Do you guys think the ultrakill terminal and lethal company terminal are yuri,,,,,

You can finally view my website!!! Still a heavy work in progress ^_^

MAY NOT WORK PROPERLY ON MOBILE/SOME SCREENS trying to fix that ofc

terminal (ultrakill) for @goosesartblog 1 - 2 - 3 - 4 - 5 divider 6 - 7 - 8 - 9 🤖

The first image shows a ROM-dump of the font in the legendary terminals VT100 and VT220. The second image is a representation of how they appear on screen. The difference is more than just aspect ratio. Look at letters like q and p: pixels are sometimes doubled, sometimes tripled. The fascinating explanation is here.

One of the really interesting/instructive things about VR finally getting to a place where it operates more or less like scifi always envisioned it(relatively lightweight headsets; hand controls) has been finding out that it's actually Shit for information processing. Like: Great for entertainment applications apparently(I've never used it tbf and I'm not currently interested in doing so), seeing HUGE use for just, like, Hanging Out online in improbable spaces, but from everything I've heard/read it's not only clunky and slow for navigating/organizing/processing information, but that whole Thing of "grabbing" and moving stuff around, resizing it and the like, seems to make some people really nauseous.

So, while VR's THERE now, we're probably not going to see VR interfaces taking over internet use anytime soon, cuz it turns out that terminal computers are just Functionally Better -faster, more legible, more comfortable to use- at navigating, organizing, and manipulating data. So like: it seems like we'll definitely have a future of Randos hanging out in impossible cyberbars wearing infinitely creative bodies, but coders will still be out Here, typing away at mechanical keyboards plugged into towers :p

Sailing Ship Saturday — Sangheili galley

This ancient Sangheili maritime vessel made use of oars and sails to navigate the treacherous oceans of Sanghelios at some point prior to the species' formation of the Covenant alongside the San'Shyuum.

June 2023 - crippled dude at terminal in Los Angeles

Here is a MURDER DRONES EDIT while we wait for Episode 7:

(Turn on sound)

OC music

What would Hell's and the Terminal network's relationship actually be? are they actually friends, neutral opinioned co-workers or would Hell try and make the network its own plaything if they weren't so essential to its fun? Or would hell have favourites among the different Terminals? (it does not care for 5-3).

I have a headcanon that the secret levels are the Hell and Terminals collabroating on new ways to torture, thats why they look like other games (terminals are gamers and copyright died with the humans) they are secret because they arent ready yet! and only beta testers are allowed (they like V1 so it is allowed to test them).

honestly i think about this as well....like what kind of relationship do they have, since for me it seems unlikely they're just moving in parallel with no cross-communication. i do tend to sort of think of them as collaborators in some capacity, as what they both want facilitates what the other does - hell wants more torture, the terminals want a good show, and these goals can easily align. i even think it's possible that the terminals assisted hell in learning how to modify husks and helped it track humanity's movements (to the point where i wonder if they helped end humanity in some way, to drive all the action to them after having been abandoned) however, with all that being said, i don't know how they might actually feel about one another beyond this partnership. i do genuinely like the idea that they're sort of "competitive", with the terminals quite proud of v1's accomplishments while hell plots how it can destroy their favorite machine, but in general i don't really consider them close in any way. they work together because it conveniences both of them to do so, and terminals prefer their own company or that of the machines they like.

BUT the secret levels idea is so cute...i love that these may be little simulations that the terminals are running with hell's help to perhaps collab on different kinds of entertainment. hell doesn't always quite understand the direction, but the idea that these are all attempts at unique kinds of torture is so good lmao something wicked being horror must be a favorite it's looking to implement more, while the witless is far too mundane as it presents frustration at worst (although it supposes it COULD be expanded out to a nauseating degree) it doesn't mind the existentialism of all-imperfect love song, but it thinks that's more effective on humans rather than machines. clash of the brandicoot is by FAR the most effective and is horrible, they both think they nailed that one!!!! i only say morning makes. zero sense to hell. the terminals try to explain it as the lost liminality of the world, a repetitive place that will never provide the one thing you're looking for (size 2.......), but that seems rather high-minded to hell. (the terminals secretly don't mind at all that v1 seems to really enjoy that place. it deserves a reward for being so cool :])

forgot to post anything on this, but i have been working on a terminal emulator! just today i got terminal splitting working, but i still need to have some way of actually manipulating it oh and here's the link to the repo if anyone wants to have a play around with it: https://github.com/rhaskia/preTTY

[Cinnamon] Enjoying my Modern Windows XP Setup

Everything I have used: Linux Distribution: Arch Linux x86_64 Desktop Environment: Cinnamon Desktop Terminal: Tilix Fetch: Fastfetch Shell: BASH Music Visualizer: Cavalier Mouse Cursor: Vanilla-DMZ Start Menu: CinnVIIStarkMenu Applet Theme: https://github.com/B00merang-Project/Windows-XP

Icons: https://www.gnome-look.org/p/1158349 Windows XP Tulips Wallpaper: https://www.reddit.com/r/wallpaper/comments/i2epjl/tulips_the_original_stock_image_of_a_windows_xp/ Windows XP User Account Profile Picture Pack: https://archive.org/details/WindowsXPUserAccountPictures

—RedditExplorer1111

Terminals (Sandra Lahire, 1986)

Finally together

Roy Montgomery & Friends – Broken Heart Surgery LP (Discreet Music)

RECOMMENDED

The importance and depth/body of work of Christchurch, NZ's Roy Montgomery is too long for me to get into here, and probably redundant for a lot of you, but the gap between his '90s works and the spate of releases from 2016 on (dutifully documented by Omaha's Grapefruit label) feels nearly closed now, and in 2024 it's all had time for new chasms to open around it. (If you're mistaking him for the character from TV's Castle, put down the remote and go outside). Other works of recent years have been dedicated to Montgomery's longtime partner Kerry McCarthy's passing back in 2021, but Broken Heart Surgery really feels like the effort where the grief has settled in his bones, some of the acoustic crispness of more recent releases like Rhymes of Chance muted down into mournful low clouds of chorus pedal chords and the haunting vocals of longtime compatriots and collaborators like Stephen Cogle (Terminals, Victor Dimisch Band, Vacuum; essentially the other lynchpin of New Zealand's modern music) and Garbage and the Flowers vocalist Emma Johnstone. Barricaded in by gentle vocal reveries, haunted poetry and atmospheric synths, this one feels colder and slower, yet more immediate than some of his other works, looking back to his '90s touchstones Scenes from the South Island and the soon-to-be-reissued Temple IV, as well as the massive RMHQ box set, as milemarkers in his astonishing career. Words like "goth" don't even begin to set the stage for the desolation and ultimate rebirth that takes place across these six tracks, and I find myself at a loss for an audience who needs to discover this and won't feel it within their bones, forever attached. Unlike the Grapefruit titles this one's a Swedish import and will not hang out for long. Absolutely essential, the first true stunner of 2024. (Doug Mosurock)

Sandra Lahire, {1986} Terminals