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#they're different genres
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okay but
Kinn telling Porsche in ep 6 to leave and start a new life doing the things he loves because he likes to see him happy and porsche walking away and coming back to kiss him
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has the same energy as Pat telling Pran in ep 9 that he'll post a status saying that they broke up and that he's willing to do that for him
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soosoosoup · 23 days
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Funk branch au
Au and branch design by @bbc-trolls
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jianghushenanigans · 6 months
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If you like Mysterious Lotus Casebook, why not try The Blood of Youth? We have...
Jaded protagonist who has lost all his martial arts and claims to just be a humble member of the jianghu, lying constantly about his prestigious background and the fact he's extremely famous:
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(Here he is again but dressed like a woman this time for Plot Reasons):
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His new sidekick: a puppy in the form of a teenager with floofy hair. Enjoyer of food, kicker of ass:
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The leader of the demon sect who gets constantly nerfed by the narrative because if he was at full power all the time there wouldn't really be much of a plot:
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The three of them eating together! Bonding! Bickering!:
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Other key characters include:
Woman with chronic illness:
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Women getting cool action shots:
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This distinctive wig worn by the Purple Guy:
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A man, I swear:
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One actor who's in one of the tumblr famous cdramas that will make you go 'hey, isn't that that guy from the more tumblr famous cdrama!'
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This actor playing a guy in love with an older woman:
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These two actors playing Bros:
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... hang on this is like half the supporting cast?? well anyway if you enjoying looking at actors and going 'hmmmm i swear i've seen them before' then This is the show for you:
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This boat! I'm like 75% its the same boat but its difficult to tell with the lighting:
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ANYWAY the acting is great the costumes are great the wigs are great I cried for two days straight please watch the blood of youth
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5-pp-man · 2 months
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no you don't get it. i literally love stories where they dive into people's hearts/minds (literally or figuratively) sm it's my favourite type of storytelling.
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sugaroto · 8 months
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Camille: I run away from home to escape arranged marriage and now I can happily live my sapphic romance with the woman of my dreams for all eternity ✨🥰
Julia: I have to commit murder in a year otherwise I'll die. Everything I have learnt in my life is a lie. I'm committing crimes and I don't know who I can trust. I've seen people die. I want to get out of here. The manager of the circus is a monster that lives in the attic
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captain-lovelace · 11 months
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I think the thing that really makes it so frustrating that people insist that you can write good horror without liking or reading or watching horror is that it comes from a refusal to acknowledge that horror as a genre requires skill specific to it. It's this assumption that because they've felt fear they understand it, and can therefore inflict it on their audience using whatever skills they already have. There's just one issue: not a single person on this planet has never been afraid, so it's a really easy emotion to get wrong in fiction. It's extremely easy for a portrayal of fear to come off as, for example, cheesy, or unintentionally funny, or disingenuous, or for it to just be too personal to be scary to other people. Studying how fear is written and portrayed, both effectively and ineffectively, makes you better at doing those things yourself. In order to write better horror, you have to treat horror as a genre worthy of attention and study. And I, personally, would argue that means that you have to interact with it.
One of the biggest and most important pieces of advice that I got as a writer was to read. It's hard to be a good author who doesn't read, and it's even harder to be a good genre author who doesn't interact at all with the genre that you're writing in, because you have massive gaps in your knowledge that you're not even aware of. You might not even be able to properly critique your work! You have nothing to draw from, nothing to be inspired from except things that were not made for the purpose of inciting fear-- you're fitting a square peg in a round hole and hoping it works.
The people who say no, you can write horror without having read horror, are the same people who would never say the same thing about whatever genre they like the most. On some level they're aware of how much it sucks to have someone with no experience in a genre come in with 100% conviction that they are actually the genre's savior, before coming up with something stale, bland, and full of half-baked inspirations from whatever bits and pieces of genre media they picked up through cultural osmosis, all of which they're convinced are so original because they have no idea they're drawing on any sort of larger tradition. But, because it's horror, this for some reason does not cross their minds.
The argument seems to be that you don't have to read horror to write horror. You don't have to like horror to write horror. You don't have to care about horror to write horror. It's a genre that requires zero effort, zero knowledge, zero skill you can't get elsewhere. It has no value-- but you, the person who doesn't know anything about it, you can give it value.
They don't seem to realize just how insulting that is to hear.
(Final note: queer horror and horror by POC both have rich histories, as does horror that isn't USAmerican or Western European in origin. It's a genre that is popular almost worldwide and has a lot of really excellent offerings from everywhere. Also, in addition to horror movies and novels I really recommend checking out horror short stories/anthologies, which can really show where the genre shines. Don't shy away from older horror, as well! Some of my favorite horror stories are from the 19th century.
If you love the idea of horror but have never really found anything that clicked, I guarantee that there is something out there that you will probably like, and if you want to write horror seeing the sheer breadth of what's out there will help you write better horror-- if at least to show you what you would like to see more of, or what might be missing.)
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triple-pupil · 3 months
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So I heard that recently, the creator of The Backyardigans, Janice Burgess, passed away.
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I loved that show and it's characters ever since I was little, still do to this day, it was creative and fun, I still love watching my favorite episodes and listening to my favorite songs.
I made a couple of doodles of the characters at least last year, so I'll try to find them (I don't remember where they are ): )
I hope she knew how her show impacted so many of us, even beyond the USA, and I hope she's resting easy.
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releasing this from the hj discord dungeon because the public populace was in agreement also i'm chronically offline on tumblr and need to fix that for my chronically online ahh
#hand jumper#webtoon#sayeon lee#she couldn't even enjoy herself once she gets into the decent university because she got sent to the corps sayeon lee my giiirl#SHE'LL NEVER BE ABLE TO BASK IN THE GLORY OF VALEDICTORIAN BECAUSE SHE WAS CONSCRIPTED 😭#bro she's built like those kids in school who dump social interaction the moment exam season comes around#she's built like and earned that first honours fr.#but the corps said nah so she did the one thing those kids do make life even HARDER for themselves#even if in context it's no even hard it's just a matter of survival in the corps so success is the only option lest you die#hj reminds me of kaiji a lot with how they handle this but they're like two different genres but i digress#so she created TWO short term goals that forced her to hammer down her if not reinforce her previous values/beliefs#and if you read fp or wait until this tuesday lemme tell you rn it gets worse#which force her back into her shell and wall she's built#which is fucked up bc juni's wall is coming down when cell 4 didn't die as quick as she'd thought and surpassed her expectations#sayeon try not to be any characters narrative foil/parallel challenge fail 1000% speedrun#this only gets worse in fp and while this was in my drafts since the morning#i will say i literally just had a conversation abt this with my g bigbrainmanyvibes before prematurely leaving for lunch#but i set an alarm to actually post all the memes i made here so imma do this one now then the rest later#JOIN THE HJ DISCORD!!!!!!!!!!!!!!!!!!!! IT'S FUN!!!!!!!!!!!!!!!! AND AWESOME!!!!!!!!!!!!!! AND WAY EASIER TO USE!!!!![to me......]#PLEASE!!!!!!!!!!!!!!!!!!!!!!!!#that's it for my obligatory plug for the hj discord you can stop reading now i you haven't already stopped because i make this thing a diar#anw GLORY TO SAYJIN NATION!!!!!!!!!
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zivazivc · 2 months
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what genres are the ex bandmates or is it too early to ask?
Like "biologically" Les and Flea are both half funk and half rock, Hed is fully rock but he was brought up in Vibe City, and Liv is half rock and half techno.
But their actual genres, as in their tastes in music, are hard to categorize. I plan to put them on their character sheets (yes the ones I have been talking about making for more than a month now) but the band as a whole is pretty much nu metal; Think late 90s/early 2000s Linkin Park, P.O.D., Korn, Static-X, Limp Bizkit, Guano Apes, bands like that :)
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skitskatdacat63 · 6 months
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This is a special genre of f1 picture(to ME.)
#ive talked a lot about helmets lately oops#i guess i just rly have an obsession with how they're an extension of the driver#and a representation of them and their only sense of personality and individuality when theyre all geared up#so theres something to me about the separation of helmet from driver like in these pics#of course theres pics of the helmet on its own for model kinda pics(like all the pics i used for my past project posts)#but this is its own genre. helmet doing its own thing. helmet away from the vicinity of its owner#helmet being protected from the elements. it has its own carrying bag. it gets an umbrella. etc etc#the first pic made me on the lookout for pics w a similar vibe. IDK WHY BUT IM RLY OBSESSED WITH IT#having a severe helmet fucker era </3 i look at these and i feel very weird about them 😭#not included cause its a differnt genre but also thinking abt pics where someone other than the driver themselves is holding their helmet#theres something weirdly intimate to me about it. its too reminiscent of that one painting of the germanic warrior holding the roman helmet#<- DO YOU GET WHAT IM IMPLYING HERE.#anyways. i digress. helmet being taken care of and protected is cute to me#its such an extension of the driver so its kinda funny ig that they get their own photoshoots#also yeah these are all nando helmets bcs i couldn't find pics from other drivers that i thought had the same vibe#and i think its interesting how these correlate with whom the photographer is and the level of popularity of the driver#like are you popular enough that someone will see your helmet apart from you and think its important enough for a pic?#and its so interesting comparing pics from the same time from different teams#bcs you can see how different the motivations of the different photographers are based on what the pics are like#well blah blah blah helmet kink blah blah blah#f1#formula 1#fernando alonso#helmet
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utilitycaster · 8 months
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Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.
I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.
I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.
It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.
#i've felt this for a while but like. fundamentally? C3 is just...uniquely not set up for terribly satisfying shipping#even the ships I do like and that get small moments are relatively background#like 80% of quote unquote ship content is like. fanon goggles overlaying either parallel play or standard battle mechanics#which is fine! I think it's a different vibe and approach than the past 2 campaigns#i think especially in character creation; self-insert or easy for new players (c1)#followed by Morally Gray Campaign; Prove We Can Replicate This Success; Serious Characters (C2); followed by Let's Get Silly With It (C3)#which is less conducive to that profound connection of c1 or c2. which is not a bad thing!#but god. if you complain about the D&D show having too much d&d plot and not enough romance...yeah pal it's d&d not a dating sim#like I enjoy when there is romance in my fantasy but it's not a requirement. there is a genre full of romance. it is called romance.#i'm also thinking about this bc I need to watch wot s2 but i've been told that the fandom has gotten weird#like wow so moiraine/siuan is not the A plot? in a high fantasy Good vs. Evil series? WHO'D HAVE THOUGHT.#getting back to this...i'm also thinking about my own life and like. i moved to where i live not long pre-lockdown#and so i'm finding myself a resident of this area for 4+ years but with weaker connections than i'd have otherwise. and that's fine!#but psychologically i feel so weird about just starting to find my place bc it's been so long even though there's a good reason#and i wonder if the cast/Hells feels the same way ie why are we only just bonding now 70 eps in and so they're hesitant#that I Waited Too Long And Now It's Awkward feeling; that I Should Be Past This By Now fallacy#which. again. i think things early on could have been done differently but that time is past you need to live in the present now.#cr tag
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littlespoonevan · 9 months
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the thing about romcoms is just- it's never meant to be 'is it believable?' but instead 'do you believe it?' do you believe these two characters are actually falling in love with each other??? do you believe their chemistry??? do you believe whatever obstacle is thrown in their way is legitimately something that might keep them apart for a time and not something that could be solved with one conversation?? do you believe that they believe they need to fake date for this very specific reason??? do you believe the reason why they're 'enemies' at the start, no matter how silly a misunderstanding it may be??? do you believe the grand romantic gesture fits the characters and is actually how one character would show their love to the other?? like!!!! it's about empathy and authenticity and feeling what the characters feel so strongly that even if it's a trope or a cliché it doesn't matter because you believe it
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This is a genuine question: I know you enjoy lady whump as you have some characters that are female and are whumpees. I enjoy it too, sorta. Truth is that I feel guilty.
I know it’s kinda problematic to see lady whump as taboo and immoral but I can’t help but feel like it’s wrong, I come from a country that HATES women (shocker all countries hate women but I mean mine has a huge femicide problem) and I know how stupid I sound “I can’t feel but it’s wrong” like duh it’s whump! But I honestly don’t know how to get over those feelings, it hits too close home.
My question here is did you ever got those feelings of guilt and if you did, how did you get over those?
It's understandable to feel guilty at times, especially when creating or enjoying dark content (and especially if it's something that hits close to home)
Initially, I had some reservations about lady whump, since in mainstream media, violence against women tends to be a sensationalized thing that exists for shock value or to motivate the male lead in some way
(it's worth noting that the media has a history of doing this to trans, gay, and otherwise queer characters and non-white characters as well)
Initially I was squicked out by the idea of lady whump because I was so used to seeing it through that lens (not to mention, as you've said, the real-life examples)
However, I've seen again and again that whump as a genre tends to handle that material well (with all genders, not just females). Instead of the shock value, whump focuses a lot on the emotions, how the harm affects the character being harmed, and more often than not gives that character a fulfilling recovery arc
Personally, that's what shifted my opinion on it
Even then, if it's something you're uncomfortable with, you're not at fault for avoiding or disliking it. It all comes down to personal preference, and whether you'd like to explore it more or just stay away, it's your choice, and you shouldn't need to explain yourself (/gen)
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bluastro-yellow · 3 months
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"we're not here on some political quest" he says, in the political quest game
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queen0fm0nsterz · 5 months
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just noticed almost all the "ships" I like are actually just queerplatonic relationships in a trench coat
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rotisseries · 1 year
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"I can see will appreciating all types of music genres" well I cannot. peace and love<3
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