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#the Nurse (character)
fellming · 4 months
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Nurse Shark girl design
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reyenii · 24 days
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since edwin is very closed off, except for when he’s with his best friend, charles, costume designer kelli dunsmore reflected his buttoned-up mentality through his bespoke suit, complete with bowtie and collar. edwin’s outfit, along with charles’ period garb, were designed to help them stand out more in modern day port townsend. “i knew edwin would, because no one dresses like that now,” says dunsmore.
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dunsmore wanted everything about charles to feel “a little bit cool and underground,” from his union jack and the who bull’s-eye patches to his checkerboard pins. his little cross earring and chain on the outside of his shirt are also meant to be homages to the ’80s.
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in the show, crystal’s hero color is purple, which you’ll notice in her velvet coat and long silk letterman jacket, which dunsmore thought of as a psychic cloak with hand-embroidered patches, including the wilting rose of england.
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her brown trench coat represents an explosion of everything going on in her mind. dunsmore decided the scribbled words and drawings are a result of crystal writing all over it to express her inner turmoil. there are even lyrics on there from the song she’s listening to on the tube when she meets the dead boys.
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david’s connection with crystal seeps into her wardrobe, too. since david wears a flower shirt, dunsmore’s team hand-painted flowers onto crystal’s black boots. and niko is wearing a dark sweater with flowers on it when we first meet her, as an homage to crystal. the costume department also drew the same rune pattern the dead boys use to exorcise david in episode 1 onto crystal’s trench coat and on the tab of her wool bomber jacket. “so she’s always got some sort of protection,” says dunmore.
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every color niko wears is inspired by what’s happening in that episode, from the green post-sprite exodus to blue when she’s feeling sad. niko only wears a white look, with nods to her japanese heritage, in the finale as a reset. the charms on her obi belt represent the colors she’s worn all season.
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night nurse is someone who’s in control all the time and likes things to be in their proper place. dunsmore looked to vivienne westwood for inspiration, since everything in night nurse’s world is a bit exaggerated. (by the way, niko’s orange monochromatic look is a nod to her scenes with night nurse and night nurse’s red hair.)
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since david is a demon, he finds a london boy that looks cool enough for crystal to find attractive. that meant dunsmore dressing him in a shearling jacket you’d find in “all the guy ritchie movies,” black pants and creeper shoes. the costumer’s mood board for “david the d” featured radiohead and amy winehouse and her husband blake, who often wore hats similar to the one you see david wearing in the show.
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pay close attention to monty’s leather jacket and you just might spot an inlaid crow feather or two.
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it’s not only esther who wears clothes with a gilt, old-gold color — cat king and night nurse also do as a nod to their villainy. (esther and cat king also have similar fur coats.) amidst her beauty, dunsmore wanted esther to be a little rough around the edges. she wears a cuff around her hand that’s adorned with a snake and a ring with teeth all around it to represent the teeth she’s collecting from all the little girls. her eye necklace is meant to be her witch pendant.
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mischievous as ever, cat king has (cat) eyes everywhere and is aware of edwin’s affection for charles. so he wears charles’ socks the first time he meets edwin.
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sciamano240 · 7 months
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Trick or treat! Here's my OC Chloe dressed as a scary nurse.
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densewentz · 14 days
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Guess who's been playing Don't Starve while watching Dead Boy Detectives 💕
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egophiliac · 7 months
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at this point I'm not going to finish this, but I need everyone to know that I don't CARE that it was Kamejim, this scene has been replaying itself in my brain for the past week --
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mayo-wap · 1 month
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wake up new ship prompt just dropped
— he was a fairy 🧚
Btw she crashed into a tree after this hehehe
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humming-fly · 1 month
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It's dark Arthur, pull out your lighter.
(practically I know john is most easily portrayed as a normal hooded guy with a mask but deep down my heart of hearts still belongs to mergo's wet nurse)
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samlizzy71 · 11 months
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Avelyn wants to remind you to take your mEds!
These are new stickers I made.
I tried to finish a couple more, but I've been experiencing burnout and I took a couple of days off to rest. Redbubble has a 20% discount sale until July 17th, but I'll try to finish the other ones this friday, in case you want to buy them together, please wait a bit so you can save on the shipping! <3
And for those who want to, but are not on HRT yet, Avelyn sends you lots of love. Hope you get there soon! <3
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buggybambi · 4 months
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nurse cupid | carmen berzatto
claire and carmen used to date. you work under claire, and are now dating carmen. what a fucked up triangle ─ 1.33k cw: fem!reader, she/her pronouns used
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Ever since you were young, you knew you wanted to be a nurse. Every career day at school, your answer was the same: "I want to be a nurse and help people!" usually written in yellow crayon.
So, managing to score a job in an ER in Chicago was a dream come true. You loved Chicago and your charge nurse, Claire, was one of your closest friends. Emphasis on was. That was before you and Carmy met.
Carmen Berzatto. The boy you met through Syd, one of your oldest friends. After weeks of back and forth flirting, you and him finally asked for each other's numbers and set up a date, much to Syd's apprecation since all he talked about outside of work was you and if you were stopping in.
Claire only found out about your relationship with Carmy after he insisted taking you to work one particularly snowy morning, leaving you with a goodbye kiss.
That day, she gave you more work then usual. More charts, more patients to watch over and check on, and that was on top of your usual work load. Plus, everytime you asked her a question she gave an exhausted sounding sigh and explained it to you like you were a child, with a condescending tone in her voice.
"Claire." You walk over to her, setting the charts (filled out) down on the desk. "What the hell is your issue with me today? You've been giving me your patients and frankly, your attitude towards me is passive aggressive. If there's something I did, tell me what it is and I can fix it." You request.
Her pager beeps as she hums. "The chief wants to see you." She says, beginning to walk off, and you follow her.
──
As soon as you stepped foot into the chief’s office, you knew what was happening. One of the ladies from HR you’d met once before, the chief, and Claire. Sat around a coffee table.
“Hi Y/n. Glad you could join us.” You know that’s HR talk for “glad we summoned you, let’s tell you what you did wrong.”
You sit down, noticing the look Claire gives you. It’s almost a glare.
“Mm. Can I ask what this is about?” You question.
“Well, Claire here has a feeling that you’re trying to shove a personal relationship in her face. I understand you are dating her ex and she just feels that-”
“That you’re basically trying to remind me of what Carmen and I went through. What we once had.” Claire cuts Aileen (the woman from HR) off, tilting her head at you as she waits on a response.
You stare at her, actually letting out a mix of a scoff and a laugh. “I’m sorry? Claire, Carm and you broke up nearly a year ago. Why are you still hooked on him?”
“This isn’t about me. You knew damn well I’d be at work this morning when he dropped you off.” “It was freezing cold! He didn’t want me walking or taking a cold train, so he offered to drive me since it’s on his way to work. He gave me a kiss and I never even brought it up to you.”
“Ladies!” The chief cuts you both off. “Aileen has agreed to investigate this further. Y/n, refraining from engaging with your boyfriend for respect of Claire’s feelings would be best.” He encourages.
You actually have tears in your eyes from the frusturation, your hands shaking from where you sit. "I'm sorry, can you excuse me for a moment?" You ask softly, standing up before they answer and practically running out of the room.
You barely make it out before you hear the office door shut, not by you but by Claire. "Y/n-"
"What the hell did I do to you, huh? Is this because Carmen and you broke up, or maybe because I didn't come running to you asking for your permission before I began dating him? What is it?" You question, throwing your hands in the air before slapping your hands against your side.
"Don't blame me for this. You're the one who had to go and act like a.. like a school girl bitch and put your relationship with him near me." She scolds. The tears you had been fighting back actually start falling at that, as you wipe them quickly. You shake your head, as you push past her and the flood of doctors.
──
Cold air be damned, you cross your arms over your chest as you lean against the brick wall outside. Ambulances soar past toward the ER exit, but you don't pay them any attention. It isn't until a familiar car pulls up in front of you that you actually look up.
"Hey, pretty girl. You okay?" Carmen's comforting voice asks, getting out of his car with his coat in hands, putting it over your shoulders. His heart breaks at the sight of your tears, nose red from probably the cold and crying, a frown matching yours.
You bury your face in his neck, only moving it to speak. "Claire saw you drop me off this morning and reported me to human resources. Then called me a school-girl bitch for 'putting our relationship near her'." You answer, your voice soft.
He nods slowly, trying to keep himself calm near you. "Why don't you go get in the car, huh? I'll go grab your stuff from inside." He asks, taking your hands in his. You smile. "Thanks, Carmy. Just behave yourself, please." You request, before climbing into the passenger seat of the car.
He watches to make sure you're safe in the car before he goes inside, fists clenched at his side. Behaving himself was something Carmen had never enjoyed doing, so why would he?
He spots Claire almost immediately, walking over. "Carmen-" She begins.
"Claire. What the fuck is your problem?" He cuts her off, staring at her. "Y/n has done nothing to you. If you're pissed about how we left things, that's fine. But you have zero right to harass my girlfriend over how I’ve moved on. I suggest you do the same.”
He doesn’t wait for a reply, instead making his way up to the chief’s office. Knocking on the door and waiting for the faint "come in", Carmen steps into the office and clears his throat as his jacket hangs off one arm.
“Hi, sir. My name is Carmen Berzatto, I’m-”
“I know who you are, son.” Ed, the chief, says with a nod. “And I know why you’re here. And I’d like to only say this once, so I’d appreciate your listening. Y/n is a fantastic employee as I'm sure she's a fantastic partner. I hate to see that girl crying. So, allow this to be a warning.." Ed stands, circling the desk and sitting on the edge, arms crossed right in front of Carmen.
".. If you hurt her, and I find she comes into work again crying because of you, I will end you. Are we clear?" Ed asks, and Carmen immediately asks. "Yes, sir, thank you." He says.
Carmen made his way back to the car, finding you in the frontseat, staring at the radio. He sets your bag in the backseat, climbing into the passenger's seat. "Your radio is all weird." You mumble.
He laughs, placing a kiss on your head. "I'm sorry about Claire. I should have told you.. I promise I am gonna spend the rest of the day making it up to you." He says.
You smile at him. "As long as I've got you, I don't care, Carmy. It isn't your fault."
He grins. "Well, you've got me for as long as you'll have me."
──
It doesn't shock anyone when you're moved to a different unit a week later, this time one where your boyfriend didn't date the charge nurse that would harass you. At least if they did, Carmy would be there to comfort you.
Like he always is.
˙ ✩°˖🌸 ⋆。˚꩜
shine on, shine on, my loves!
thank you for reading! please feel free to engage with this post by reblogging, commenting or sliding into my inbox to leave feedback! i appreciate all of you! check out my carmen berzatto masterlist here for more fanfics!
- mae
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homriette · 26 days
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Blue Magical girl (I posted the wrong pic at first lmao) Like I have said before, her name is Clementina and she is Constantina -red magical girl- little sister.
I'm working on yellow atm , but I shall make a poll again to see who to post next....
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jay-auris · 6 months
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People are still shipping Kirk and Spock 6 decades later. All I'm saying is, the party doesn't have to stop just because the show does.
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dead-enby-detective · 17 days
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I wonder how much this scene plays a role in Monty choosing to target Edwin over Charles after Esther sends him to befriend the boys and then later how it impacts him falling for Edwin.
Edwin is the first one to enter so he’s the first one Monty sees.
Monty doesn’t crow when Edwin enters the house but waits until Charles enters. Does he already like Edwin better? Did he see Edwin and see something special?
Charles immediately responds to the crowing by telling him to hush. Did Charles’s words stick with him after Esther gave him a human body and mind and feelings? Were his feelings hurt or was he just annoyed by it?
Edwin pulls his gloves off as he passes Monty’s cage, does he think about that after becoming human? The way Edwin takes off a piece of his armor right before going into danger?
After Edwin tell his partner he believes in Charles’s ability to open the lock, Monty crows, and Charles sasses back. Edwin pays him no mind. Does that frustrate him, later when he’s human?
After Charles opens the lock, Edwin is the one who figures out that cabinet is a trick door.
I may not like Esther but she is clever. Was Monty learning from her the entire time he was her familiar? Does he take after her in that way? Always learning, always being wanting to be clever?
Monty, is shown soon after becoming human, to have a vast knowledge of zodiac signs. Did he learn all that in that short time span or was some of it things he’s taken in from Esther over the years? How much had he learned from her, from her spells, her books over the years?
Was he “raised” to appreciate cleverness even as a crow? Did he admire Edwin’s cleverness from the beginning?
Did he become human and immediately think back to when they first entered the house and wonder if Edwin would appreciate cleverness in return? Would appreciate the opportunity to learn something new from him? Hoped that they could be clever together?
There’s just so much to this scene from Monty’s perspective that I think we should consider.
Did he ever wonder if he was clever enough, would it be enough for Edwin to give him a chance?
Like he said, he never asked to be human… did he hope that, when the time came, with all his cleverness, that Edwin would understand that?
That he had never really had a chance in the first place?
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trustypaladin · 2 months
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"Good morning, John!"
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thenerdywriter · 17 days
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the kiss (aka that one scene) and subsequently—
*spoilers for bridgerton s3*
ahem...this might be a bit indelicate? Let us think about who Colin is, at his core. he is a dreamer. he's sweet, he's kind to a fault, and he's also the Bridgerton brother most likely to have ao3 in the 21st century.
Penelope asks for a kiss, and Colin cannot deny her that. so much of their relationship is evinced by the fact that they cannot deny each other anything, even if it is at the expense of their own well-being. Penelope has never once voiced her feelings for Colin because she is aware that he would never see her in such a light, and mostly because, she does not think that her feelings are his business. In the books and in the show, Penelope has never voiced her crush.
So, when she's facing the very real prospects of remaining a spinster and firmly under the influence of her mother and sister (Prudence, especially, I don't really think Phillipa would be that bad) she makes a choice to ask the love of her life, mind you, the one man she had always felt safe with, to kiss her. She is waving goodbye to the dreams of being married, finding a place of her own in a world where a woman had no value if they were not attached in matrimony to a man. Yes, it seems pathetic, yes, it seems desperate. It is. It is desperate. Penelope is desperate at this moment, and she is reckless, but she is not pathetic. She wants to be kissed, and she asks for it, it is a moment where we see a woman exercise agency for the first time in her life. Feelings are so very rarely black or white, and so is this scene; on one hand, you feel wronged and angry at the fact that Penelope is pleading for a kiss, on the other, you empathize with her situation and where she is coming from. She wants this moment, and who better to ask from, than her best friend? Colin has always, always been there for her, and she has been there for him. They know each other the best, she has had the privilege of being able to love him. She wants love, and she has it in her hands at this moment, a fleeting, transient glimpse into what her life could be if she were someone else. This is the moment when Penelope Featherington's dreams are well and truly shattered.
And that same kiss turns Colin's world on its axis. It is so wonderful to see on screen how the same action can have two entirely opposite, but just as important effects on people. Colin has always loved Penelope. This is not even a discussion. He took action on behalf of her family (on behalf of her, really) when he found out about her cousin's schemes. He gives Cressida the cut direct when she humiliates Penelope in front of him. He seeks her out at every social assembly. He has always looked out for her and has always loved her. But all this is platonic. He has never felt a physical connection with her, because neither of them has had the chance to explore that avenue. Neither Colin nor Penelope are aware of their latent attraction to each other. For Penelope, it is because she has never been allowed to feel a physical connection with anyone, and Colin because he has never thought of pursuing a physical connection with Penelope. It is their kiss that ultimately awakens that connection in Colin, and by connection, Penelope asking Colin for a kiss is what puts the wheels in motion.
Which brings me to the first paragraph. Colin is the sweetest boy in the Bridgerton family (Gregory I love you, but nine children? Get off that woman, immediately). When he realizes that he likes Penelope, and loves her romantically, what does he do? He internalizes it like he does everything else. So much of Colin's character arc, both in the book and in the show is about him internalizing everything. He refuses to voice his own feelings if they make other people uncomfortable, much to the detriment of his own mental health. After being deceived in the first season, he removes himself from London because he cannot bear to stay in the city anymore, not when he is reminded of how naive and stupid he was, every moment. It is also important to realize that Colin has been viewed as the naive, soft-hearted brother, by everyone else. When he gets engaged in season 1, Anthony, his big brother, the example he is supposed to follow, tells him that he should have taken Colin to brothels and accuses him of getting married to have sex. In season two, Penelope, an outsider, is the only person who gives a damn about his thoughts. His own family refuses to listen to him, and what does he do when he returns a second time? He tells them, "I shall not bore you with the details". He knows, no one essentially gives a shit. This is why, when he comes to the knowledge of the full breadth of his feelings for Penelope, he internalizes so hard he dreams of her. And this is not an indelicate dream. He does not dream of taking her in the back of a carriage or on his yellow sheets, he dreams of her returning his feelings. He is yet unaware of the extent of Penelope's feelings toward him, but he knows he should not force his feelings onto her, and that is why he dreams of her.
I could go on and on about why Colin is the best Bridgerton brother (Gregory, nine children) but it will take up a lot of space, so I shall keep it brief: (in the show) Anthony almost marries Edwina, a girl who is what, thirteen(?) twelve (?) years younger than him, a girl who has no safety net outside of her sister and her mother, her sister whom Anthony was in love with, and refused to confront his feelings for. Literally, no one forced Anthony to propose to Edwina, he went down on one knee while being aware of his feelings for her older sister. Kate would have been content with relinquishing her younger sister to a marriage where she loved someone who would forever love another. Imagine if Anthony had married Edwina as he intended. Do you think, for even a second, that he would look at her face and not be reminded of Kate? Not to mention neither of them took action till the very last second, and Edwina, a bystander, was forced to ruin herself. Half the reason why she married abroad is the fact that not a single person in London would have married her (headcanon: she marries the Prince, fuck you, Anthony) when she was very publicly denigrated as the Viscount Bridgerton's cast-off. Yes, the Queen's favor saves Anthony and Kate's marriage from scandal, but it also saves Edwina, it saves her from further public embarrassment and scrutiny by a ton that not only views her as an outsider but also envies her for securing the title of the Season's Diamond. (Book)Benedict forces a woman from a servant class to be his mistress while he searches for the girl he fancied to be the love of his life. I'm sorry, there's no coming back from that. Colin gets angry when he is aware of who Lady Whistledown is, but his anger is not directed at Penelope herself. It is directed at her lack of thought for her own safety. Colin puts Penelope's safety and reputation over everything. In the carriage scene, he steps back as soon as he hears the words "but we are friends" from her mouth; he takes it as a sign, that this is Penelope telling him I don't have feelings for you, and he is happy to respect her wishes. Colin would have never voiced his feelings a second time if she had rebuffed him then, he would have been happy to remove himself from Society and spend his days on the Continent, writing in his journals. So much of both Penelope and Colin is them learning to voice their wants and desires and fuck, it's the most beautiful thing to watch as it comes to life on my screen.
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I think the thing that's fueling my Dead Boy Detectives fic series is that almost every major character has had some sort of interesting/unhinged interaction with every other main character. Like beyond the incredibly interesting/fleshed-out relationships between the main four detectives we have examples like:
1) Cat King and Monty forest interaction where the Cat King toys with Monty in order to both protect/play with Edwin
(Which, by the way, the Cat King knew about Monty before the forest scene when he shapeshifted into him by the lighthouse. So, like, did he know what Monty's secret identity was then and just straight up didn't say a word because he felt like it? Or did he figure it out later?)
2) Jenny straight up meeting Charles and Edwin only after being possessed by a demon and literal minutes before her shop gets blown up leading to the iconic "you were about to leave those boys forever now you're going to risk your life to save them" line
3) Jenny only meeting David to sing Belinda Carlisle/threaten him with a meat cleaver and get her SECOND near-death experience
4) Hell, on the meat cleaver POV: first and only time Niko meets the Cat King it's to threaten him with a meat cleaver and clock him for his interactions with Edwin (same goes for Crystal even though it's her second time meeting him)
5) Any scene Charles has one-on-one with Monty plus the bit on the sidewalk where Monty straight-up bypasses him for Edwin and Charles just goes "I was polite, wasn't I?" while the girls are clearing him away for Edwin and Monty to flirt
6) Night Nurse and Kashi. Everything about those interactions are *chef's kiss.*
7) Same goes for Night Nurse and Niko. Their dynamic is so fucking good and leads to the fantastic "reading comprehension" bit.
8) And from a more devastating/angsty POV, the scene with Esther and Monty in episode 5 where Monty feels more like a teenager than any other character in the cast. And as much as Esther is a camp queen in that scene, it's also terrifying because that iron cane is against Monty's chest and she literally ripped him apart episodes before that and she's going to kill him again next episode with that very cane and your brain is just bouncing between laughing at the "it's honestly nbd" line and going on red alert because get the fuck out of there, Monty, you're going to die at her hands-
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blackopals-world · 1 month
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The Leech cousins get along so well.
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My boy is a victim.
Floyd come get your weird ass son!
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