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#this episode was really good btw
cutter-kirby · 5 months
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this is how the episode ended right
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makorragal-312 · 1 year
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Okay, I kinda have some mixed feelings about Eddie’s final scene with Pepa.
Now, I have no issue with Eddie acknowledging that he doesn’t want to be alone forever and wants to eventually find someone to be with. Contrary to societal belief, you can enjoy your current single-dom AND crave a relationship.
The issue that I have with the scene is the way that Pepa keeps insisting that Eddie just needs to keep trying and trying to get back out there until he eventually settles down.
Now, this might be a biased opinion of mine considering that I’ve been pretty much single since conception (not by my choice, but still), but I’ve always been critical of the notion that you have to be in a relationship in order to be satisfied with your life. Yeah, Eddie agreed with Pepa about not liking be alone. But he also made it clear that he was content about how things were. I know Pepa meant well, but there are just some parts of people’s lives that you gotta let them handle and not dictate. And romance is one of them.
And here’s where we get to the Buddie aspect of the talk:
During his review, Eddie made a point of mentioning how he and Chris were a solid unit. And even though he wasn’t named (probably on purpose), I think we all know by now that Buck is very much part of that unit. I think that last episode proved that with all the Buckley-Diaz scenes, especially the final scene with Buck and Chris about to bake.
I also found it pretty jarring how Pepa said that Eddie was alone when Buck has practically been by Eddie’s side and Eddie has been by his.
Also, Eddie had a lot more fun on his poker date with Buck than his arranged date with Vanessa. I’m just saying.
TL;DR Eddie Diaz does not need to search around for a romantic partner. Especially when the one he’s meant to be with is right next to him (and sooner later, will end up on his couch...hopefully).
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egophiliac · 10 months
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Have you heard of the "Crowley is Malleus' dad" theory going around? Where Prince Levan (or whatever his name is) didn't actually die and just went out to get some milk and is now known as Dire Crowley, the silly man? The implications of that theory is absolutely hilarious when you think about it
hold on, we can figure this out, we just need LISTS
PROS THAT CROWLEY IS SECRETLY REVAAN/LEVAN/LAVERNE/WHATEVER:
unspecified fae of some kind, with similar coloring to Mal
the animal masks are apparently a Briar Valley thing
has some kind of big blackmailable secret that was alluded to in episode 4, and then as far as I know never brought up again
(unless this was just Azul bullshitting, which is extremely possible)
based on Diablo, which...maybe means something?
has canonically worn Dad Shorts
CONS:
(gestures to Crowley's entire personality)
NO LISTEN Revaan was the guy they sent off on diplomatic missions and to take care of delicate political situations, and...look, I love this dweeb, but would you trust Crowley to be in charge of negotiating your war treaties
despite my brain insisting on reading his name as "Raven", Revaan's title does imply that he was also a dragon (or super into longan berries, I'm not ruling that out)
currently unclear why Lilia "my closest friend Revaan...he is no longer with us...I used to make fun of him for being kind of a priss about eating jerky..." Vanrouge has somehow not noticed or said anything
Malleus' Aloof Anime ~Aristocrat~ vibe had to come from somewhere, and by all accounts it was NOT his mom's side of the family
???:
turns into a bird in the opening, I don't know if that means anything but it's kinda cool, I guess
all that aside, if Malleus and Yuu are any indication, then the Draconias have...questionable taste in their social choices. so anything is possible!
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poorly-drawn-mdzs · 5 months
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So, I started watching Link Click...
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some-zer0 · 3 months
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Getting into Rusty Quill Gaming after having fully listened to the Magnus Archives is fun because nobody realizes what’s about to hit them wrt Magnus.
Like, first of all, Alex doesn’t realize that he’s living in a countdown to asbestos goblins, which is the real TMA lore. And then Lydia and Ben don’t realize they’re about to get typecast into “somewhat aloof boss with a supernatural patron he needs to appease in morally dubious ways in exchange for powers who gets sent to jail at one point” and “girl with trust issues who likes breaking into places and stabbing people and uses body mutilation to escape a toxic job.”
I was fast-forwarding through the mid-episode ads and heard Jonny’s little teaser for TMA and rewound just to listen to the full thing while grinning. I just got to the episode that was released right after TMA dropped and they’re saying that they hope people check it out :) that it might be something people will enjoy :) :) :)
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humanmorph · 3 months
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I step all around the pieces on the floor / Wires and cords, and records, and tapes
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communistkenobi · 4 months
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literally an ipad baby. you could show kirk cocomelon and hed go nuts
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mcybree · 5 months
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coughs. Everypony who wishes to hear about scott secret life episode 7 and is old enough to catch their own prey please gather under pride rock or whatever the fuck they say to call an emergency meeting these days. I need everyone to know why this episode is so unusual for him… I take back anything I have ever said about gem in my entire life that implied disinterest; Gem and her zombie apocalypse scared the SHIT out of Scott. NOBODY HAS EVER MANAGED TO DO THAT BEFORE.
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creativesparkz · 5 months
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Closeface, we kinda need Closeface
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i'm only kinda sorry but if i'm reading fanfic and the writer puts faith in a dress without a Very Good Reason (ex. the mayor made her wear it, she's trying to impress buffy, she's a bridesmaid in somebody's wedding) i am taken out of it so quickly. that tiny detail bugs me so much what are you even doing?? faith hates dresses!!!! free her!!!!!
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hephaestuscrew · 1 month
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Favourite Fleet & Clara quotes from High Vaultage 
(Page numbers from my Goldsboro special edition, I'm not sure how they line up with page numbers in other versions. Spoilers for all of High Vaultage.)
p27: Clara had met Fleet only weeks before. She had just arrived in London and started work as a crime reporter, and pursued a murder case alongside Fleet despite his repeated objections, until he eventually conceded - as Clara had known he would - that they were making a good team, and furthermore proposed - as she hadn't a clue he would - that they go into business together.
p51: "There you are, Fleet. Where have you been?" / Fleet paused, made some confused looks between Clara and the room he had just left, and finally pointed at the door. "Isn't this the waiting room for detectives whose partners have run off? They were quite a few of us in there. Quite a lot in common." / Clara suppressed a grin into something more disapproving. "You're not as funny as you think you are, Inspector." (More below the cut.)
p70: [After Clara successfully sneaks into the Iron Bridge Club] [Fleet] should have known Clara would make it in. Her tenacity had been clear to him since she had first left the police roping at a crime scene of his. It was one of the things he admired about her, even if she didn't always check whether there was somewhere to land.
p76: [After Clara's business card strategies work on Cosgrove] Fleet glanced at Clara. She grinned back, eyes wild with pride, before tapping her bag and mouthing the word 'Posner'.
p116: [After Professor McCabe says “Top marks, Miss Entwhistle”] Clara beamed, and flashed her eyebrows at Fleet while elbowing him in the ribs.
p132: "Don't think you can shake me off, Inspector. I'll come with you." / " I'm not trying to shake you off. It's just late, Clara.” / "You're always trying to shake me off. Ever since we met. Despite my constant usefulness." / "I'd say occasional usefulness," replied Fleet, maintaining a straight face. / Clara, with some effort, twisted her grin into something approximating outrage. "Frequent usefulness, surely!" / "No, but I'll agree to "regular usefulness"." / "Deal.” / “And I asked you to join me in business, Clara. If I'd wanted to shake you off, that's a poor way to go about it."
p154: [From Fleet's POV] Clara really was the sort of person - indeed the only person he knew - who could find genuine joy and wonder in a building site.
p172: [When Clara fears for her life at the display of the Lanterns] She thought of her brother, her sister, her parents... Her ridiculous detective.
p176-178: Clara without her usual pep was almost unrecognisable. [...] Normally that sort of reply would at least elicit some playful scolding. Fleet grew concerned. [...] "Do you want to talk about it?" [...] " What do you want to talk about?" [...] He tried to think of more options. Not talking about things was Fleet's speciality, but for Clara this signalled a worrying malaise. Things were dire. He was going to have to resort to small talk. "Would you like to hear about my day?" A brief pause. "Yes," she replied, with a note of hope [...] Fleet remembered the mess he was in before he switched to the task of cheering up Clara.
p184: When he saw her, she noticed his eyes were shining with a rare zeal, and he appeared bursting to explain whatever he was thinking.
p187: Fleet had, after all, taken her under his wing, even if she did have to thrust herself there initially. She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her.
p201: [After Fleet sees a magpie get electrocuted] Fleet looked at Clara, who thankfully had been facing the other way.
p214: [After Fleet falls into the frozen river] Clara, removing her cape and placing it over Fleet's shoulders 
p225: [Clara] had read several books on the subject - Surreptitious Sleuthing, Introduction to Ingression, Undetectable Detection, to name a few - but she always seemed to pick up more from her partner, whose years in the police had left him full of [useful tricks].
p235: [While navigating the Brunellian tunnels for the first time] "I still think my way is more fun." / "Escape, Clara. Escape and then fun." / "That's a promise, Fleet. You've promised it now.”
p259: “That's too much topiary,” said Fleet [...] Clara's eyes lit up at this rare revelation of a personal opinion from her colleague. “I didn't know you had such strong views on topiary, Fleet.”
p293: [When Crowe increases how much he'd be willing to pay them to investigate on his behalf] Fleet knew his answer, but felt he had to see whether Clara was still in agreement. He looked to her, only to be met with an expression of astonishment that he had taken even this long to respond.
p337: [After their falling out] Where do you even begin, she thought, let alone end, with someone you've worked with so closely?
p338: [After they squash the scone Fleet brought Clara as part of his apology] "You want me to eat an exploded scone!" cried Clara, stifling laughter.”/ “I think it says a lot if you refuse.” / “Fine,” she said, grabbing the bag, pulling out the crushed scone and taking an enormous bite. / The corners of Fleet's mouth twitched. Clara was sure he almost laughed.
p341: [Before they go into the Church of the Mechanical Man to look for Helena Evans] Clara smiled, and punched him in the shoulder. / "Ow! What was that for?" / Clara realised that in her excitement at Fleet's plan she had landed her friendly thump with rather more power than intended, so she clarified: "You're a good one, Fleet.”
p371: [After Fleet gets shot in the shoulder] Fleet thought he heard Clara scream his name, but he couldn't be sure. Suddenly she was next to him, checking his shoulder.
p371-372: Clara turned to Fleet. “Now I have an idea.” / “What kind of idea?” / “A terrible idea. Just the worst idea I've ever had.” / Fleet looked towards the distant exit, which could barely be seen beyond the fire, and then back to Clara. “I like it.”
p373: [As they anticipate an oncoming wave of molten metal] Fleet felt a sensation he did not recognise. Something like calm. Then Clara took his hand and turned him towards her. For some insufferable reason she was smiling again. He couldn't help but return it. [...] Fleet realised Clara still had his hand firmly in hers, and she seemed to be saying something at him that he couldn't hear. He tried to listen, but she stopped speaking, shook her head, threw her arms around him and hauled him down onto the ground.
p375: [When Clara won't tell Fleet whether she knew they were going to be saved by Helena Evans] “And you don't think this might affect how likely I am to trust your plans in the future?” / “Does it?” asked Clara. [...] “No,” said Fleet. “It doesn't.”
p381: Clara stiffened her posture, as though she might salute. "Archibald Fleet, I challenge you to a battle of business." / "We're partners, Clara. We're on the same side." / "A point for whoever solves a case first! More for trickier ones!" / "But we work together..." / "Let battle commence!" she cried.
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chuuyadelune · 9 months
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now that i have recovered from the emotional shock of seeing *that* akutagawa scene from chapter 88 animated in HD 4K (i thought i’d have another week to emotionally prepare myself LMAO), i just wanna be a little bit of a nerd and say that i really liked the cinematography/composition this episode.
in particular, i really enjoyed the anime’s decision to draw visual parallels between this fight and previous fights (in particular, the fight against francis, which is important because it is the first time they worked together).
after all, this fight is the culmination of everything they’ve done together. from the combining of their abilities, coming to an understanding with each other, realising the potential of beast-beneath the moonlight-rashoumon… bringing back similar shots that were used in previous fights is SUPER effective at highlighting the parallels and how far they’ve come, in my humble opinion.
here are a few things i noticed:
- first of all, both of them activating their abilities one after another is an explicit nod to S2’s fight;
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- the confrontation/conversation in the hallway from S2 (to an extent! they’re on the same sides, which caught my eye);
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- akutagawa blowing up the engine room on the ship, and kyouka doing the same during the first fight between him and atsushi (S1);
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- and a similar angle being used for black tiger claws / koukko zessou as a nod to the fight in the S3 finale.
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the parallels — though maybe less explicit, *are* still there in the manga? like, the entire “structure” of the fight so to speak is very similar to the francis fight in S2 — akutagawa finding atsushi, taking place on a(n air)ship, breaking away from the fight to strategise before confronting the final boss (then, francis, and now, fukuchi) is undeniably a nod to that fight? i love that this is given its due in the anime as well.
another thing about the cinematography this episode i loved was them using the clock as being the indicator of fukuchi’s fuckass space-time sword doing its thing. that was a really nice touch, in my opinion; the cuts in between were jarring and disorienting and really helped put us into sskk’s shoes.
and as for the background design alongside the clock itself — there were a couple of things about them i enjoyed:
- the number of floors / levels of the ship in the back (5, as a nod to the five ways an angel decays, the DOA)
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- the blue of the clock is meant to be reminiscent of fukuchi’s sword, i’d argue, with the way both of them pops out of the sunset/orangey-red lighting
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- the clock’s design being super ornate and gold plated reminds me a *bit* of a tabernacle (where they keep unused eucharist in a church) — and thus brings up connotations of sacrifice. that white bridge-thing beneath the clock as well reminds me a lot of an altar, too (see the image above the last to see what exactly i’m referring to, because image limit)
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okay, yeah, that one might be a bit of a stretch, sure. but its placement as being above them, combined with the two tables/boxes to the left and right of the ship’s bow (which looks very much like a cross, btw) gives it a distinctly religious, altar-kinda feel, i’d argue. and crosses have been used in S4 as symbolism as well!
(tbh, there could even be a bit more imagery i’m missing, because — the angels of the DOA refers specifically to the buddhist conception of an angel. i’m not too familiar with buddhist imagery, but i thought that this was worth pointing out regardless!)
the last thing i want to say is that the red and blue symbolism went CRAZY this episode. i don’t have much else to say because it was super obvious — they even reused the same “black tiger claws” shot from S3, after all — but i do wanna point out that the symbolism even went into the carpets. the fucking carpets.
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like, the shift: it’s red when akutagawa’s leading the conversation but changes to blue after atsushi’s suggesting of the submersible as a strategy? i mean, i don’t know if this (or anything i’ve said, to be fair) was intentional or not, but it’s a cool detail anyway!
personally, i enjoyed this episode, the action was great, and all of this too was a really neat addition as well! and now… uh. we wait for the chaos to get worse i suppose !? (laughs nervously)
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sulphur-and-honey · 3 months
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fluffs-n-stuffs · 8 months
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"yeah so I've started watching Horizons 'cause the plot looked interesting"
the plot that looked interesting:
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kafus · 2 months
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i finally watched HZ042 and this is all i have to say about the matter
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peteytheparrot · 3 months
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How tf does Dogman manage to have a better redemption arc story then Hazbin Hotel
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