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im-the-king-of-the-ocean · 4 years

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Rose Puppetry

*saunters onto your dashboard*

sooooo who ordered the Nuts and Dolts Steampunk AU?

@misstrashchan

(chapter 1 of 2, bc when you get over 1k words and are still on build-up, you may as well just split the fic into two chapters - well that and I really need to tend to my other fics too, but want to share this one now)

I’m gonna make y’all wait for that sweet sweet satisfying closure

(also, forgot to mention, this is roughly inspired by the Mechanism’s Once Upon a Time (In Space) album - do with that information whatever you’d like)

Blinding sunlight glares into everyone’s eyes as the drop ship ascends above the heavy cloud of pollution fog ever present over Mantle and cuts into the crisp, clear, blue sky. The men among them wince and shield their eyes. The rewired Mantle Street Soldier Units (MSSU-132s) don’t react at all. Penny adjusts her eyes’ aperture until she can see perfectly again.

It’s been a while since any of them have seen daylight. Mantle’s manufacturing plants create and maintain a thick smog that tends to absorb anything but rain too hard to be stopped. Atlas Prime’s bulking shadow, too, stops most any light from reaching its sister city’s streets.

Their pilot cloaks their ship and gives Penny her cue. She begins emitting radio interference that should make them undetectable to Atlesian scanners. They fly toward the dominating stronghold in the sky. No one who can breath does so very loudly, as if they’ll be heard over the increasingly loud whir and whine of Prime’s great Flight Engines.

Atlas Prime, formerly just the City of Atlas, can be considered one of the greatest marvels in the world. An entire city in the sky, kept aloft by the largest, most powerful steam engines to ever exist. A century ago, its founders built Atlas as a symbol of innovation, one meant to inspire future generations to look up and dream of what they could accomplish if only they applied themselves. Though their aspirations and intent were genuine, those distinguished inventors failed to take into account the sheer amount of resources maintaining the City of Atlas would require as it grew.

In the beginning, historical documents claimed, Atlas’s needs led to an economic boom in Mantle, as money flowed freely from the flying city to pay for everything it took. Then, something (the relinquishing of the Schnee Dust Company from its founder into his son-in-law’s hands, a handful of brave historians who no one has heard from since, claimed) changed.

Atlesians, growing content and complacent in their power, started to hoard their wealth. They paid less, demanded more, and drove independent, Mantle-run businesses into the ground when they refused to comply with Atlesian wishes. It wasn’t long until Mantle became little more than a collection of mass production factories kept firmly under Atlas’s thumb after that.

The hunger of Atlas, though, is known to this day to be an insatiable beast. Mantle could provide it with building materials and fuel, but their shared location in bitter Solitas meant food beyond what arctic creatures could be hunted or the scarce few crops that would grow in their soil was an impossibility.

Thus, the Atlesian Conquest began.

The elderly, Mantle’s grandmothers and grandfathers, when they have a rare moment of rest, will sit and rasp out the story of the day Beta Atlas detached from Prime and flew off into the horizon in the direction of Vacuo. Not to return before news of the invasion into the desert kingdom filtered back to Mantle’s streets.

Beta Atlas was only the first of the Atlesian war machines. Since its launch, fortresses too numerous to count have been built and flown off to conquer Remnant. Every now and then, reports of new victories or surrenders will play on the nightly news radio broadcast.

Vacuo remains stubbornly independent, despite all the General King of Atlas’s best efforts. Although, it’s rumored Vacuo’s once fabled oasis have all been drained and little more of worth remains in the desert. Thus, without anything of too much interest to keep it, Atlas’s attention has turned elsewhere.

Mistral signed a treaty with Atlas as quickly as it could, and thus remains untouched by war. No one knows how long that will last. No one in Mantle believes it will. The people of Mistral, Mantle’s inhabitants whisper amongst themselves, are fooling themselves if they think Atlas will let anyone remain out of its complete, dominating control for long.

However, that’s a fight for another time. Currently speaking, Atlas’s eye is transfixed upon Vale, where its conquest has met strong resistance. Despite having lesser technology available to them, the Huntsmen Army of Vale have fought Atlesian forces back again and again. Stories have spread about Vale’s legendary huntsmen and huntresses and their clever tactics. They might not be stronger or more powerful than Atlas’s robotic forces, but they’re definitely smarter. Unpredictable.

For the first time in a very long time, there’s whispers of hope that something might be able to stop Atlas.

Penny finds and clasps her hand around the gold locket she wears around her neck, without taking the trinket out from under her shirt. It would shimmer and shine and draw too much attention if she were to do that. But, holding onto it grounds her, reminds her of her mission.

Penny once believed in Atlas. She was built to carry out its will. Sent to Vale long before the first flying war fortress, and disguised as a regular, human girl. Her mission was to observe and spy. She’d been programmed with curiosity, to learn as much as she could. And she had. Too much, in fact.

For her entire existence up to her deployment in Vale, all Penny knew was solitude. Unlike the rest of Atlas’s automated army, she wasn’t mass-produced. Penny is the singular product of blueprints uncovered in what was revealed to be the long lost workshop of Pietro Polendina, one of the last Great Minds of Atlas. Whereas many only saw her blueprints as the frivolity of a man who didn’t live in a time of war, General King Ironwood himself had seen potential. He’d ordered Penny’s creation, given her weaponry upgrades, cared for her, kept her safe as his ‘secret weapon.’ Then, the day had come where he told her it was time to fulfill her destiny.

She’d been ecstatic. She was finally getting to go out and See The World and help bring an entire kingdom into the safety and security of Atlas’s rule, wasn’t it wonderful?

It was. For a time.

Vale is a beautiful kingdom. Rich and vibrant in ways Penny never could have dreamed after only knowing a greasy, barely illuminated lab as home. She’d loved exploring. Finding and studying in the great libraries open to all. Wandering around outdoors where the sky isn’t a perpetual exhaust gray, where birds sing, and where little multi-colored butterflies flutter everywhere.

It was chasing after such a butterfly that Penny had stumbled into someone and the direction of her life had forever changed. She learned what it was like to have a friend in the following days. To not constantly feel alone.

To fall in love.

Here now, in the rebellion drop ship, Penny wishes she could open her locket. Just so she can see Ruby’s face again. Sure, if everything goes well on their mission, she will see Ruby again by day’s end.

But nothing is ever certain, especially in war.

“Get ready,” the pilot tells the rescue team. “We’re arriving at the drop point.”

Penny braces herself. Regardless of their success probability (currently hovering at a frustrating low 67%), she will do everything she can to save Ruby.

Because she loves her dearly.

And because it’s Penny’s fault she was captured in the first place.

#rwby #nuts and dolts #penny polendina #whirls writing #steampunk au #this is what happens when you let me listen to steampunk music y'all

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ckret2 · 4 years

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would you mind explaining "Careless whisper" "I will always love you" and "Friend please"? no pressure though!

Oh god you chose two of the meme-iest songs! Both in one post! I can’t believe it!

Okay.

This took me forever to write because I wrote half of it and then got distracted for weeks and didn’t get back to it until I got a fresh ask today with some more songs and I was like, crap, I should finish this one.

So the first three paragraphs in this post still apply here, I’m not gonna copy paste them, go read those paragraphs if you haven’t yet. tl;dr i’m answering questions about why i included songs on my radiosnake spotify playlist because i like rambling for thousands of words at a time, also the playlist is based on a fic i wrote.

Feel free to keep sending me questions about more songs on the playlist. Explanations under the read more, assuming the read more works, which I make no guarantee of because this is tumblr.

Careless Whisper (Lyrics)

… except, the jazzy version.

So lemme tell you a story about how “Careless Whisper” came up and then I’ll explain why it actually belongs on the playlist.

The only way I can outline a story is by sitting down with another person and rambling the plotline at them, copy pasting it into another document, and bam that’s an outline.

Right now, in the disjointed process of outlining a sequel to Cold Day In Hell, I’m sort of chunking random ideas at a couple friends to see what sticks. One idea is that, when Alastor is drunk, he’s 90% worse at pretending he totally doesn’t care about Sir Pentious at all. If they’re ever drunk at the same social event, he will subtly (not subtly at all) follow him around all night like a puppy and hang on to his every word, automatically playing this sort of nonsense in the background.

One of my friends announced sadness that it didn’t start off with “Careless Whisper,” so I checked Postmodern Jukebox (the fastest/easiest/most common way to translate a modern song into Alastor Aesthetic) to see if they had made a jazz cover (they had), and I reassured my friend that the PMH cover definitely played every second song while drunk!Alastor was mooning over (and/or looming over) Sir Pentious.

And then I went oh goddammit the lyrics actually fit, dammit, now I’ve gotta put it on the playlist.

So I put it on the playlist.

Here’s the great thing about song lyrics. Even if everyone knows that the lyrics mean one thing, language is inherently ambiguous and you can totally just decide to read the lyrics a slightly different way if you really really want to and the exact wording doesn’t make it impossible. Everyone KNOWS that “Careless Whisper” is about cheating, but it never SAYS it’s about cheating (like, it says “cheat a friend,” but like the singer could’ve cheated their friend at cards? it doesn’t say), so you can just decide that it’s about any other kind of betrayal in a relationship! Like, say, blowing up your ally’s steampunk airship fleet. The song never says it ISN’T about a steampunk airship fleet.

So let’s just establish right now that this song is no longer about cheating. That’s out the window.

In the original song, “dancing” is probably intended as a metaphor for having sex. In THIS context, it is literally dancing. The emotional core of CDIH, the moment around which the rest of the story rotates, is the night that Alastor and Sir Pentious dance together. And although Alastor no doubt dances plenty of times after leaving Sir Pent, he’s certainly never going to dance like that again—like he’s with a lover, like he wants to be touching his dance partner, rather than either alone or while distastefully putting up with physical contact with someone who doesn’t matter to him.

The interpretation of the line “careless whispers of a good friend” that I think is probably Most Common is that a friend of the singer’s lover warned the lover that the singer is cheating on them, and the singer thinks that the fact that the lover now knows is worse than not knowing at all, because now that the lover knows they can never go back to normal, hence why the friend was being careless. Aside from any questions of, like, whether or not that’s a sound opinion at all—I’ve always interpreted that line differently. Since the singer refers to their lover as a “friend” (“should have known better than to cheat a friend”), I’ve always assumed that the singer would refer to themself as their lover’s friend, and so the “careless whispers of a good friend” were the whispers that the singer themself made that started whatever affair it is they had.

And so that assumption—that the “good friend” that said something they shouldn’t have is the singer—is the interpretation I’m carrying into the song’s inclusion in the playlist. In this case, it’s Alastor’s decision to lie to Sir Pent about how he feels about him (claiming that he never cared & that he was just screwing around with his emotions) before running off that are the “careless whispers” because, although not exactly whispery, they do have the same effect as in the song: ever since he said them, there’s been an unmendable rift between Alastor and Sir Pent (which was, like, his objective, but he’s still not happy about it)—and, more than that, it was very careless. Alastor had intended for his actions to just push Sir Pent away, not to effectively ruin Sir Pent’s ambitions to rule hell completely. But, that’s what happened. Because he didn’t think anything through. He just said and did the very first things he could think of to push Sir Pent away. Extremely careless.

And, of course, the specific version that got included was chosen because it sounds jazzy. Yay for PMJ, making all sorts of songs Alastor-ready.

I Will Always Love You (Lyrics)

… except, the super dark version.

So I figured out at some point that the easiest way I was gonna find Alastor music was through jazz-style covers of songs a la Postmodern Jukebox, 1) because PMJ has been actually mentioned as among the limited varieties of modern music that Alastor would listen to by virtue of the fact that they do covers that sound like what he used to listen to, and 2) because Puff here isn’t actually a fan of jazz and it’s a lot easier for me to slowly wade into the water via jazzy covers of songs I already know than it is for me to fling myself into the deep end like “appreciate Jelly Roll Morton! Appreciate Jelly Roll Morton NOW!!!”

(I am slowly and laboriously training myself to be a fan of jazz, because Alastor is a RADIO HOST from NEW ORLEANS in the ROARING TWENTIES AND A LITTLE BIT OF THE THIRTIES, i will NOT be writing him while in complete ignorance of a subject that probably occupied a huge portion of his life.)

So due to the fact that I was looking for PMJ-esque genre-switching covers of songs, I drifted over to other genre-switching song cover acts like Chase Holfelder to go through the songs and go “hm wonder of any of these work." This song is an exception to the genres I’m looking for for Alastor, but it still makes the list because like, the vibe is just right.

Have y'all ever actually listened to/read the lyrics to "I Will Always Love You” before? Not just the AAAND IIIIIIIII-IIII-IIIIIII WILL ALWAAAYS LOVE YOOOOO-OO-OOOU bit but the actual lyrics. They’re sad. The lyrics are “I deeply love you but if I stayed with you I would only hold you back so i’m going to leave you because it’s for the best but i’m super sad about it and i always will be.”

Now, that doesn’t 100% line up with Alastor’s situation. Because, like, obviously, he was doing the exact opposite of holding Sir Pent back when they were together, and fearing holding Sir Pent back was not the reason he left.

But it is among the reasons he avoids the hell out of him now. The primary reasons, of course, are still “being in love is scary and i do not want to do that so maybe if i avoid him i can continue pretending that i am not in love?” and “lmao he justifiably hates me now so why try"—but #3 on his list is the recognition that, since they broke up, Alastor’s actions have caused a constant cascade of events that have held Sir Pent back ever since. (And Alastor also suspects that there might actually be some kind of legitimate curse or fate or something going on here—that part of Alastor’s role in hell is playing the part of Sir Pent’s personal hellish divine punishment.) So he didn’t leave because he’s sabotaging Sir Pent’s ambitions; but he sabotaged Sir Pent’s ambitions because he left.

And therefore, as a consequence, he should stay away from Sir Pent now. He shouldn’t beg forgiveness and a second chance—because he doesn’t deserve them, and because he might make it worse.

This particular cover of the song really kicks the anguish up into high gear. The most common Whitney Houston version is like, okay she’s brokenhearted, but also somehow somewhat empowered by the brokenheartedness—like even though she’s leaving sad and bitter, in her heart she knows that the decision she’s making is for the best for her beloved, and she can draw strength from that. There is no drawing strength from the decision in the Chase Holfelder version—just using it up. It’s like he’s burning through all of his reserves of strength to push his loved one away. When Whitney hits the big note, she’s pulling power into herself to belt that out. When Chase hits the big note, he’s pouring out every last bit of power left inside his body. You can imagine Whitney walking away from this song with her head held high and her back straight but Chase is just gonna collapse to his knees with his shoulders hunched and head bowed—completely empty, a husk. That’s the vibe I want with Alastor—that every single day of his self-imposed exile he’s losing a little piece of himself, hollowing himself out. He can’t draw strength from it.

Typically, when I’m picking songs for this playlist, I don’t pay much attention to the gender of the singer (my only main priority on this playlist is that by the time it’s done I want the genders of the singers to be roughly balanced on both Sir Pent’s part and Alastor’s part), but in this case I think the fact that the singer is male contributes to it working for Alastor the way another version with a female singer wouldn’t. Not entirely sure why—maybe because, even though the voice doesn’t sound anything like his, it’s easier to actively imagine Alastor singing the song when it’s got a male voice? Maybe because, thanks to Sexism In Society, a woman saying "I’m leaving you because I’d get in the way of your dreams” more easily comes across as “Oh… I am simply not good enough for you… I’d hold you back…” while a man saying “I’m leaving you because I’d get in the way of your dreams” more easily comes across as “I wouldn’t hold you back, I’d push you down. I’m dangerous for you.” And the latter fits Alastor better.

(But hey, if any of you know of any versions of “I Will Always Love You” with a female singer that makes her sound dangerous as hell, feel free to recommend them to me. Not because I’m looking to replace the version I’ve already got but just because I’d really like to hear it.)

Currently, it’s listed as the last song on the Alastor portion of the playlist. I recently reorganized it so that the Sir Pent portions and Alastor portions each flow from the shallowest/most surface emotions down to the deeper/truer/more hidden emotions, and even before I did that reorganization, “I Will Always Love You” has been the closing song on Alastor’s side since it was added to the playlist. That feels like the right note to leave it on: after everything else has been said, once every other layer and lie has been stripped away, the deepest and truest and last thing Alastor would have to say to Sir Pent is “I hope life treats you kind and I hope you have all you’ve dreamed of” and an anguished screaming declaration of love.

Friend Please https://genius.com/Twenty-one-pilots-friend-please-lyrics

So remember when I said that language is inherently ambiguous and if you want you can totally just choose to read words differently if the wording doesn’t actually prevent that interpretation? This song is clearly about suicide. I have decided for the purposes of this playlist it is not about suicide anymore! It’s still about depression but not about suicide! When the singer was like “Please don’t take your life away from me” what he meant is “Please don’t take your life, and also, I am emphasizing that if you do so you are removing yourself from my life to try to show you how much you mean to me,” but how I have decided to interpret it for this playlist is “literally do not remove your life from my life, as in, like, don’t run away and stop talking to me.”

So. As I mentioned in my last song meta post, there’s sort of two—not genres, but like, musical aesthetics that I’m drawing from for Sir Pent: Victorian-ish/steampunk-ish sounds, and emo stuff because Vivz said that’s what he actually listens to. Twenty One Pilots fits the criteria for emo for me—idk and idc if other people consider them emo, they toured with Fall Out Boy and Panic! At The Disco, they count as far as I’m concerned—so they’re actually among the bands I’ve been intending to specifically look at for potential Sir Pent Songs.

For the most part, they’re, like, too good at the sad millennial vibe. But that song works.

“Friend, Please” comes low on Sir Pent’s portion because it’s deep in the more genuine emotions—I’ve actually considered putting it last and may still do so, it would make a nice counterpoint to “I Will Always Love You"—actually I’m gonna go do that, gonna go shuffle the playlist, there, good—and it’s also something that he couldn’t/wouldn’t say until after he knows about Alastor’s deep thoughts. Reinterpreted so that it’s not about suicide, it becomes about a friend who’s still depressed, but the focus of the song becomes about the friend’s self-isolation—a self-isolation that’s fueled by denial and self-delusion, the friend convincing themself that they’re alone, always will be, and can’t/won’t have anyone else in their life again that they can depend upon.

Which, although he doesn’t necessarily seem to be depressed, is certainly the vibe Alastor gives off in the show—that despite his overly-friendly overly-familiar attitude, he probably keeps everyone else at a great emotional distance. In canon he might be okay with that. In fic, he’s doing that at the expense of pushing away a person he loves very much—and then pushing away anyone that could help him cope with that loss. Leaving him very alone and perpetually disguising himself as fine with that. Maybe, when he can go years without having to see Sir Pent, he can be fine with that.

But I have Big Plans for that sequel and you know item #1 on the list is "stick Alastor and Sir Pent in a position where they’ll have to cross paths all the time so that it’s like threading a giant needle with barbed wire, stabbing the needle into Alastor’s heart, and slowly dragging the barbed wire straight through.”

And after that? Living like a ghost, claiming he’s fine when he’s been completely emotionally drained, is gonna be a pretty accurate description of his mental state.

Right now, Sir Pent is in no way close enough to Alastor to know that—and in no way sympathetic enough toward him to care even if he did know. He still hates Alastor for completely ruining his life. But there’s still that part of him that used to care about Alastor and still could come to care about him again. And if that part gets revived, and if he gets close enough to Alastor to see how miserable he’s made himself by trying to push everyone away and denying that he’s pushed his own mental state into as bad a state as it’s currently in, his reaction would be “you absolute dumbass” followed by trying to shout some sense into Alastor by pointing out that every one of his problems is caused not by external factors, but by his own damn screwed-up perception of the world. Like, every one of his problems he made himself, and he can unmake them. He’s just got to uncover his eyes first.

It’s easy for fandom to just, like, characterize Sir Pent as an all-around dumbass—strategically, socially, emotionally, etc. Until and unless we see otherwise—and see it so firmly that even I can’t find ways to headcanon around it, and believe you me, I can headcanon my way around a lot of things—I choose to believe that the only areas he’s definitely a dumbass in are “understanding modern slang” and “remembering NOT to charge into battle without considering the odds the second he sees somebody he hates.” This means that I like to believe he also has a reasonable level of emotional intelligence, and a healthy level of compassion that he can deploy, when he so chooses, on someone he considers worthy of that compassion. He’s evil, yes, but self-professed evil, which means self-aware evil; which means that even though there’s gotta be something fucked up with his worldview for him to choose to be evil, it is a choice he’s making, not something he’s doing specifically because he believes it’s right/necessary. And he can turn it off when he decides he’s with someone that deserves it.

Now, is Alastor on that list? Not currently, hell no. But there’s potential for him to make it on the list—that potential for Sir Pent to care about him again, to want to see him throw off the things that he’s using to hold himself back, to want to see him become better and happier, to want him back in Sir Pent’s life—buried somewhere deep beneath Sir Pent’s burned emotions and decades of resentment.

#(i've got asks for five and a half other songs on the playlist)#(i'll get to them uhhh... soonish)#mementomori #ask #music #about my writing #(sorta?? my writing comes up)#meta #hazbin hotel #headcanons #radiosnake

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hippyexd · 4 years

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Collection of my stories: Explained

Here is the post that nobody cares about but I'll share it because I just want the world to know.

1. Demon Academy.

I've posted some things about it already, it's a comic I started in 2014 originally in hungarian. I'm not quite happy with the way I started it, but I've built an interesting world, and I adore the characters, it's one of my best work that I'm very proud of. I drew 260 pages in total (book 1 and book 2) and I intend to pick up the story again sometime soon, when I get over exam season.

2. Runner

A medieval-themed fantasy story that I eventually want to make into a cartoon series. It's a bit cliché, but the characters are fun, and it has a lot of potential for epic music. I basically came up with the entire plot while listening to fantasy music mixes. Fun times. I've only got some character drawigs, and I just recently managed to finally have eneryone's finalized version. I also have a side story/shared universe thing planned for it.

3. Xyber-no

A post-apocalyptic cyberpunk futuristic action horror cartoon series idea. I've got the characters done already, and plans for like 2 seasons worth of content, I'm just lazy to edit the 1st ep's script. It's not even 20 minutes long. Honestly I'm just anxious to touch it. Got most of my ideas while listening to Neffex songs.

4. Racer

I watched Initial-D, and way back I had a roleplay about a car racer dude, and these two motivated me to write this story. It's not really a novel, it resembles more to a script but it's not actually a script. It was mainly dialogue practice, to make the characters feel more fun. I just finished the rewrite like a week ago, I think it turned out pretty great. Planning on adding a part 2 or a season 2 or something like that, but again, too lazy to actually touch it. It's fun to re-read though.

5. Singer

I'm currently working on this story, because when I'm bored, I write. And when is the best time to be bored? Exam season. Hell yeah. Anyway, it's about a suicidal dude falling in love with a singer (also dude, I love my gay kids okay) and then they figure out their shit. Good story to fit in as much angst as possible, with a few lovely fluff parts.

6. ZR series

Most of my followers came from the ZR community, so y'all know what this one is. But in case not, it's a comic series portraying my reactions to various moments that happen in Zombies, Run!, a really fun and creative workout app. The comic is on hold right now because I've already got too much shit to do til christmas. (Such as the Fellow Five drawing I promised. It's not forgotten, I just don't have time!! XD)

7. Demon and Vampire

Basically an over the top gay fluff love story with a little angst. It's pretty cool, sometimes it's boring, it's full of clichés and stuff, but I read it like 6 times and usually I hate my own writing, but there are parts that I just genuinely love in it. Fun stuff.

8. Psychoville

I've written the first 10 pages in like 30 different versions, because I'm unable to nail it. The main character is the daughter of Satan, who's name is ironically Angel, and she lives in a small town called Psychoville in the desert in Nevada, next to Searchlight, Nevada. As the name implies, she lives with 9 (or 8, I forgot) psychopaths, killers, mass murderers, insane mentally ill people who love each other to bits (and sometimes cut each other to bits) until she gets the task to investigate something for her father away from her home. Got a lot of inspiration from Welcome to Night Vale, and that lawless town in Kansas, I think? The yes theory made a video on it on yt, it's pretty dope.

9. Hollywood Undead Hungarian Fanfiction

It's just what it is. A fanfic of the boiz going on tour, getting in trouble, drinking and so on. No romance (bc that's gross and I couldn't find any fanfic that was not in some shape or form a ship fanfic). Da Kurlzz was still in the band when I wrote it. I was like 12. I just wanted to have fun. The chapters are 2 pages long in total. But the hungarian fans liked it, was trending a bunch of times on wattpad and it has a lot of reads. Despite being horribly shitty, I'm proud of it, and it has a lot of really fun parts and jokes.

10. Wrong Number

I almost forgot about this gem, but this was my first finished english story. It's almost entirely written in sms text format, it's progressig a bit too quickly, but at the time I was having a lot of fun with it, and that's all that matters. It has some really funny lines I came up with, I like re-reading it just for that. But also, it was a fun way to get around having to write long paragraphs lol. I just wanted to have fun with it. Heavily inspired by the Call me Beep me klance fanfic.

11. Milky Boiz

Context: my friend and I, at 2am, were thinking about what our ship name would be, but I kept typing "mmmmmilky" in the chat, that turned into milky boiz, and she said, that if we were guys, that would be our ship name. This gave us an idea for a webcomic, which we didn't actually progress with yet, but we do have an insta page where we already posted some of our boiz, you can find it under the name of @ink.stars , go pay a visit, it's my art and my friend's, and she is a wonderful artist and a lovely person and I love her to bits.

12. Night Vale Steampunk AU

It's pretty much dead, but while I was really actively part of the Night Vale fandom, I started a Steampunk AU. It was fun, it got like 4 chapters or something and big plans, but the characters were not in character, and it lost the Night Vale vibe, so I just let it go.

13. Cop Comic

Also a dead project of mine, but I still like it. It was inspired by a moment on one of our high school class trips. The characters were based on me and my friends, but the resemblence stops at hair color, that's all. Mabye not even that. Anyway it's what it is: cops dealing with crime and their personal problems. I wish I had known Brooklyn Nine Nine back then, would have been a great help.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

So, there you have it, all my favourite finished and unfinished works/ideas, just so you know if in the future I reference one (planning to post more Runner, DA and Xyber-no content along with the ZR comic)

#character #zombies run #original story #original comic #comic #story #novel #plans #original #my story #collection #demon academy #demon #explain #explained

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