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#style nation
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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demaparbat-hp · 4 months
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Fire Half-Child
#atla#zuko#avatar the last airbender#atla zuko#zutara#halfblood au#zutara au#atla art#atla fanart#zuko fanart#prince zuko#zuko art#zuko alone#Halfblood AU art#katara#Here comes the Blue Eye Samurai art style influence rearing its pretty head#Gotta love that show's use of lighting#I know this looks like another good ol' Zuko Alone fanart... And it kinda is... But I swear it's also from the HalfBlood AU#I'm still figuring out Zuko's backstory in this AU but I know he was raised in the EK after escaping the Fire Nation as a child#It was probably Ursa who took her freshly burned son and left with help from the White Lotus#I'm... not entirely sure if Zuko remembers everything from his previous life. Flashes of memories and faces but that's it#He believes himself to be a War Child. Ursa loved him but she was also distant in illness and grief.#She taught him to hide his real name and his firebending at all costs. Agni only knew what would happen to him if he was found out.#The last thing Ursa said to him before pushing him out of the burning cottage was to search for his Uncle in Ba Sing Se#He would help him. Keep him safe. And he had answers.#He could tell Zuko of his past and his memories and shed some light over his strange dreams and his mother's sorrow#He just had to reach Ba Sing Se and find him. Uncle would tell him everything about the monster who had burned her mother's back and spirit#Then Zuko would find him#And no demon other than himself would ever roam the earth again#Change of subject. Am I going to keep dropping the full backstory and plot in the tags? Yes. Yes I will. Sorry guys
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luzho · 10 months
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the zukka puns... continue!!
originally a bad joke by jeff, with the scenery of the first panel based on the Jianbi pavilion in the Old Summer Palace in Beijing and the pose of the second panel based on this photo. i am very happy with how the perspective and the colors turned out :) i should make more architectural drawings for fun
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nation-of-bros · 3 months
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Always styled correctly as a bro
Cap, baller shorts, proudly showing off your hairy chest, everyone sees that you are nothing else, just a bro like the others. There is no reason – and room – for more.
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honeyhobbs · 28 days
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We need more gaz calling cards and in this essay I will
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makemydaymisstay · 6 months
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Back in 2014, I bought all the albums and got all the polaroids (luckily no repeated one)
I made a tumblr post about it and @taylorswift liked it and followed me ! So I couldn’t break that lucky chain ! I had to have all these now , 9 years later 🩵
Share for good luck 🫶🏻
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peacefulandcozy · 1 year
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Instagram credit: cosyfaerie
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chillymuffins · 1 month
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some love for our favorite valentine ღゝ◡╹)ノ♡
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saikis1truelove · 5 months
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they have been scottpilgrimified
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hslwt91 · 8 months
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lately she's been dressing for revenge
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likealittleheartbeat · 2 months
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I try to generally be constructive and engaged with the show I love on here, so on this day, I’ll just say that one of the most thematically important aspects for me from the original ATLA is Aang’s emotional core of real shame for running away when he was hurt by the monk’s decision to send him away. People who feel the kind of deep-seated shame that Aang feels from this decision can understand how that kind of all-encompassing shame is not built around a simple failure or a lie they tell themselves; it’s constructed from real misbehaviors and transgressions of their own sense of ethics—lashing out, telling lies, attempting to hurt others intentionally—that then have consequences (abuses, abandonments, or deaths) which seem to far exceed their expectations or even basic logic.
The combination of the misbehavior with exaggerated existential punishments (along with a lack of support and amend-making in the immediate wake of the events) is what transforms a sense of guilt (I fucked up) into shame (I am a forever fuck-up). Then shame, that sense of being a secret monster ‘no matter what I do or how good everyone thinks I am,’ invites all the avoidance strategies (Aang puts on big smiles, makes lots of jokes, constantly tries to make everyone happy, hops from town to town without building deeper connections). One doesn’t want to acknowledge one’s true feelings or let others in to see those feelings and experiences because it’s too painful to face the grief at the same time that you have to look at yourself for being responsible—even when you recognize it wasn’t totally your fault. It’s just that if you had just been good, less emotional, less human, then maybe the world wouldn’t be so messed up. Of course, in a zen view of things, the world will always be messed up in the same way it will always be beautiful. These are constant facts that always coexist in balance, and this is the truth that Aang learns and that undergirds the whole series.
So I always loved that Aang ran away. It was his sin and his salvation. And it becomes this constant tension for the series—he gets hurt in Bato of the Water Tribe and starts to run away from Katara and Sokka, he runs away to the Guru in the Crossroads of Destiny and his best friend is attacked, he and the gaang retreat after the Day of the Black Sun failure, he runs away to meditation in Sozin’s Comet when everyone wants him preparing for war. Aang’s reluctance to be a hero and the attachments and petulance for which he gets criticized are what metamorphasize to become his most noble attributes. They allow him to empathize with others shame and, ultimately, wield the kind of compassion that can deconstruct the power and perfectionism of imperialism.
So yes, Aang ran away from his temple 100 years ago. It wasn’t the mentally healthy choice. It wasn’t the ethical choice. It wasn’t the wise choice. It was human and emotional and shameful and real. Aang is a better character for it. ATLA is a better show because of it. And we are better people when we understand these kind of tragic emotional experiences that people are trying so hard to grow through.
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sbrinapacks · 3 months
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fav or reblog if u use 💌!
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bil-daddy · 5 months
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Bildaddy's 1000th Follower Mutual Celebration Video
Bildaddy loves every single one of you (platonic) Thank you all for joining the flock! When Bildad is your goatherd, you shall not want. Or, well, not for ox ribs (platonic), at least, anyway--or brocs ribs (platonic) for our vegan and vegetarian kids (species, age neutral)
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If you're wondering why I've been quieter today, this is your answer.
I included as many people as possible, especially those who replied/reblogged the original 969 Follower Post. But if you're feeling left out, let me know and I can make sure you're in the next video.
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opheliadae · 2 years
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national library, Vienna
please do not repost and/or remove caption
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champagnexowishes · 3 months
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thecoldcoffeecup · 6 months
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was it over then? is it over now?
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