#swedish rapper
Text
#neneh cherry#raw like sushi#1989#late 80s fashion#swedish singer songwriter#the slits#rip rig + panic#swedish rapper#occasional dj#swedish broadcaster#swedish occasional dj#dollar sign necklace#hip hop#new jack swing#r&b#urban street style#jean baptiste mondino#paris france#paris#france#dollar sign earrings#dollar sign jewelry#dollar sign jewellery#the guardian
25 notes
·
View notes
Text
Cobrah
Gender: Female
Sexuality: Lesbian
DOB: 15 October 1996
Ethnicity: White - Swedish
Occupation: Singer, songwriter, rapper, music producer, DJ
Admin note: Uh...maybe check images if over 18. She has some wild ones out there.
#Cobrah#lesbianism#sapphic#femme#lgbt#female#lesbian#1996#white#swedish#singer#songwriter#rapper#dj#music producer
83 notes
·
View notes
Text
shoutout to that one rammstein guy who literally has a reverse tonsure haircut. genuinely the most insane style choice i have ever seen on a person in real life
#and I went to law school with a guy who had a rat king white dreadlock situation going#that guy was a famous swedish rapper btw he's also a meme
7 notes
·
View notes
Text
la oss lage scenen
#nik release the rest of your soundcloud rn fr#let's make the scene#independent rapper#unsignedartist#norwegian music#swedish music#most talented rapper in all of sandefjord I'M NOT JOKING#song recs#Spotify#I WAS THERE THAT DAY YALL WERE TAKING PICS OMG!!!
0 notes
Text
Warren G & Sissel - Prince Igor
1998
The Rapsody Overture: Hip Hop Meets Classic is a 1997 concept album of remixes consisting of hip hop and classical, which combined American rappers with European opera singers.
"Prince Igor", a duet between American rapper Warren G and Norwegian soprano Sissel Kyrkjebø, was a massive #1 hit across Europe in 1998. Outside Europe, it peaked at number 41 in New Zealand.
The song combined Warren G's lyrics from his song "Reality", and an aria from Alexander Borodin's opera Prince Igor.
Sissel was the voice for Ariel in the Norwegian and Swedish versions of the 1989 film The Little Mermaid, as well as the Danish singing voice. Listen to her here!
She sang the vocals on the soundtrack for the 1997 film Titanic, which reached #1 on the Billboard charts and sold more than 30 million copies worldwide. She was also originally intended to sing "My Heart Will Go On" before it was handed over to Celine Dion.
"Prince Igor" was so close to a draw! 49,7% total yes votes vs 50,4% total no. :(
youtube
869 notes
·
View notes
Text
When Finland’s Käärijä took the stage at this year’s Eurovision, a star was instantly, explosively born. With an outrageous energy, infectious presence and that oh-so-catchy hook, the Vantaa-based rapper may not have won the contest but he certainly snatched the hearts of those in his home country and beyond. We ask Käärijä the million dollar question: what next?
[full article under the cut]
Last May, a peculiar frenzy engulfed Finland. Virtually all green foods – cucumbers, especially – were sold out from stores. Buildings across the land were bathed in vivid green lights. Social media brimmed with green-themed parties, while data obtained by Swedish fintech company Klarna showed a 570 per cent increase in the online sales of neon green shirts.
This phenomenon was all thanks to Käärijä, the rapper who represented Finland in the 2023 Eurovision Song Contest. His now-infamous, blazing green puff sleeve bolero – dreamt up by Finnish broadcasting company Yle’s costume design team and which he dons when performing the smash hit track ‘Cha Cha Cha’ – had taken on a life of its own, the lush hue uniting the entire nation amid the competition. “It was incredible to see it happen and so cool being part of it,” Käärijä says. “It wasn’t planned at all – it was the people who created the commotion. I’ll definitely never forget it.”
When we speak over Zoom, Käärijä, whose real name is Jere Pöyhönen, is lounging in his minimal apartment in Vantaa, a city just outside Helsinki. He appears on my screen shirtless, a chunky gold chain dangling on his neck. On his head sits a pastel turquoise cap adorned with little cat ears. As he gestures with his hands, I spot flashes of poison green nail varnish. Pöyhönen’s chosen attire, or lack thereof, is extremely fitting – he typically performs bare-chested (“It gets so hot during my gigs”) and his Instagram handle is @paidatonriehuja, or ‘shirtless rascal’.
Hot off a performance in western Finland, the 29-year-old is enjoying his first days off in a while. It’s been a sweltering summer of non-stop touring, with fans flocking to festivals and concerts nationwide to see his explosive live show. Things are not winding down either, with Käärijä heading off on his first-ever European tour this month. Some of these shows sold out in mere minutes, an indication of his immense international following. “It’s so exciting; I’m definitely jumping into a new territory with that tour,” Pöyhönen says. “But I don’t have any expectations – I’m just going to let everything happen organically rather than stressing about it.”
Although he created one of this year’s buzziest songs, the guy on my screen is humble and, save for his look, almost un assuming. I remark on the stark contrast to his fiery and flamboyant stage presence. “Through Käärijä, I get to channel all the craziness, quirkiness and hyperactivity I’ve had since I was a child,” Pöyhönen says, describing himself offstage as “just this ordinary dude”. Without delving into further details, he tells me that the name Käärijä (translating roughly to moneymaker) stems from a history with gambling. Despite the darkness of its origin, he notes that the moniker is to be taken with a grain of salt.
While it might seem like Käärijä exploded into the public consciousness from obscurity, Pöyhönen has a long journey in music behind him. Born in Helsinki but having spent most of his youth in Vantaa, he started dabbling in the medium at just three years old. Coming from a musical family (“My dad and big brother both play the guitar”), jamming sessions were commonplace in the Pöyhönen household, his instrument of choice being the drums. “I was playing with pots and spoons before I got a set of those plastic kids’ drums,” he says. “When we moved to a bigger house, we built a band room downstairs where me and my brother spent a lot of time practising.”
At that time, rap music hadn’t yet entered Pöyhönen’s life; he was strictly a self-described “metal guy”. His older brother had instilled in him a love for the genre, particularly metal icons Rammstein. Upon starting high school, his musical taste broadened and he began listening to Eminem and popular Finnish rap groups Fintelligens and JVG. “Me and my friends were filming our own music videos to old rap songs, learning the words by heart,” Pöyhönen says. “It [making rap music] pretty much started as this humour thing I did with my mates.”
Encouraged by his loved ones, Pöyhönen began writing his own songs, still playing it for laughs. Turned out he had a knack for it. “Since I was little, I’ve been an avid storyteller – my imagination ran a little wilder than the rest of the kids’ at my school,” he says. “So when I started making music, I didn’t even need inspiration; I was able to whip up the lyrics from my head.”
But then, at 15, an unexpected turning point came by way of a severe sudden illness. Rushed to the hospital with ulcerative colitis, a chronic inflammatory bowel disease, Pöyhönen underwent emergency surgery to remove his colon. Had he not been treated immediately, the complications could have been fatal. “I was writing songs in the hospital – music became a source of strength for me,” he says. “I decided that if I make it through this, I’m going to give my all to music and be serious about it.”
After over a decade of hard work and countless hours in the studio, Käärijä released his first album, Fantastista (Fantastic), in 2020, but it would take three years for him to become a household name in Finland. After snapping up the top prize in Uuden Musiikin Kilpailu (the Finnish contest for new music) with his party anthem ‘Cha Cha Cha’, a song dedicated to a hedonistic night out fusing rap, electronic music and metal, he secured the coveted spot as his country’s entrant for the 2023 Eurovision, held in Liverpool. One of Pöyhönen’s craziest dreams had come true.
For Pöyhönen, Eurovision was “an amazing but immensely tough experience”. The event’s intense schedule and the little time carved out for practising surprised the artist. There was no room for errors or retakes once it was time for rehearsals. “They didn’t give much mercy,” he says. On the bright side, the long days filled with “lots of press conferences and waiting around” gave Pöyhönen a chance to get to know the other artists. “The group we had there was wonderful – there wasn’t a competitive atmosphere at all,” he says. One of the contestants he became especially close with was Sweden’s Loreen, with whom he exchanged numbers and promised to “meet up and talk about everything else but music”.
By the time the grand finale came, Käärijä’s explosive performance and infectious song had made him one of the favourites to win. Ultimately he came second, while Loreen nabbed first place. How did Pöyhönen handle the letdown? “It was a huge disappointment, but in the end, the feeling didn’t last long,” he says. “When I thought about how far I’d gotten, the incredible journey it was and all the new friends I made, I realised that these things are far more meaningful than winning.” Plus, he still achieved something major: ‘Cha Cha Cha’ made history as the first ever Finnish song to reach Spotify’s global most-listened charts. The track’s reach proved to Pöyhönen that language doesn’t matter; it’s all about creating a singular, infectious sound: “The mouth is just as much of an instrument as the piano or the guitar is,” he says.
Having made history, I ask Pöyhönen if he felt any pressure after the Eurovision bubble had burst. “Of course there are the thoughts of ‘what now?’ and ‘is this going to be it, will anyone be interested anymore next year?’ – I’m aware that the hype won’t last forever,” he says. “But I’m onto creating the next thing, trying not to feel any pressure for future releases. I haven’t done that before, so why would I do that now?”
Pöyhönen hints at a new album dropping sometime next year, but in the meantime, he’s enjoying the attention – including his Vogue Scandinavia debut. Shot at the extraordinary home of the late interior architect Antti Nurmesniemi and his wife, textile artist Vuokko Nurmesniemi, we find the space where Pöyhönen and Käärijä meet, the quiet confidence mingling with that more-is-more persona.
And while Käärijä might develop as a character (“I want to show that he’s more than just a bolero chap”), he’s adamant that he will stay true to his music and keep singing in Finnish, despite the sudden international attention. “In the end, I’m doing this for myself,” he says. “Also, why change something that works?”
Photographer: Karoliina Bärlund
Stylist: Sanna Silander
Talent: Käärijä
Hair Stylist and Makeup Artist: Neea Kuurne
Photographer Assistant: Milja Laakso
Stylist Assistant: Nelli Korhonen
553 notes
·
View notes
Text
14th July 2023 // Members of the Swedish royal family getting their groove on to a performance by rapper Petter at the Crown Princess's birthday celebrations - minus Queen Silvia who seemed to hate every second of it!
#crown princess victoria#swedish royal family#princess estelle#prince daniel#prince oscar#king carl gustaf#king carl xvi gustaf#princess sofia#princess madeleine#prince carl philip#chris o'neill#queen silvia#2023#my upload#victoriadagen
155 notes
·
View notes
Photo
acne studios rtw spring 2o23, paper dolls .
“the palais de tokyo venue was carpeted a light pink, and here and there shell-covered candelabra stood at attention among a maze of beds covered in matching satin duvets and pillows. kylie jenner perched on one of the mattresses and the british rapper little simz on another. we were all guests at a wedding. acne studios’s johnny johansson said he’d been thinking about his own nuptials nearly 20 years ago; he’d been having regrets about his outfit, it was too safe.”
“his memories gave the acne team cause to produce their most dressed up collection since the swedish brand began showing here in paris 10 years ago.”
“‘weddings are kind of kitsch,’ he pointed out. surely, the pink satin bed sheet dress qualified. ditto for the pastel bows trapped between layers of lace and tulle, and the gingham suits with bra tops worn over the jackets, each cup boasting a blooming rosette. all that sweetness met its opposite in thrashed leather blazers trimmed with metal spikes.”
—nicole phelps for vogue.com
659 notes
·
View notes
Text
Swedish-Sierra Leonean singer-songwriter and rapper Neneh Cherry
109 notes
·
View notes
Text
#neneh cherry#swedish musicians#swedish singer songwriter#urban street style#swedish rapper#swedish occasional dj#swedish broadcaster#the slits#rip rig + panic#the best of british#late 80s fashion#early 90s fashion
11 notes
·
View notes
Text
Tension and release in me and my friend's favorite artists
I love it when people love music for the way it handle tension and release. My friend's favorite band is a little band from new jersey not very known on this website called my chemical romance and my favorite artist is bladee, a swedish rapper who cannot sing properly and while their music are completely different in every conceivable way, still I think we like them for their handling of tension.
MCR has a way of creating tension like few rock adjacent band can. With dissonant chords, soaring vocals, raw and aggressive rythms and verses followed by straight up beautiful choruses that feel like litteral rewards, they create a tension so HARD it might break. Their music is overwhelming, raw, and emotionally powerful with poignant lyrics and unconceivable sincerity and honesty. The best examples are their two first albums, espiecially three cheers for sweet revenge, which just exudes an extreme tension in every way it can become nearly phisically tiring in the best way.
Bladee also has its ways of creating tension but in the opposite way. The instrumentals are shiny, glittering, very discret and support his vocals very lightly like you would hold a very fragile feather. And his vocals are clumsy, unsure, he often sings false notes even with auto tune and his voice is not really pretty but still he tries so hard to sincerely attain beauty he somewhat does, all that creates a tension so SOFT it might break. His music is also overwhelming, raw and emotionally powerful with poignant lyrics and enormous sincerity but in all the opposite ways and I love it. His music is so soft it weighs nothing, especially on albums like 333 and Crest if you don't see what I'm talking about.
16 notes
·
View notes
Photo
4 notes
·
View notes
Note
what about an off day on tour and you, urban and phoenix go exploring in whatever city you’re in and have a little family day just the three of u 🥺
Just the three of us 💕
Sweden it’s a whole different country you never thought you’d see in your lifetime but yet here you were with your baby boy and with the love of your life.
Jack’s show in Sweden wasn’t till the following day which meant you all had the day to yourselves so Urban thought why not explore all the different things Sweden had to offer.
“Daddy what’s this place? It’s a lot of buildings here.” Phoenix’s eyes widened in wonder and awe as he took in everything being six and being able to travel the world with your parents was something that definitely a core memory.
“We are in Sweden bubs.” Urban smiled down at Phoenix and squeezed his hand softly.
“Why are we in Swa..Sweden in daddy.” The two of you laughed at how he struggled to pronounce Sweden.
“Well you know how I told you Uncle Jack is a really big rapper now he goes around the entire world and performs for all his fans and daddy which is me gets to take all his pictures and bring mommy and you along.”
“Daddy can I be a rapper too?” Urban laughed but nodded his head before all three of you turned into this restaurant.
“You can be anything you want baby boy I’ll support you no matter what.” You coo’d at Phoenix.
Looking over the menu you just decided on Swedish meatballs with pasta for Phoenix and You, it’s something you never tried but you’ve heard how good they taste and you definitely weren’t missing an opportunity to pass this up.
Once the food came Phoenix’s eyes widened at how big the meatballs were he loved food just like Urban those two could eat entire buffet if you let them.
You laughed as you cut up his food for him before handing him the fork, Urban pulled out his camera and caught the moment Phoenix put the food in his mouth, his eyes lit up like a Christmas tree as all the flavored exploded in his mouth, you stiffed a laugh and cleaned off the corner of his lip that had sauce on it.
“Is it good bubs?”
“It’s super good mommy I love this!!”
“I’m glad you love it bubs now let’s eat and go shopping after yeah?” Phoenix nodded his head before stuffing his chubby cheeks with the food.
After dinner the three of you kept exploring Sweden it was honestly such a beautiful country you were just so in awe at all of the art and the beauty Sweden had to offer.
After a while you noticed a little certain somebody has been quiet and bit too quiet might I add. Looking down at the stroller you noticed Phoenix was fast asleep head rocking back and forth and all.
“Looks like our little traveler is out for the count.” You told Urban who stopped pushing the stroller and smiled before pushing Phoenix’s head back softly so that way he wouldn’t get a crook in his neck.
“Guess all that good food and shopping knocked him out, I’m so happy we get to experience this all together ma it’s truly amazing.”
Urban took your hand in his and squeezed it three times it was his code word for I love you, whenever the two of you were getting out of larger crowds he’d hold your hand and squeeze it three times so you knew he loved you and was there.
“It is amazing I’m so happy this is my life I wouldn’t change anything I love our little family.”
“I love our little family too ma.. I’ve been thinking what if we give Phoenix a brother or sister.” Urban wiggled grinned and you rolled your eyes.
“I suppose we can think about that once we get back home.”
“Sounds like a plan baby.” Urban grinned and you couldn’t help but to laugh he was such a fool sometimes but he was your fool.
#jack harlow#jack harlow concepts#jack harlow imagine#jack harlow x reader#urban wyatt concept#urban wyatt blurb
228 notes
·
View notes
Text
Adam Tensta - My Cool
2007
Adam from the Stockholm area Tensta is a Swedish rapper of Gambian and Finnish descent. His debut album It's a Tensta Thing was a Swedish chart topper and was awarded the 2008 Grammis (Swedish Grammy) for best Dance/Hip Hop/Soul album.
"My Cool" appeared on the soundtracks for the skateboarding video game Tony Hawk: Ride, and the basketball video game NBA 2K10.
The poll results were close with 47,5% total yes votes and 52,5% total no votes.
youtube
533 notes
·
View notes
Text
Marvel Studios: Voices Rising - The Music Of Wakanda Forever [Series]
Episode #1: "Nigeria: Past is Present" [available on Disney +] [w/ time stamps to follow along]
- - - - - - - - - - - - - - - - - - -
▻ "Soundtrack's like this just don't happen anymore, with the high percentage of the songs that are embedded in the movie, and to this level of cultural specificity." - Ryan Coogler [Director] [0:00]
▻ "Here you have a story that intertwines people [Wakandans & Talokanil] of beautiful, rich ethnicities. What do you do with that as a composer? You use it!” - Letitia Wright [Princess Shuri] [0:14]
▻ We learn that Ryan Coogler and Ludwig Göransson first started off as friends, meeting one another at a film school [USC]. They then hit it off from their joint love of Swedish music. "They make magic together, and they seem to just pick up where the other has left off. They just have this seamless way of getting in each other's heads and hearts, and it ends up creating such incredible music.” - Lupita Nyong'o [Nakia] [1:51]
▻ The first Black Panther soundtrack is heavily inspired by Chadwick Boseman's Black Panther and his overall character. After his passing, they had to go back to square one. "I couldn't really imagine what the movie [soundtrack] would feel or look like without Chadwick in it. So, I'm basically going into this experience starting from scratch." - Ludwig Göransson [Composer] [2:42]
▻ They [Ryan and Ludwig] chose to go to Nigeria, Lagos to recruit artists and composers, it being a major hotspot for music in the world currently. "What Lagos is to music right now is what London was to music in its heyday. What New York was to hip-hop in the 90's. I genuinely believe the most exciting music in the world is being made in Lagos." - Seni Saraki [Music Consultant] [3:16]
▻ "Ludwig came to Lagos, because he, as a creative, understands the need to feed off of the energy of a particular place." - Fireboy DML [Artist] [4:04]
▻ There were a huge mixture of both contemporary artists [ie. singers, rappers, etc] and traditional artists [ie. musicians, instrumentalists for the score such as, but not limited to: Jedalo Percussion Ensemble, Fusion Nigeria] coming together to create this soundtrack. Instruments such as, but not limited to, the: sato drum, sakara drum, iyaálù bata, omele bata, kakaki horn, ojà flute, goje were all used on the traditional side. "Everyday we had different sessions with musicians that would come from different tribes from the Igbo, from the Hausa, from Yoruba and they would have their own instruments and different types of set of drums." - Ludwig Göransson [Composer] [5:57] Ryan and Ludwig are seen workshopping ideas of scenes and where musical segments may exist in the movie during these musical sessions [7:28]
▻ "He [Ludwig] and Ryan had been talking about it for years. ‘Let's write songs just for this film.’ There's no licensed tracks." - Monica Sonand [Score Supervisor] [9:39]
▻ “The generation that I'm in right now is speaking Afrobeats. We are all doing our own things individually, but as a unit together, we are pushing the culture. This is Afrobeats. This is Niger. This is Lagos. We're taking that old culture with us to the world." - Fireboy DML [Artist] [10:48] His song “Coming back for you" was used towards the end of the movie in the scene where Shuri is shown planting the heart-shaped herb [12:15]
▻ Ryan and Ludwig wanted to have artists who sang in Xhosa [the language of the Wakandans] so they did their research and flew out artists from South Africa to Nigeria to meet with them. The music style “Amapiano” had the sound that they were looking for, which plays on most South African radio. "It's so unique and it comes out of the club scene there [South Africa] and it makes you want to dance. What I love about that music [Amapiano] is that it feels futuristic to me." - Ludwig Göransson [Composer] [15:05]
▻ Ryan, Ludwig and artist Bloody Civilian are shown brainstorming Bloody’s beats pack she made for them, discussing where her track may exist. She showed them her song “How to kill a man. “I was very nervous, but the environment felt safe and everyone's creativity was just going. It didn't really feel like work at some point." - Bloody Civilian [Artist + Producer] [23:04] Her final track in the movie “Wake up" ft Rema is about "pushing yourself regardless of the things that try to pull you back." - Bloody Civilian [Artist + Producer] [24:33]
▻ Some of the African producers involved were ecstatic to have representation of a variety of African artists and sounds on this Marvel movie and it’s soundtrack. "I think the album sounds like Wakanda!" - Osarumen Osamuyi [Music Producer] [25:28]
▻ "I've been able to travel here [Nigeria] with Ryan, one of my closest friends. Doing something like this together where we can share this experience has been such a blessing." - Ludwig Göransson [Composer] [25:52] "It was really important for us [Ludwig and him] to come to West Africa. Myself being African-American, a lot of my heritage is from here like most African-Americans. The biggest take away for me is the personal connection that I have myself. I'm constantly looking at people saying ‘that person looks like my cousin, that person looks like my friend, that person looks like my brother.' That experience is one that's very different from being a black man that was born and raised in a predominantly white country. Folks born on the continent often take for granted to just walk down the street and everybody looks like them. That wasn't my truth. That wasn’t my reality. It's a very strange experience to fly for thousands of miles and land somewhere you've never been, but it feels like home. There's a beauty to that, but also a sadness that comes with it.” - Ryan Coogler [Director] [26:06]
- - - - - - - - - - - - - - - - - - -
Soundtrack: [tracks referenced in this episode]
ʀɪʜᴀɴɴᴀ: ʟɪғᴛ ᴍᴇ ᴜᴘ / ʙᴜʀɴᴀ ʙᴏʏ: ᴀʟᴏɴᴇ / ғᴏᴜᴅᴇᴏ̨ᴜsʜ + ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ: ᴄᴏɴ ʟᴀ ʙʀɪsᴀ / ᴛᴇᴍs: ɴᴏ ᴡᴏᴍᴀɴ ɴᴏ ᴄʀʏ / ᴀᴅɴ ᴍᴀʏᴀ ᴄᴏʟᴇᴄᴛɪᴠᴏ + ᴘᴀᴛ ʙᴏʏ: ʟᴀᴀʏʟɪ’ ᴋᴜxᴀ’ᴀɴᴏ’ᴏɴᴇ / ғɪʀᴇʙᴏʏ ᴅᴍʟ: ᴄᴏᴍɪɴɢ ʙᴀᴄᴋ ғᴏʀ ʏᴏᴜ / ʙʟᴜᴇ ʀᴏᴊᴏ: ɪɴғʀᴀᴍᴜɴᴅᴏ / ʀɪʜᴀɴɴᴀ: ʙᴏʀɴ ᴀɢᴀɪɴ / ᴛᴏʙᴇ ɴᴡɪɢᴡᴇ + ғᴀᴛ ɴᴡɪɢᴡᴇ: ᴛʜᴇʏ ᴡᴀɴᴛ ɪᴛ, ʙᴜᴛ ɴᴏ / ᴅʙɴ ɢᴏɢᴏ + sɪɴᴏ ᴍsᴏʟᴏ: ʟᴏᴠᴇ & ʟᴏʏᴀʟᴛʏ [ʙᴇʟɪᴇᴠᴇ] / sɴᴏᴡ ᴛʜᴀ ᴘʀᴏᴅᴜᴄᴛ + ᴇ-40: ʟᴀ ᴠɪᴅᴀ / ᴀᴍᴀᴀʀᴀᴇ: ᴀ ʙᴏᴅʏ, ᴀ ᴄᴏғғɪɴ / ᴠɪᴠɪʀ ᴏ̨ᴜɪɴᴛᴀɴᴀ: ᴀ́ʀʙᴏʟᴇs ʙᴀᴊᴏ ᴇʟ ᴍᴀʀ / sᴛᴏʀᴍᴢʏ: ɪɴᴛᴇʀʟᴜᴅᴇ / ᴏɢ ᴅᴀʏᴠ + ғᴜᴛᴜʀᴇ: ʟɪᴍᴏɴᴄᴇʟʟᴏ / ᴄᴋᴀʏ + ᴘɪɴᴋᴘᴀɴᴛʜᴇʀᴇss: ᴀɴʏᴀ ᴍᴍɪʀɪ / ʙʟᴏᴏᴅʏ ᴄɪᴠɪʟɪᴀɴ + ʀᴇᴍᴀ: ᴡᴀᴋᴇ ᴜᴘ / ᴀʟᴇᴍᴀ́ɴ + ʀᴇᴍᴀ: ᴘᴀɴᴛᴇʀᴀ / ᴅʙɴ ɢᴏɢᴏ + sɪɴᴏ ᴍsᴏʟᴏ: ᴊᴇʟᴇ / ᴄᴀʟʟᴇ x ᴠɪᴅᴀ + ғᴏᴜᴅᴇᴏ̨ᴜsʜ: ɴᴏ ᴅɪɢᴀs ᴍɪ ɴᴏᴍʙʀᴇ / ɢᴜᴀᴅᴀʟᴜᴘᴇ ᴅᴇ ᴊᴇsᴜ́s ᴄʜᴀɴ ᴘᴏᴏᴛ: ᴍɪ ᴘᴜᴇʙʟᴏ
Score: [tracks referenced in this episode]
ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ: ᴡᴀᴋᴀɴᴅᴀ ғᴏʀᴇᴠᴇʀ / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ: ᴛ’ᴄʜᴀʟʟᴀ / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ: ʏɪʙᴀᴍʙᴇ! / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ: ɴᴀᴍᴏʀ / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ + ʙᴀᴀʙᴀ ᴍᴀᴀʟ: ᴡᴇʟᴄᴏᴍᴇ ʜᴏᴍᴇ / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ + ʙᴜsɪsᴡᴀ: ᴡᴇ ᴋɴᴏᴡ ᴡʜᴀᴛ ʏᴏᴜ ᴡʜɪsᴘᴇʀ / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ + ᴊᴏʀᴊᴀ sᴍɪᴛʜ: ʜᴇ ᴡᴀsɴ’ᴛ ᴛʜᴇʀᴇ / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ + ᴠɪᴠɪʀ ᴏ̨ᴜɪɴᴛᴀɴᴀ: sɪʀᴇɴs / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ: ɴᴀᴍᴏʀ’s ᴛʜʀᴏɴᴇ / ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ: ʏᴜᴄᴀᴛᴀ́ɴ / ᴠɪᴠɪʀ ᴏ̨ᴜɪɴᴛᴀɴᴀ: ᴀ́ʀʙᴏʟᴇs ʙᴀᴊᴏ ᴇʟ ᴍᴀʀ [ғɪʟᴍ ᴠᴇʀsɪᴏɴ] / ғᴏᴜᴅᴇᴏ̨ᴜsʜ + ʟᴜᴅᴡɪɢ ɢᴏ̈ʀᴀɴssᴏɴ: ᴄᴏɴ ʟᴀ ʙʀɪsᴀ [ғɪʟᴍ ᴠᴇʀsɪᴏɴ]
Episodes: 1 2 3
#marvel studios voices rising#ryan coogler#ludwig göransson#wakanda forever#black panther#marvel assembled#movie soundtrack#this is for my people who don’t have disney +#and for the folks who just want a summary of the eps#and for my fellow musical nerds like me lol#oscars#tenoch huerta#letitia wright#angela bassett#danai gurira#dominique thorne#lupita nyong'o#winston duke#michael b jordan#michaela coel#alex livinalli#florence kasumba#con la brisa#rihanna#burna boy#tems
30 notes
·
View notes
Last Seen Blogs
festbutts-blog
Fest Butts
rnkstory-blog
Reality.And.Determination.In.Tough
zotpotdigital
zotpot DiGiTAL
emirathicom
emirathi.com
barleans-blog1
Barlean's