Tumgik
#thanks for your thoughts btw !!!!
akiarathewitch · 9 months
Text
Hear me out-
Tumblr media
1K notes · View notes
funnier-as-a-system · 3 months
Note
Tumblr media
ID: Tumblr post by ineffectualdemon; “What people think writing is like: careful planning and thought out plotlines. What writing is actually like: being possessed by an idea that you are constantly arguing with.” Reblog by try-to-get-writing; “I have never seen such an accurate description of writing in my life.”
dont typically use my main, but i wanted to attach an image and this was too good not to share. hope the image description is okay, i dont do them often.
Relatable as both a writer and a system
153 notes · View notes
Text
An analysis of Alhaitham's egoism in relation to Kaveh
(Update: The essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)
Max Stirner's anarchist egoism is speculated to be the basis of Alhaitham's personal egoism, therefore I will be drawing upon Stirner's 'The Unique and Its Property' for this analysis.
Property and power are key principles within this philosophy. The egoist recognises himself as an individual, separate from the general collective of “humanity”, in which concepts such as freedom and property are governed to and over the people, for then the individual is not considered as such, rather they are a part of “humanity”, rather than a whole individual (Stirner, 170). This thinking is demonstrated within Alhaitham’s Story Quest, where he dismantles Siraj’s Hivemind by targeting individuals that compromised the Hive and reminding them of their own beliefs and preferences – the individual in themselves is a whole, and is not a “part” of a system (Stirner, 170).
In this, the egoist governs himself by what he owns and what he wants to own: “ownness is my whole essence and existence, it is myself. I am free from what I am rid of, owner of what I have in my power, what I control. I am at all times and under every circumstance my own”(Stirner, 106). This relates to the concept of freedom, which, for an egoist exists according to having the power to be free of something, for example, being freed of hunger, thirst, or societal expectations (Stirner, 105). This is reflected within Alhaitham’s description: “He lives free – free from the searching eyes of ordinary people,” but also extends to the power to own.
As power is considered something which the egoist owns, property then becomes something which the egoist exerts power over, and in this, can property be made use of by the egoist – all the while, the property remains an independent vessel (Stirner, 162). This is seen within Alhaitham’s view on his vision, in that it is “no more than a useful tool”, as it can be used to serve his own needs, and that since it in his possession, he has obtained it with his own power, it makes no difference to check on it as he continues to retain that power.
Tumblr media
In this sense then, Alhaitham has constructed his life around this form of egoism, in that anything he wants, he has, such as his job as the Scribe, his house, the interests he pursues, the people he enjoys. In order to maintain this way of life, he will deal with, or be rid of, anything he deems as "harmful".
Tumblr media
With this, the egoist seeks satisfaction in themselves through the satisfaction of another. Ownership, in relation to another person, can become love, which like all things the egoist has power over, is ultimately theirs – as in their love for a person (Stirner, 187), which is given willingly by the egoist, for loving a person is done for the satisfaction that love brings: “But I love them with the awareness of egoism; I love them because love makes me happy, I love because love is natural to me, it pleases me,” (186).
In loving another comes sacrifice, which the egoist can give into without compromising himself, as he himself sets the “purchase price of [his love]” (187) according to the happiness attributed to the loved one, as in return, the egoist shall also receive happiness (186). To enjoy someone, in an egoist fashion, is to be able to sacrifice all possessions and ownerships without foregoing the sense of an individual, of “ownness”, as the egoist would then lose his objectivity:
“I can deny myself countless things to heighten his pleasure, and I can risk for him what would be dearest to me without him, my life, my welfare, my freedom. Indeed, it forms my pleasure and happiness to feast on his pleasure and happiness. But me, myself I do not sacrifice to him, but rather remain an egoist and—enjoy him. If I sacrifice to him everything I would keep without my love for him, that is very easy… But if I sacrifice others to one passion, I still do not…  sacrifice my particular worth, my ownness. Where this nasty incident occurs, love looks no better than any other passion that I blindly obey.” – The Unique and Its Property, 185
It is relevant to note that just as the egoist receives happiness from a loved one’s pleasure, so does an egoist suffer from a loved one’s despair. Just as the egoist would sacrifice something of their own to provide happiness for a loved one in order to exact their own happiness, so too would an egoist sacrifice something, or act, to eradicate the root problem of a loved one’s misery, as this, in turn, would then resolve their own misery:
“If I see the beloved suffering, I suffer with him, and I find no rest until I’ve tried everything to comfort and cheer him…. It doesn’t follow from this that the same thing causes suffering… his tooth gives him pain, but his pain gives me pain. But because I cannot bear the sorrowful crease on the beloved forehead, therefore, then for my sake, I kiss it away. If I didn’t love this person, he could go right on creasing his forehead, that wouldn’t trouble me; I’m only driving away my troubles. – The Unique and Its Property, 186
The phrasing of “driving away… troubles” is particular to note here, due to similar usages of language used within Alhaitham’s Character Stories, in relation to him acting in accordance with his self-governed rules and serving his own self-interest by: “[acting] on his own will and deals with anything that appears harmful in his eyes”.
Kaveh, however, interprets Alhaitham’s egoism as a detached, pragmatic view of humanity, in which the individual isolates themselves not only as a means of prioritisation, but by elevating oneself over others by refusal to intermingle and to cooperate for the benefit of others. Not only is this a harmful opposition to Kaveh’s view of individuals sharing their knowledge and talent in order to pursue a better society, but due to Kaveh’s experience of Alhaitham’s personal egoism, it is harmful to Kaveh personally. Kaveh refuses to prioritise himself over others because he has seen a negative consequence of egoism, in which he has been “cut to the quick” and it has ended one of the few stable relationships in his life.
Tumblr media Tumblr media
By Kaveh seeing Alhaitham’s comment about his altruism as malicious, Alhaitham has elevated himself over Kaveh, since Alhaitham does not have the same struggles as him, and has trivialised Kaveh’s trauma. To Kaveh, Alhaitham’s prioritisation of the self actively harms others as it desensitises the self to the emotions of others. Therefore, Kaveh opposes the egoism which Alhaitham advocates for, since he interprets it through his own lived experience. Hence, by Alhaitham asserting egoism over Kaveh as a means of Kaveh prioritising himself, it only reinforces Kaveh to strive to consider the feelings of others, as well as to not prioritise his own way of thinking if it undermines someone else’s.
In actuality, Alhaitham’s frustrations with Kaveh lie in his belief that Kaveh’s talents are incongruous with his values, and that if Kaveh were to prioritise himself, he would save himself suffering and enable himself to discover his “true self”, unrestricted by others placing labels onto him.
Tumblr media Tumblr media Tumblr media Tumblr media
This is a personal frustration which Alhaitham would not compromise himself to assert onto a person he was indifferent to, due to his belief of not getting involved with other’s fates. However, he has been observed to ‘subvert’ his own rules to accommodate Kaveh. Through egoism, it can be seen that rather than ‘subverting’ these rules, Alhaitham adheres to them as an egoist, since he sees Kaveh as his mirror, they offer each other a contrasting perspective he believes they need to have a complete, objective vision of the world.
Tumblr media
This is necessary for Alhaitham to consider within his own life, and therefore has extended his house to Kaveh, in order to expand his scope of thinking, and to consider perspectives he otherwise would not entertain. Kaveh’s ideals, his beliefs, and his philosophies explicitly interest Alhaitham, in contradiction with Kaveh believing that Alhaitham is disdainful of his perspectives.
In this way, Alhaitham enjoys Kaveh. He willingly pays for some of Kaveh’s tabs; pays for crates of wine for the two of them; and goes out of his way to pursue interactions with Kaveh. Just as Alhaitham is to Kaveh, Kaveh is an old friend, as unchanged in his beliefs as he was in the past and thus is a constant: “the most unshakable part of one's past is a friend that will never change”’.
Tumblr media Tumblr media
Alhaitham strives to act in accordance to his own egoism and therefore assesses what “appears harmful” to him, in relation to these rules, so as to be rid of them. This can be extended to Kaveh, as Kaveh falls under what ‘belongs’ to Alhaitham, in the sense that ownership equates to Alhaitham’s enjoyment.
Alhaitham wants to have Kaveh in his life due to the alternate perspective which Kaveh offers him, thus expanding his horizons and granting him knowledge he otherwise would not obtain. As well as this, Kaveh is seen to be considered part of Alhaitham’s way of life that he wants to protect. In line with Stirner’s egoism, it follows that as Alhaitham enjoys Kaveh, as in, ‘owns’ the contentment Kaveh elicits, he therefore is affected by Kaveh’s self-inflicted grievances. Therefore, Alhaitham sees Kaveh’s altruism at the expense of his own wellbeing as something “harmful” to be dealt with, as this not only causes Kaveh inward misery, but also detriments Kaveh finding his “true self” (Alhaitham Character Story 3), which the egoist pursues above all else.
126 notes · View notes
gale-force-storm · 8 days
Text
You know, I think my favorite thing about Gale's whole "watching you in battle makes me horny" scene is like. He's not wrong. A brush with danger does in fact increase one's desire for "other forms of stimulation". Studies have shown that being in situations that cause a rush of adrenaline, be that going on a roller coaster, seeing a scary movie, walking across a swinging suspension bridge, or something else, increase feelings of attraction. It's literally a Known Thing that adventurous stuff is great to do on a date because it will most likely make you more into each other.
Idk, I just love that his come-on is not only extremely nerdy, but also scientifically accurate. Feels correct and I'm glad they did it lol
75 notes · View notes
ao3screenshotss · 3 months
Text
i gave up on buying the official tgcf books and i’m just reading a fan translation online so i don’t know if it’s just that but why is the novel SO HILARIOUS just the delivery of some lines makes me wheeze
79 notes · View notes
britneyshakespeare · 7 months
Text
Tumblr media Tumblr media
You versus the guy she tells you not to worry about
134 notes · View notes
boyfridged · 15 days
Note
in your fic “paint it over” is that how you imagine jason making it out of the explosion at the end of utrh? not exactly the events that follow, but the preferable characterization of bruce digging jay out of the rubble and carrying him to help. and how do you think jason made it out canonically (without the help of bruce) also!!! what are your thoughts on the specifics of jason’s scar and how he’d behave toward it. i liked the part of your fic where jason was temporarily unable to speak due to the trauma his neck received. i think the scar is something that rests on the junction of his shoulder/neck, and that can be hidden with whatever clothes he wears -> no one knows he has it (or how he got it) either. i like to imagine while bruce knows his batarang made contact with jason’s throat it’s never fully registered to him that it scarred until he sees it for himself (and while i believe bruce would turn the moment in head over and over again until it’s engraved in his brain, his delayed realization—to me—is due to his repression of the occurrence)
oh i adore this whole ask. some of it i explained in my notes, but this fanfic is quite dear to me, so i will elaborate.
short answer to whether this is how i imagine jay making it out of the explosion: not exactly?
the premise that i wanted to explore with paint it over is almost the opposite of a fix-it, and definitely not what i believe it should be in canon.
what i wished to explore there is, however, the part of utrh that is perhaps the most shocking to many readers: that bruce leaves jason to die.
in-universe, i think the answer why it happens is surprisingly simple enough: bruce does not come because he is just... not there. my understanding is, that in a way, the events of under the red hood did not happen. there is nothing to follow. that purple mist in the finale of the utrh, that is often read as a force resurrecting jason (not technically wrong, either)- i believe that is the timeline already rewriting itself, making the whole story into something that was not.
and the reason for the above is the infinite crisis. if i'm not wrong, it's also the inifinite crisis miniseries where bruce meets dick right after the explosions in (or of) bludhaven-- that in batman clearly happens in the background of his confrontation with jay. however, in infinite crisis (#4, just checked it now), bruce tells dick: "i wanted to make sure...you're alright... i was in new york when it hit. got here as soon as i could." which could be a lie or a matter of the editorial not being synced enough- but i'm willing to give them a benefit of the doubt given how it ties with that sudden, stunted ending of utrh.
this makes sense for canon for several reasons. in the animated movie, since it spares us the infinite crisis tie-in, bruce says of the whole incident: this changes nothing. it changes nothing because although aditf isn't, utrh is a tragedy; it changes nothing because since his death, jason is necessarily always pushed at the peripheries of the narrative, no matter how much the fate itself tries to fix it, becoming a tragic footnote. the dead have one right and it's the right to remain silent. and that is ironically ensured on a cosmic level, with his violent attempt at being seen hidden in the folds of the timeline. you can also see it clearly in canon -- i believe it was not until the infinite frontier that the events of utrh got just tangentially mentioned (before that, even lobdell barely touched upon it). other than that, they have no consequences; they are barely ever spoken of; they seem to slip out even from jay's solo comics.
this move was necessary for batman, as a character and as a title: let's say bruce does hold red hood as he does in the alt cover of annual 25 (and the cover of the deluxe edition of utrh.) that would implore a reckoning with his failure and his (suddenly non-productive) grief that would either reconstruct the whole myth or lead to some terrifying implications. these terrifying implications are, essentially, what paint it over is about. it's about the worst happening and about there being no way back from it. and jason, in receiving what he wanted (his father's love and care) wants to deny that reality. they both want to. yet even jay cannot ignore it completely -- and i chose to use the batarang injury to emphasize it.
and about the scar: i mentioned it briefly before, but in the au jason aggravates the wounds on purpose, hence it will scar worse and cause long-term issues for his voice. it's a theme i also keep in some of my other stories (to come...) and i very much think this is what would happen in canon if he had to take care of that injury. yet as it healed, i believe he'd take to hiding it, mostly. still, as it stands, my primary take might be that in canon (if it was to follow the interference into the timeline from the crisis at least) jason would simply end up with no scar at all, and only memories for evidence of what happened, which is perhaps worse for him too (but of course better for bruce. and as it happens, this is bruce wayne's story and everyone else is just living in it- or dies in it- for better or worse. and if we're ignoring that metaphysical timeline bullshit, as you said, i believe bruce would repress it all anyway.)
28 notes · View notes
glass-oranges · 1 month
Text
Hiiii I made a core picrew if u wanna check that out I think that would be super cool <3
47 notes · View notes
voidshrubsquared · 11 days
Text
Listen. Listen to me
Tumblr media
Do you know how much I LOVE that comic? IT'S SO GOOD SO SO SO GOOD
We get to see a glimpse of Click's inner workings! How his mind operates!! His complicated relationship with himself and the other pinks and what it is to BE a pink!!!! Is he just like them? Are they all the same?? Is HE the horrible one??? Is he not horrible ENOUGH???? WHO KNOWS!!! And the 'I miss my department' like MANS DOESN'T WANNA BE THERE!!! HE DOESN'T WANNA THINK ABOUT IT!!!! HE HATES IT HERE CAUSE INTERACTING WITH THESE GUYS MAKES HIM THINK TOO MUCH💕💖💕💖
Like, what if they're all the same? Then Click isn't special and he's just another darkner abiding by the rules of his code.
What if the others laced the candy platter and he didn't? Then Click is too soft, they'll eat him alive out there! How is he going to survive!!
What if he's projecting and nobody else even thought of lacing the candy? Does that mean he's just a horrible person in general? Is it not just a pink thing and more a HIM thing?
And then the visuals, the zooming in into the one piece of candy among all the others in the candy platter as he does Thoughts™
O U G H OVJJSBBCKROLNXNFODOF
DO YOU UNDERSTAND WHY I LOVE HIM DO YOU GET WHY I WANT TO INJECT HIM DIRECTLY INTO MY BLOODSTREAM THIS IS WHY HE'S MY FAVORITE ADDISON HIS WRITING IS IMMACULATE
24 notes · View notes
dailyfigures · 4 months
Note
WEEEEEEEEEE DOOOOOOONT CAAAAAAREEE ABOOOUUUTTTTTTT ITTTTTTTTTTT
DIEGO WAS NOT THE RIGHT GUY FOR VILU OKO
SORRY U CANT ACCEPT ENDGAME BUT LEONETTA 4 LIFE OK
bestie i have absolutely no idea what possessed you to send me an ask about the 2012 argentinian disney show violetta but i respect your passion
41 notes · View notes
puppyeared · 4 days
Note
i also have unaddressed therian feelings… sometimes i feel like a creature looking out from a human’s body yk
Tumblr media
i get what u mean..!! im still trying to understand it too, but im happy to finally have a word that describes the feeling. i cant say for sure what will help u come to terms with your feelings, but i think its good to find people who will listen and take it seriously ^_^
51 notes · View notes
awakenthebeing · 1 year
Note
After seeing Piepoe with Pizzano, I’m curious about what they would think of Pizzelle! Or Rosette!
She'd be MUCH more comfortable with those two!! Possibly even bake yummy treats with them both if either would wish to do so!!
I'm sure Rosette would be more comfy with Piepoe's presence right away, while Pizzelle would have to take some time to get used to the large friend <:3!!
Tumblr media
(Below is Piepoe's inner thoughts on them both btw!! :3)
"Small, and much more tolerable to be around. Friendly. They both smell sweet, particularly like various sugary treats."
145 notes · View notes
neathbound-fiends · 3 months
Text
Tumblr media
The great news is that Florence and @letters-of-fire 's Howard are in an RP right now that will absolutely and definitely not end in disaster for one of their emotional wellbeing
(painting referenced was Clarence F. Underwood's "The Last Waltz")
45 notes · View notes
chanrizard · 1 year
Text
Tumblr media
Chan, advice! As a 25yo I feel like I haven't achieved anything much because I didn't find my path, but I feel like I'm getting older and I feel a lot of pressure. I don't know what to do, some days I'm like "meh, anyways" and some days it really weighs me down
I see... Well I mean, it's not too late. 25 is still pretty young... I mean the kids tease me all the time but I'm fine with that, it's just having fun.
But yeah, as another 25yo I guess it's just a different case, but let's say if I wasn't here, if I didn't choose this path, I probably would be thinking the same so...
Just, I mean I can't say "do this or do that" because I'm pretty sure the universe is bound to give you clues and hints on what to do, but what I think is a good thing to do is be prepared, because you never know when an opportunity or a chance is gonna come so if you're prepared you can just grab that chance straight away, so yeah I think that's what I wanna say.
But another thing that I wanna say, it's completely normal. 'Cause I guarantee I probably would've felt that way, I'm pretty sure there's a lot of people out there who feel the same as well so yeah, it's never too late. Just take it easy, do what you wanna do, do what you enjoy doing, and yeah hopefully you'll find something that really really fits what you like to do :]
No worries, nooo worries ~
197 notes · View notes
m00ngbin · 2 months
Text
Tumblr media
Take some Teru concepts I made while I finish up the last few things I'm drawing!!!
I'm so sorry they're taking so long I have had a really long week 😭
Go read The Forgotten Son pretty pretty please :3 it's by @teruthecreator on ao3 and it's so good. You'll love it I promise
Oh um this is me editing this, I originally forgot to actually tag him when first I posted this. ANYWAYS HE USES THE SAME NAME ON AO3 AS HE DOES ON HERE
25 notes · View notes
04tenno · 11 months
Note
sorry to bother but I saw ya talk about kirin lore and Mine etc? Specifically about kirin and the full moon? Do you have any stuff I could look at about kirin myth that I could look at? (its cool if its a Japanese source I'll force myself to learn to read it) Or just any thoughts on kirin and Mine in general I've been going ham on stupid kirin-Mine AU lately and its relevant fhdkfd
I'm glad you asked! Unfortunately I'm not positive I saved any of my sources... anywhere, but the good news is I do remember most of my findings in detail and have been itching to post about them. So! I'm taking this opportunity to analyze Mine's tattoo top-to-bottom.
And I'm also approaching this as a sort of redemption arc, because a lot of interpretations of Mine's tattoo out there are based on what I wrote on the wiki. It's not that they're incorrect per se, but there is so much more to it than what the wiki currently goes into, and I'd like to share that with you all today.
I'll start off with some official statements, and because it comes up later, establish the original version of the tattoo Horitomo designed is actually this version with green fur (pictured below):
Tumblr media Tumblr media
Like the word kirin-ji, this is a design that evokes the image of a genius. To be honest, the majority of depictions give kirins the face of a dragon, but with a composition like this where it's soaring upwards, you risk ending up with a tattoo that looks too much like Kiryu's. So I looked into some older material, and while it's not too common, I went with a type of kirin that more closely resembles a deer. — Horitomo
It wants to rise above, but chooses to put itself second and use its talent and intellect to support the "king"—the kirin suits Mine, doesn't it? So, with that general concept in mind, we went through several designs done in pencil, went back and forth on various aspects, until we settled on the direction we wanted to take. And after that, the detailed version of the design was produced. — Masayoshi Yokoyama
With Yokoyama's comment, it's clear what the core meaning of his tattoo was meant to be from the beginning. Because a Like a Dragon tattoo represents more than just a summation of who the character is as the audience knows them or their role in the narrative, but who they were before joining the yakuza, why they joined the yakuza, what the motivation was behind their choice of subject, how elements of the tattoo reflect on characters who share the same elements (and vice versa), and how the meaning the tattoo evolves over time in relation to the character's fate.
So my main... misgiving, let's say... with popular interpretations of Mine's tattoo is that they focus solely on Daigo without examining how it relates to anything else. Again, partly my fault, I'll cop to that, but this is an issue with a lot of analysis of Mine as a character... and it's a little frustrating, isn't it? It is for me. But enough complaining, it's showtime:
Some notes design-wise: the decision to portray Mine's kirin as deer-like rather than dragon-like specifically to distance him from Kiryu says a lot about their characters to me. Because Mine is, in a lot of ways, "the complete opposite, or antithesis, of Kiryu." (Yokoyama) But the kirin is ultimately in the "dragon" family of mythological creatures; as such, Mine, no matter how much he tries to set himself apart from Kiryu, will always parallel Kiryu. This is exactly what I was talking about with regard to how tattoos come to change in meaning over time; it's not insanely prophetic, it's something that makes complete sense in-universe, makes sense for Mine to get at the time he got it, but it also ends up representing his relationship with Kiryu so well. The fact the kirin is in the "dragon" family of mythological creatures, in combination with the original green coloring, is also notable. Because the dragon depicted in Daigo's tattoo is the same shade of green.
There are multiple "species" of kirin, denoted by the color of their fur, which corresponds to one of the five phases (五行, gogyō), originating from the concept of wuxing in Chinese philosophy. The word "kirin," strictly speaking, refers to kirin with yellow fur and corresponds to Earth, which is associated with stability, hard work, ambition, and stubbornness. Kirin with green fur are known as shoko (聳孤, shōko) and correspond to Wood, which is associated with luxuriant growth, vitality, strength, and co-operation. Speaking of the five phases, that also ties into the concept of the Four Gods, a motif explored with the protagonists of Yakuza 4: Kiryu is the Azure Dragon, Akiyama is the Vermillion Bird, Saejima is the Black Turtle, and Tanimura is the White Tiger, representing Wood, Fire, Water, and Metal respectively. The "Fifth God," representing Earth, is widely considered to be a kirin. This doesn't really relate to anything though, just food for thought for the Protagonist Mine enjoyers (me <3)
A great deal of the meaning behind Mine's tattoo is etymological in nature. The word "qilin" itself represents a duality: "qi" refers to a female kirin, "lin" refers to a male kirin, and "qilin" refers to the species as whole. The kirin is said to embody yin and yang. And I think this aspect works perfectly with who Mine is as a character often torn between two extremes. He, like the kirin, has the capacity for both benevolence and ferocity, and like the kirin, only becomes violent in retaliation to violence or out of a sense of protectiveness. Also, in a very literal sense, Mine has both Yin cards and Yang cards in Ryu Ga Gotoku Online, which very few characters do due to their contradictory nature. As Horitomo mentions, the design has basis in the word "kirin-ji" (麒麟児, child prodigy, lit. "kirin child"). A lot of people already know this (anyone who's read this post certainly does, at any rate), but fewer are familiar with the origin of the term. In Ancient China, there was a belief that the appearance of a kirin heralds the birth (and death) of a gifted son with a promising future, beliefs held around Confucius being a famous example. Of course, this relates to Daigo in terms of the association with leaders, but it also relates to Mine himself, who views his younger self as a sort of diamond-in-the-rough, a "gem shining brilliantly by the wayside." This reinforces that the tattoo is not just a meta representation of him, but directly relates to how he views himself. Additionally, the kanji that comprise "shoko" read as "soar" (聳, shō; as in, to rise above something) and "orphan" (孤, ko) respectively.
On that note, kirin are capable of flight, which can obviously be connected to his ambition ("rising above" his origins), his theme, and his method of suicide. They hover off of the ground so as to not trample blades of grass, and are often depicted as walking on clouds (which are, of course, depicted in Mine's tattoo). Some kirin even have wings!
Circling back to the note about violence to talk about the kirin's ability in battle: kirin are ferocious combatants and known to have a very strong hind kick; Mine mainly uses his legs to fight. I believe his "red heat state," where he's at his most aggressive, also represents the fire surrounding his kirin. Kirin may use flames to attack. Kirin are also thought to be the only creatures who can defeat a dragon, and I would argue Mine is the only final boss who even manages to come close to defeating Kiryu. I actually would even argue he did win, since he had more stamina left.
Just reiterating for the sake of being thorough, but as mentioned in the ask, kirin are thought to be at their most volatile and at their most powerful during a full moon. You only see it in one shot, but the finale of Yakuza 3 does in fact take place under a full moon. Mine is, of course, shown to be both of those things in the finale.
There's also some sort of association between kirin and thunder/lightning, at least in popular media. Mine and his tattoo are depicted surrounded by lightning in one of his cards, and the "Hakuho Clan Pin" item that came out at the same time has an ability called Roaring Thunder. I'm not sure why this is the case. Perhaps it's to do with the kirin's association with the sky, since thunder and lightning are celestial phenomena.
With that, I believe I've covered everything I wanted to touch on. Thank you for reading and for the opportunity, and I hope I've "redeemed myself" adequately!
104 notes · View notes