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fairy-angel222 · 3 months

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𝐇𝐎𝐖 𝐓𝐎 𝐅𝐔𝐂𝐊 𝐘𝐎𝐔𝐑 𝐆𝐈𝐑𝐋 𐙚˙⋆.˚ ᡣ𐭩

—geto showing gojo how to fuck you like you deserve

pairing: geto x fem! reader x gojo

content: smut, voyeurism, cuckholding, creampie, cunnulingus, cum eating (gojo eats geto’s cum out of you), praise, degradation, hair pulling, fingering, fingering, consensual cheating, overstimulation, choking

a/n: i’m really sorry for the repost, tumblr flagged the first one :’)

Geto showing Gojo how to fuck you, Gojo’s darling little girlfriend, just right. Gojo sitting on the single sofa in the two’s shared living room. With Geto on the large one and you on his lap with long fingers deep inside you, curling against your g spot as he pumped them in and out. His other hand was wrapped tightly around your neck, forcing you to keep direct eye contact with your boyfriend.

Gojo gulped hard as he felt his boner grow impossibly harder, straining against his pants as his face grew hot at the sight. Soft moans and pants were leaving your pretty lips as your body jerked with every thrust of Geto’s fingers. “See that? I’m barely even doing anything and she’s becoming a mess.” Geto scoffed, giving you no warning as he began hammering his long fingers into you at a rapid pace.

The curled digits were hitting your spot so perfectly, making you cry out loudly in pleasure. Your legs threatening to close as you whimpered, letting out a yelp when Geto slapped your thigh in warning. “Behave, slut.” You whimpered once more, teary eyes meeting your boyfriend’s as your mouth hung open in pure ecstasy.

“F-fuck.. feels.. f-feels so good,” you moaned, eyes closing as you tried to lean back against the huge man.

“Look at him. Look at your boyfriend try to contain his boner.” Geto increased the pressure on your throat, keeping your head in place as you looked towards Gojo who kept looking away. “Bet he’s never even made you feel this good,” he falsely cooed, sending Gojo a smirk before focusing his attention back on you.

A loud moan escaped your throat when Geto inserted a third finger, stretching you out in preparation for his cock. His fingers curling against your gummy walls, and you could do nothing but whimper and cry as you neared your orgasm. “A-ah—” you mewled “m gonna, ngh— ‘m g-gonna cum,” you moaned, body starting to tremble as you felt a not so familiar coil building up in your stomach.

“Yeah? Gonna cum on my fingers and show your boyfriend what he could never do?” You nodded vigorously, your head empty as you babbled out little yeses and pleases. Geto’s eyes connected with his roommate’s, a teasing smirk on his face, “you know, you can get off to me ruining your girl if you’d like, there’s no shame in it,” he shrugged.

Gojo scoffed, rolling his eyes as he cussed the black haired man under his breath. Geto brought his lips down to your ear, “as for you, you don’t get to come until you’re nothing but a brain less slut on my cock.”

With that, the man removed his fingers from your now fluttering hole, causing you to whine out in protest, tears pooling in your eyes as you felt the coil slowly subside.

Geto lifted you up with ease, placing you on your hands and knees with your face towards Gojo before filling you up immediately. His length reaching deep inside you making you let out a soundless scream. Geto started off rough, fucking into you like he had nothing for you but hatred.

His hips slammed bruisingly against your ass, cock bullying its way against your g spot with every merciless thrust. Your eyes rolled back as you let him flatten your cheek onto the cushion of the chair. Drool pooling near the side of your mouth as you were rocked back and forth at a speed that seemed humanly impossible.

Your head was foggy, loud sobs and incoherent moans of his name spilling past your lips. “C’mon, you can do better than that. Let him know who’s making you feel this good,” Geto grunted.

“Y-you— fuck- you are, ahh,” you let out a loud cry, “you’re making me- nghh— making me feel this good. Can feel you so deep,” You whimpered, hesitantly looking towards your boyfriend’s direction to find him cock in hand, trying his hardest to match his fist to the rhythm of his friend’s thrusts.

Gojo groaned loudly when his eyes met yours, the sight of your fucked out face sending blood straight to his dick. Geto chuckled at the other male, gripping onto the curve of your waist as he continued to hammer into you, angling himself to hit all the right spots to drive you crazy.

You mewled as you arched your back, his cock practically pushing against the skin of your lower stomach with each movement of his hips. “There we go..” he cooed, watching as your face contorted into one of a pretty little slut who craved nothing but cock. His cock.

“See that? This is exactly what the bitch needs to look like. Like there’s nothing else in the world but your cock fucking into her, isn’t that right baby?” he groaned.

“Mhm!” you cried.

“Fucking hell- you’re so tight, feels like you’re gonna break me in half,” Geto grunted. And all you did was let out an incoherent babble in response, barely even registering his words as you were fucked into oblivion. Your eyes teary with nothing but pleasure.

Stars clouded your vision and your toes curled as you neared your release, “S-suguru.. ‘m gonna cum, please let me cum. Wanna be your good girl ‘n cum on your cock,” you cried out in between broken mewls, eyes puffy as you tried to look back at him.

“You’re an even bigger slut than I thought, I hope your little boyfriend is taking notes on how to treat his slutty little girlfriend.” his voice was deep and raspy as he neared his own high. “Go ahead- fuck, look him in the eyes and cum for me.”

You let out a string of high pitched moans when he began to rub your clit, your brain fuzzy as glassy eyes looked towards Gojo. His mouth opened in pants and groans as he approached his orgasm with you. “Ngh— ahh. Gonna cum Suguru- ‘m a good girl right? P-please tell me ‘m a good girl,” you whined.

Geto’s eyes widened, his dick twitching at the pure desperation in your voice as you begged to be praised. He smirked, watching your ass recoil with each of his harsh thrusts. He hummed, “Such a good fucking girl for me, taking me so well.” His breathing getting heavier by the second, “Fuck, you’re my good girl baby.”

You let out a high pitched cry, “T-thank you, thank you, oh god ‘m cumming— nghh.” Eyes never leaving your boyfriend’s as your body quivered, pussy tightening as you came all over another man’s cock.

Gojo did not take long to follow after you, “Oh f-fuckk.” he groaned out as his body spasmed, fist halting around his reddened cock as his cum spilled onto his stomach in hot spurts.

Satisfied, Geto pulled you up by your hair, your back arched against his chest as he continued to fuck into you relentlessly. Pulling out another loud string of moans from your swollen lips. His head fell back, never slowing his pace as he reached closer and closer to his release.

He grunted, his breath hot on your ear when he let out a long groan. “Gonna cum in you baby— gonna fuck you full and make your boyfriend eat you out.” He whispered, his dark eyes meeting Gojo’s hungry ones.

“You’d love that won’t you baby?” you nodded with a shaky whine at his teasing coo, feeling his thrusts becoming hard and slow.

Geto let out a string of curses, stilling inside you and allowing his cum to fill your tight pussy to the brim. A glare on his face when Gojo opened his mouth to protest.

“That’s it. Take my cum deep. This is exactly how pretty little sluts like you need to be treated.” he coaxed, slowly pulling out of you for the milky substance to seep out your hole in spurts.

“Now, Satoru. Come clean her up.” his deep voice demanded. Sitting back with you on his thighs. His rough hands spreading your legs open towards your boyfriend.

Your folds glistened with your wetness, his cum slowly dripping out of you as you clenched around nothing. “Come on. You know you want to.”

Gojo stood up. Being stopped by Geto who grinned.

“Crawl.”

Gojo huffed lowly, getting down on his knees and crawling his way over to you. His tongue swiping over his lips before he found his head buried between your thighs. A soft whimper sounding from your throat at the light overstimulation to your sensitive clit.

Gojo licked up your folds, sucking both your sweetness and geto’s saltiness onto his tongue. You moaned loudly when he latched his mouth onto the small bud, his tongue swirling around it making a string of cries fill the room.

Geto watched in amusement as his friend devoured your sopping pussy. His long tongue dipping into your hole and curling into your painted walls. You let out a mewl, your head resting on Geto’s hard chest as your boyfriend used you as his meal.

“O-oh, S-Satoru baby,” you mewled, your fingers tangling in his hair and tugging with every movement of his wet tongue. “F-fuck— so good.” you let out a broken cry when Gojo thrusted two of his slender fingers into you. Lewd squelching sounds echoing the walls as he fucked them into you.

Your pussy gushed onto his hand, the man’s skilled tongue unable to keep up with your leaking juices. Your eyes rolled back when he sucked on your clit once more, body shaking lightly at the sensitivity.

Geto smiled, kissing down your neck while running his thumb along your bottom lip. Slipping it inside and pressing it at the back of your tongue. He hummed, “Think we should feed his lil ego?” Your head tilting to the side to let him graze the skin of your neck with his teeth. “Make a mess on his tongue?”

You twisted and turned as your second orgasm washed over you. You were so sensitive, trying to squirm away but having your legs held tightly opened by Geto. “O-oh fuck— ahh, ‘s too much.”

Gojo moaned into you, his face becoming more drenched by the second as he feasted on your wetness. Hungrily lapping up everything you had to give. Your pussy squirting messily against the force of his fingers inside you.

“Look at that,” Geto teased, “Finally made your girlfriend squirt.”

Gojo kept on with his torture, loud whines and mewls falling past your lips as he became drunk on your pussy. His eyes closed and his mouth latched onto you tight. His face moving along with the movements of your hips trying to escape him.

“S-satoru— nngh- too much.” you sobbed, your legs twitching and your hips jerking as your back arched, your boyfriend getting back to almost painfully licking at your clit. “Satoru, ‘m too sensitive- fuck.” Gojo only looked up at you with half opened eyes, the only thing on his mind being how fucking good you tasted on his tongue.

Geto groaned, your teary face making his dick rock hard again. “Give him one more yeah? You can take it.”

Your second one did not take long to engulf you whole. Your legs trembling once more as you cried out loudly. Mewls of Gojo’s name falling from your tongue as your stomach tightened, pussy spilling even more onto his face. Gojo kept his face buried in you, tongue still making its final laps despite your constant whimpers.

“Okay now, that’s enough.” Geto laughed, peeling Gojo off of you by his hair. Your boyfriend letting out a groan as he tried to latch back onto you. “Gotta get our girl cleaned up now.”

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quest-draws · 1 year

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Image description: A four page black and white comic of my tortoiseshell cat, Bunny, complaining that I won’t let her in from the screen porch.

Page 1

Panel 1: A small tortoiseshell cat sits on the other side of a glass door, looking up sadly, saying, “Mama! Mama, help! I’m in the screen porch!”

Panel 2: She scratches at the door. “Mama! Mama I’m trapped! I’m trapped in the screen porch! Mama!” she cries.

Panel 3: She looks through the glass with her sad, innocent expression. “I see you, Mama! Can’t you hear me? Why won’t you let me in? What have I done, Mama!”

Panel 4: The left corner is dominated by a close up of her face, as she reminisces about the cat tree in the screen porch. We see her perched on the very top, looking out over the backyard.

She says, “Was I not grateful enough, Mama? You gave me a throne, here in the screen porch! A place where I could look down upon the world as a god!”

Page 2

Panel 1: While she’s perched atop her cat tree, it begins to rain outside. Bunny looks askance at it from behind the screen.

“But I couldn’t touch it, Mama!” she narrates, now in boxes instead of word balloons, “I could see the rain lavish the earth, but never feel its cool caress!”

Panel 2: A paw rests on the screen. On the other side, two birds chirp, unbothered by the presence of Bunny.

“I could smell the blood of the song birds, but never taste its warmth! I lived as Tantalus in this screen porch, Mama!”

Panel 3: Sitting on a cushioned chair, bunny looks out over the yard, barred from her by the porch screen.

“Tormented by what I could never reach!”

Page 3

Panel 1 : Another reminiscence, this time of Bunny running through the open door to the screen porch earlier that day while I was taking out the garbage.

“And yet I returned, again and again and again! Was that my sin, Mama? Is this my punishment? To be condemned forever to a hell of my own choosing?”

Panel 2: Returning to the present, Bunny looks up from the otherside of the door, her eyes wide.

“Is this what you call justice, Mama?” She says. “Is this what you call love?”

Panel 3: From Bunny’s perspective we see me; I am ignoring her, going about my business. She calls out to me, “Answer me, Mama! Mama!”

Panel 4:I glance back at her, unmoved by her cries. “Mama!” she yells.

Page 4

Panel 1: Pulling out we finally see more of the wall which has the door to the screen porch. Directly beside it is a cat door that goes through the wall, out into the screen porch. Another cat, Bunny’s sister Maggie, is coming through the cat flap with no issue.

I say, “ Bunny, I know you know how to use the cat door.”

Clawing at the window, tears in her eyes, Bunny screams “MAMA!!”

End ID.

#cats #kitties #kittens #cat comics #pet comics #pets #comics #funny

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checkndartz · 7 months

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Idea for a sizable coastal deck without a cover Deck - large coastal deck idea with no cover

#master balcony #shingle siding #black white art #white area rug #gray cushions #outdoor lounge chairs

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whycolour · 8 months

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Freestanding Home Office Minneapolis Photo of a mid-sized transitional study room with a dark wood floor and green walls but no fireplace

#sophisticated home office #black rotary phone #sliding ladder #hardwood flooring with area rug #cushioned desk chair

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clare3dx-inspiration · 9 months

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Loft-Style in London

Inspiration for a large timeless loft-style laminate floor and beige floor living room remodel with gray walls, a standard fireplace and a stone fireplace

#black upholstered coffee table #scatter cushions #living room #curved curtain pole #glass and metal coffee table #corner chair

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qveen-brallie · 10 months

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Modern Home Bar Toronto Wet bar - mid-sized modern single-wall carpeted wet bar idea with an undermount sink, flat-panel cabinets, dark wood cabinets, solid surface countertops and brown backsplash

#clean #black chair cushion #dark wood coffee table #ontario #modern #dark wood cabinets

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oleg-rybak · 11 months

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Idea for a sizable coastal deck without a cover Deck - large coastal deck idea with no cover

#master balcony #shingle siding #black white art #white area rug #gray cushions #outdoor lounge chairs

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garfinski · 1 year

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Contemporary Dining Room in Austin An illustration of a mid-sized, contemporary, enclosed dining room design with a medium-toned wood floor, multicolored walls, and no fireplace

#cushioned high-backed armchairs #sheer curtains #striped area rug #vaulted ceiling room #large windows #black dining chairs

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studyelephant · 1 year

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Siding Exterior in Denver A picture of the exterior of a mid-sized, modern, two-story mixed siding house with a hip roof and a mixed material roof.

#mixed materials #exterior #outdoor rocking chair #black smooth siding #black cushions #grass laid concrete pavers

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fancyfade · 2 years

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Manual Wheelchair Tutorial by Fade31415

So... I technically drew this 3 years ago but forgot to post it. I think I was going to clean up the end and make a nice recap, but I ran out of steam and then just left it as a wip for years. I got reminded of it because I was talking to a friend about how to draw wheelchairs today.

This covers most of what I view as the most common errors when it comes to drawing characters who use manual wheelchairs. I hope it helps you a lot.

Image description is in alt text, but there is a back up image description under the cut in case that does not work for some reason

[image description: a 4 picture long wheelchair tutorial. the background is white and the text, when it appears, is black and in calibri. each step will be labeled with "Step #" and a description of the drawing next to it, and "text" and then the text that is written to explain it to follow.

Step one text: So, you want to draw a character who uses a manual wheelchair? Awesome! I can't approve more. Drawing characters who use wheelchairs is a bit different than drawing standing characters, because of obvious posing differences. But to start, you need to know what parts of a wheelchair you will draw. So, without further ado, here are 3 wheelchairs!

Step one image: a simplified drawing of a chubby woman sitting in a quickie GPV manual wheelchair and resting her hand on the handrim of one of the wheels. this is labeled "the artist"

step two: next there is a lineart drawing of three wheelchairs. one is a tilite TR series 3. this is an ultralight wheelchair with a bucket seat (the back is lower than the front), a big cushion and a short backrest that kind of contours to the back of the person who would sit in it. the caster wheels (front wheels) are very small and the footrest is just two little metal bars. next image is a quickie GPV. this is also an ultralight wheelchair with a low back, but its caster wheels are slightly larger, the back has regular upholstery (it does not look like it was made to conform to the back of the person who sits there) and the frame is boxier -- there is no bar underneath the seat where the wheels would attach, rather each wheel is attached to the side of the chair. the next wheelchair is an invacare tracer. it is how most people imagine wheelchairs when they hear 'wheelchair'. it has no cushion and it has a high backrest with handles. it has high armrests that would be comfortable to rest your elbows on if you were just sitting. the wheels are not bicycle wheels like the previous two but are rather plastic. it has big footrests and big caster wheels.

text: the wheelchairs on the left are the ultralight, sporty kind. I have one of them (the quickie). the one on the right is a more standard one you might find in hospitals or as the public wheelchair in grocery stores or the mall.

step three: first is text to accompany the tilite. "This wheelchair has a really thick cushion - it's pressure relieving, which you need if you use your chair ufll tiem and especially if you have a spinal cord injury. This wc has the smallest caster (front) wheels. They are hte most handy for turning in small circles." next there is text to accompany the quickie gpv: "This one has the one I use -- it isn't pressure relieving, but is still useful." next is text to accompany the invacare: "this wheelchair has no cushion - you do not want to sit on it for long. This one has the biggest caster wheels - they are useful for not 'tripping' when your front wheel gets caught on an obstacle.”

step four text: like with all complex drawings, you want to break it into simple shapes first. I normally have a box underneath the seat, a rectangle for the backrest, and a trapezoidal thing for hte area from the box to the footrest. these are the most important shapes, because your character will rest on them and they will move with your character.

step four image: the lineart of each wheelchair has been put on reduced opacity, so we can see the square representing the backrest of each seat (the square is the smallest for the tilite and biggest for the invacare), the box for each seat and area underneath it, and the trapezoid for the footrests. the next step labels the images of these simplified shapes as the lineart is removed. "Note the proportions of each set of shapes is not the same - just like how you wouldn't draw all your characters with the same proportions on their faces!"

step 5: we see the same shapes to form the wheelchair, but now with blue circles drawn where the back wheels would be.

text: next shape is the wheels - two circles

step six: next we see the wheels and shapes have been reduced in opacity and the basic structure of everything about each wheelchair: footrests, caster wheels, upholstery details, axles has been drawn on in orange.

text: the next stage is everything else that's structure - front wheels, handlebars, cushions, footrests.

Step seven: we see the lineart on top of the lowered opacity sketch.

text: you can then do detailing like axles, spokes, upholstery, etc and lines

step eight: next we see three drawings of different characters. there is patience, a skinny white woman sitting in a blue invacare wheelchair. kelley, a slightly chubby black woman wearing a stripey dress sitting in a red quickie gpv wheelchair and doing a wheelie while smiling. then luke, a white man with short blond hair wearing khaki pants. he is sitting in a tilite chair.

text: once you get your wheelchair basics, you need to find out which kind your character uses. here are three characters who each use one of the example WCs. patience uses the invacare. she needs one with a better cushion, but circumstance prevents it. Notice the chair is a bit wider than her hips - it's not custom fitted. Also notice she has to turn her elbows out awkwardly to move. the high armrests prevent a smooth push. her wheelchair has big caster wheels and far-back back wheels. it is made for stability and difficult to turn,but also difficult to knock over. Her chair indicates a lack of resources or temporary injury, and is primarily a transport chair

kelley uses a wheelchair like mine - it is fairly sporty, but has a box-y frame underneath. this makes it heaver than if it didn't.she has a mediocre cushion - it protects her, but only some. her back wheels are further underneath her body than Patience's, which makes it possible to do the wheelie (demonstrated here). her wheelchair is supposed to look line one you'd use full time, but it is a little old.

luke has a spinal cord injury. he has a very thick pressure relieving cushion for medical reasons. his chair is also ultralight, with no boxyness under the frame. his chair is the newest and lightest - it indicates his wealth/resources, but also that he needs to use on full time.

step nine: just a drawing of me sitting in my wheelchair holding my hands up to show fingerless wheelchair gloves. we're looking at me from above.

text: when you're choosing what wheelchair to give your character, think of both their disability and their resources and go from there. questions to ask yourself: is it made specifically for them or is it mass-produced or a hand-me-down (if it's custom, the seat will not be too wide or narrow in comparison to their body and their feet will rest on the footplate naturally). do they want more stability (further back back wheels, big caster wheels) or maneuverability (the inverse). do they need a pressure relieving cushion? how long are they using their wheelchair per day? how long have they needed a wheelchair? Do they have health insurance? do they have access to a lot of spending money? How much can they spend on their wheelchair? are they athletic etc etc

posing steps:

step one: a sketch of two people standing up. one just shows the outline of a person's body, with legs that are ind of triangle shaped, the other shows a sketched pelvis and rib cage to go along with the bones of the legs and arm. text: step one: Most people have this sketch anatomy they put before drawing their characters for real. I kind of scribble around like on the left, but some people use skeletons on the right.

step two: there are now too sketched pictures of people in wheelchairs. one shows lightly traced human form (arms articulated, curve for a stomach, legs that are kind of triangle shaped and pointing down) sitting in a wheelchair that is just the sketch of footrests and wheels. the other sketch shows the sketch of a body with a circle for hips and an oval for a rib cage and the person doing a wheelie (lifting the front end of the wheelchair off the ground and leaning back). their wheelchair is also sketched out and defined by a circle for their wheels and 2 lines, 1 of the seat and 1 for the backrest. text: you need one of those for your wheelchair character. important: they should have both the person's main anatomy features (Usually upper body and at least hips) and the wheelchair's. for me, these are the back wheels, footrest, and seat. why simplify to just those features? Take a look at this incredibly quickly drawn wheelchair.

step three: there is a lineart drawing of a manual wheelchair with slightly cambered (angled towards the seat) wheels, a backrest, and a footrest. the frame is light and there are no handlebars. there are labels pointing to different parts of the wheelchair: Backrest, handrims, wheel, axle, seat, footrest, and caster wheels (the ones in front). text: there are a lot of parts, and not all of them are essential to your pose. trying to draw the whole thing straight out of the gate will frustrate you.'

step four text: take a character in heavy armor: if you draw her pose without taking her armor into account, her armor will clip through her body. if you draw a wheelchair using character without keeping her wheelchair in mind from the beginning, the pose won't make sense.

step four image: next we see two lineart drawings of different characters. one is a bulky woman wearing plate armor. her hand is on her hip and she is trying to scratch her back with the other hand. there is the label "shoudlerpad clips through face" and "thumb clips through chestplate." the next drawing shows a woman in a wheelchair with one foot rested on her knee and her arms rested back, such that they would be rested on the back of a regular chair, but the back of her wheelchair is not wide enough for them to actually be resting on anything. the text here reads "elbows not resting on anything" and "foot not on footplate"

step five: there are two images, one is lineart on top of a 3d modelled apartment with sketchup, the other is a colored in version of that lineart with the background also colored in and no longer a 3d modelled screencap two characters, one old woman wearing a green jacket and one younger woman wearing a white shirt and blue undershirt, are sitting on a couch. the old woman is leaning forward and the young woman is resting her arm on the couch. behind the young woman is a bookshelf.

step five text: you may say you'll just draw the chair first and then the person, but while that works for regular furniture, it doesn't work as well for most manual wcs. take this comic panel with characters on a couch for example - I 3d modeled the room and then drew the characters on the furniture. it works because you don't move furniture in most poses - you rest on it. but your wheelchair needs to move with you, especially if it's an ultralight one.

step six image: there is a flat color drawing of barbara gordon in her wheelchair. she is wearing a black sportsbra and black shorts. in the first image we see she is doing tricks in her chair, zooming through the air (as if she has just launched herself off the ground in a skater park or somethign) while her left hand is resting on a structure and her right hand is heading towards the right handrim. the next image shows her right hand planted on the ground and her chair and body above her, such that she is briefly doing a one-handed handstand, but the motion line indicates that she is moving and this will not last. her left arm is near the handrim of her left wheel.

text: take exercise Oracle - she is doing tricks. Her WC is an extension of her body. That is crucial to getting natural looking manual wheelchair users after posing.

step seven: we see a lineart drawing of paula from young justice. she is sitting in a standard manual wheelchair with high armrests (goes up to the bottom of her ribs probably) and a high backrest (goes up to just below her shoulderblades). she is setting her hand on the armrest, leaning forward, and holding her other hand out.

text: of course, there are exceptions - if you have a clunky WC, it is harder to move with your body. Take Paula from young Justice - here, i drew her resting her hand on her armrest, because she has a clunker wheelchair. her pose is already mostly static - she's sitting down - and she poses around that.

#wheelchair #wheelchair user #manual wheelchair #wheelchair tutorial #tutorial #drawing tutorial #my art #disabled characters

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