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#testimone di gangster
sorbet-and-gelato · 10 days
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wb doodles
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strawby-fields · 1 year
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Boo! Testimone di gangster Tiziano :]
Because erm. Doodles are fun and I’ve been on an outfit kick
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poppy-glitters · 1 year
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Anyone wanna help me out picking which ones are the best looks for them during Testimone di Gangster (the new prequel short)? Or should they look more the same compared to canon. I wanna draw them but I can’t decide 🧐
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Testimone di Gangster Translation
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This is that project I alluded to in an earlier ask. Yes, I translated the entirety of Testimone di Gangster (or The Witness for the Gangsters), and it's now being hosted on Jojo Wiki's website! As it states in the note, this is a first edition that is subject to future changes and improvements. Shoot me an ask or message if you spot any mistakes!
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sourwormsaresour · 1 year
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Enemies to lovers Squalo and Tiziano was not what I expected on my JoJo 2022 Bingo card.
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graverobber3457 · 1 year
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thank you keiji ano for the squatizi
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m00dysunflower · 1 year
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Testimone di Gangster vs Purple Haze Feedback
Just came fresh off of reading the new Squatizi light novel (which I LOVED) and decided to ruminate on why I loved one and hated the other so much.
I want to preface that if anyone is nasty in replies or tags about my views and opinions of PHF, I'll block you, I don't have time to fight over a non canon Fugo centric light novel. And I think it's valid to compare the 2 stories because they're both based around part 5 and in light novel format that supposedly expands upon the part. If you find my thoughts valid and insightful, cool, if you don't, move along, you're not going to convince me to change my mind sadly.
Also this isn't going to have too bad of spoilers. I'm kinda more vague when it comes to talking about the Squatizi story.
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Purple Haze Feedback:
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I respect that people needed more Fugo content and it was a genuinely good premise. An aftermath story of Fugo returning to Passione under Giorno and Mista? Yeah I would have loved a story about that. But if you need to warp characters' personalities and throw in a bunch of forgettable stands and their users to do it... I honestly can't bother to care.
If it was much shorter then I could tolerate it, but it wasn't, so here I am. I'll be going point by point with PHF just to organize my thoughts better for such a chaotic story.
1. It warped the pre-established characters.
Mista I think was done the most dirty with that opening scene, but to insinuate that Abbacchio and Fugo killed kids behind Bruno's back felt like absolute whiplash. Also Abbacchio is bisexual obviously, he would have slept with men too, not just women lol.
I don't like that they made Trish become a pop star. Maybe she would have been better as a model, but regardless, not so soon after part 5 when she needed her time to be normal and heal, or at least be under Giorno and Mista's protection.
The whole "Fugio" moment also felt off-putting to me and is part of the reason I don't like the ship. Look, it was absolutely no rain scene or "The only time I feel at ease", let's not try to compare it.
Fugo was okay, but he was just boring and I feel that's not good... you know, considering he's the protagonist of this story. He got better near the end, sure, but by the time I got to the end I was so tired and done with the story. A better writer would have done him and the story more justice.
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2. Uninteresting supporting cast and villains
Cannolo was a fine addition, but I never understood what his stand actually did, same with all of the villains' stands. I think that's just poor writing if people walk away not understanding what just happened. I had to reread scenes and I still didn't get most of what happened. Voodoo Child was a cool stand, reminded me a bit of Moody Blues, but I didn't like Sheila as a character. And I'm sorry, who let's a 14 girl in a skimpy ass outfit be the Don of Mafia's bodyguard? Sheila's whole design was so hyper-sexualized and gave me the ick, especially if she was allegedly supposed to be indigenous coded. I've only seen speculation though so I won't go into it further.
Volpe and Manic Depression are the only villain names I remember. I couldn't even tell you the names and stands of the others or what Manic Depression even did as a stand. None of them felt like an actual threat.
3. Felt like a poorly written fanfic
The random mention of Tonio from DIU as Volpe's brother was also a whiplash "where the fuck did that come from" moment, because it was so unnecessary and felt like a cheap tie in for something that was formally published in a book. It really helped give it an average fanfic feel (and I write cheesy, overly dramatic fanfiction!). I think that was also when I was nearing my breaking point.
I once had someone try to mansplain to me that PHF was a "more realistic look of the mafia"... it is not, I promise you that lol. Mafia had rules about women and children and all other kinds of shit that Passione definitely does not abide by. Real life Mafia has so much more to it. This is camp fictional media, no one should ever take it so seriously.
In short, I just think PHF had a lot of wasted potential and would have done better with an altered story. I just can't convince myself to blindly love it, no matter how much I tried to like it.
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Testimone di Gangster
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I read it last night so it's still so fresh in my mind, but this is how you expand upon a story in my humble opinion. This is also probably going to be shorter just because it was a shorter and more focused story with less characters. I also don't want to spoil it for those who haven't read it yet since it just came out in English.
First off, I think it was a such great idea to take two characters we knew so little about and expand upon them in a way that felt so much more natural. There's less room for warping characters when they didn't have such distinct personalities to begin with and also helps build the world up.
There was no overly complicated plot about drugs and stands and it gave more insight on how the crime world works in Jojo's version of Italy. It even had nods to other real life gangs and how Passione fit into this world with them. It even gave nods to the Cosa Nostra and a real life prosecutor (Falco) who dealt with a lot of gang business in Italy and I think that's just so cool. I love shit like that so much, I adore me some good worldbuilding in general that we didn't necessarily need, but it's just cool to see.
I'll admit, the story was bit hard to follow in the first chapter, but once I picked up that it was from Squalo's perspective, it was such an easy and fun read that didn't make me question what was going on every two paragraphs.
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It really showed us how Tiziano is clever and calculating and can be such a useful stand user and teammate. It solidified why he and Squalo are partners (and most definitely in more than just crime for sure now ahaha). I also just love the idea of him being an attorney, especially with Talking Head as a stand, it was a fantastic concept.
The entire time I was just so entertained and caught up in the story, it was so much more engaging than I thought it was going to be. I was genuinely invested in the trial and how Tiziano was going to win the case for Passione. I'm almost sad that this story was so much shorter and would have loved more in between moments with Squalo and Tiziano, but maybe it was for the best not to drag things out.
The ending was a great nod back to their involvement in part 5 and this was in general a great insight into who they were before joining Diavolo's special guard. Plus it makes so much more sense and is amusing to know that he had a lawyer (Tiziano) apart of his elite team.
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Now look, I don't think I necessarily have a bias because I do like Fugo just as much as I like Squalo and Tiziano. I also normally don't care for light novels when comes to anime/manga so I don't think it could be that either.
Maybe it was simply the Fugo/Fugio lovers had over-hyped and demanded that everyone read PHF that it just soured the novel before I even read it? I couldn't say for sure. All I know is I went into PHF was no expectations and was so dissatisfied where as I went into Testimone di Gangster with some expectations and was thoroughly entertained.
This is by no means a dig at Fugio shippers, like I said, PHF's ending and the hype around it made me personally more uncomfortable with the ship than I already was before reading it. Simple as that.
If I were to recommend additional Jojo content, especially for the part 5 lovers, Testimone di Gangster is the one I would urge people to read if they have an hour or two to spare. It's a short and sweet look at some great side characters and has more of part 5 spirit without getting caught up in a bunch of bland ocs.
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quintushazard · 1 year
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So Testimone Di Gangster got translated.
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shoechoe · 7 months
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Donatella and Diavolo for the ask game? (And maybe Squatizi? 🦈)
For Squatizi- I remember the mix of surprise and excitement I felt when I saw the two of them on my first watch of VA. At that point, I had kind of just assumed that Jojo had no actually on-screen LGBT+ characters (The only canonical non-cishet at that point was DIO, whose bisexuality was only confirmed by Araki and is never actually stated or shown in the work) and was simply popular with the community due to its general nature (which does appeal to a lot of gay subcultures and tastes in that way). The notorious Bury-Your-Gays moment with Sorbet and Gelato didn't help either.
So, when Tiziano and Squalo showed up, going so far as to fondle each other on-screen, I just went "holy shit". These two are actually gay? And we get to see it? Honestly, I cared less about the fight in that arc and was just interested in seeing what would be done with those two- I suppose it wasn't explicitly stated they were together, but the on-screen groping was kind of enough to tip you off. Just for that reason, I do have a fondness for them, and I do understand why people love them and mess around with them so much in fanon.
Though, while the novelty of an actual gay couple in Jojo excites me alone, much of their writing still frustrates me and they were far from what I'd consider "good representation". They had very little screentime and were really less two individual characters and more just two halves of one whole. The fight itself was underwhelming (which you articulated perfectly in a previous post of yours) and Squalo dying almost instantly after Tiziano instead of putting up any sort of fight after his mantra of revenge was disappointing. While "good representation" is not exactly my expectation knowing... the way Jojo is, it was still annoying.
I do like them and enjoy how people take their characters and expand upon the underwhelming amount that canon gives. They're not my favorite couple and I don't talk about them a lot, but I certainly favor the pairing and see why people focus on them so much.
As for Diavolo and Donatella: As you might've guessed, I have many thoughts about the two of them. I don't know how long this is going to be, so I'll put this under a cut.
I would not say I think about Donatella and Diavolo as a pairing in a particularly "shippy" way. In a lot of ways, I don't even really see them as a romance. They only interacted for an extremely short period of time, at about a few weeks maximum, and despite apparently growing attached enough to sleep together, they barely found out anything about each other and Diavolo abandoned her without so much as giving her his name.
I find Donatella incredibly interesting (and frustrating) to think about just for that reason. Diavolo is obviously extremely avoidant of people and has been so for his entire life, using aliases since he was young, killing his mother and burying her under his house's floorboards, and then killing his adoptive father and burning down his town when he found out. In all other ways, he shows dangerous precision, determination, and intelligence when it comes to erasing himself from the world.
So, on one hand, Donatella is a really interesting deviance in his behavior and a representation of the moral of Diavolo's character. Connecting and being known by other people is simply a part of being human; Diavolo tries his hardest to scrub every trace of his existence away and isolate himself in the search of evading the inevitable pitfalls of being human, but this is an impossible task. Even one little connection from years ago- in this case, a brief fling- spiralled into an unignorable marker of his existence, and that led to his downfall.
For anyone else, a brief date as a teenager would hardly be anything remarkable or consequential, but for Diavolo, his goal to erase himself completely just multiplies the consequences of any and all relationships he's had. What would likely be a connection anyone else would overlook is instead the main reason for the fall of Diavolo's empire. (You also have the fact that Diavolo was apparently irresponsible enough to get Donatella pregnant, which could say something about how Diavolo's avoidance of relationships makes him act haphazardly and make big mistakes in the relationships he did have.)
However, at the same time, Donatella is... odd to think about (and I believe this is also part of why she's talked about as little as possible in the story). It's very hard for me to imagine Diavolo, someone shown to be secretive since he was very young, having a fling with a random girl out of nowhere. Sure, him having a relationship could work, but a seemingly random brief date leading to an accident-baby just seems off and hard to imagine considering everything else we know about him. Believably expanding upon the idea with more detail while keeping Diavolo in character sounds rather difficult, which is why I think Vento Aureo just doesn't bother doing it. (Also, why would someone date and then sleep with a guy whose name they don't even know?)
Not to mention, throughout the entire story, in all of Diavolo's spiels about how the past is coming back to haunt him, I do not believe he ever even says Donatella's name. Trish only mentions her once when prompted in the Notorious B.I.G. arc, and the only information she gives about her father are the basic facts that he was Sardinian and briefly dated her mother as a teenager. We learn essentially nothing about the relationship that these two had to Donatella, and that's a big problem.
Diavolo is at least built to be mysterious, but Trish... isn't. Could she not have asked Donatella about what her father was like personality-wise during any point in her life? Did she have no opinion on what she was like as a mother? Did she garner no opinion on her father before it was revealed he was a crime boss?
While I can speculate, it's obvious to me that Donatella pretty much only exists in the story as a plot reason why Diavolo has a daughter and not much thought was put into her or this detail of Diavolo's past beyond that. I think it's equally hard for others to envision this, which is part of the reason why the misconception of Trish actually being Doppio's daughter is a thing; the anime even plays into this by expanding on their backstory to have Doppio be the one to meet Donatella instead.
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However, as I've said before, we know that this isn't true and this anime addition is in fact kind of a plot hole. We see that Doppio doesn't recognize Donatella, being unreactive when holding a picture of her in both the manga and anime and laughing at the concept of having a daughter or a girlfriend.
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This anime change is especially irritating considering the fact that there are other implications in how Donatella apparently knew Diavolo and not Doppio. According to their backstory in the manga, the described personality that their adoptive father and village came to know them as is "cowardly and clumsy, yet open-hearted"- describing Doppio to a T.
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For clarification, the manga goes on to state that in the Jojo universe, people with DID have alters that are fully present since adolescence.
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This suggests that both Diavolo and Doppio were around since early childhood, but the village people and his father only knew Doppio- which makes sense, because knowing Diavolo, he would probably keep to himself. So, then, the fact that Donatella apparently knew Diavolo and Doppio doesn't even recognize her would say something really interesting about their relationship alone; what made Diavolo comfortable enough to show himself to her? What prompted him to go out and meet her in the first place?
Also, this may be a bit of a tangent, but I really dislike how they attempt to characterize Donatella in the anime. Her dialogue comes across as extremely stilted and odd, which makes sense, considering it's just her repeating the list of Trish's interests in the manga. (Literally- rewatch the scene and compare it to the page.)
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Unlike Trish, she gets no characterization beyond this "I love sparkling water and I hate smelly men and anything that isn't beautiful" spiel- honestly, she somehow comes off as more shallowly written than the grand total of zero lines she got in the manga... but I digress.
Diavolo and Donatella are really interesting to me, but the information we get about them in canon is almost less than bare-bones, which I find to be one of the major flaws in the story. (Seriously, Jojo's creation of really interesting implications about characters and then simply refusing to do anything with them is one of its most annoying tendencies, and it especially shows with Diavolo.) I do enjoy people attempting to expand upon them in fanworks with the very little we get, but I don't know if I'd call that "shipping"; just expanding upon a hinted relationship. All in all, it's a pairing with a lot of food for thought.
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figcookie01 · 11 months
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the funniest part about testimone di gangster is that, if the anime is anything to go off of, the "leader" that squalo and tizzano are talking to is doppio. so doppio is just dealing out these orders for them to kill each other and they just accept it. like yeah this freckled pink twink is the underboss
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porunareff · 1 year
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testimone di gangster + rey infinito p.2 covers (JOJO Magazine Winter '22)
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sorbet-and-gelato · 3 months
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testimone di gangster squalo doodles + plus a little drawing based off the anime
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crttvset · 1 year
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we need more pt5 light novels testimone di gangster is so good
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lesbicattiva · 10 months
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Hey sorry to annoy you but you're one of the few jjba light novel translators out there! Wouldn't you happen to know where i can find the rohan short stories? I want to translate em! I'm also looking for the recently published lisa lisa one but I doubt thats online yet. Thank you in advance!
idk when you sent this ask but sorry for the late reply, i rarely come on here! anyway, don't worry, not annoying : ) unfortunately i don't think anyone has posted the raw/scans of the rohan short stories so you'd probably have to ask if anyone in possession of all of them would be willing to or you'd have to purchase them yourself! : ( if you do translate them please let me know, i'm looking forward to read them!! about the lisa lisa ones, i think something was translated here and/or here but the second part is missing? idk? or at least i haven't found it or something. i do have both the JOJO magazines SPRING & WINTER so i could provide raws of the lisa lisa short story (wholly) and the iggy the stray dog short story and the (squalo & tiziano) testimone di gangster short story (although there's already a translation here) if anyone is interested. hope you have a nice day bye!! : )
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heckinwacky · 1 year
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HELL YEAH TESTIMONE DI GANGSTER TRANSLATION
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freelancer555 · 6 years
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A preview and excerpt of Mano in Italian.
Mano
Capitolo 1
Aveva trascorso otto anni pericolosi lavorando sotto copertura nelle triadi cinesi fuori dal centro abitato di Honolulu, e quando ebbe finito il suo incarico, il suo testimone, in tribunale, mise dietro alle sbarre della prigione di Oahu State duecento gangster, mandò in pezzi cinque triadi che trafficavano con qualsiasi cosa, dalle persone agli stupefacenti. Ora era un uomo…
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