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#this includes a ship you dont like
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Continuing to hold the steadfast belief, that every single bad ship (as long as it not dubious morality wise) will be changed into a good ship just by making them t4t.
Hunter and Willow?
They're trans now, doesn't matter which way. See how much better this is?
Fluttercord?
Admittedly, maybe proudly, even, I hate this ship. But whats that? There? In the distance?
Transgender Fluttershy finding deep and meaningful connection with this chaos being that helps her deconstruct and then rebuild her gender identity in a much happier light?
Babycakes I will gobble that right down
James and Jessie
the transgenderfication beam is basically canon with this one
Mike and 11
Honestly this one almost broke my spirit, because i really dont like this ship for a ton of reasons, i think that trans will/trans mike is better, but, after doing some thinking, even though its not personally for me, i think it makes it bearable at the very least
anywayss there are so many more maybe ill ad more later but its three in the morning and im TIRED
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wolf-2099 · 3 months
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I know a lot of self shippers hate canon x canon with their f/os, but shoutout to the self shippers who DONT. There's this sort of trend in self ship where ppl just assume you hate all canon ships with your f/os and... No? I don't think that's the sort of thing we should normalize when a lot of people like canon x canon.
Sometimes you see a canon/popular fandom ship with your f/o and go "I'm gonna get in between you two move over this is OUR relationship".
Sometimes you see a ship and go "I'm not romantically interested in the other character in this ship, just my f/o, but i still really love their relationship".
There is no wrong way to self ship, and if you like some canon x canon with your f/os then cool! I do too! Live your life and love your faves and the others who love them in canon.
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butchdykekondraki · 2 months
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its time for scp required reading... TWO!!!!!!!!!!!!!!!!
please for the love of god heed the fucking warnings im so serious . like as much as i want to keep the tone of this post jokey and funny you NEED to heed the warnings on these
ok with that out of the way. read about my blorbos boy
''incident 239-b clef-kondraki'' (general warning for violence and blood/gore) - this one fucks. thats all i have to say about it
''technical issues'' - this one's funny + im biased because i fucking love pat the tech guy
''routine psychological evaluations by doctor glass'' - again i have personal bias about this (<- simon glass enjoyer + host is a glass introj) + this ones funny + if you're more into the fanon versions of the foundation staff this is right up your alley
''tradition'' - halloween party fun :-)
''dr cimmerian hits reply all'' - this is exactly what it sounds like i don't now what to tell you
''stupid cupid / stupid cupid: stop picking on me!'' - my house my rules read about cimmerian and his boytoy
''hawaiian shirts'' - clef fucking Breaks. thats all i can say about this without exploding into viscera
''help me my (love for) my daughter was born too still'' (general warning for mentions of child death) - i have personal bias about this (<- #1 agatha rights enjoyer) but this tale is So Good in general and a super interesting look at how agatha perceives herself and her work/life balance
''so leave yourself alone.'' (warning for graphic depictions of vomit and attempted suicide) - REALLY really really good look at clef kind of dropping his cruel persona and iris' mental health struggles regarding the foundation
''yesterday'' (warning for violence and implied/reference suicide. kind of.) - :-( <- this is the only way i can express my emotions about this tale. anyway it's really good and an interesting way of showing clefs relationships with people
''an apple a day...'' - REALLY good look at how dr glass is as a person and how he acts with people + this entire tale fucks SEVERELY
''personal log of dr gears / personal log of █████ 'iceberg' ████'' - good example of how gears and iceberg both format their documents / how they speak + its vaguely gearsberg + this gives a look at how gears and iceberg met. read the gearsberg tale boy
''portraits of your father'' (warning for graphic alcoholism, suicide, survivors guilt, and blood/gore) - super good look at draven and his relationship with his father, and kondraki's alcoholism, and also talloran is there. also three cheers for dravoran
''life's cold'' - most normal day iceberg has at this fuckass foundation + this is a good look at how iceberg acts and thinks
''fond memories'' (warning for death and body horror) - draven proposes! Draven proposes.
''scp-3999'' (warning for bugs, paranoia, death, body horror, sexual assault/rape, unreality, self harm, and depictions of bodily mutilation) - unironically this one fucks me up so bad its so fucking good dude. go read about james talloran RIGHT NOW
''i stared into the face of everything and nothing and made it back alive'' - this one also fucks me up so bad like i dont even have anything to say. read about talloran and draven RIGHT NOW
''you are at the center of everything that happens to you'' - james talloran talks to himself. kind of.
''a suicide note'' (warning for mentions of rape, child murder, survivors guilt, and suicide) - interesting look at clefs thoughts on him and his work
''date night'' - objectum win! dr alto clef is objectoromantic AND objectosexual! <- that should tell you all you need to know about this one
''scp-4231 / montauk house'' (warnings for graphic depictions of sexual assault, rape, child abuse/neglect, murder, domestic violence, verbal/physical abuse and survivor's guilt) - absolutely gut-wrenching look at alto clef/francis wojciechoski and why he's so fucked up. uh genuinely do read the warnings on this one because when i say graphic i am not exaggerating. all of these things are explored in detail and are genuinely triggering so.
''okay, that's enough, let's get you home'' (warnings for some dubious make-out sessions, (mentioned) suicide, implications of rape/sexual assault, and vomit) - shameless moldhouse plug sorry not sorry. HIGHLY recommend reading this and it's other parts in their entirety because it genuinely drives me up the fucking wall it is So good. i will sing moldhouses praises until my throat goes out. read moldhouse Now
''duke 'till dawn'' - bpd king!!!!! anyway i dont have a lot of thoughts on this its just really good. also i didnt know dracula was an actual scp until i read this which is kind of funny to me
''rights' birthday party'' - my house my rules you're going to read about agatha rights whether you like it or not
''sex at a frigid temperature'' - again, my house my rules. read the depressing gearsberg tale, boy.
''7 things that new level 3 researchers should know'' - i dont have any thoughts on this i just think this one has really cool formatting
''home is where i want to be'' - no greater thoughts this is just really neat i think. also kiryu labs is in it and im biased as fuck
''gentle wings flutter quietly in the dark'' - read about zyn kiryu NOW
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cyrsed · 9 months
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sometime between dead space (2023) and dead space 2, isaac recounts a dream where the line between the ishimura and isaac is blurred. was there ever a line to begin with?
the comic is up on itchio for free in PDF form + includes a bunch of in progress pics and extras (putting a few below the cut here :B). also my other dead space comic is up on itch as well!
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gay-jewish-bucky · 7 months
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me when i do my daily checks of the stucky tag and see yet another post where someone is talking about how they used to ship stevebucky and then go on to proudly admit that they fell for marvel's ploy to kill a gay ship and whine about how steve is so awful
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lynnieos · 19 hours
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Hey is it just me or do certain fans complain about how much they hate the other groups instead of loving theirs.
I don't think calling out the misogyny in this fandom is wrong, not in the slightest (my most popular post is calling out the way people treat ena versus akito because of their gender), but most of the time these call out posts just result in more negativity and arguments rather than any like. Productive discussion.
I don't wanna hear about how minoharu and anhane are more canon than ruikasa and akitoya and are Therefore More Valid And Liking Ruikasa More Is Wrong And Bad (exaggerated but most of the time people do insult a ship in order to promote their own) (also sometimes implies that rarepairs are less valid which is a dick move). I wanna hear about the interesting (and I mean very interesting) relationship that an has with kohane, her feelings of inadequacy and slight envy, I wanna hear about how minori (and the rest of mmj) inspired haruka to get back on the stage, and how minori finally got to "repay" haruka in a way.
I didn't start liking ichika because of people endlessly complaining about how underutilized she is and how You Guys Just Don't Get Her, Read The Stories And you'll Discover That She's Actually Perfect Actually (this one isn't an exaggeration but it was on YouTube not Tumblr so in it goes), I started liking her because I learned about her character, her sheer determination and love for her friends, and her want to resonate with people's hearts from people who really like her.
I'm not gonna pretend the Ruikasa fandom and akitoya fandom can't be annoying, a lot of them are toxic and have a habit of making everything about Ruikasa/akitoya while reducing their relationships with other characters to push their shipping narrative. It pisses me off. A lot. I could write (and probably will write) an entire essay on how entitled and bitchy Ruikasa/akitoya fans can be, and I definitely understand how it can build up resentment towards a ship, and how their mass popularity is most definitely attributed to the fact that they are men (which results in an extreme lack of understanding of their actual characters and overall dynamic, reducing them to "top tall sexy one" and "bottom cute feminine one" which upsets me to hell and back). And calling this out is not wrong in the slightest.
but needlessly attacking a ship that someone likes is not a call out. calling Ruikasa and akitoya "a stupid ship" is not a call out. Actively insulting people for liking it is not a call out. Adding Ruikasa and akitoya tags to your post bashing them is not a callout. It's being a dick. You are not doing anything productive by calling Ruikasa and akitoya shippers idiots or stupid or insulting their taste you are only going to piss people off and you know that you are going to piss people off.
Acknowledge but do not attack. Be civil. And if you cant be civil then save everyone some time and keep it private.
Oh yeah. And be annoying about your blorbos. Make KING kanamafu art. Put shizuairi in Fragile. Talk about how much you love your girl ships and your girl characters and don't event mention the guys, make fanfiction and fanart of the girls, I really really want you to, genuinely, because they do get less rep in the fandom than their male counterparts, so more content of the girls is always great. It feels a lot better than complaining about a ship you don't even like, I promise
(Btw I mention this in the tags but if anyone wants to add input or correct me on something you totally can. My words aren't law and this post is just me stating my thoughts, and I invite you to share yours if you want.)
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ollyou · 2 days
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I finished Super Paper Mario earlier today for the first time after 16 years of owning and adoring the game and
I have a question for any Limentio / Dimigi shippers out there.
Why
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You know, I think what really bugs me about the "Dadworth" dynamic applied to Kay and Edgeworth's relationship is that it usually makes Kay out to be this hyperactive, slight problem child (in the 'stealing and pranking' sense rather than the 'moody and abrasive' sense), occasionally with deep-rooted daddy issues like Edgeworth has, when that's... the opposite of her character.
(This post got away from me, so TL;DR: Kay is a quick-witted and independent young woman who has worked very hard to be both emotionally and practically intelligent enough to be seen as a legitimate successor to her father's legacy. Making her out to be the traits mentioned above, so she functions as Edgeworth's daughter rather than his investigative partner and equal, undermines her character and semi-conflates her with Maya [the deep-rooted issues bit]. Also I don't like it wksgskaj)
Kay is very, very sharp.
The thing about Kay is that she's not actually in the series as much as it feels like she is, which makes it easy for her character to be altered to suit the needs of the story (which I think happens in The Forgotten Turnabout, but I won't talk about that here). She turns up in two cases as herself in AAI (as in, teenager Kay whom we're most familiar with) and shares her role with Gumshoe, Ema and Franziska when she does, lessening her appearances even further. Nevertheless, there are still concrete elements to her personality that we're made aware of right from the beginning, and the first major one which I feel gets overlooked in favour of her hyperactive characterisation is this:
In terms of mainline assistants, I'd consider her the sharpest of all (maybe after Trucy? But I don't remember enough of AJ to comment on that). Yes, she's shown to be reckless and impulsive, but, when it comes to actual investigating and reasoning, she is solid. With Nick and Maya, you sometimes get the impression that they're both fumbling along until Phoenix catches on (most of the time with Maya's usually a little accidental help, and he still has to explain things to her near every time [not Maya's fault. Following Phoenix's reasoning is like being on a rollercoaster in a minecart]), but Kay is very rarely like that with Edgeworth. Within minutes of meeting him, she can predict what he's going to say (or 'steal his lines', as the game puts it), and there are several moments after he uses Logic and is about to explain what he's connected where Kay interrupts with the correct conclusion herself:
Edgeworth: A second Blue Badger that shouldn't exist... Clearly, the true identity of the person underneath is...
Kay: Oh, I know! It's one of the kidnappers, right!?
There's even a point where she tells him off for overexplaining things to her:
Kay: Yeesh, I told you I got it! Do you feel the need to explain everything!?
And, near the end of their first case together, he acknowledges that's she's generally quite quick:
Kay: OK, what should I re-create first?
Edgeworth: ...You haven't figured it out yet?
Kay: Heh, maybe I have, and maybe I haven't.
Even if you don't take these points into consideration, the fact that she comes up with a new way to use Little Thief, and knows how to use it at all actually, shows you that she's a really intelligent girl! Continuing on a bit from the point I made earlier about her being brash, Kay may be reckless, but she isn't irresponsible. Whenever she rushes into situations, she doesn't expect other people to come save her; she's quite assured that she can and will get herself out of them on her own, and, if she needs help, she asks for it in advance. She treats Edgeworth less like her guardian and more like her investigative partner:
Kay: I didn't get permission to enter Allebahst... so we're going to go gather whatever info we can over on the Babahlese side, OK!?
Edgeworth: Alright, I'm counting on you two.
Kay: Right, and I'm counting on you and Ms. von Karma to sniff out clues in Allebahst!
...
Edgeworth: A number of pieces connect in a very complicated way in this case... It's almost enough to make one completely mentally exhausted.
Kay: Let's not over-complicate matters, OK, Mr. Edgeworth? We've been so focused, like a laser, on only what seems strange and out of place... it's no wonder nothing's clicked and we haven't unlocked anything yet. But, if we think things through calmly, the answer should come to us!
There's an independence to her proactiveness that kind of forces Edgeworth to meet her on equal grounds, and this too is an element that gets lost when the Dadworth dynamic comes in because it involves making Edgeworth responsible -- or feel responsible -- for her actions and general wellbeing when Kay has never expected nor wanted that. She does things on her own terms, and she walks the path she's chosen by herself:
Edgeworth: Preposterous! On what grounds do you suspect her of such a thing!?
Shih-na: The fact that she calls the Yatagarasu. That in itself is a more elegant proof.
Kay: Ms. Shih-na.
Shih-na: Yes?
Kay: I... have no intention of taking back any of what I've said.
Shih-na: ...?
Kay: I am the Great Thief Yatagarasu. And I refuse to allow some imposter to claim that name as their own! The path of justice that my father pointed me towards... I will walk it the best I can!
Her relationship with Edgeworth works as an inverse to that of Nick and Maya's in the way that, where Nick and Maya have deep respect for one another beneath layers upon layers of playful insults and messing about, Kay outwardly respects Edgeworth first (and expects that respect to be returned) and razes him second -- that, too, never to an extent she wouldn't with anyone else or that crosses a certain boundary. Her messing with Edgeworth is shown to be more an attempt to get him to lighten up or not take himself too seriously than an act of (platonic) intimacy as it is with Nick and Maya (which makes sense because Nick and Maya have spent years together, while she's known Edgeworth for all of two weeks) or genuine obliviousness/silliness (although it definitely sometimes is). This is pretty obvious simply from the fact that she always calls him 'Mr Edgeworth', though she's perfectly comfortable calling Gumshoe and Badd, people whom she is more familiar and comfortable with, 'Gummy' and 'Uncle Badd' respectively. Also Kay, in general, is quite polite? Edgeworth calls something she said rude at one point and she gets insulted, and, when you ask for her opinion, she doesn't go 'What?' or 'What is it?', she specifically says, 'Yes?' (this changes in AAI2, which I promise I'm not discussing here) Upon meeting Oldbag, she has this exchange with her, where Kay chooses a more formal mode of address than what is actually offered:
Oldbag: My name is Wendy Oldbag. But you can call me "Wendy", or "Granny", or whatever suits your fancy.
Kay: Nice to meet you, Ms. Oldbag! I'm Kay Faraday.
She's also had moments where she calls Edgeworth out for being 'tactless', and she's shown to feel very strongly about rudeness throughout the whole game. I'm not saying she isn't mischievous or playful, she very much is, but the point is that she's really quite respectful, and this extends to her relationship with him. Her characterisation in Turnabout Ablaze, where she's considerably more excitable/high-strung than in Kidnapped, seems largely due to them chasing down Calisto Yew. Edgeworth even comments on this:
Edgeworth: Kay, you need to look before you leap. You tend to lose your cool when it comes to anything related to that woman.
Generally, though, you can tell that she was obviously raised with an adherence to certain formalities. She's not looking for another parental figure (because she doesn't need one, which I'll go into after this), but, if she was, she'd make that clear.
Kay's a very straightforward person at heart; she doesn't hide any part of herself, even the part that should be hidden (i.e. the Yatagarasu). There are points where she suggests that Edgeworth reminds her of her father, but, in AAI, she specifically mentions that it's both Edgeworth and Gumshoe who remind her of her father and Detective Badd. It's not about her seeing Edgeworth as a father figure; it's about their and her own dedication to the truth. Even in AAI2, where her comments could be read as leaning more towards the former angle, she doesn't get cut up about him not picking up on that or really paying it much emphasis at all, because it doesn't matter. The fact that he reminds her of Byrne is just that: a fact.
Returning to the point about Kay not needing/wanting another parental figure, I think it's pretty self-explanatory, but to put it succinctly: Kay has the guidance she needs without him.
To put it less succinctly, Edgeworth's possibly the worst candidate to go for for emotional support and guidance in the first place, and by the time she meets him again, she's basically processed her father's passing and has a better handle on herself emotionally than Edgeworth does (not a brag; most characters have higher EQ than Edgeworth); what she wants isn't necessarily closure for Byrne's death in the emotional sense but in the I-want-answers-to-this-mystery-that-will-restore-my-family's-honour sense. You could make the argument that Kay becoming the second Yatagarasu and shaping her entire future around continuing her father's work prove that she isn't over his death, but I don't think that's true and more of a result of conflating her with Maya a bit.
With Maya, becoming the Master isn't something she chooses; it's given to her by Misty and Mia. With Kay, it's the opposite. Kay's decision to become the Yatagarasu and pursue the truth is wholly her own, and her approach to that goal reflects that. While Maya uses her cheery, upbeat attitude to conceal a lot of self-doubt and vulnerability (and Franziska does the same with her hostility), Kay does not. Her cheerfulness is precisely who she is; it's not a mask so much as it is a distraction. It keeps people from looking at her too closely and realising exactly how capable she is, and, while I don't think it's fully intentional (again, she believes in living her life in a straightforward and upfront manner), she does imply that it's sort of her (or the Yatagarasu's) MO:
Kay: Well! By the time everyone notices, it's already gone! That's the Yatagarasu way!
Interestingly enough, this unintentional tactic of using humour and cheeriness as a distraction from her abilities makes her a mirror to Calisto Yew, who also uses her seemingly always light-hearted nature as a disguise for what she's actually capable of (Calisto's joviality is her true self, too, or at least as 'true' as she can get). The difference between them is that Calisto delights in ironically mocking the world around her, whereas Kay finds joy in life itself, and she's stronger for it.
The only part where we see Kay attempt to mask her feelings is when she's a child, and even then she admits that she feels better after crying, which, I believe, led to her becoming more open with her emotions later in life (see how her older self has a teary sprite which makes pretty frequent appearances where her younger self does not). In any case, to me, this shows that she has people in her life already who are helping, and have helped, her confront and process her trauma. She's not looking to Edgeworth to help her make sense of her father's death and she definitely isn't looking for a replacement (again, literally dedicated to continuing her father's [and Badd's] legacy). Whenever Edgeworth even gets close to becoming parental with her, she dismisses it, unless she acknowledges that she is in the wrong:
Edgeworth: ...Kay, it's not good for you to stay up late, you know.
Kay: Yes, gramps!
...
Edgeworth: ...I appreciate your sense of justice, however... I would appreciate it if you wouldn't go running into the heart of any more raging fires.
Kay: Nngh... Yes, Mr. Edgeworth... I'll try...
Despite her buoyancy and bright attitude, Kay is quite firm that she be treated as an adult (she doesn't see her cheeriness as a mark of youth; it's joie de vivre, it's who she is, and that's that), and, throughout the game, she gets annoyed when people don't respect that (her arguments with Lang are largely over how he calls Little Thief a toy and her crow-girl). She holds her own and relies on herself while being unafraid of asking for help.
Anyway, this post has gone on for long enough and I think I've addressed the points I wanted to. I should mention that I realise that a lot of how many people portray/interpret their relationship is validated by AAI2 but that's honestly a discussion for a separate post HAHA I feel like, when it comes to AAI, the father/daughter interpretation can maybe be argued with regards to the way Edgeworth treats her? Honestly, though, I think he'd treat any young lady who suddenly becomes part of his team/responsibility in pretty much the same way. And, like, he drops the ball almost every time he's supposed to give "fatherly" advice because he's just not that great with it/children!! It's actually hilarious HSKSDHSK
Either way, yeah! I just think Kay is actually given a lot less credit than she's due when the Dadworth card gets played and I just! Want better for her!!
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emtearzz · 1 month
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OK SO LIKE YES I KNOW I CAN JUST BLOCK THE SHIP I DONT LIKE BUT BUT BUT BUT WHAT IF I MISS OUT ON TALENTED ARTISTS WHO I REALLY REALLY LIKE THE WORK OF?????
WHAT THEN???
THE DUALITY- GRRRR OF NOT WANTING TO SEE TWO CHARACTERS KISSING BUT BUT BUT THE THE WAY ITS DRAWN. THE LIGHTING THE LOVE PUT INTO IT YOU WOULDNT GET IT
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1tsjusty0u · 1 month
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zelda is done. so dirty sometimes
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pezberrypolls · 3 months
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magicalgirlmascot · 4 months
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Okay normally I'm largely ambivalent towards fics and stuff that are Not For Me and I don't like publicly calling out stuff just because I personally don't like it but girl
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What on god's green earth is this and why the FUCK is it tagged Bionicle
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reigningmax · 1 year
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oh fantastic we've reached the "m*x is only shipped with people that can make him look more tolerable and fix his image" stage in the "how can I justify why max ships are so popular" agenda
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"Grandpa Kronos" “Cousin Ares”
Rick had a chance to slide the incest under the rug for the show but he's like "let's remind everyone that ALL THE DEMIGODS AND GODS ARE BLOOD RELATED."
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to the anon who just sent me an ask, i will never answer that question BUT!!!!!
if you are very concerned, i try to tag all my ships and trigger warnings and content warnings as best as i can :)
so, as a message to everyone who follow me: curate your own dashboard experience please.
tumblr's blacklist system is pretty effective, and xkit also has good ones. i'm also trying to look into a piece of code that i can put in my desktop theme that spoilers tags in my custom theme!
im more lax on twitter because i care a little bit less on there, but i provide enough care and action to my posts on here for my followers to be able to curate your own experiences.
i will not change what i would like to post whenever i feel like it, as long as you understand how to blacklist and block things. that includes me!
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crunchchute · 4 months
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if i do sonic related art again (or specifically, sonic movie fanart) i will post it here Unless its too shippy i guess. then its going to the grave
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