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#the sandman meta
writing-for-life · 4 months
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Dream and How He Experiences Love
(Or: When the Unreal is at War with the Real, and Finally Understanding Unconditional Love Tightens the Noose Around Your Neck That Has Been There All Along)
And as always: Send me asks about everything Sandman-related!
Let me start this one with a few adjectives from the horse’s mouth (aka: Neil Gaiman said so 🤣) as to what Dream is actually like:
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from: Vertigo Chase Card Set
So in short: This is probably the most accurate way to describe Dream in a nutshell, from the author himself, fully knowing that Murphy doesn’t lend himself well to be described in a nutshell.
And of course it’s absolutely fine if we want to head-canon him just being 5 out of those 50 (or none of them at all)—our stories are our own. At the end of the day, we went through a whole year of Tumblrfication (I might have made up that word), and getting back to the series will be tough. So is trying to align what the current prevalent perception of Dream is like in parts of the fandom, and what he is like in both comics and series (show and comics really aren’t that different where it matters, and I’ll die on that hill). I already worry about the fallout if I look at what happened with GO or OFMD, but that just as an aside.
Anyway, Dream in fandom spaces is often portrayed as either a pathetic wet cat who can’t get to grips with anything and constantly needs rescued in one way or another, or as a completely unfeeling arsehole incapable of relating to the human experience and being horrible all around. There are very few shades of grey in how some fans perceive him, when just the list of above adjectives shows us how complex he is as a character.
One thing that obviously comes up regularly are his relationships, be they romantic or platonic. So I just wanted to draw attention to the adjectives that relate strongly to the relational element in him (although they all apply in one way or another):
touchy, sentimental, cold, loving, [elusive], gentle, hurt, deep, intense, solitary, romantic, shy, intangible, lonely
Dream is the unreal. His way of loving relates very deeply to what stereotypical romantic love is: Romance and reality are a contradiction in terms—romanticism is dreaming because it is, at its very core, an idealised view. The intangible dream that comes back to bite us in the arse once reality sets in. And his flavour of love is the prototype of idealised and intangible (=romantic) and can never be anything else by his very nature.
And I’ve often thought that the way he experiences love is also a large part of why his existence is so difficult for him, and why he ultimately makes the choices he makes. Yes, he detests his function, but if he weren't so lonely (and weren't doomed to be so by his very purpose), he might find it easier to bear.
Let me look at, and draw parallels to, the 7 types of love as the Ancient Greeks perceived them [quick note about the image references: I would have loved to give more, but there is a limit. Also: Apologies I have no alt text for the comic panels at this point, I might add them at a later stage if I find the time]…
Eros
That’s both sexual and romantic love (to varying degrees), and it can be fleeting (like a dream) if not anchored in a less idealised view. So there’s your first cue—he totally experiences that kind of love.
The Ancient Greeks also thought it was a dangerous type of love, one that clouds our judgment and one that won’t last if not combined with some of the other types. And Dream himself knows this and probably relates (he detests his sibling Desire for “meddling”, after all). And yet, he is the intangible, the ungrounded, the unreal.
It’s all over every single one of his relationships we witness:
Killalla—“gifted” by Desire. We never get any cue as to what exactly they were up to, but it can be assumed desire, for whatever, played a large part in their relationship. Killalla makes no secret about it either (and is at the same time uncertain whether she truly loves him while being confused Dream might actually love her after what seems a very short time, at least in cosmic terms). Suffice it to say, he has a very idealised view of her and their relationship. Romantic idiocy at its best: He has literal stars in his eyes and is so grateful for Desire’s help he is basically kissing their boots in gratitude.
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Alianora—again one of Desire’s gifts. And Dream tried, and I definitely think he was at least romantically (and physically) attracted to her (the art is very hard to interpret otherwise, neither is the context--she was gifted by Desire, after all). But this relationship is generally a tricky one because there is gratefulness and guilt n the mix, and that is sometimes a very unfortunate combination. He also couldn’t fully trust her because of his deep mistrust of D/desire. And lo and behold, of course the relationship soured when romantic and (potentially physical) attraction waned.
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Nada—pursuing each other on and off, broadcasting sexy time all over the Dreaming because he's just so head over heels and literally bursting at the seams—need I say more? Yes, he does say to her that her body does not matter to him, which I 100% believe is true. He also says that he will love her as no mortal man can. But everything that transpires is still deeply informed by romantic attraction, because quite frankly: You don't feel love yet after you've barely met someone. It's again a deeply idealised view and that is something inherently romantic in tandem (in this case) with physical desire. Again, because D/desire was involved.
As to the particulars of Nada’s banishment to hell, and why Dream acted so out of character compared to his other failed relationships: You can find all of it here.
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Calliope—read her speech at the Wake is all I’ll say. That is someone making romantic love so integral to their whole existence, I don’t even know where to start. He puts the world at her feet and makes sure she always comes first (quite literally) while they are still loved up…
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Thessaly—he's the romantic idiot (affectionately) in the rain with his coat billowing in the wind, and referring to her “weighing him dispassionately and finding him wanting”. It was only a handful of months--you don't feel true, stable love at that point. Again, it has the idealised view of romance (and potentially sexual desire) written all over it. He would have given her the world, just like he would have given the world to Nada and Calliope. That is the trope of every freaking romance novel, and that is exactly how he perceives love.
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Titania—who knows, she keeps her mouth shut.
Ludus
I think he has a hard time to be flirtatious and playful (at least, we don't really see it. We never really see him during the courting stage, and what went down with Thessaly was hardly "flirtatious". `Then again, bickering like they did in A Game of You is electrifying to some, so who knows. She also said at his wake he was cautious and nervous). And if he comes across as flirtatious (there is a charming on that list of adjectives after all), it’s just because he is so deliberate in everything he does that he might just push someone’s (right) buttons, so to speak. But that’s not the same as “no strings attached”-love, because I honestly believe he’s incapable of experiencing love that way. There is no “casual” with him. He always stays attached to the people/women he once loved, even if the relationship sours. He still loves each and every single one of them, he never stops. But he also doesn’t in a way that’s sustainable, and it’s an unsolvable conflict due to what/who he is.
Philia
Most closely translated as friendship and affection. Platonic love, if you will. It is also a love between equals. He has a hard time with it and only slowly learns what it means through his relationship with Hob. Needless to say: The Ancient Greeks valued platonic love as one of the highest forms of love. Hence, I’m personally reluctant to turn it into something else/slant it towards romance, because that’s exactly what this part of the story is about: His relationship to Hob is important and grows/lasts because it is not romantic in the comics.
Storge
Unconditional love for family, especially children. Based on complete acceptance and potentially sacrifice. Doesn’t need to be reciprocated. You feel it, no matter what, and you act accordingly. And for Dream and Orpheus, that didn’t work until it did. Or, let’s rather say: I don’t want to assume he didn’t feel it. But he pushed it down in his hurt and pride (as did his son in his grief). No further comment, because that one hurts.
Agape
Altruistic, universal, all-encompassing. And that’s so deeply at the core of his being, and so central to his whole conflict that I don’t even know where to start. From not wanting to kill the first vortex (or Rose, for that matter), to telling John Dee he’s hurting the dreamers, and that being his main concern while he himself was writhing on the floor in agony, to “humanity I love you”, to a million other things. He cares so deeply, there is such a deep concern for sentient beings in their entirety that it’s quite literally impossible to call it anything other than love. And it’s also what plays a large part in his demise.
Pragma
Oh, here we go. I honestly believe he likes the idea of committed and long-lasting. And he’s trying. So very hard. Calliope is the best example. Alianora was another one, because it’s not like they broke up swiftly (hard to tell how long they lasted, but since she had stayed in the Dreaming too long to go anywhere else, it wouldn’t surprise me if we’re actually talking a very, very long time. He called it “a goodly while”, and considering how old he is, I doubt that equals only months, or even just a few years, especially since he is fully aware how short his relationship to Thessaly was). And he wanted to stay true to his promise. But he is who/what he is: the unreal. And as the personification of that, love both feels real for him but will also forever stay intangible. It’s heartbreaking really. Again, it has written the contradiction between romantic love (the ideal) and pragmatic love (the thing that is grounded in reality) written all over it.
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Philautia
And that’s the most heartbreaking one. He is incapable of self-love and full of self-loathing instead. The Ancient Greeks used to say that you can’t give what you don’t have. And it’s hard to feel compassion for the flaws we perceive in others if we don’t have that self-compassion for the exact same flaw in ourselves. And that one hurts in so many ways, from his not being able to forgive himself (which is mirrored in his relationship to Nada, who also couldn’t forgive herself—she didn’t need his forgiveness, she needed her own) to Orpheus being so much like him apart from one major difference: he’s mortal in spirit, and even immortality doesn’t change that. And Dream struggles with the part of his child that is so like him for a million reasons that would burst this meta at the seams, but again: it’s hard to love in others what we detest in ourselves, knowingly or unknowingly.
So in short: The particular flavours of love Dream feels (Eros, Agape, Philia growing slowly over time) and the ones he doesn’t (Ludus, Pragma, Philautia) are also at the very root of how the story goes.
And when he finally truly understands what Storge/unconditional love is--both in the way he reassesses his relationship to Nada but especially in how he finally submits to his love for Orpheus (with all that entails)--and when he allows it to become real, it’s what tightens the noose around his neck. But that noose has been around his neck loosely all along…
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valiantstarlights · 11 months
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Reasons Why the 2nd Half of The Sandman S01E06 (The Sound of Her Wings) is a Romantic Comedy:
The protagonist's sister wants her awkward protagonist brother to go out and meet people.
The protagonist has had several relationships in the past, and most (if not all) of them ended badly, enough for his sister to want to intervene.
The protagonist's sister already has someone in mind for him to meet, and she just knows her brother is going to love him. They're gonna be so cute together.
The protagonist does not want his sister to matchmake him with anyone. He's fine! He has a stable, successful career and he's not lonely at all.
The protagonist is reluctant to go out and have fun with his sister, but she manages to drag his ass out of his house.
The two of them are supposed to be having fun, but all the protagonist talks about is his job, and his sister scolds him a bit for being a workaholic and encourages him to live a little.
The love interest makes a bad first impression. (In this case, he calls the protagonist's sister stupid.)
The love interest is unlike the protagonist's previous partners (because he's male and a normal mortal human with no special abilities whatsoever).
The love interest is basically someone the protagonist will never ever in a million years fall in love with. (Or so he thinks.)
A bet happens between the protagonist and his sister concerning the love interest.
The love interest falls in love with the protagonist as soon as their eyes meet.
Because of the bet, the protagonist proposes that he and the love interest must have a series of dates. The (smitten) love interest doesn't know why this beautiful creature wants to see him again, let alone for dates (plural), but he agrees.
This just tackles Dream and Hob's 1389 meeting, but feel free to add more reasons from their later meetings. 🙇‍♀️
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wyvernquill · 2 years
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Now, this may be obvious to others, but I haven’t seen much discussion of it here on Tumblr, so I thought I’d draw some attention to it!
In my n-th rewatch of the 1389 scene (I keep checking and re-checking the details for accuracy in my fics), I noticed something interesting towards the beginning of the scene: I think Dream was about to “poach” Geoffrey Chaucer, similarly to what he did in 1589 with Shakespeare.
It’s subtle, but you can see Death and Dream pause in front of his table, listen to their conversation, and Dream is noticeably interested - and why wouldn’t he be, Geoffrey here is practically catnip for the Lord of Stories! So he steps closer, he leans in, we can even see him open his mouth as if to strike up some conversation about those “tavern tales”...
...and then Hob Gadling says “Look, I’ve seen death”, and both Dream and Death stop in their tracks, and the scene proceeds as we all know and love it.
Now, I really adore this little moment for multiple reasons:
1) I suspect Death planned this. She dragged Dream into the tavern and led him over to Chaucer’s table, and was going to make her silly little brother talk to a promising storyteller in the waking world for once - but then they found an even more interesting human to spark Dream’s curiosity instead, which, still a win in Death’s book.
2) It’s just so Dream. Of course he wouldn’t be able to resist a storyteller in the wild, of course he would be drawn to that conversation. Of course he would do his whole “oh, is this your wish then?” spiel and play patron of the arts for a little while. This is what he does and is, which only makes it more interesting that he then turned towards Hob instead (and didn’t talk to Chaucer after, I’m pretty sure we see Dream leave at the end of the scene?) Which brings me to
3) IF ONLY HOB KNEW. Hob “probably still mad at Shakespeare for stealing his date once” Gadling would be OVER THE MOON to know that Dream of the Endless snubbed Geoffrey Fucking Chaucer to talk to him, albeit only because he mocked Dream’s sister within earshot. Please, somebody tell him, it would be the highlight of his century, I just know it.
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notallsandmen · 1 year
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If you think that Dream takes a tactless tone with Lyta in the series, I can tell you that it is even worse in the comics
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Dream, why are you like this
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Dream, I love you and you are only hurting yourself
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five-and-dimes · 9 months
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So I'm reading through the Sandman comics, and I just got through "Three Septembers and a January" and it is just... SO interesting in terms of the Endless family dynamics.
(This is going to be so disorganized and rambly I just have a lot of feelings I loved this story okay)
Like, yeah okay I'm a Dream apologist, but seriously. Despair calls Dream (not in her gallery and without his sigil- very informal and borderline against the rules- and he still comes!) and challenges him to a game over a mortal's life. Dream is like "No, I don't play your games, I'm a goddamn professional" and Despair shoots back like "WOW you think you're soooo much better than us, not fucking around with people's lives, it's 100% your fault Destruction left" and Dream is like "...fine, hold my beer."
So that alone I'm like. Yeah dude. I get it. And if that's the shit he's been dealing with for all of existence? Yeah I'd be annoyed with my siblings too.
Another part I'm super interested in is seeing when Death shows up and when she doesn't (to be fair, we're following Dream, so it's possible we just don't see certain interactions).
At the very beginning of the challenge, Death shows up to like. Scold Dream for going along with it? She even says "I thought you were an adult" and like. Okay, sure, you think Dream shouldn't be doing this but are you going to talk to Despair and Desire about this? I love Death but a lot of times she gives me the vibe of an adult telling you "Just ignore them they're just doing it to get a reaction" instead of telling the other person to stop antagonizing you, y'know?
At one point Despair says "What's there to understand? He's mortal. He's nothing." And Dream immediately disagrees, and like. That feels like PRIME Death lecture area. Despair doesn't value mortals! The people they serve! Death if you can scold Dream for feeling lost and disconnected from humanity after being tortured for 100 years you can scold Despair for looking down on humans for seemingly no reason.
Desire eventually shows up to try to sway the guy they're following into giving into his desires, but he turns them down. And Desire is SO pissed like "what the FUCK this guy should be mine!!" and Dream's just like "¯\_(:/)_/¯" and then as he leaves is like "Tbh disappointed in you Desire, you weren't very subtle" which to me felt like an "I expected better from you" and, expectedly, Desire gets MORE pissed and as they leave, to themself are like "Oh he wants subtle? I'm gonna make him spill family blood and bring the Kindly Ones down on him!!" Which. To me. Feels like just a bit of an overreaction.
Seriously THAT'S why you want to kill him?? Because he insulted you during a challenge that he didn't even want to be a part of but got provoked into? That's your motivation? Holy shit.
Dream's done some fucked up shit, no lie, but when it comes to the family side of things? Honestly #TeamDream all the way, just leave the poor boy alone, Jesus Christ.
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aarkose · 2 years
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Everyone calls Dream a pathetic petty little baby girl and like, yeah he is - but 
And the characters themselves are like Morpheus is cold, unfeeling, harsh, cruel and yeah he can be and he holds intense grudges - but 
I haven't really seen anyone talk about the scene where he's facing the Corinthian, who Morpheus admits was his masterpiece. And our favourite nightmare pointedly says that Dream doesn't care about humanity. He only cares about himself, and his realm and his rules. 
Morpheus sort of gets exasperated here, like really dude? And tells us he contains the entire collective unconscious, without his rules it would consume him and humanity. Like maybe he's been there before, or close to it. He admitted he lost an entire universe before because he didn't take out their vortex.
His voice trembles on the word consume, like its always there, ready to crush him, like he's constantly battling, like he's tired, like no one's ever really asked, understood or comprehended that before and he's admitting it for maybe the first time or it's one of the very few. And of all the beings he's admitting it to the Corinthian who throws it in his face.
Death more or less says dream mopes and he should get over it. Fiddler's Green insinuates he's almost incapable of apology or empathy. Lucienne believes he dismisses their efforts and that he's harsh with his punishments. Gault in their defiance tries to make him see that things should be capable of change and wanting something different. 
No one seems to get the truth of him? Or part of it. Or if they do it's not apparent and it seems a great tragedy to me. When he says the entire collective unconscious, I'm assuming he means entire, as in not just human - as in all life including other species we don't know of, that are otherwise 'alien'. It seems almost unfathomable to me no one stops to think he's the way he is for a reason. 
Every single unconscious thought, decision, fear, nightmare, dream, hope - anything and everything that can manifest in dreams from the nonsensical and absurd to disturbing and whimsical, including concepts we don't even understand as humans. That is what Morpheus is made of. The screams dying in throats as people wake from horrors, the reoccurring scenes of falling, being chased, being late, the grief from loved ones dying, flying, school, sex - the ones that don't make any sense. 
The nightmares that are so real and strong you can't get back to sleep. The dreams that are so sweet or fantastic you wake up mourning their loss. Day dreams, dreams that pick up where they left off, lucid dreams, depraved and disturbing dreams. The little thoughts we have about others we'd never say out loud or tell another living soul but they exist. It's all real, part of what makes us who we are and every other being that can dream - no wonder Morpheus' voice trembles on the word consume. That has to be near maddening? Like he's riding the line between insanity at any given moment because dreams can be entirely bizarre as much as they can hold significant meaning. 
So he mopes? He's distant? He's cruel or uncaring. Unfeeling in how he operates - I feel like I would be too if I contained the concepts of the entirety of existence - everything his siblings govern exists in his realm in the form of dreams. You can dream about desire, death, destruction, delirium, destiny, despair, all of it. He doesn't feel enough? Distant? Ungrateful? 
I think he feels too much, way too much and he can only push it down so far, or hold it back just enough. It makes him seem so delicate in my mind, like those who bottle and bottle. Pushing everything down or back just to keep functioning and then one little thing makes them snap. Suddenly you've damned your former lover to ten thousand years in hell because that amount of time and processing doesn't seem unreasonable against the impossibly incomprehensible thing that is existences unconscious. Let's not forget the souls in hell or every other afterlife, if they also dream, the concept of dreams as goals, the act of dreaming, creation and destruction, every nasty little thought, every fucked up thing anyone has ever comprehended and every joy. 
Maybe that's why everyone's harsh on him in my eyes, that he should have all this perspective but seemingly doesn't? But he believes what he does because he has that perspective and some things within that spectrum do not change, they repeat because there's only so much that can exist, and that has to be tiresome. 
But honestly, the other Endless, dreams and nightmares should realise what he's dealing with? Especially those close to him, or orbiting because no one is ever really close, and if dreams and nightmares can dream then Morpheus should know those too. I'd probs keep everyone away from me if I was a scrambled construct of emotions.
Fuck me up honestly. My tiny human brain is snapping trying to even comprehend the inner workings of Dream. None of this even makes sense. Just let the man rest, give the baby girl some slack. He's got both feet off the edge and no one's got his back. I'm tired now.
TLDR: Dream probably is the way he is because being who he is, is a lot. 
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pellaaearien · 1 year
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Hey so here’s a really mean Sandman thought I had...
I just finished reading The Kindly Ones for the first time. (Yeah.) And I must say, it was a very interesting experience from the perspective of someone who both watched the show first and has also been hanging around deeply into fandom enough that I’ve absorbed spoilers/meta/whatever else surrounding the end of the comics before reading them to draw my own conclusions.
Now I have. And I think I’ve come to some interesting ones.
First off, naturally, Neil Gaiman has written the ultimate tragedy. Everything comes full circle, every decision made with the best possible intentions has the worst possible outcome, and it was always going to be this way. It’s a masterstroke, and as I read I was less sad than admiring at the completeness of it, the way everything slots into place so neatly.
Ever since I spoiled myself for the ending (which I’m glad I did,) I’ve read quite a bit of Kindly Ones meta. Many words have been spilled around the subject of “if someone had just SEEN what was wrong...” but MANY people did! Fiddler’s Green. Matthew. Nuala. And, of course, Hob, who Dream walks out on - again - because he’s being too perceptive. Again.
I was also reading the book with the foreknowledge that this is all an elaborate suicide plot on the part of Dream. After all, as Death says at the end, “the only reason you got yourself into this mess is because this is where you wanted to be.” And, later, when Dream says he has made all the preparations necessary, “You’ve been making them for ages. You just didn’t let yourself know that was what you were doing.” To which Dream replies, “if you say so.”
So we have lots of people saying lots of things about Dream, but what do Dream’s actions say for themselves? Because I must admit, reading the book knowing how it was going to end threw a lot of those assumptions into a new light.
Let’s go back to the conversation with Death. Dream says: “I did not plan this, my sister. I had imagined that I would be able to keep events here in check. I intended to play a waiting game, in which, ultimately, no harm was done.”
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This I believe. One of the things that never sat right with me was Dream sitting back and letting his creations suffer, if his intention all along was to destroy himself. I don’t believe that’s in character for Dream in any incarnation.
What was Dream’s motivation? Dream is tired. He says so himself. He’s been tired for a long time, probably even before his imprisonment and having to basically remake the Dreaming and since then he hasn’t had a moment’s peace, what with Season of Mists and Orpheus and everything else. I think meeting Daniel planted the seed in his mind, that there was an out. As Death says, “...the stuff you do. Where you do it, and you won’t even admit to yourself it’s what you’re doing.” 
Meeting Daniel was that moment for Dream. Someone who could take over his responsibilities in the Dreaming. He can’t just walk away, like Destruction and Lucifer. That’s not who he is. I think Dream’s plan was to wait for Daniel to grow up some, and then... something. ??? profit. Maybe he would’ve gone to the Fates himself and taken their punishment for Orpheus. (Because he does, as Nuala astutely points out, want to be punished for Orpheus).
BUT, Daniel gets stolen while he’s still a baby. So Dream sends Matthew and the newly-remade Corinthian after him. Lyta, meanwhile, instigates the Furies, so now they’re on a ticking clock.
(I don’t, personally, think that Dream freed Loki with the intention of setting all this in motion, but that’s up to reader interpretation.)
Dream makes preparations. It certainly seems like he’s making peace with the fact of his death. He visits Nada (a small boy in Hong Kong), does a census of the Dreaming, acknowledges his servants, feeds pigeons, examines his properties in the waking world, and reviews various treaties and agreements to which the Dreaming is subject. He is responsible. He’s getting his affairs in order in case things don’t fall the way he expects them to.
When his Griffin is killed, Dream tells Furies: “I can create another, who would not even know that it had ever died.” Cold, perhaps, but very in keeping with the type of backwards kindness we’ve seen from Dream throughout the series. He also says: “This is my world, ladies. I control it, I am responsible for it. You with neither destroy it nor will you destroy me.”
The last part, as we know, is simply true. The Dreaming can be restored endlessly, and even if the facet known as Morpheus is destroyed, Dream will continue. But it’s the first part that’s significant. I control it, I am responsible for it. That part says to me that he would not allow his creations to suffer. He is responsible for them. And yes, he could restore them with a thought, but why bother? If he’s trying to get himself killed, why doesn’t the story just end here and now? With the Furies and Dream alone in his throne room?
Clearly, he’s waiting for Daniel. He can’t allow himself to be removed without a successor in place. Once the Furies leave, he immediately calls Matthew for an update. Matthew comments on how cold Dream sounds - he’s feeling the pressure.
Fiddler’s Green is killed. Does Dream say “I can create another?” No. He immediately goes in search of Lyta, to hopefully negate the wrath of the Furies. A stopgap, as the Furies would find another avatar in time, but Dream is taking action. He is not passively letting his doom collapse around his ears.
He’s foiled by Thessaly (all my homies hate Thessaly). While they are estranged exes, Thessaly admits that protecting Lyta from Dream was “not entirely” to hurt him: she struck a deal with the Three for a bit more life. Hurting Dream was an added bonus. She knows Dream well enough that he won’t break the rules in order to kill Lyta.
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Dream is visibly upset by this. He won’t break the rules, but Thessaly’s actions (and his own, by extension) mean that more destruction will be wrought in the Dreaming. Lucien takes him to task for it:
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Lucien asks why he isn’t restoring the things the Furies destroyed, but it makes sense to halt the source of the destruction first, rather than needing to fix things over and over again. Dream is at a loss. His plan was foiled and now he has no way to hold off the Furies. And Daniel is still missing. He could summon his sister right now (as he says, “by his own hand or another’s”) but that would leave the Dreaming in disarray, and he won’t do that.
Now to add Nuala’s summons into the mix. While Death will later point out that yes, Dream could have rejected the summons, I think it’s important to remember that he does actually try, at first:
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“I must most earnestly beseech you...” That is begging. That is literal begging from Dream of the Endless, and it doesn’t stop there.  “You do me a disservice, Nuala,” Dream says, after Nuala quotes his promise back to him. He tries to get out of it! But Nuala won’t let him, throws his words in his face, and thereby seals his fate. Because Dream of the Endless, if nothing else, keeps his word, follows the rules. As he says later: “If we did otherwise, we would not be ourselves.” 
He can’t just leave his realm like Destruction. He can’t ignore the rules and kill Lyta anyway. He can’t go back on his word and reject Nuala’s summons. If he did that, he would no longer be Dream.
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So, he sets Daniel up in his new role as best as he can with the time he has left, and then he takes his sister’s hand to prevent any further damage to the Dreaming. Death accuses him of planning the whole thing, and perhaps that’s true. Perhaps he saw where the pieces were laid on the board and manipulated them to his advantage. I certainly don’t deny that ever since Orpheus he had intended to take himself out of the picture, one way or another. But I truly don’t think he meant for it to happen like this. I don’t see him as a cold-hearted chessmaster, forcing himself into a corner until he has no way out, with his creations’ existences hanging in the balance. I think he had a plan, and tried to stick to the plan as best he could, as the true tragedy spun into place around him: it was always going to happen like this.
Are y’all ready for the mean thought?
Because thinking about it this way, if truly all he wanted was a way out, he could have expedited the process at any point. As I hope I have shown here, to the contrary, his behaviour reads to me as someone who held out until the absolute bitter end, until he literally had no other choice. What are we to make of this? On the one hand, we have Death’s accusation about  “...the stuff you do. Where you do it, and you won’t even admit to yourself it’s what you’re doing.” Maybe that’s true. Death knows Dream, and knows what she’s talking about.
On the other hand, we have a scene, way back at the beginning, with Hob. (Hob who, incidentally, doesn’t seem all that surprised to see Dream outside the confines of their century meetings, given that he thought their toast during Season of Mists was a dream, but I digress.) (Dream also goes to see Hob the instant there’s any inkling of trouble, again, as he does in Season of Mists, but I digress a second time.) And Hob is, as in 1889, too perceptive by half. As Dream is walking away, Hob says:
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“You take care of yourself.”
What if Dream went to Hob, knowing his friend, being perceptive, would guess that something was up?
What if he just wanted to be reminded that someone cared whether or not something happened to him?
He gave Hob a promise that he would take care of himself. And so he did, in the face of overwhelming odds. (Odds that he may or may not have set in motion himself, true, but that just makes it more extraordinary.) Until he couldn’t any more. Until taking care of the Dreaming took precedence over taking care of the aspect, Morpheus.
Because Dream of the Endless always keeps his word.
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altair214 · 1 year
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One thing I appreciate about the show over the comics is what seems to cause Dream changing for the better. Like in the comics, the cause for his change seems to solely be his time in the fish bowl, but in the show there's more of the implication that while the fish bowl was the catalyst for him changing, the thing that really brought about his change for the better was his interactions with people after he got out. 
Like his whole interaction with Johanna, they seemed to connect in a way that Dream didn't with John in the comics. How she distinguished herself from Burgess even though she's probably not a good model for how to be a good person. How she told Matthew to look after Dream. Then there's Matthew, how he refused to leave Dream despite Dream doing his best to order him away. Then in episode 6, Dream's whole interaction with Death. Then him going to meet Hob. where he actually apologized. Of course, we don't and probably won't know for a while how that interaction went, maybe Dream just totally ignored the fact that he was 33 years late after apologizing, but maybe not. 
But in the show, it seems that it was these interactions that changed Dream for the better, not his trauma itself. Now of course, having only time to think about things is bound to change someone, so the time in the fish bowl definitely allowed him to consider changing, but it was healing (to some extent, Dream definitely needs a lot of therapy) after being in the fish bowl for so long that really brought about the change and that's one change from the comics I think the show did really well. 
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I was thinking about how whoever Lucienne was in her first ever lifetime before she died and became Morpheus' first raven, she must have had a name in a language that perhaps is not only long since dead, but lost and forgotten entirely by all other living beings but her because at minimum, we know that his first raven was Very Long ago even if we don't know exactly how long.
And then I thought about how the job she chose after she stopped being Dream's raven was to tend a library containing all the untold stories of the entire universe, in all languages across the universe of all things living; one where now, there will always be an archive of them all, and even if those other languages become "dead" they can never be truly lost entirely. And then I got emotional
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virgo-dream · 9 months
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Thinking about the effect that Hob had on Dream after they met in 2022 like…. even though his apology was somewhat humorous (and very charming), Dream did say he owed Hob an apology. He also smiled from the moment he realised Hob was happy to see him. After that, Dream does fuck up many times, but he apologises to Lucienne and is willing to admit to his shortcomings.
He’d been depleted of hope and felt like no one cared about him. He returned to his realm to find only Lucienne had stayed. He went on a quest for his tools and refused help at every turn, but the moment those big brown eyes crinkled at the corners it was over for him and the spark inside his own eyes lit up again
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writing-for-life · 6 months
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Tales in the Sand—Did We Find The Women’s Story?
And as always: Send me asks about everything Sandman-related!
People, my head is spinning a bit, and of course we’ll never know 100%, but did we maybe, just maybe (through the biggest collective brainstorming effort and going off on a million tangents as to why Dream overreacted so badly to Nada rejecting him, to the extent it felt OOC considering his reactions to his other failed relationships) find the women’s story in “Tales in the Sand”?
In essence: Can we assume that the last time, Nada didn’t just say no to Dream’s plea to become his queen and give up her mortal life/not move on to the afterlife, as suggested by the tribal elder. She asked Dream to give up being Dream. That’s a comment in passing in Season of Mists we never hear in Tales in the Sand. And of course we know, in hindsight as they reconcile, she asked this, but it is omitted in the original tale.
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It’s just one puzzle piece as to why we think he overreacted—there’s much more to this of course, so read and scroll right through to the bottom.
But this one is particularly about the women’s story. What say you?
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It's kinda funny that the Sandman TV show insisted that Dream be totally hairless (aside from his head) when, like, he canonically DOES have body hair in the comics. He's got significant beard stubble in multiple panels, and Overture confirms he has armpit and pubic hair. Like he's by no means a hairy guy, but he has SOME hair
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orionsangel86 · 10 months
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Its gonna drive me crazy - that they are filming Song Of Orpheus now, before Season of Mists and Game of You.
I can't fathom how they can possible tell the story of Brief Lives before at LEAST SoM, so I am super curious how they are changing this order around and WHY.
Because I think the main thing it indicates is that the show wants to keep the focus on Dream instead of on other characters.
I have to wonder if they want to simply tell the story of Dream and Calliope, and Orpheus, before they delve into Dream and Nada (which imo will be very difficult to adapt and keep any sympathy with their lead character). That rather than keeping the order strictly as per the comics, they will instead spread out the various histories of Dream's long life leading us to the modern day so we can see just how much he has changed. Because I just can't see Brief Lives being tackled in season 2. I just cant. Its too much of an emotional climax. We need the other stories to provide build up.
I can see some sense in wanting to keep a coherent story focused on the lead character - the comics take forever for us to learn anything about Morpheus beyond "spooky goth dream boi" so im glad that we will go straight into his histories and perhaps learn a bit earlier why he is Like That.
But who knows! The costume slaps, he looks amazing in his flowy ancient robes and deep V neck, and for the time being I'll just enjoy amy new pics of Tom in his awesome Dream outfits (and hope that they get sluttier and weirder as time goes on)
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questing-wulfstan · 11 months
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One thing that is so precious and important to me about Hob's character, is his utter regard for Dream's boundaries.
You may call him an idiot for not seeking any more intel on the entity that has apparently made him immortal without his express consent, and that is fair, but to me that is a deliberate choice on Hob's part.
At first, Hob's not even aware he's been made immortal and may have a price to pay for it, and once he does, he expects to be told of his debt when he meets the stranger in the tavern of the White Horse, one hundred years from 1389. Yet on their first agreed-on meeting, Dream does not corroborate Hob's dread for his integrity — of soul and of freedom. He remains entirely cryptic, but encourages Hob to take full advantage of his prolonged life, if only he'll report on it to Dream once a century.
From there, Hob doesn't feel the need for intel on his stranger so as to devise safeguards against him leveraging Hob's immortality against him. There's also in him immense recognition to the stranger for having turned him immortal, and demanded so little a price in return. Whatever his reasons might be, his own anonymity flagrantly matters to Hob's stranger, and it wouldn't be fair to his benefactor to dismantle it behind his back.
Obviously that does not deter Hob's natural curiosity for all things — as well as his desire to get closer to the stranger — from enquiring, but that only shows his contentement with what Dream is willing to give away about himself throughout the centuries.
Now you're going to tell me that running after Dream claiming that they are friends disregarding that Dream's just denied it in 1889 isn't very boundary-regarding of Hob, but I think he has a very different perspective on the event than Dream, and us readers/viewers following Dream's POV, do.
The problem is that Dream knows himself to be (and I quote) "one such as I", and yet how much he has in common with Hob. Hob doesn't.
What Hob means when he calls Dream his friend, is that Dream has given him exactly what he was willing to give him, and shown himself exactly how he wanted to be perceived by Hob, and that Hob's fallen in platonic love with that, with what he assumes is Dream's most authentic self, rid of what taints him in the eyes of the people who know "more" about him. He means "you might have done terrible things that have irremediably skewed your relationship with people that used to love you, but I love the person you've shown yourself to be with a blank slate. I've shown you all my own flaws throughout our acquaintance, you've helped me grow and become better and I don't believe you to be flawless, but in whichever way you may be flawed that you hide from me, it cannot eclipse how much I love you. And I want you to be aware of this. "
Obviously, Dream and us are well aware that "one such as I" refers to him being an Endless, but to Hob it can mean a number of things, and namely, I believe, "I who have done something so unspeakable it cannot be repaired nor forgiven by anything or anyone."
That is why he allows himself to run after Dream and assure Dream that he'll be here in a 100 years' time and if Dream's here then too it'll be because they're friends. He thinks Dream is so lonely because he was deprived of love, and doesn't allow himself to accept now love because something he has hidden from Hob makes him unworthy of it in his own eyes, and Hob is claiming that no, his stranger deserves Hob's friendship and that Hob will patiently wait for him to come to term with it, even if it takes him a century.
Hob just does not and cannot guess that what weights so heavily on his stranger's shoulders and consciousness is his mantle of Dream of the Endless.
In conclusion, Hob Gadling king of respecting boundaries 2K23
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moorishflower · 2 months
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There's a lot of interpretations of how Hob Gadling's immortality works, and I just had the thought it would be interesting if there was an element of Destiny in there - he doesn't have spectacular healing, but in a dangerous situation events will conspire so that he just doesn't experience a mortal wound: bullets just happen to miss, weapons just happen to malfunction.
Oh I enjoy this one! Hob is *lucky*, because destiny is kind of tied in with luck, isn't it? I usually see his deal being tied in with Time, because he doesn't age, but Destiny is the eldest and I guess you could argue that he has some measure of control over time (destiny being an ever-forking road that never ends, etc.). I like the idea of Hob going through multiple campaigns during the Wars of the Roses and it's not like he DOESN'T get hurt, but there's always something that happens that keeps it from being fatal. A sword that would deliver an otherwise fatal gut wound gets knocked askew by an out of control horse, and Hob gets stabbed in the arm instead. When everyone else gets dysentery from a tainted creek, Hob is the only one who drank from upstream instead of downstream (not because he wanted to, but because that's just where he happened to be at the time).
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williamrikers · 2 years
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i kept wondering how they managed to make dream look so weirdly inhuman while he was trapped in the fishbowl (even though he's literally played by a naked human man) and while it has a lot to do with lighting and camera angles and tom being able to contort his body into weird shapes, i think i finally figured out what exactly threw me off: his body is completely hairless. his arms, his legs, his torso are all just a little too sleek, just that tiny bit unnatural. what a brilliant choice.
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