrademption around, but I don’t remember if we’ve clashed before. We must have though cuz she’s got me blocked lmao and I mostly only debate back to people when they reply to my posts. For cardboardseagulls and bizulas, I don’t think I’ve ever seen them them before but obviously they’ve seen my blog and misinterpreted everything I’ve written.

But according to them, I’m apparently a Azula apologist, extremist, irrational, toxic, coddles and woobifies Azula, justifies everything she does and invalidates abuse victims.

You can see the posts I’ve made to judge whether I actually am an irrational Azula apologist who blames everything on Zuko. One of the most recent posts I made about Azula’s character is this, and there’s still several more posts like that. Just search #meta or #analysis in my blog search and all of them will just pop up. I can assure you, I have never acted as if Azula has done nothing wrong or did everything right or whatever lies these people are spewing.

If anyone has proof that I’ve talked shit about people in the fandom to other people before, please, present your evidence. I highly think this is impossible because I actually don’t have many friends on Tumblr, nor do I usually initiate conversation because I’m awkward af.

I’ve also tried approaching those I recognized in bsg to find out more about the situation (and at least give my side of the story). Most of them have chosen not to speak to me LMAO but one of them who’s chosen to remain anonymous for their privacy, admitted that dykesia (hexful) forced them to block a blog before (after realizing they were interacting with said blog) and if not, they would be blocked themselves. I can’t post the conversation publicly because they’re afraid their speech mannerism will give away their identity. @space-sword has also shared his experience with avatar-chang on his blog and was pressured to cut off ties with ppb21 just to join the oh so magnificent Ba Sing Gay.

There’s absolutely no reason to judge someone based on their sexual orientation, race, color or age either. They rant about being discriminated against or being generalized or stereotypes but they’re the ones hypocritically committing these actions, and then justify their actions by saying ‘we’re oppressed, they’re not, so it’s not racism or discrimination’. And yet people still wonder why discrimination is still rampant LMAO

I can’t speak for the blogs they victimized in bsg, but I personally don’t agree with talking shit about them on a public server and then criminalizing them as if they’re actually predators. I also don’t agree with involving the blogs’ friends simply because of their association. I also don’t agree with demanding people to block blogs they don’t like because that’s just pure manipulation. That’s wrong and marginalizing people. Unless someone has actually been harassing or literally preying on people, then there’s no reason to actually go around warning blogs about them unless they’re asked about it.

If they feel uncomfortable about something? Then avoid that blog, filter their tags or even block that blog if they’re that uncomfortable—BUT they shouldn’t demand others to do the same just for their own benefit. It’s not up to them to decide what a person can or cannot see or who they can or cannot interact with. They’re not their parents, and they obviously have no right to pressure people into doing things they don’t want to. If they think it tactless that I shared the conversations? Oh honestly, a line was crossed when they spread shit about me so idc. If they actually feel terrible for being called out? GOOD. That’s what they should feel, because in no way was any of what they were doing right or justified. If they’re going to shit on me then expect to be burned because I’m not someone who’ll just shrivel in fear because they have a bigger following.

#ba sing gay #bsg

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